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The 'Other' Transgender Day of Remembrance
OAN INDEPENDENTU VOICE FOR THET LESBIAN, GAY, BISEXUAL, AND TRANSGENDER COMMUNITIES November 29, 2013 | Volume XI, Issue 14 assist in the creation of the Global Pro- R ibbon gramme on AIDS for the United Nations’ at the White House World AIDS Day 2013 World Health Organization. Mr. Bunn ac- BY MARY TAYLOR on AIDS (now known as UNAIDS). He cepted and was named the first Public Not many of us today can say we have not liked the concept, approved it, and agreed. Information Officer for the Global Pro- been touched by AIDS in one way or an- Bunn, who was a broadcast journalist on gramme on AIDS. other. It has touched friends , family, the leave at this time recommended the date of Since its inception in 1987 many other person on the bus you see every day or a December 1st believing it would maximize programs have been developed for the re- co-worker. This is why on December 1st coverage by the news media. Since 1988 search and fight against HIV/AIDS. Even each year the world comes together to re- was an election year in the U.S., Bunn sug- with all that has been done, in February member those we have lost to this disease. gested that media outlets would be weary of 2013 the CDC is still reporting that an Where did this idea come from and why of their post-election coverage and eager estimated 1,148,200 persons aged 13 December 1st ? Let’s take a look back just to find a fresh story to cover. -
LIONS GATE ENTERTAINMENT CORP. (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K (Mark One) ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2012 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File No.: 1-14880 LIONS GATE ENTERTAINMENT CORP. (Exact name of registrant as specified in its charter) British Columbia, Canada N/A (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 1055 West Hastings Street, Suite 2200 2700 Colorado Avenue, Suite 200 Vancouver, British Columbia V6E 2E9 Santa Monica, California 90404 (877) 848-3866 (310) 449-9200 (Address of Principal Executive Offices, Zip Code) Registrant’s telephone number, including area code: (877) 848-3866 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Common Shares, without par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________ Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or Section 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Loving Life, Loving Dance
Liz Clarke LOVING LIFE, LOVING DANCE The monthly magazine dedicated to Line dancing May 2015 Issue 229 • £3.50 14 GREAT DANCE SCRIPTS INCLUDING: TELL THE WORLD · BOOK OF LIFE · ADIOS · DARLING HOLD MY HAND cover 229.indd 1 22/04/2015 11:03 1138005 1138005 americana.indd 1 22/04/2015 11:05 May 2015 What a month it’s been! With our new website finally (!) rolling out many of you have been very busy telling us what you think. Some of it is, as expected, glitch bound and I can only thank you all for your loyalty and perseverance. The good news is that we are getting there and of course, it is a huge undertaking and a huge set of changes for everyone. We are printing a useful guide for the most frequently asked questions and we have made it into a four page pullout. We hope this will assist you in getting used to our most comprehensive site yet. Elsewhere, I am personally thrilled to offer you an in-depth profile of one our most loved personalities. Liz Clarke is for me, and many others, the embodiment of what Line dance should be about. Fun, fun and more fun. If you want to know more about this wonderful lady you will love our lead story. Every so often an album jumps out at me and takes me by surprise, so much so that I want to write about it without the help of press agents or releases. Emilia Mitiku’s, I Belong To You, is such a record. -
Matthew Weiner's Mad
EXHIBITION FACT SHEET Matthew Weiner’s Mad Men March 14–September 6, 2015 (third-floor changing exhibitions gallery) Overview This new exhibition, about the creative process behind the television series Mad Men, features large-scale sets, memorable costumes, hundreds of props, advertising art used in the production of the series, and personal notes and research material from Matthew Weiner, the show’s creator, head writer, and executive producer. The exhibition offers unique insight into the series’ origins, and how its exceptional storytelling and remarkable attention to period detail resulted in a vivid portrait of an era and the characters who lived through it. Matthew Weiner’s Mad Men marks the first time objects relating to the production of the series will be shown in public on this scale. The exhibition was accompanied by a film series, Required Viewing: Mad Men’s Movie Influences, which featured ten films selected by Matthew Weiner that inspired the show. It ran March 14 through April 26, 2015. The exhibition coincides with the series’ final seven episodes, which aired on AMC from April 5–May 17, 2015. Highlights include: Two large-scale sets, including Don Draper’s SC&P office and the Draper family kitchen from their Ossining home. These sets were transported from Los Angeles where Mad Men was shot, and installed at the Museum using the original props from the show. Ellen Freund, who served as property master on Mad Men for seasons four through seven, dressed the sets for the Museum’s installation. A recreation of the writers’ room where Weiner and his team crafted story ideas and scripts for the series, complete with story notes for the first half of season seven listed on a white board, and index cards, research material, and other elements created and used by Mad Men’s writers. -
“A Beautiful Friendship” Commissioner Julie Brill Keynote Address Before the Association of National Advertisers March 20, 2013
“A Beautiful Friendship” Commissioner Julie Brill Keynote Address before the Association of National Advertisers March 20, 2013 Last time we were together, we began our discussion on advertising, ICANN, and privacy to the strains of Zou Bisou Bisou and the image of Don Draper’s sultry young wife slinking around in the premier of the fifth season of Mad Men. This year, we will again talk about advertising, ICANN, and privacy. But I will let the Mad Men zoom off into the sunset in their Pontiac GTOs and Jaguars, and turn to our latest cultural fantasy to inspire my talk today. That’s right, we’re trading our fedoras, grey flannel suits and mini-dresses for white ties, morning coats and empire-waist gowns – and following the rest of America from uptown Manhattan to Downton Abbey. I know some of you feel you relate better to Madison Avenue’s Don Draper than to Maggie Smith’s Dowager Countess of Grantham, but trust me, Violet Crawley has a lot to say about the issues facing both advertisers and the FTC. For example, in one scene, an offended underling asked the countess: “You want me to lie?” Her answer: “Lie is so unmusical a word." I often think about Violet Crowley’s quip as I look back over the FTC challenge to POM Wonderful’s advertisements for its pomegranate juice, supplements, and liquid extract.1 Those ads were anything but unmusical; indeed, they sang with cleverness. For those who haven’t seen the POM ads, some of them featured an hourglass-shaped juice bottle – the spitting image of Violet Crawley’s buxom silhouette by the way – flying off dressed as a superhero out to curb prostate cancer or serving up the precious liquid in an IV drip.2 Very creative, very catchy, and – most of all – very musical. -
Paris Review - the Art of Screenwriting No
Paris Review - The Art of Screenwriting No. 4, Matthew Weiner 5/28/14, 11:57 AM Matthew Weiner, The Art of Screenwriting No. 4 Born in 1965, Matthew Weiner is barely old enough to remember the period with which his television series Mad Men has now become almost synonymous. His office is exactly what one might hope for the creator of Don Draper: a stylish mixture of midcentury modern furniture, with a cabinet full of top-shelf liquor. But it turns out that the furniture came with the building, which was designed in 1955, and the liquor, mostly gifts, is wasted on Weiner, who hardly drinks at all. Weiner’s sensibility reveals itself on closer inspection. A framed still from the set is shot from behind the actors’ heads, showing the crew. There’s a black-and-white photograph of Groucho Marx, Alice Cooper, and Marvin Hamlisch in conversation. There’s a homemade Father’s Day card by one of Weiner’s four sons, reading “Dad Men” in red and black crayon. There’s a picture of Stedman (Oprah’s boyfriend), because when Vanity Fair photographed Weiner’s desk soon after Oprah’s, he asked what she’d had on hers. His bookshelf overflows with fiction, essays, and poetry—from Diaries of Old Manhattan to Billy Collins to Moby-Dick. A former Jeopardy! champion who once, rather than give notes, jumped up and danced to “Zou Bisou Bisou” for Jessica PareÌ (Megan Draper on the show), Weiner seems never to sleep. Our interview took place in four sessions that spanned almost eighteen months—real months, that is. -
Zou Bisou Bisou
Page 1 of 3 ZOU BISOU BISOU Choreographers: Release date: Jan 2013 Rhythm & Phase: Rumba/Two-Step III+2 (Cross Body, Annette & Frank Woodruff Scallop) Music: Mad Men, Jessica Paré. MP3 from iTune. Rue du Camp, 87 Time & Speed: 2:18 @ unchanged speed 7034 Mons, Belgium Footwork: Opposite except where indicated (W's footwork Tel: 3265 73 19 40 in parentheses) E-mail: [email protected] Sequence: Intro–A–B–A(1-8)-C–A(9-16)–B–A(1-8)-Ending Dance a sharp rumba with a definite hold on beat 4! INTRODUCTION LOP-FCG WALL wt 1 meas as Jessica (Megan Draper) says « un, deux, trois 1 Wait ; quatre » ; 2 ½ Basic ; Fwd L, rec R, sd L, - ; Raisg jnd ld hnds palm to palm & trng bdy slightly RF XRib, rec L squaring bdy 3 Underarm Turn ; to fc ptr, sd R (W XLif trng ½ RF undr jnd ld hnds, rec R compg full RF trn to fc ptr, sd L) to BFLY WALL, - ; 4 Hand to Hand ; XLib (W XRib) trng to OP LOD, rec R to mom BFLY, sd L, - ; 5 Spot Turn to CP ; XRif (W XLif) trng ½ LF, rec L compg full trn to fc ptr, sd R to CP WALL, - ; PART A Fwd L, rec R, sd L trng ¼ LF (W bk R, rec L, fwd R to L-pos), - ; bk R contg LF 1 - 2 Cross Body to BFLY ; ; trn, sm fwd L, sd & fwd R compg ½ LF trn (W fwd L comm LF trn, trng 1/2 LF fwd R, sd & bk L) to BFLY COH, - ; 3 – 4 Crab Walks ; ; Twd LOD XLif (W XRif), sd R, XLif ( W XRif), - ; sd R, XLif (W XRif), sd R, -; 5 – 6 Fence Line in 4 Twice ; ; In BFLY thruout XLif (W XRif) w/ bent knee, rec R, sd L, rec R; rpt meas 5 ; 7 Shoulder to Shoulder ; Fwd L to BFLY-SCAR, rec R to BFLY, sd L, -; 8 Underarm Turn to CP ; Rpt meas 3 Intro to -
Catalogue Karaoké Mis À Jour Le: 18/12/2020 Chantez En Ligne Sur Catalogue Entier
Catalogue Karaoké Mis à jour le: 18/12/2020 Chantez en ligne sur www.karafun.fr Catalogue entier TOP 50 Shallow - A Star is Born Noël Blanc - Roch Voisine Le Sud - Nino Ferrer Je l'aime à mourir - Francis Cabrel Les Champs-Élysées - Joe Dassin L'envie - Johnny Hallyday Sous le vent - Garou La corrida - Francis Cabrel Always Remember Us This Way - A Star is Born J'irai où tu iras - Céline Dion Les démons de minuit - Images Dance Monkey - Tones and I Je te promets - Johnny Hallyday Bohemian Rhapsody - Queen Libérée, délivrée - Frozen Avant toi - Slimane Mon beau sapin - Christmas Carol Creep - Radiohead EXPLICIT All I Want for Christmas Is You - Mariah Carey Manhattan-Kaboul - Renaud Et si tu n'existais pas - Joe Dassin A nos souvenirs - Trois Cafés Gourmands For me formidable - Charles Aznavour Imagine - John Lennon La bohème - Charles Aznavour Petit Papa Noël - Tino Rossi Vive le vent - Henri Salvador Pour que tu m'aimes encore - Céline Dion Mon mec à moi - Patricia Kaas Je te donne - Jean-Jacques Goldman Emmenez-moi - Charles Aznavour La grenade - Clara Luciani Allumer le feu - Johnny Hallyday Mistral gagnant - Renaud On va s'aimer - Gilbert Montagné Petit Papa Noël - Roch Voisine Petite Marie - Francis Cabrel Si jamais j'oublie - Zaz Douce nuit, sainte nuit - Christmas Carol Vivo per lei - Andrea Bocelli Sur la route de Memphis - Eddy Mitchell Elle a les yeux revolver - Marc Lavoine J'y vais - Patrick Fiori Les mots bleus - Christophe Hallelujah - Alexandra Burke Jerusalema - Master KG Place des grands hommes - Patrick Bruel Le coup -
Mad Men, Takes Its Viewers on an Emotional, Tpsychological, and Sociological Roller Coaster Ride in the Setting of New York City
INTRODUCTION —ANN W. DUNCAN and JACOB L. GOODSON he AMC television series, Mad Men, takes its viewers on an emotional, Tpsychological, and sociological roller coaster ride in the setting of New York City. The years depicted span March 1960 through either the autumn 1970 or winter 1971—depending upon one’s interpretation of the Coca- Cola advertisement, an ad that first aired on radio on February 12, 1971. Created by Matthew Weiner, Mad Men develops and follows the lives of Donald Draper/Dick Whitman, Peggy Olson, Joan Holloway/Harris, Roger Sterling, Pete Campbell, Megan Calvet/Draper, Betty Draper/Francis, and Sally Draper as they negotiate careers, love and marriage, and dramatic so- cial and political change. This collection helps readers navigate the exciting roller coaster ride that is Mad Men, through exploring unknown depths of its characters and SAMPLEstorylines. After enjoying the ride of watching all seven seasons of Mad Men, we hope that you take pleasure in the ride of reading ‘The Universe Is Indifferent’: Theology, Philosophy, andMad Men. “THE UNIVERSE IS INDIFFERENT”? In Season 1, Don receives a bonus check in the amount of $2,500 and brings it to his mistress’s apartment with the hopes of inviting her to join him on a trip to Paris. He finds her relaxing with a group of marijuana-smoking friends markedly different from his colleagues on Madison Avenue. These friends engage with Don about the vices of his work and conclude, “You make the lie. You invent want. You’re for them, not us.” Don responds with an equal amount of clarity: “I hate to break it to you, but there is no big lie. -
Zou Bisou Bisou
Page 1 of 3 ZOU BISOU BISOU Choreographers: Release date: Jan 2013 Rhythm & Phase: Rumba/Two-Step III+2 (Cross Body, Annette & Frank Woodruff Scallop) Music: Mad Men, Jessica Paré. MP3 from iTune. Rue du Camp, 87 Time & Speed: 2:18 @ unchanged speed 7034 Mons, Belgium Footwork: Opposite except where indicated (W's footwork Tel: 3265 73 19 40 in parentheses) E-mail: [email protected] Sequence: Intro–A–B–A(1-8)-C–A(9-16)–B–A(1-8)-Ending Dance a sharp rumba with a definite hold on beat 4! INTRODUCTION LOP-FCG WALL wt 1 meas as Jessica (Megan Draper) says « un, deux, trois 1 Wait ; quatre » ; 2 ½ Basic ; Fwd L, rec R, sd L, - ; Raisg jnd ld hnds palm to palm & trng bdy slightly RF XRib, rec L squaring bdy 3 Underarm Turn ; to fc ptr, sd R (W XLif trng ½ RF undr jnd ld hnds, rec R compg full RF trn to fc ptr, sd L) to BFLY WALL, - ; 4 Hand to Hand ; XLib (W XRib) trng to OP LOD, rec R to mom BFLY, sd L, - ; 5 Spot Turn to CP ; XRif (W XLif) trng ½ LF, rec L compg full trn to fc ptr, sd R to CP WALL, - ; PART A Fwd L, rec R, sd L trng ¼ LF (W bk R, rec L, fwd R to L-pos), - ; bk R contg LF 1 - 2 Cross Body to BFLY ; ; trn, sm fwd L, sd & fwd R compg ½ LF trn (W fwd L comm LF trn, trng 1/2 LF fwd R, sd & bk L) to BFLY COH, - ; 3 – 4 Crab Walks ; ; Twd LOD XLif (W XRif), sd R, XLif ( W XRif), - ; sd R, XLif (W XRif), sd R, -; 5 – 6 Fence Line in 4 Twice ; ; In BFLY thruout XLif (W XRif) w/ bent knee, rec R, sd L, rec R; rpt meas 5 ; 7 Shoulder to Shoulder ; Fwd L to BFLY-SCAR, rec R to BFLY, sd L, -; 8 Underarm Turn to CP ; Rpt meas 3 Intro to -
Catalogue Karaoké Mis À Jour Le: 29/07/2021 Chantez En Ligne Sur Catalogue Entier
Catalogue Karaoké Mis à jour le: 29/07/2021 Chantez en ligne sur www.karafun.fr Catalogue entier TOP 50 J'irai où tu iras - Céline Dion Femme Like U - K. Maro La java de Broadway - Michel Sardou Sous le vent - Garou Je te donne - Jean-Jacques Goldman Avant toi - Slimane Les lacs du Connemara - Michel Sardou Les Champs-Élysées - Joe Dassin La grenade - Clara Luciani Les démons de minuit - Images L'aventurier - Indochine Il jouait du piano debout - France Gall Shallow - A Star is Born Bohemian Rhapsody - Queen La bohème - Charles Aznavour A nos souvenirs - Trois Cafés Gourmands Mistral gagnant - Renaud L'envie - Johnny Hallyday Confessions nocturnes - Diam's EXPLICIT Beau-papa - Vianney La boulette (génération nan nan) - Diam's EXPLICIT On va s'aimer - Gilbert Montagné Place des grands hommes - Patrick Bruel Alexandrie Alexandra - Claude François Libérée, délivrée - Frozen Je l'aime à mourir - Francis Cabrel La corrida - Francis Cabrel Pour que tu m'aimes encore - Céline Dion Les sunlights des tropiques - Gilbert Montagné Le reste - Clara Luciani Je te promets - Johnny Hallyday Sensualité - Axelle Red Anissa - Wejdene Manhattan-Kaboul - Renaud Hakuna Matata (Version française) - The Lion King Les yeux de la mama - Kendji Girac La tribu de Dana - Manau (1994 film) Partenaire Particulier - Partenaire Particulier Allumer le feu - Johnny Hallyday Ce rêve bleu - Aladdin (1992 film) Wannabe - Spice Girls Ma philosophie - Amel Bent L'envie d'aimer - Les Dix Commandements Barbie Girl - Aqua Vivo per lei - Andrea Bocelli Tu m'oublieras - Larusso -
2013 Convention 37 Reno, Nevada
s r a t S ra er Si he der t Your Silver Slippers Un into p li S 37th ICBDA Convention July 3-6, 2013 Grand Sierra Resort, Reno, Nevada Table of Contents Tab 1 – Convention Convention Committee Members ....................................................................................................1 Convention Cuers and Masters of Ceremony ..................................................................................3 Executive Officers, Board of Directors and Technical Advisory Committee .................................4 ICBDA Committee Appointments ...................................................................................................5 Distinguished Service Award ..........................................................................................................5 Golden Torch Award .......................................................................................................................6 Hall of Fame Dances ........................................................................................................................7 Top 15 Dances by Year....................................................................................................................9 Vendors ..........................................................................................................................................10 Tab 2 – Schedules Map of Facility .................................................................................................................................1 Week at a Glance .............................................................................................................................2