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Toto's Shannon Forrest
WORTH WIN A TAMA/MEINL PACKAGE MORE THAN $6,000 THE WORLD’S #1 DRUM MAGAZINE 25 GR E AT ’80s DRUM TRACKS Toto’s Shannon ForrestThe Quest For Excellence NEW GEAR REVIEWED! BOSPHORUS • ROLAND • TURKISH OCTOBER 2016 + PLUS + STEVEN WOLF • CHARLES HAYNES • NAVENE KOPERWEIS WILL KENNEDY • BUN E. CARLOS • TERENCE HIGGINS PURE PURPLEHEARTTM 12 Modern Drummer June 2014 CALIFORNIA CUSTOM SHOP Purpleheart Snare Ad - 6-2016 (MD).indd 1 7/22/16 2:33 PM ILL SURPRISE YOU & ILITY W THE F SAT UN VER WIL HE L IN T SP IR E Y OU 18" AA SICK HATS New Big & Ugly Big & Ugly is all about sonic Thin and very dry overall, 18" AA Sick Hats are 18" AA Sick Hats versatility, tonal complexity − surprisingly controllable. 28 holes allow them 14" XSR Monarch Hats and huge fun. Learn more. to breathe in ways other Hats simply cannot. 18" XSR Monarch With virtually no airlock, you’ll hear everything. 20" XSR Monarch 14" AA Apollo Hats Want more body, less air in your face, and 16" AA Apollo Hats the ability to play patterns without the holes 18" AA Apollo getting in your way? Just flip ‘em over! 20" AA Apollo SABIAN.COM/BIGUGLY Advertisement: New Big & Ugly Ad · Publication: Modern Drummer · Trim Size: 7.875" x 10.75" · Date: 2015 Contact: Luis Cardoso · Tel: (506) 272.1238 · Fax: (506) 272.1265 · Email: [email protected] SABIAN Ltd., 219 Main St., Meductic, NB, CANADA, E6H 2L5 YOUR BEST PERFORMANCE STARTS AT THE CORE At the core of every great performance is Carl Palmer's confidence—Confidence in your ability, your SIGNATURE 20" DUO RIDE preparation & your equipment. -
Clanger Bedford
OCTOBER 2017 THEBEDFORDCLANGER.COM THE BEDFORD YOUR CULTURAL GUIDE TO CLANGERTHE BEST OF BEDFORD Inside: BEDPOP FUN PALACES BEDFORD BEER FESTIVAL 40TH ANNIVERSARY MR X STITCH MAGAZINE LAUNCH EXTRAVAGANZA MOULIN ROUGE SCREENING Letter from Team Clanger Woo hoo! Autumn is here and we’re back from our summer break. There’s lots to look forward to this month, from amazing theatre and live music to BedPop Fun Palaces and Bromham Apple Day. Why not raise a glass and help celebrate the 40th anniversary of Bedford Beer Festival at the Corn Exchange on 4th – 7th October? If you’re 40 during the festival, you can claim a free pint! We’ve also got the lowdown on The Frog (the newest addition to Riverside Square) and Gareth Barber’s Best of Bedford. Finally, we can’t sign off without saying a very fond farewell to The Pad nightclub. A stalwart of Lurke Street for 15 years, the building is now under new management, but our memories will live on. Team Clanger THE CLANGER NEWS IN BRIEF Team Clanger Pomaceous, dude! Editor: Erica Roffe @bedfordclanger 15 October 10:30 am - 4:00 pm [email protected] The ever-popular Apple Day returns to Bromham Commercial Manager: Julia Crofts @clangerads Mill on Sunday 15th October 2017. Visitors can expect [email protected] a range of fun and traditional activities to celebrate Design: Adam Boreham @reactionvm all things pomaceous.* On-site there will be a wide reactionvisual.media selection of food and drink (including cider) and lots Photography: Cat Lane @catlanephoto of fun-filled activities for the whole family to enjoy. -
Sherman Robertson Band Chris Jagger's Atacha!
OCTOBER 2009 NOVEMBER 2009 Fri 2 Sun 1 Sherman Robertson Band Afternoon Tea Party (1pm till 6pm) £10adv £12door £5 feat. Mortiarty, The Hi and Lo, Giles Likes Tea, Sherman Robertson is a master of hard-swinging Texas electric The Gadjos, Matthew & The Echos and Richard Walters. blues. “I use that driving, zydeco groove and put blues on top of Moriarty are not your average indie-rock band or streamlined it,” says Robertson. “When I first saw him he was on fire. He ruled electro-pop unit. With members of French, American, Swiss and the stage and reminded me of Albert Collins. He’s got that Texas Vietnamese parentage, they’re a ramshackle olde worlde acoustic energy, great guitar chops and is a wonderful, soulful singer.”- outfit with a theatrical bent and a tendency to dress like 1930s Bruce Iglauer, Alligator Records. www.movinmusic.co.uk Prohibition outlaws and a sound that takes in folk, country, blues, jazz and cabaret. www.myspace.com/moriartylands Thu 8 Wed 4 Chris Jagger’s Atacha! Johnny Dickinson & Paul Lamb £8adv £10door £8adv/ £10door plus Paul Cowley Founded in 1994, Chris Jagger’s Atcha! are now hotter than ever Johnny Dickinson has been called the most potent slide player in and are one of very few UK bands that can handle cajun, R&B, the UK. Johnny was a founder member of Paul Lamb’s acclaimed zydeco, blues and country in an authentic and original fashion. band The Kingsnakes. Hailed by both aficionados and the music Chris is backed by a band of great musicians. -
Stardom: Industry of Desire 1
STARDOM What makes a star? Why do we have stars? Do we want or need them? Newspapers, magazines, TV chat shows, record sleeves—all display a proliferation of film star images. In the past, we have tended to see stars as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have explored the active role of the star in producing meanings, pleasures and identities for a diversity of audiences. Stardom brings together some of the best recent writing which represents these new approaches. Drawn from film history, sociology, textual analysis, audience research, psychoanalysis and cultural politics, the essays raise important questions for the politics of representation, the impact of stars on society and the cultural limitations and possibilities of stars. STARDOM Industry of Desire Edited by Christine Gledhill LONDON AND NEW YORK First published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1991 editorial matter, Christine Gledhill; individual articles © respective contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Pornographic Film and Video: Gay Male by Joe A
Pornographic Film and Video: Gay Male by Joe A. Thomas Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Pornographic film and video have played an important role in gay male culture. Whereas heterosexual pornography has been accompanied by a serious stigma in the "straight" world, gay pornography has been characterized partly by the high esteem in which it is held in the gay male subculture. As a group that is both defined by its sexual activity and rejected by the majority culture for it, gay men have often seen in pornography an all-too-rare positive image of gay sexuality. Similarly, they have found in the exaggerated sexuality and marginal artistry of porn a campy rejection of the hierarchies of the heterosexual majority. As with straight pornography, gay male pornography can be divided into two categories, hardcore and softcore. Hardcore is the genre commonly associated with the term pornography. It includes explicit imagery of actual sexual activity to the point of climax, including visible penetration and ejaculation. Softcore is a less explicit alternative, generally focusing on nude or nearly nude bodies in sexual or sensual situations, but without views of penetration or visible climax. The sex is nearly always simulated in softcore, and it is often filmed with an emphasis on romance or mood. As porn diva Gloria Leonard once humorously proclaimed, "The difference between pornography and erotica is lighting." Because both the production and consumption of pornographic film and video are dependent on relatively high levels of technology, the genre's development has taken place primarily in the industrialized West. -
SOURCES I Am Grateful to the Editors and Publishers Who Have Given
SOURCES I am grateful to the editors and publishers who have given permission for the reprint of the papers in this volume. The original places of publication are as follows: Chapter One in H. K. Betz (ed.), Recent Approaches to the Social Sciences, University of Calgary Press, 1979, pp. 76-88; Chapter Two, Journal for the Theory of Social Behaviour, Volume 11, Number 3, October 1981, pp. 223-240; Chapter Three in R. S. Cohen and M. W. Wartofsky (eds.), 'Epistemology, Methodology, and the Social Sciences, Dordrecht: Reidel, 1983, pp. 107-21; Chapter Four, British Journal of Sociology, Volume 34, Number 1, March 1983, pp. 44-60; Chapter Five in Paul Levinson (ed.), In Pursuit of Truth, Atlantic Highlands, N. J.: Humanities Press, 1982, pp. 83-107; Chapter Six, The Philosophical Forum, Fall 1968, pp. 73-84; Chapter Seven, Philosophy of Science, Volume 34, September 1967, pp. 223-242; Chapter Eight, Annals of the American Academy of Political and Social Science, Monograph 5, Functionalism in the Social Sciences (ed.), D. Martindale, Philadelphia, February 1965, pp. 18-34; Chapter Nine in R. J. Seeger and R. S. Cohen (eds.), Philosophical Foundations of Science, Boston Studies in the Philosophy of Science, Volume XI, Dordrecht: Reidel 1974, pp. 317-24; Chapter Ten, Current Anthropology, Volume 10, Number 5, December 1969, pp. 505-8; Chapter Eleven, P. D. Asquith and P. Kitcher (eds.), PSA 1984, Volume 2, East Lansing, MI: Philosophy of Science Association, 1985, pp. 000-000; Chapter Twelve, American Anthropologist, Volume 77, Number 2, June 1975, pp. 253-66; Chapter Thirteen, Current Anthropology, Volume 17, Number 4, December 1976, pp. -
Pornography.Pdf
This article appeared in a journal published by Elsevier. The attached copy is furnished to the author for internal non-commercial research and education use, including for instruction at the authors institution and sharing with colleagues. Other uses, including reproduction and distribution, or selling or licensing copies, or posting to personal, institutional or third party websites are prohibited. In most cases authors are permitted to post their version of the article (e.g. in Word or Tex form) to their personal website or institutional repository. Authors requiring further information regarding Elsevier’s archiving and manuscript policies are encouraged to visit: http://www.elsevier.com/copyright Author's personal copy Aggression and Violent Behavior 14 (2009) 323–329 Contents lists available at ScienceDirect Aggression and Violent Behavior The pleasure is momentary…the expense damnable? The influence of pornography on rape and sexual assault Christopher J. Ferguson a,⁎, Richard D. Hartley b a Department of Criminal Justice, Applied Sciences and Criminal Justice, Texas A&M International University, 5201 University Boulevard, Laredo, TX 78041, United States b University of Texas San Antonio, One UTSA Circle, San Antonio, TX 78249-1644, United States article info abstract Article history: The effects of pornography, whether violent or non-violent, on sexual aggression have been debated for Received 30 March 2009 decades. The current review examines evidence about the influence of pornography on sexual aggression in Received in revised form 7 April 2009 correlational and experimental studies and in real world violent crime data. Evidence for a causal Accepted 10 April 2009 relationship between exposure to pornography and sexual aggression is slim and may, at certain times, have Available online 18 April 2009 been exaggerated by politicians, pressure groups and some social scientists. -
Felix Issue 0001, 1988 Additional/Special Issue
FREE! No. 803 Friday 20th May 1988 INSIDE Bridge in troubled water Students are still in the dark over the suspension of the Union Snack emergency motion, proposed by 4 Union and Bar staff and over the position of Deputy President Alan Rose, Chris Martin and opposed by the ICU President, concerned the position of following yesterday's AGM. The Union Executive gave a limited ,the Deputy President, Mr Alan Rose, Letter from explanation of the crisis, but were not able to disclose full details. who has been relieved of his The meeting was opened to an this year's ICU Honorary Secretary, management responsibility for the St Mary's audience of around 200 students at for his work as last year's ICU trading outlets. The motion called on 1.05pm yesterday in the Union Publicity Officer and Hon Sec. the Executive to explain why they Concert Hall. It was decided that Quentin Fontana was also given a took the action regarding Mr Rose 5 Libel and awards should be handed out to their UGA for his work as ICU Honorary and to present any evidence they had various recipients before the rest of Secretary two years ago. Mr Fontana regarding his alledged 'gross Blackmail the business was dealt with. is no longer a student at Imperial and misconduct'. It also called for an open The first awards to be made were was not awarded a UGA by Carl debate on the matter. After speeches ICU Social Colours to members of Burgess, the ICU President two years from both sides, the motion was Science College staff. -
STONY BROOK PLAYERS - JI I I __ L1 L 1- PRESENT KEI LLY A'sng
I Thurs. Apr. 5,1984II VoLV. No. 22@ Universityl........i.....i.ii........... Community's................. Weekly ii..................................... Paper* .... ...... -..-.-....................................................................... .............. Electioneering Begins Presidential Hopefuls Begin Campaigns by Joe Caponi going for the top spot. Two candidates accessible to people, it's much too cen- The 1984 Polity election campaign have already begun campaigning in tralized up there in the Union Office. has begun with a burst of activity earnest. We have to bring in some new perspec- .. unheard of in recent years as a number Polity Secretary Belina Anderson tive." About her own experience in of candidates prepare to fight for the says that she plans to stress two major Polity, Anderson said, "Having seen .. Presidency. themes in her campaign for the Presi- just how Polity has failed in the past, The election is scheduled for dency. "The Polity structure needs a you can see much more clearly how to Thursday, April 26, and petitioning major overhaul. The Senate and Judi- make it better." opens today for all available seats. ciary have to function the way that they Saying "Polity has become in- SCandidates will have a week to corn- were designed to and that depends alot creasingly less effective in being re- plete their petitions to be placed on the on the P resident and the Council giving sponsive to student needs and I think ballot. them and the other people in Polity a that it's time to change that," junior What will make this campaign dif- clear idea of what their functions are Danny Wexler explained his entry into ferent from previous ones is in the and how they can accomplish them. -
AVN Beaver Street Review
AVN | February 2013 BOOK REVIEW | By Sharan Street Walk on the Wild Side Robert Rosen recounts his, long, strange trip down ‘Beaver Street’ Beaver Street: A History of Modern Pornography By Robert Rosen | Headpress, 2012 | Paperback, 224 pages Since 1983, the year AVN magazine came into being, the landscape in the adult industry has undergone more than a few seismic shifts. In Beaver Street: A History of Modern Pornography, author Robert Rosen gives eyewitness accounts of some of the earth-shaking events in the industry. He calls the book an investigative memoir, a term that describes the book’s “interplay of the personal and historical.” Rosen’s run in the industry lasted from 1983 to 1999, when he worked under the name Bobby Paradise as an editor of adult magazines—hundreds of titles, in fact, with such names as D-Cup, Plump & Pink and Blondes in Heat. The best-known of these—the flagships for the two companies at which he toiled—were High Society and Swank, which still maintain a toehold in today’s adult market. From his vantage point in the New York smut rag biz, Rosen saw the rise and fall of many a porn trend. In 1983 he walked in the doors of High Society, “unaware that I was stepping into ground zero of a new age of pornographic wealth and joining a revolution that was changing the face of commercial erotica—as well as society itself. I did not grasp the profound, and far- reaching implications of phone sex.” On his first day, Rosen perused news clips from such publications as Forbes and Fortune, reporting that “High Society was a visionary corporation run by Gloria Leonard, a media–savvy porn star/publisher who was now making millions of dollars with phone sex, an explosive new business that hadn’t existed two months earlier.” But the man really making the millions was the owner Carl Ruderman; even as the money flowed in he longed for respectability while simultaneously envying the success of his competition, Larry Flynt’s Hustler. -
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/80890 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications ‘Our place': class, the theatre audience and the Royal Court Liverpool Maria Barrett Submitted in partial fulfilment of the degree of Doctor of Philosophy University of Warwick, Centre for Cultural Policy Studies and Theatre Studies June 2016 Maria Barrett Page 3 PhD Thesis: June 2016 Table of Contents List of Figures ......................................................................................................................... 10 List of Tables .......................................................................................................................... 11 Abstract .................................................................................................................................. 13 Chapter 1 Prologue: an introduction to the thesis ................................................................ 14 Class ................................................................................................................................... 21 What is class? ................................................................................................................