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At the Intersection of Poetry and a Lower
At the Intersection of Poetry and a High School English Class: 9th Graders‟ Participation in Poetry Reading Writing Workshop and the Relation to Social and Academic Identities‟ Development DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan Koukis Graduate Program in Education The Ohio State University 2010 Dissertation Committee: Anna Soter, Advisor George Newell Mollie Blackburn Terry Hermsen Copyright by Susan Koukis 2010 Abstract The purpose of this study was to determine whether “marginalized” (Moje, Young, Readence, & Moore 2000) 9th grade students in a low-level, tracked English class perceived themselves as more successful students in English class after participating in a 10-week Poetry Reading Writing Workshop. A second purpose was to determine whether their knowledge of poetry terms and concepts such as metaphor, and subsequent performance on the poetry sections of standardized tests improved. My nested case study focused on 19 students in a low-level 9th grade English class. As the practitioner researcher, I conducted in- depth research with six focus students chosen through purposeful sampling. I collected data over the course of three months, using the types of instruments most common to case study research. Data analysis for my nested case study was ongoing and recursive between field work and reflection. Data were coded for patterns that represented categories pertaining to my research questions and coding was refined as I gathered and re-read additional data sources. The findings revealed that students learn better, and are more engaged when they have choices (Atwell, 1998; Lauscher, 2007). -
Donor-Advised Fund
WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST. -
Sunday Morning Grid 10/19/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 10/19/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Paid Program Bull Riding 4 NBC News (N) Å Meet the Press (N) Å News (N) Meet LazyTown Poppy Cat Noodle Action Sports From Brooklyn, N.Y. (N) 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Vista L.A. ABC7 Presents 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Winning Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Carolina Panthers at Green Bay Packers. (N) Å 13 MyNet Paid Program I.Q. ››› (1994) (PG) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Cook Mexico Cooking Cook Kitchen Ciao Italia 28 KCET Raggs Cold. Space Travel-Kids Biz Kid$ News Asia Biz Special (TVG) 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Criminal Minds (TV14) Criminal Minds (TV14) 34 KMEX Paid Program República Deportiva (TVG) Fútbol Fútbol Mexicano Primera División Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Home Alone 4 ›› (2002, Comedia) French Stewart. -
The Opiate: Winter 2016, Vol. 4
The Opiate Winter 2016 Winter 2016,Vol. Vol.4 V4 This page intentionally left blank YourThe literary dose.Opiate © The Opiate 2016 This magazine, or parts thereof, may not be reproduced without permission. Cover: still from Jean-Luc Godard’s Le Petit Soldat 3. The Opiate, Winter Vol. 4 Editor-in-Chief Genna Rivieccio Poetry Editor Armando Jaramillo Garcia Contributing Writers Fiction: Michael Anthony 9 “It is sometimes an Joel Allegretti 17 Daniel Ryan Adler 21 Gael DeRoane 28 appropriate Sasha Sosnowski 29 Poetry: Peggy Aylsworth 33 response to reality Nova Reeves 34-35 Sandy Wang 36 Stuart Jay Silverman 37-39 John J. Trause 40-42 to go insane.” Scott Sherman 43 Scott Penney 44 Ryan Fox 46 - Philip K. Dick Criticism: Genna Rivieccio 49 4. 5. The Opiate, Winter Vol. 4 Each of the writers in this issue brings something unique not just to the magazine, but the genre which they are speaking to. As for the criticism section, I apologize Editor’s Note for it being, once again, by me. It’s a bit of a challenge to find fresh voices in this category (so if you’re out there, please send something to theopiatemagazine@gmail. com). With regard to the piece, let me bring up what Madonna said in the wake of the Winter may be a time of languor, but it is also a time for rumination. Trapped within Paris attacks: “It is very hard to love that which we do not understand, or that which is the confines of your mind as much as you are inside of whatever edifice it is you’ve different than we are. -
The Cinematic City
5 URBAN CONFIDENTIAL the lurid city of the 1950s Will Straw INTRODUCTION The first few minutes of New Orleans After Dark (1957) offer one of the most glaringly inept opening sequences in the American cinema of the 1950s. As the film begins, prior to the appearance of its credits, we are shown a woman in a nightclub, singing at a piano. As she sings—a song whose lyrics inventory the range of human types to be found along New Orleans’ Bourbon Street—we see a montage of images plucked from the narrative which follows, most of them involving violence against female burlesque dancers. Before the song’s conclusion, the film shifts to an oddly flat, stagy interior tableau in which a policeman bids farewell to his wife and son before heading off to the night shift. A voice-over notes that “[t]his film could be about dedicated police officers anywhere.” Brief, on-location images of downtown New Orleans follow, themselves succeeded by scenes of brief banter between patrolmen and a streetwalker; already our sense of chronology has become confused. Over more scenes of the street, the words of the film’s title and credits are superimposed, in lettering which recalls the typescripts used in scandal magazines of the time. As the credits conclude, we move into a burlesque club, and into what we may assume is the beginning of the film’s narrative. The generic threads interwoven here suggest, simultaneously, the traditions of the semi-illicit stag film, the police procedural, the semi-documentary instruction film, the vice expose movie and the low-budget mystery. -
Chinese Schismatic Church Failure, Fides Ageney Reports
Chineseschismatic church failure, Fidesageney reports ([cstl'o],arl hv inrloctr.ination anrl probubly rvith ilrcir. [r.cc will alicnittcrl, accluicscctl to bccorrre chicls of the'pltliotic' clrur.ch." 'l'ltc nt'rvs nllen(.y atltlerl that "piltIiotir," sottrc ol llrr. pfiostri nfc sot'\.inH the schisrnllic chur.clr l0lrr0ti||ttly. lt |r'por.tctl thllt on(] oI llrcttt tokl a stt'attitt'r. \r,ho n,us alllc [o ask [irtr st'clotlf il' 1c *'as "It Italrpy: is l tclrihlc lifr, lrul '' I t:anno[ .say r1\'th ll'r lritlcs ctrntirrtrorl : "ltr (r0t'litirl rliocescs {hl1 trtrnt. he['d wclI oIct l(]{) (il{)c(.s:ln GEOGRAPHICAL EXCHANGE-lndirn Sislcrr Littishia and Jessy Marir, lefl, exchangr: geographical pt'icsts yott n'ill hatrlll, Iinrl a not€r with Chinasr Sisterr Donnr Meric rnd Maria Pius es lheir pefh$ crossed recenlly.l Sl. Mary- rlozcn rvho go along rvith tlrc ille- of.lhe.Woods. '% INOIANAPOLIS, RE I'tr}R,\E L EAT D - LEA E INDIANA,sEPTEMBER 11, 196I S tavor of lhe logirxr'; llrr'.y are tt'ttittr-rl$illt hollol'lntl, in it ('oult- ,fiLOW"TO ll')' wllcf(' rllr.lt.lrt,rlrrr,ss is gttt- ITINT,IGION' crnl. lhcir sitrratiotr is lr lrr.ivilcgctl ira c ts rathcl'tlrnn to reccivc onc lrccirrrst' llrt' ;r1;11,'ttlttltilrni. Chinese,Indian Sisters tltc hrrtds of 'patriotict nlollslv gives Illcl]1 ,10 l)r,f (!{'nl. 'l'hey of llrc t'()\'(!ltu() of c()hfis(itlc(t art nfraid to t{o it nrldtr<l, beclusr: ecclcsinstical pr()ll(,I't]'. -
Volume 24 Supplement
2 GATHERED FRAGMENTS Leo Clement Andrew Arkfeld, S.V.D. Born: Feb. 4, 1912 in Butte, NE (Diocese of Omaha) A Publication of The Catholic Historical Society of Western Pennsylvania Joined the Society of the Divine Word (S.V.D.): Feb. 2, 1932 Educated: Sacred Heart Preparatory Seminary/College, Girard, Erie County, PA: 1935-1937 Vol. XXIV Supplement Professed vows as a Member of the Society of the Divine Word: Sept. 8, 1938 (first) and Sept. 8, 1942 (final) Ordained a priest of the Society of the Divine Word: Aug. 15, 1943 by Bishop William O’Brien in Holy Spirit Chapel, St. Mary Seminary, Techny, IL THE CATHOLIC BISHOPS OF WESTERN PENNSYLVANIA Appointed Vicar Apostolic of Central New Guinea/Titular Bishop of Bucellus: July 8, 1948 by John C. Bates, Esq. Ordained bishop: Nov. 30, 1948 by Samuel Cardinal Stritch in Holy Spirit Chapel, St. Mary Seminary Techny, IL The biographical information for each of the 143 prelates, and 4 others, that were referenced in the main journal Known as “The Flying Bishop of New Guinea” appears both in this separate Supplement to Volume XXIV of Gathered Fragments and on the website of The Cath- Title changed to Vicar Apostolic of Wewak, Papua New Guinea (PNG): May 15, 1952 olic Historical Society of Western Pennsylvania — www.catholichistorywpa.org. Attended the Second Vatican Council, Sessions One through Four: 1962-1965 Appointed first Bishop of Wewak, PNG: Nov. 15, 1966 Appointed Archbishop of Madang, PNG, and Apostolic Administrator of Wewak, PNG: Dec. 19, 1975 Installed: March 24, 1976 in Holy Spirit Cathedral, Madang Richard Henry Ackerman, C.S.Sp. -
Signature Events
SIGNATURE EVENTS FILM FLORIDA LEGENDS From the earliest days of Filmmaking, Florida has played a significant role in the entertainment industry. Jacksonville hosted the Keystone Cops and Laurel and Hardy in the early 1900’s, D.W. Griffiths filmed in Ft. Lauderdale, Buster Keaton in St. Petersburg, and Miami’s Fleischer Studios turned Popeye and Betty Boop cartoons into Saturday matinee staples. Our State’s tropical locations have long been the backdrop for such notable flicks as the Tarzan series, Creature From the Black Lagoon, Twelve O’Clock High and 30 Seconds Over Tokyo, The Yearling, the James Bond classic Goldfinger, Frank Sinatra’s Tony Rome, Elvis’ Clambake, and Jerry Lewis’ The Bellboy. When television was coming of age, Jackie Gleason and Flipper represented Florida’s contribution to the medium, and a few decades later Miami Vice continued the tradition of legendary Florida productions. With so much history and so many stories to tell about Florida’s entertainment legacy, Film Florida created the LEGENDS AWARDS, to honor the men and women who played such a big part in establishing our State as an entertainment powerhouse. Since its inception in 2006, FLORIDA LEGENDS honorees have included Ricou Browning Sr., Jordan Klein Sr., Mike and Brad Fuller, Ralph Clemente, Danny and Eddie Harvey and Digger Wilson, Errol Falcon, Michelle Marx, Belton Clark, Jerry Smith, Ray Fielding, Bill Grefe, Luke Halpin, Victor Milt, Dee Miller, John Patterson, Burt Reynolds, and posthumously Wes Skiles, Billy Mays, Egon Stephan Sr., Mike McGowan Sr., and Richard Norman Sr. Recent recipients include Sharon Gless, Emilio and Gloria Estefan, and Vanilla Ice. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
Santa Maria from Miami to Europe
DIOCESE LEADS LABOR DAY OBSERVANCE The War Against Poverty7 THE VOICE P.O. Box 1059 To Be Theme Of Speakers Miami, Fla. 33138 For the fifth consecutive Return Requested year, labor and management will join again on Thursday, Sept. 2, in the observance of ^VOICE Labor Day, sponsored by the Diocese of Miami. Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida Members of national, state, county and local governments also will participate. VOL. VII, NO. 23 Price $5 a year ... 15 cents a copy AUGUST 20, 1965 Theme of this year's gather- ing will be "Politics and the Poverty Program." WHEN CLASSES RESUME ON AUGUST 30 Bishop Coleman F. Carroll announced this week that two of the principal speakers dur- ing the day-long observance Diocese Schools Expect 37,800 will be officials closely con- nected with the war against poverty. They are: New High School Buildings Hyman H. Bookbinder, as- sistant director of the Office of Economic Opportunity, of Ready At Lourdes, Central which Sargent Shriver is the Two new buildings for two Staffing the boys' department director. high schools and additions at will be five Missionary Oblates Richard Weatherley, execu- three others will be ready for of Mary Immaculate with Ob- tive director of the Dade Coun- use when more than 37,800- late Father George CroJt serv- ty Economic Opportunity Pro- elementary and high school stu- ing as principal. gram, Inc. dents return to Catholic schools Mr. Bookbinder also serves Three new faculty residences in the Diocese on Monday, as special assistant to Vice have been built at high schools August 30. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.