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A Vibrafon Mint Jazzhangszer Komolyzenébe Való Beilleszkedésének Bemutatása Andrei Pushkarev Valse Brillante Című Művén Keresztül
A vibrafon mint jazzhangszer komolyzenébe való beilleszkedésének bemutatása Andrei Pushkarev Valse Brillante című művén keresztül Lengyel Erik Klasszikus ütőhangszeres, BA/III Témavezető: Dr. Szabó István főiskolai tanár Debreceni Egyetem Zeneművészeti Kar Tartalomjegyzék I. Bevezetés ................................................................................................................................ 2 I.1. A vibrafon kialakulásának kezdete .................................................................................. 2 I.2. A végleges forma létrejötte .............................................................................................. 2 II. A vibrafon mai megszólaltatási technikájának kialakulása ................................................... 3 III. A vibrafon kezdeti szerepe a zenében .................................................................................. 4 IV. A hangszer megjelenése a szimfonikus zenekarokban ........................................................ 4 V. A vibrafon repertoárja .......................................................................................................... 5 VI. A Valse Brillante keletkezésének háttere ............................................................................. 6 VII. A Valse Brillante játéktechnikai megvalósítása vibrafonon ............................................... 7 VIII. Befejezés ........................................................................................................................... 9 Függelék .................................................................................................................................. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Jazzletter '2‘ ‘ -..2..”")'”" 93023 July 1984 Vol
. __,_ ..-__. ____._. _.___._.L. _ . 7 V < V —_ —— . _. was-¢ ‘—~ ~:» ~— fir Uizédr éc I5: him“ “£1-MT : é¢i7[61. )<../,5. <;.v¢,.,“.t.£~//~~ ‘/‘ Z‘-//u--tlv +~,.<L»~>uw 507154 Lfiw "Z, LL few»-11, . -F Era-‘C ~14‘, £»~</uh -' ¥ fll/111.13 P-O. (ml:-v.~’ fl:';;f*[7,‘ Jazzletter '2‘ ‘ -..2..”")'”" 93023 July 1984 Vol. 3 No. 12 not only had Bird’s horn. he now had his wife. Nothing could have Years End been more incorrect. After Bird’s death. Phil was there to comfort Once again. we have arrived at the end of a year ~ the year that her. and that led to further feeling. and finally marriage. Nothing lasted a year and a half. My several trips to Europe. writing the strange about it at all. Phil used to take me out to Bucks for lyrics for an album for Sarah Vaughan based on poems of Pope weekends. and I remember little in detail about it. only the warm John Paul ll. working with a collection of gifted and wonderful feeling of being in that house full of love and music. Phil was friends (Lalo Schifrin. Ed Thigpen. Bobby Scott. Jimmy Woodc. raising Baird. Bird’s son. and Kim. who had been Bird's step- Tony Coe. Francy Boland. Sahib Shihab. Sal Nistico. and Art daughter. and indeed thoughtof Bird as her father. (She thinks of Farmer among them). really threw the Jazzletter out of phase with both Phil and Bird as her fathers now.) I remember that Phil had real time. -
Chronologie Des Compositeurs Et Des
1808-1869 : Albert Grisar CHRONOLOGIE DES COMPOSITEURS 1801-1854 : Albert Guillon ET DES PRINCIPAUX ÉCRIVAINS 1883-1946 : Albert Gumble ARTISTES SAVANTS LIBRETTISTES 1885-1978 : Albert Laurent 1897-1985 : Albert Moeschinger 1869-1937 : Albert Roussel 1875-1965 : Albert Schweitzer Classement alphabétique 1846-1918 : Albert Soubies 1941-____ : Albert Stephen 1807-1864 : A. de Rovray (Pier Angelo Fiorentino) 1841-1906 : Albert Vizentini 1764-1821 : A.F. Eler 1875-1959 : Albert William Ketelbey 1976-____ : Aaron Cassidy 1916-1996 : Alberto Bruni-Tedeschi 1900-1990 : Aaron Copland 1916-1983 : Alberto Ginastera 1960-____ : Aaron Jay Kernis 1897-1975 : Alberto Hemsi 1893-1958 : Aarre Merikanto 1813-1877 : Alberto Mazuccato 1749-1814 : abbé Georg Joseph Vogler 1864-1920 : Alberto Nepomuceno 1915-2003 : Abel Ehrlich 1967-____ : Alberto Posadas 1612-1686 : Abraham Calov 1471-1528 : Albrecht Dürer 1791-1868 : Achille d'Artois (Charles A. d'Artois de Bournonville) 735- 804 : Alcuin 1805-1868 : Adalbert Stifter 1940-____ : Alden Jenks 1220-1270 : Adam de Givenchy 1960-____ : Aldo Brizzi 1230-1286 : Adam de La Halle 1925-____ : Aldo Clementi 1445-1505 : Adam von Fulda 1951-____ : Alejandro Vinão 1843-1919 : Adelina Patti 1951-____ : Aleksander Lason 1814-1889 : Adolf von Henselt 1906-1995 : Alessandro Cicognini 1954-____ : Adolfo Nunez 1770-1834 : Alessandro Grazidi 1897-1980 : Adolph Deutsch 1669-1747 : Alessandro Marcello 1891-1971 : Adolph Weiss 1951-____ : Alessandro Melchiorre 1803-1856 : Adolphe Adam 1566-1638 : Alessandro Piccinini 1871-1955 -
December 1987
VOLUME 11, NUMBER 1 2, ISSUE 98 Cover Photo by Jaeger Kotos EDUCATION IN THE STUDIO Drumheads And Recording Kotos by Craig Krampf 38 SHOW DRUMMERS' SEMINAR Jaeger Get Involved by by Vincent Dee 40 KEYBOARD PERCUSSION Photo In Search Of Time by Dave Samuels 42 THE MACHINE SHOP New Sounds For Your Old Machines by Norman Weinberg 44 ROCK PERSPECTIVES Ringo Starr: The Later Years by Kenny Aronoff 66 ELECTRONIC INSIGHTS Percussive Sound Sources And Synthesis by Ed Mann 68 TAKING CARE OF BUSINESS Breaking In MANU KATCHE by Karen Ervin Pershing 70 One of the highlights of Peter Gabriel's recent So album and ROCK 'N' JAZZ CLINIC tour was French drummer Manu Katche, who has gone on to Two-Surface Riding: Part 2 record with such artists as Sting, Joni Mitchell, and Robbie by Rod Morgenstein 82 Robertson. He tells of his background in France, and explains BASICS why Peter Gabriel is so important to him. Thoughts On Tom Tuning by Connie Fisher 16 by Neil Peart 88 TRACKING DRUMMING AT DISNEY Studio Chart Interpretation by Hank Jaramillo 100 WORLD DRUM SOLOIST When it comes to employment opportunities, you have to Three Solo Intros consider Disney World in Florida, where 45 to 50 drummers by Bobby Cleall 102 are working at any given time. We spoke to several of them JAZZ DRUMMERS' WORKSHOP about their working conditions and the many styles of music Fast And Slow Tempos that are represented there, by Peter Erskine 104 by Rick Van Horn 22 CONCEPTS Drummers Are Special People STEVE HOUGHTON by Roy Burns 116 He's known for his big band work with Woody Herman, EQUIPMENT small-group playing with Scott Henderson, and his teaching at SHOP TALK P.I.T. -
Kenny Loggins
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRYRY ianr`1DECEMBER 9, 1978 $1.95 91M12: Zi,zZ t78 1 1II Kenny Loggins FOREIGNER, "BLUE MORNING, BLUE STEPHEN BISHOP, "ANIMAL HOUSE" NEIL DIAMOND, "YOU DON'T DAY" (prod. by Olsen -Jones -Mc- (prod. by K. Vance) (writer: Bi- B Donald) (writers: Gramm -Jones) shop) (Stephen Bishop/Duchess, b bO9I6 (Somerset/Evansongs/WB, BMI) EMI) (2:55). could this be the titi *VD `AWID OIQf1,LS (3:08). This third single from their lilting voice of "On and On." Yup, du Ip should follow the others, quick- one and the same and expertly to I,LInOD b2.1f1.LN3/1 OfiI ly, to the top of the charts. weirded up for this theme from son SQLI':)D3L: Q'IO`J Q'a.LI'/.I'INfl Lou Gramm's vocals are penetrat- the big movie hit. To -Ga. ABC ble SIIHD T76 6G -0,I S ing. Atlantic 3543. 12435 tati - ROLLING STONES, "SHATTERED" (prod. TED NUGENT, "NEED YOU BAD" (prod. by CAT STEVENS, "BACK TO by Glimmer Twins) (writers: Futterman-Daies-Werman) (writ- EARTH." An album of varied moods Jagger -Richards) (Colgems, er: NJgent) (Magicland, ASCAP) from Stevens ranging from the rock- ASCAP) (2:44). This third release (2:44). The certifiable rock crazy ing "Bad Brakes" (the single) to from their new Ip shculd already proves, once again, to be one of the instrumental "Nascimento." be as familiar to AOR listeners as the genre's p-emier guitarists on Still very much a distinctive stylist, their previous singles. It's rock 'n this relentlessly driving new he holds this new work together roll funk with a flourish. -
Library and Archives Canada Music Section the MOE KOFFMAN
Library and Archives Canada Music Section THE MOE KOFFMAN FONDS NUMERICAL LIST BY DAVID FRASER (PRINCIPAL AUTHOR) WITH CHERYL GILLARD AND NEAL JOHNSTONE GATINEAU 2007 2 TABLE OF CONTENTS INTRODUCTION............................................................................................................. 5 ABBREVIATIONS AND ACRONYMS......................................................................... 6 ABOUT THE FONDS ...................................................................................................... 8 DESCRIPTION OF THE FONDS ................................................................................ 13 MUS 315/A PERSONAL AND FAMILY RECORDS. ............................................ 13 MUS 315/B PERSONAL AND PROFESSIONAL CORRESPONDENCE AND ASSOCIATED MATERIAL.......................................................................................... 21 MUS 315/B1 CHRONOLOGICAL FILES .............................................................. 21 MUS 315/B2 SUBJECT AND NOMINAL FILES................................................... 28 MUS 315/C BUSINESS RECORDS........................................................................... 30 MUS 315/C1 GENERAL BUSINESS FILES........................................................... 31 MUS 315/C2 PERFORMANCE CONTRACTS FILES ......................................... 38 MUS 315/C3 FILES CONCERNING CONCERTS AND OTHER LIVE ENGAGEMENTS........................................................................................................ 43 MUS 315/C4 GEORGE’S -
(P) Red Mitchell
TJD-Online: Red Mitchell Page 1 of 58 [F4693] Add Tony Fruscella Debut : Tony Fruscella (tp) Chick Maures (as) Bill Triglia (p) Red Mitchell (b) Dave Troy (d) New York, December 10, 1948 151A Foo's Spotlite (E)SPJ126 153B Flues - 154B Oh yeah - 155A Little Orgg - 155B Little Orgg - 156A Out of nowhere - 156B Out of nowhere - 163A Flues - Note: All above titles also on Cool N' Blue (Swi)C&B-CD107 [CD] titled "Tony's blues" see 1955 and November 7, 1955 for the rest of this CD. All above titles also on The Jazz Factory JFCD22808 [CD] titled "Tony Fruscella - Complete Studio Recordings"; see various flwg sessions to April 1955 and Stan Getz for rest of this 2 CD set. All above titles also on The Jazz Factory (Sp)JFCD44401 [CD] titled "Tony Fruscella - The Complete Works"; see various flwg sessions to November 7, 1955 and Stan Getz for rest of this 4 CD set. [R5274] Add Joe Roland Joe Roland Quintet : Ray Turner (ts) Joe Roland (vib) Red Mitchell (p) Joe Puma (g) Paul Sziglay (b) Paula Castle (vcl) New York, July 21, 1949 Leaving town tonight (unissued) Derby Harry the eight Rainbow LP708 Free of charge - A fool and his love (unissued) Note: Rainbow issued as by "Chubby Jackson's All Stars" but is is in fact a Joe Roland Group. [V1382] Add Charlie Ventura Charlie Ventura And His Orchestra : Teddy Kaye (p) Red Mitchell (b) replace Roy Kral, Kenny O'Brien, Betty Bennett (vcl) Beverley Brooks (vcl) Jimmy Vanelli (vcl) added New York, August 12, 1949 D9VB284 Boptura (cc,bg,cv vcl) Vic 20-3552, LP3046, RCA (F)NL46031, Fresh Sound (Sp)NL46031 D9VB2144 Feather's den (bb,bb vcl) Vic 20-3635, LPM1135, Fresh Sound (Sp)LPM1135, RCA (F)NL46031, Fresh Sound (Sp)NL45958 D9VB2145 Yankee clipper (betty b vcl) Vic 20-3552, LPM1135, Fresh Sound (Sp)LPM1135, NL45958 D9VB2146 Lotus blue Vic 20/50-0103, LPM1135, Fresh Sound (Sp)LPM1135, RCA (F)NL46031, Fresh Sound (Sp)NL46031 D9VB2147 Honey (jv vcl) RCA (F)NL46031, Fresh Sound (Sp)NL46031 Note: All above titles also on Classics (F)1215 [CD]. -
LAJI Big Band Olympics Brochure
. 0 A G 6 E C R 2 G , O 1 A H . T T D C I O I S F A N O E O A P T B R I . P P G S M . N N R U O E O N P L presents Celebrating the Big Band Sound from A FOUR-DAY Around the World JAZZ FESTIVAL 8 3 0 0 - 8 0 8 0 9 A e t C u , t h i c t May 26-29, 2011 s a n e I B z z g a n J o s L e , l 8 e 3 g 0 n 8 A x s o o B L . e O h . P T Los Angeles Marriott Hotel 5855 West Century Boulevard, Los Angeles, California lajazzinstitute.org • TICKETS OR INFO CALL [562] 200-5477 This year’s jazz festival is a unique gathering DaTeS: of composers and arrangers from all over S May 26-29 the world that we’ve appropriately titled L Big Band Olympics. FeStIvAl PlAcE: I FeStIvAl HiGhLiGhTs Just as the Olympic Games are a showcase Los Angeles Airport Marriott a of world class athletic talent from around the The special convention T globe, Big Band Olympics brings together rate is $97 per night. TOSHIKO AKIYOSHI-LEW TABACKIN E musicians from 16 different countries Hotel stay not included representing some of the most creative in registration fee. WEST COAST REUNION d minds in modern big band music. Reserve your room now SATURDAY, MAY 28 • 8:30PM • $30 by calling (800)-228-9290 Between May 26 and May 29, 2011 The Los and ask for L Angeles Airport Marriott becomes our own TOSHIKO AKIYOSHI L.A. -
Milestone Records Discography
Milestone Label Discography Milestone Records was established in New York City in 1966 by Orrin Keepnews and Dick Katz. The label recorded mostly jazz with a small amount of blues. The label was made part of Fantasy Records in 1972. Since that time it has been used as a reissue label in addition to new jazz recordings. Milestone has also reissued many historic jazz recordings, including the Jelly Roll Morton, King Oliver and the New Orleans Rhythm Kings recordings that were originally made in the 1920’s by Richmond Indiana label Gennett Records. This discography was compiled using Schwann catalogs from 1966 to 1982 and information from the Michael Fitzgerald website. www.JazzDiscography.com 2000 Series: MLP 2001 - The Immortal Ma Rainey - Ma Rainey [1966] Jealous Hearted Blues/Cell Bound Blues/Army Camp Harmony Blues/Explainin' The Blues/Night Time Blues/'Fore Day Honry Scat///Rough And Tumble Blues/Memphis Bound Blues/Slave To The Blues/Bessemer Bound Blues/Slow Driving Moan/Gone Daddy Blues MLP 2002 - The Immortal Johnny Dodds - Johnny Dodds [1967] Rampart Street Blues/Don't Shake It No More/Too Sweet For Words/Jackass Blues/Frog Tongue Stomp/C.C. Pill Blues//Oriental Man/Steal Away/Oh Daddy/Lonesome Blues/Long Distance Blues/Messin' Around No. 2 MLP 2003 - The Immortal Jelly Roll Morton - Jelly Roll Morton [1967] Froggy Moore/35th Street Blues/Mamanita/London Blues/Wolverine Blues/My Gal/ /Big Fat Ham/Muddy Water Blues/Mr. Jelly Lord/Fish Tail Blues MLP 2004 - The Immortal Blind Lemon Jefferson - Blind Lemon Jefferson [1967] Lemon's -
Neophonic Brochure
NONPROFIT ORG. U.S. POSTAGE PAID LONG BEACH, CA. PERMIT NO. 1260 The Los Angeles Jazz Institute P. O. Box 8038 Long Beach, CA 90808-0038 Featured Artists Festival Facts This year’s event celebrates the 40th Include: anniversary of the formation of Stan Kenton’s DATES Los Angeles Neophonic Orchestra. THE LOS ANGELES NEOPHONIC May 26-29, 2005 ORCHESTRA 2005 ABOUT THE The concept of the Orchestra was PLACE to feature new works by a variety of LOS ANGELES the most outstanding composers and THE BUD SHANK The Four Points Sheraton at LAX BIG BAND 9750 Airport Blvd. JAZZ INSTITUTE arrangers in the jazz world. Our program Los Angeles, CA 90045 The Los Angeles Jazz Institute reflects the ideals set forth by the original CLARE FISCHER’S The special convention is $78 Neophonic Orchestra by presenting JAZZ CORPS houses and maintains and $88 per night. Hotel stay one of the largest jazz archives a number of Big Bands led by artists not included in registration fee. in the world. All styles and eras associated with the original Orchestra THE GERALD Reserve your room now are represented with a special as well as concerts performing original WILSON by calling 800-529-4683 ORCHESTRA Please tell the reservation emphasis on the preservation Neophonic music. Much of this music and documentation of jazz in agent you are attending BONUS EVENTS has not been heard in a live setting TOMMY VIG the festival to get the special southern California. Many artists since it’s premier. room rate. The cutoff for the personal collections are being special festival rate is May 2. -
Compositeurs Et Principaux Écrivains, Artistes, Savants, Librettistes
COMPOSITEURS ET PRINCIPAUX ÉCRIVAINS, ARTISTES, SAVANTS, LIBRETTISTES Liste alphabétique Albert Camus (1913-1960) A Albert Einstein (1880-1955) A. de Rovray (Pier Angelo Fiorentino) (1807-1864) Albert Grisar (1808-1869) A.F. Eler (1764-1821) Albert Guillon (1801-1854) Aaron Cassidy (1976-____) Albert Gumble (1883-1946) Aaron Copland (1900-1990) Albert Laurent (1885-1978) Aaron Jay Kernis (1960-____) Albert Moeschinger (1897-1985) Aarre Merikanto (1893-1958) Albert Roussel (1869-1937) abbé Georg Joseph Vogler (1749-1814) Albert Schweitzer (1875-1965) Abel Ehrlich (1915-2003) Albert Soubies (1846-1918) Abraham Calov (1612-1686) Albert Stephen (1941-____) Achille d'Artois (Charles A. d'Artois de Bournonvi (1791-1868) Albert Vizentini (1841-1906) Adalbert Stifter (1805-1868) Albert William Ketelbey (1875-1959) Adam de Givenchy (1220-1270) Alberto Bruni-Tedeschi (1916-1996) Adam de La Halle (1230-1286) Alberto Ginastera (1916-1983) Adam von Fulda (1445-1505) Alberto Hemsi (1897-1975) Adelina Patti (1843-1919) Alberto Mazuccato (1813-1877) Adolf von Henselt (1814-1889) Alberto Nepomuceno (1864-1920) Adolfo Nunez (1954-____) Alberto Posadas (1967-____) Adolph Deutsch (1897-1980) Albrecht Dürer (1471-1528) Adolph Weiss (1891-1971) Alcuin ( 735- 804) Adolphe Adam (1803-1856) Alden Jenks (1940-____) Adolphe Boschot (1871-1955) Aldo Brizzi (1960-____) Adolphe de Leuven (comte Ribbing) (1800-1884) Aldo Clementi (1925-____) Adolphe d'Ennery (1811-1899) Alejandro Vinão (1951-____) Adolphe Deslandres (1840-1911) Aleksander Lason (1951-____) Adolphe