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Isymbols of Water and Woman on Selected Examples of Modern Bengali Literature in the Context of Mythological Tradition.*
© Wagadu Volume 3: Spring 2006 Symbols of Water and Woman iSymbols of Water and Woman on Selected Examples of Modern Bengali Literature in the Context of Mythological Tradition.* Blanka Knotková-Čapková As in many archaic mythological concepts, the four basic elements are represented in the Indian mythology as either male or female: air (wind) and fire are male principles, later personified as male deities – Agni and Vāyu; earth and water (river) are female. The metaphorization of woman as Water and Earthii has a strong essentialist aspect; it points to the symbol of the womb, the mysterious feminine source of life, the “cradle and grave”iii or “womb and tomb”, “the Great Mother symbolizing circularity of life and death” (cf. Kalnická, in Wilkoszewska 2001, 107), who also disposes with the ultimate power over life and death. As such, she personifies the female creative and dynamic cosmic energy, śakti. Together with her male counterpart (personified as male God Śiva), she represents the dual image of cosmical unity and harmony. In heterodox śaktism, she is worshipped as the ultimate spiritual principle, not dependent on the male principle; in śivaismiv, she is described as the left part of Śiva’s body. Śaktism also worships śakti in the metonymical image of yoni, the female genitals, the location of the sensual pleasure and the beginning of life (the way to / from the womb).v Some of the mythological personifications of śakti have been partially patriarchalized and “married” to the male Gods; a possible pre-Indo-European concept of an independent motherly deity (whose image was connected with the vegetation cycle, eternal recreation and rebirth). -
Ramayan Around the World Ravi Kumar [email protected]
Ramayan Around The World Ravi Kumar [email protected] , Contents Acknowledgement.......................................................................................................2 The Timeless Tale .......................................................................................................2 The Universal Relevance of Ramayan .........................................................................2 Ramayan Scriptures in South East Asian Languages....................................................5 Ramayana in the West .................................................................................................6 Ramayan in Islamic Countries .....................................................................................7 Ramayan in Indonesia Islam is our Religion but Ramayan is our Culture..............7 Indonesia Ramayan Presented in Open Air Theatres ................................................9 Ramayan in Malaysia We Rule in the name of Ram’s Paduka.............................10 Ramayan among the Muslims of Philippines..........................................................11 Persian And Arabic Ramayan ................................................................................11 The Borderless Appeal of Ramayan.......................................................................13 Influence of Ramayan in Asian Countries..................................................................16 Influence of Ramayan in Cambodia .......................................................................17 -
Fall 2003 Online Supplement
Electronic Archaeology News Volume 21 Number 3, Online Supplement Fall 2003 From the Editor: MVAC is excited to offer a new way for our members to receive current news about ongoing projects, new finds and upcoming events. We will continue to mail out a newsletter with announcements three times a year, and will provide more information in the online supplement. Please let me know what you think of this change and any suggestions you have for new MVAC at the University material to include. Members who would like a hard copy of the supplement of Wisconsin - La Crosse mailed to their homes can contact me at (608) 785-8454 or 1725 State Street [email protected]. Enjoy the newsletter! La Crosse, WI 54601 Jean Dowiasch, Editor www.uwlax.edu/mvac ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ State Highway 33 Projects Yields Upland Sites Vicki Twinde, Research Archaeologist In June of 2003, MVAC personnel conducted a MVAC has recommended more Phase I survey of approximately 7 miles of STH 33, archaeological work be done on from the intersection of County Highway F and STH these sites. Therefore, this fall, 33 at the top of Irish Hill to approximately 1/2 mile pending landowner permis- east of the town of St. Joseph. This is part of a sions, MVAC will undertake Wisconsin Department of Transportation project in additional archaeological work which approximately 21 miles of STH 33 will be re- on eight of these sites. done from CTH F all the way into the town of Cashton. The highway project will be completed in three different sections, as will the archaeology. -
View Entire Book
ORISSA REVIEW VOL. LXI NO. 12 JULY 2005 DIGAMBAR MOHANTY, I.A.S. Commissioner-cum-Secretary BAISHNAB PRASAD MOHANTY Director-cum-Joint Secretary SASANKA SEKHAR PANDA Joint Director-cum-Deputy Secretary Editor BIBEKANANDA BISWAL Associate Editor Sadhana Mishra Editorial Assistance Manas R. Nayak Cover Design & Illustration Hemanta Kumar Sahoo Manoj Kumar Patro D.T.P. & Design The Orissa Review aims at disseminating knowledge and information concerning Orissa’s socio-economic development, art and culture. Views, records, statistics and information published in the Orissa Review are not necessarily those of the Government of Orissa. Published by Information & Public Relations Department, Government of Orissa, Bhubaneswar - 751001 and Printed at Orissa Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. E-mail : [email protected] Five Rupees / Copy Visit : www.orissagov.nic.in Fifty Rupees / Yearly Contact : Ph. 0674-2411839 CONTENTS Editorial Landlord Sri Jagannath Mahaprabhu Bije Puri Dr. Chitrasen Pasayat ... 1 Jamesvara Temple at Puri Ratnakar Mohapatra ... 6 Vedic Background of Jagannath Cult Dr. Bidyut Lata Ray ... 15 Orissan Vaisnavism Under Jagannath Cult Dr. Braja Kishore Swain ... 18 Bhakta Kabi Sri Bhakta Charan Das and His Work Somanath Jena ... 23 'Manobodha Chautisa' The Essence of Patriotism in Temple Multiplication - Dr. Braja Kishore Padhi ... 26 Kulada Jagannath Rani Suryamani Patamahadei : An Extraordinary Lady in Puri Temple Administration Prof. Jagannath Mohanty ... 30 Sri Ratnabhandar of Srimandir Dr. Janmejaya Choudhury ... 32 Lord Jagannath of Jaguleipatna Braja Paikray ... 34 Jainism and Buddhism in Jagannath Culture Pabitra Mohan Barik ... 36 Balabhadra Upasana and Tulasi Kshetra Er. -
Great Heritages of Orissa
Orissa Review * December - 2004 Great Heritages of Orissa Dr. Hemanta Kumar Mohapatra Etymologically, 'heritage' is anything that is or Cultural heritages are the creation of human may be inherited. In such case 'heritage' covers beings, who have created it by virtue of their everything that is seen around the human innovative power, creativity, skill and artistic civilization. Heritage is thus natural or created ability. or has evolved in the course of history. It is natural or man-made. Of the man-made Cultural heritages may be tangible or heritages some are already made and existing intangible. Archaeological heritages may be and others are in the process of making. But otherwise called tangible heritages. The everything what we inherit or may be inherited intangible ones may be called living heritages. can not be heritage in the proper use of the But for better comprehension and convenience term. To assume the dimension of heritage such we have discussed the cultural heritages in features must have influenced the socio- entirety under the following sections. economic and cultural life of the people. It must (a) Archaeological heritages (b) Literary have substantially influenced the imagination heritages (c) Religious heritages and life style of the human beings. A society (d) Performing art heritages, (e) Heritage or civilization is known and become unique festivals (f) Art and craft heritages by its own tradition. It gets its identity by its (g) Modern heritages of Orissa. own heritages. The cultural dimension of Orissa is Heritage is something which is specific varied and wide. Every bit of Oriyan culture and typical of a place, area, region or country and tradition is not included in this discussion. -
Guidelines for the Field Collection of Archaeological Materials and Standard Operating Procedures for Curating Department of Defense Archaeological Collections
Guidelines for the Field Collection of Archaeological Materials and Standard Operating Procedures for Curating Department of Defense Archaeological Collections Prepared for the Legacy Resource Management Program Office Legacy Project No. 98-1714 Mandatory Center of Expertise for the Curation and Management of Archaeological Collections Form Approved REPORT DOCUMENTATION PAGE OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington Headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188), Washington, DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 1999 3. REPORT TYPE AND DATES COVERED 4. TITLE AND SUBTITLE 5. FUNDING NUMBERS Guidelines for the Field Collection of Archaeological Materials and Standard Operating Procedures for Curation Department of Defense Archaeological Collections 6. AUTHORS Suzanne Griset and Marc Kodack 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) PERFORMING ORGANIZATION REPORT NUMBER U.S. Army Corps of Engineers, St. Louis District 1222 Spruce Street (CEMVS-ED-Z) St. Louis, Missouri 63103-2833 9. SPONSORING/MONITORING AGENCY NAME(S) AND ADDRESS(ES) 10. SPONSORING/MONITORING AGENCY Legacy Resource Management Program Office REPORT NUMBER Office of Deputy Under Secretary of Defense (Environmental Security) Legacy Project No. -
LIST of PROGRAMMES Organized by SAHITYA AKADEMI During APRIL 1, 2016 to MARCH 31, 2017
LIST OF PROGRAMMES ORGANIZED BY SAHITYA AKADEMI DURING APRIL 1, 2016 TO MARCH 31, 2017 ANNU A L REOP R T 2016-2017 39 ASMITA Noted women writers 16 November 2016, Noted Bengali women writers New Delhi 25 April 2016, Kolkata Noted Odia women writers 25 November 2016, Noted Kashmiri women writers Sambalpur, Odisha 30 April 2016, Sopore, Kashmir Noted Manipuri women writers 28 November 2016, Noted Kashmiri women writers Imphal, Manipur 12 May 2016, Srinagar, Kashmir Noted Assamese women writers 18 December 2016, Noted Rajasthani women writers Duliajan, Assam 13 May 2016, Banswara, Rajasthan Noted Dogri women writers 3 March 2016, Noted Nepali women writers Jammu, J & K 28 May 2016, Kalimpong, West Bengal Noted Maithili women writers 18 March 2016, Noted Hindi women writers Jamshedpur, Jharkhand 30 June 2016, New Delhi AVISHKAR Noted Sanskrit women writers 04 July 2016, Sham Sagar New Delhi 28 March 2017, Jammu Noted Santali women writers Dr Nalini Joshi, Noted Singer 18 July 2016, 10 May, 2016, New Delhi Baripada, Odisha Swapan Gupta, Noted Singer and Tapati Noted Bodo women writers Gupta, Eminent Scholar 26 September 2016, 30 May, 2016, Kolkata Guwahati, Assam (Avishkar programmes organized as Noted Hindi women writers part of events are subsumed under those 26 September 2016, programmes) New Delhi 40 ANNU A L REOP R T 2016-2017 AWARDS Story Writing 12-17 November 2016, Jammu, J&K Translation Prize 4 August 2016, Imphal, Manipur Cultural ExCHANGE PROGRAMMES Bal Sahitya Puraskar 14 November 2016, Ahmedabad, Gujarat Visit of seven-member -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Madhusudan Dutt and the Dilemma of the Early Bengali Theatre Dhrupadi
Layered homogeneities: Madhusudan Dutt and the dilemma of the early Bengali theatre Dhrupadi Chattopadhyay Vol. 4, No. 2, pp. 5–34 | ISSN 2050-487X | www.southasianist.ed.ac.uk 2016 | The South Asianist 4 (2): 5-34 | pg. 5 Vol. 4, No. 2, pp. 5-34 Layered homogeneities: Madhusudan Dutt, and the dilemma of the early Bengali theatre DHRUPADI CHATTOPADHYAY, SNDT University, Mumbai Owing to its colonial tag, Christianity shares an uneasy relationship with literary historiographies of nineteenth-century Bengal: Christianity continues to be treated as a foreign import capable of destabilising the societal matrix. The upper-caste Christian neophytes, often products of the new western education system, took to Christianity to register socio-political dissent. However, given his/her socio-political location, the Christian convert faced a crisis of entitlement: as a convert they faced immediate ostracising from Hindu conservative society, and even as devout western moderns could not partake in the colonizer’s version of selective Christian brotherhood. I argue that Christian convert literature imaginatively uses Hindu mythology as a master-narrative to partake in both these constituencies. This paper turns to the reception aesthetics of an oft forgotten play by Michael Madhusudan Dutt, the father of modern Bengali poetry, to explore the contentious relationship between Christianity and colonial modernity in nineteenth-century Bengal. In particular, Dutt’s deft use of the semantic excess as a result of the overlapping linguistic constituencies of English and Bengali is examined. Further, the paper argues that Dutt consciously situates his text at the crossroads of different receptive constituencies to create what I call ‘layered homogeneities’. -
List of Documentaries Produced by Sahitya Akademi
LIST OF DOCUMENTARIES PRODUCED BY SAHITYA AKADEMI S.No.AuthorDirected byDuration 1. Amrita Pritam (Punjabi) Basu Bhattacharya 60 minutes 2. Akhtar-ul-Iman (Urdu) Saeed Mirza 60 minutes 3. V.K. Gokak (Kannada) Prasanna 60 minutes 4. ThakazhiSivasankara Pillai (Malayalam) M.T. Vasudevan Nair 60 minutes 5. Gopala krishnaAdiga (Kannada) Girish Karnad 60 minutes 6. Vishnu Prabhakar (Hindi) Padma Sachdev 60 minutes 7. Balamani Amma (Malayalam) Madhusudanan 27 minutes 8. VindaKarandikar (Marathi) Nandan Kudhyadi 60 minutes 9. Annada Sankar Ray (Bengali) Budhadev Dasgupta 60 minutes 10. P.T. Narasimhachar (Kannada) Chandrasekhar Kambar 27 minutes 11. Baba Nagarjun (Hindi) Deepak Roy 27 minutes 12. Dharamvir Bharti (Hindi) Uday Prakash 27 minutes 13. D. Jayakanthan (Tamil) Sa. Kandasamy 27 minutes 14. Narayan Surve (Marathi) DilipChitre 27 minutes 15. BhishamSahni (Hindi) Nandan Kudhyadi 27 minutes 16. Subhash Mukhopadhyay (Bengali) Raja Sen 27 minutes 17. TarashankarBandhopadhyay(Bengali)Amiya Chattopadhyay 27 minutes 18. VijaydanDetha (Rajasthani) Uday Prakash 27 minutes 19. NavakantaBarua (Assamese) Gautam Bora 27 minutes 20. Mulk Raj Anand (English) Suresh Kohli 27 minutes 21. Gopal Chhotray (Oriya) Jugal Debata 27 minutes 22. QurratulainHyder (Urdu) Mazhar Q. Kamran 27 minutes 23. U.R. Anantha Murthy (Kannada) Krishna Masadi 27 minutes 24. V.M. Basheer (Malayalam) M.A. Rahman 27 minutes 25. Rajendra Shah (Gujarati) Paresh Naik 27 minutes 26. Ale Ahmed Suroor (Urdu) Anwar Jamal 27 minutes 27. Trilochan Shastri (Hindi) Satya Prakash 27 minutes 28. Rehman Rahi (Kashmiri) M.K. Raina 27 minutes 29. Subramaniam Bharati (Tamil) Soudhamini 27 minutes 30. O.V. Vijayan (Malayalam) K.M. Madhusudhanan 27 minutes 31. Syed Abdul Malik (Assamese) Dara Ahmed 27 minutes 32. -
Page 1 of 100 ALL INDIA ORIENTAL CONFERENCE LIFE MEMBERSHIP LIST
ALL INDIA ORIENTAL CONFERENCE LIFE MEMBERSHIP LIST PATRON: BENEFACTOR: 8. Atul Kumar 1. Arshad Jamal C7 Shiv Vihar Lal Mandir 1. Vimal Devi Rai 4, Mohalla - Prema Rai Colony Jwalapur, City : Head & Reader in Sanskrit. Maunath Bhanjan, Dist. Jwalapur, Taluka : Jwalapur Department. Hindu P. G. Maunathbhanjan, Uttar , District: Haridwar , College, Zamania, Dt. Pradesh 275101 Uttaranchal , Pin : 249407 Ghazipur 232 331 Patron -2070 Patron – 2238 Benefactor. - 497. 2. Shivala 9. Gauranga Das 2. S. Kalyanaraman Via Bhitauli Bazar Sri Sri Radha Gopinath 5/3 Temple Avenue, Luxmipur Shivala, Temple, 7 K.m. Munshi Srinagar Colony, Tal : Ghughli , Dist. Marg, Opposite Bhartiya Saidapet, Chennai 600 015 Maharajganj Uttar Pradesh , Vidyabhavan, Mumbai, Benefactor Pin : 273302 Mumbai, Maharashtra Patron-2075 400007 3. Shrama Sushma, Patron – 2410 H. No. 225 Bashirat Ganj, 3. Kapil Dev Lucknow 226004 U.P. P G. Department Of Sanskrit 10. Anand Suresh Kumar Benefactor – 1318 University Of Jammu , City : C/o Suddhanand Ashram Jammu, Taluka : Jammu Self knowledge, Village Giri 4. Kavita Jaiswal And Kashmir , District : Valam Adi Annamalai Road, B 5/11 , City : Awadhgarvi Jammu , Jammu And Tiruvannamalai, Sonarpura, Kashmir , Pin : 180006 Tamil Nadu 606604 Taluka : Varanasi , District : Patron-2087 Patron -1171 Varanasi , Uttar Pradesh , Pin : 221001 4. Shailendra Tiwari 11. Arora Mohini Benefactor -2125 D-36/25 B Godwoliya Gurudevi Vidyalaya Agastya Kund Near Sharda Ram Nagar Morar, 5. Dr Sathian M Bhawan , Varanasi, Uttar Gwalior M.P. 474006 Harinandanam,house,kairali Pradesh, 221001 Patron – 1302 Street,pattambi, City : Patron – 2114 Pattambi, Taluka : Pattambi , 12. Basu Ratna District : Palakkad , Kerala , 5. Pankaj Kumar Panday 183 Jodhpur Park, Pin : 679306 Vill- Nayagaw Tulasiyan Backside Bldg. -
Shadows Speak: a Need to Revive the Shadow Theatres of India
ISSN. 0972 - 8406 The NEHU Journal, Vol XIII, No. 1, January-June 2015 , pp. 21-31 Shadows Speak: A Need to Revive the Shadow Theatres of India ARTI N IRMAL 1 Abstract The Shadow Theatre or Shadow Puppetry or ‘Chhaya Natak’ of India is an ancient yet powerful example of folk theatre. On the basis of available evidences it has been found to be a predecessor of human theatre. This ancient form of leather puppetry in India is surviving through ages but it is sad to note that today in the age of film, television and internet, it is merely alive in few regions in India. Since these ‘Shadow Theatres’ signify our Indian culture, it becomes our duty to preserve and promote such art forms for generations to come. Against this background, the present paper aims to highlight the significance of shadow theatres in modern India with special reference to ‘Ravana Chhaya’ of Orissa. Keywords: Folk Theatre, Shadow Theatre, Leather Puppets, Ravana Chhaya, Liminal Zone. hadow Theatre is an ancient form of storytelling and entertainment which uses flat articulate figures to create the impression of moving Shumans. Shadows might seem transitory and temporary in nature, but they can be a powerful mode of artistic and theatrical representation too, if utilized artistically. Technologically, in Shadow Theatre the articulated figures are illuminated from behind the screen to create an illusion of moving characters. And then this illusion is adjusted skillfully to depict various stories from the Ramayana , the Mahabharata , the Puranas , and the folktales. In this way, they not only enhance our understanding of the Indian cultural tradition but also cast a profound social appeal on the viewers.