Bootsy Collins Midi Files

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Bootsy Collins Midi Files 1 / 4 2 / 4 Bootsy Collins Midi Files 3 / 4 Brand new site with 1600+ Professional MIDI files, all with demos! ... David Bowie, Bootsy Collins, Toto, Living Colour, Bernie Worell, Inner Circle, The Tom Tom .... Bootsy Collins Midi Files - DOWNLOAD 1159b5a9f9 Solid Funk Gold WAV MiDi Solid Funk Gold WAV MiDi 167 MB Solid Funk Gold features .... Sein ehemaliger Bassist Bootsy Collins sagte 1990: „Remember ... Die fünf Beispiele stammen aus dem Toontrack EZkeys MIDI Pack Funk.. Can someone please post I'd Rather Be with You by Bootsy Collins. ... am lookin for this file also please email me at [email protected] if .... Chords for Bootsy Collins - What's a Telephone Bill.: D, C#m, F#m, D7. Play along with guitar, ukulele, or piano with interactive chords and diagrams. Includes .... MIDI Karaoke - MP3 Backing tracks - MP4 karaoke.. All the Young Girls Love Alice - Elton John, Midi, 3, Vote. Der einsame hirte - James ... J.B. Still the Man - Bootsy Collins, Midi, 1, Vote. Jericho - Simply Red, Midi .... James Brown - James Brown-style Drum Beat midi file for Drums (midi) ... Request Separate Instrument Midi Files ... By James Brown and Bootsy Collins.. Leon also specialises in synth bass tracks, delivered to you in Midi format and ready to drop directly into your DAW ... Dr. Bootzilla Bootsy Collins bass strings. Hey all, what pedal did bootsy use on i'd rather be with you? ... original tempo midi file and slowed down midi file that I did specially for you a .... Chords for Bootsy Collins - I'd Rather Be With You.: D, Em, Em7, Am. Chordify is your #1 platform for chords. Grab your guitar, ukulele or piano and jam along in .... Bootsy Collins Midi Files http://jinyurl.com/i3c4i. Be Wow-ed by Speedy Results! Search for Bootsy Collins Midi . The Trusted Source For All .... COLLINS Bootsy (William); b. ... COLLINS Charlie; b. ... of The Pops, and other music television shows, 1985–86; MIDI programmer for records and films, 1987-.. Brown, James James Brown Sex Machine - style Bass Riff midi file for Bass Guitar Riff Lesson (midi) - 8notes.com. ... By James Brown and Bootsy Collins.. William "Bootsy" Collins (born October 26, 1951 in Cincinnati, Ohio) is a pioneering funk bassist, singer, and songwriter. Bootsy was instrumental in Parliament .... Bootsy Collins Midi Files - DOWNLOAD 1159b5a9f9 Solid Funk Gold WAV MiDi Solid Funk Gold WAV MiDi 167 MB Solid Funk Gold features .... Midi file request for i'd rather be with you -bootsy collins.. How to fix stuck or hanging MIDI Notes in REAPER. The REAPER Blog · 8:36 ... The Bass Sounds of Bootsy .... Brand new site with 1600+ Professional MIDI files, all with demos! . David Bowie, Bootsy Collins, Toto, Living Colour, Bernie Worell, Inner Circle .... Click underlined titles below for MIDI Demos. Click Artist to sort. Click artist name below to see more. Catalogue Number. Hollywood Squares, Bootsy Collins ... 8731c94f7a cobra starship hot mess album download zip Horror Story movie download in hindi 720p Photoartist 2 Keygen mortal kombat komplete edition pc kratos mod 262 Multiboot Professional Rescue Disk Claudia Lizaldi Revista H Extremo Pdf 25 Vladmodels - y129 Yulia Mainile Tale Te Pot Vindeca Pdf 11 Storm Lefron Baseball Hottie.PDF download Bechain part 1 in hindi 4 / 4 Bootsy Collins Midi Files.

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The Top 200 Greatest Funk Songs
The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T.
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Bootsy Collins
“Ispirato da Jimi Hendrix e istruito da non meno un'autorità quale James Brown, Bootsy ha calpestato la sua strada attraverso gli ultimi 40 anni di storia della musica. E 'stato inserito nella Rock' n 'Roll Hall of Fame insieme ad altri membri dei Parliament-Funkadelic.” JB’S & JAMES BROWN Nato il 26/10/1951 a Cincinnati, nell’OHIO, William già dall'infanzia cercava contatti col mondo della musica. Inizia a suonare negli anni 60 con suo fratello maggiore Phelps "Catfish" Collins, Frankie "Kash" Waddy e Philippe Wynne, formando così The Pacemakers. Erano poco conosciuti al di fuori di Cincinnati, fino al 1969. Dopo che la maggior parte della band di James Brown uscì per una disputa di paga, fu proprio lo stesso James Brown che chiese al suo agente Bobby Byrd di cercare una band in sostituzione. The Pacemakers sono stati assunti nel 1970 in sostituzione diventando così i JB’s (indicati spesso come Original per non confonderli con le band future). “Stavamo preparando un pomeriggio di musica sul Viale Gilbert e all'improvviso abbiamo avuto una chiamata da Bobby Byrd. Inizialmente abbiamo pensato che fosse uno scherzo ma Bobby era molto sicuro. Mi disse che "lì" avessero bisogno subito di noi e che massimo tra un'ora dovevamo essere alla corte di James. Nessuno ci credeva fino a quando siamo arrivati in aeroporto. Abbiamo volato a Columbus, in Georgia, sul Jet privato di James. Non avevo la più pallida idea riguardo quello che stesse succedendo. Prima di arrivare dal sig. Brown vedemmo andare via dalla sua "corte "il trombettista Richard "Kush" Griffith sicuramente non felice.
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The Moving Power of Parliament Funkadelic
Funk Is Its Own Reward: The Moving Power of Parliament Funkadelic An Honors Thesis by Vladimir Gutkovich Contents Introduction: Make my Funk the P-Funk! 3 I. The Birth and Rise of the P-Funk Empire: A Discography Synopsis 11 II. Everything is on the ONE: The Music of the Funk Mob 22 1. Musical Beginnings: “Free Your Mind, And Your Ass Will Follow” 24 2. Everything is on the ONE! 28 3. Controlled Chaos: P-Funk’s Anti-Formula 33 4. Funk as a Way of Life 35 III. Funkentelechy: The P-Funk Vision 38 1. Funk Used to Be a Bad Word 39 2. The Politics of P-Funk 41 i. P-Funk Vs. American Wrongs 41 ii. P-Funk and Black America 44 iii. One Nation Under a Groove 47 3. Transcefunkadentalism: The Church of Funk 50 iv. The Dogma of P-Funk 50 v. Funk is its Own Reward: The Prescriptive Philosophy of P-Funk 53 IV. Parliament Funkadelic Live: No Ordinary Funk Show 60 1. Learning to Play LIVE 63 2. Larger than Life: Costumes, Characters and Charisma 64 3. Visualizing the Myth: Props at P-Funk Shows 66 4. P-Funk and Dancing: Salvation by Way of (Communal) Booty-Shaking 68 V. “Mothership Connection” Live 72 Conclusion: “Ain’t No Party Like a P-Funk Party, ‘Cause a P-Funk Party Don’t Stop!” 82 1 1. George Clinton and P-Funk’s Careers Since the 1980’s 82 2. Parliament Funkadelic and Hip-Hop 86 3. Rising Above it All: P-Funk and Trancing 90 Appendix A: A Partial Discography of Parliament, Funkadelic, George Clinton, and the P-Funk All-Stars 95 Works Cited 98 Albums Cited 101 Appendix B: Vladimir Gutkovich’s Thesis Recital 103 2 Introduction: Make My Funk the P-Funk! “While most critics want to put the holy trinity [Beatles, Stones, Zeppelin] on a pedestal, with the world domination of hip-hop culture and the large role that P-Funk has played in the sound of hip-hop music, I dare say that P-Funk’s impact can be felt much more strongly thirty years later than of those three bands.
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Bootsy's Rubber Band Ahh...The Name Is Bootsy, Baby! Mp3, Flac, Wma
Bootsy's Rubber Band Ahh...The Name Is Bootsy, Baby! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Ahh...The Name Is Bootsy, Baby! Country: US Released: 1977 Style: P.Funk MP3 version RAR size: 1752 mb FLAC version RAR size: 1416 mb WMA version RAR size: 1399 mb Rating: 4.9 Votes: 488 Other Formats: MP3 RA MP4 WMA DTS ASF MPC Tracklist Hide Credits El Uno - A Friendly Boo Ahh...The Name Is Bootsy, Baby! A1 6:52 Written-By – George Clinton, Maceo Parker, William Collins* The Pinocchio Theory A2 6:08 Written-By – George Clinton, William Collins* Rubber Duckie A3 3:18 Written-By – Gary Cooper*, George Clinton, William Collins* Preview Side Too A4 Written-By – Garry Shider, Gary Cooper*, George Clinton, William 0:56 Collins* Un Dos - Geepieland Music What's A Telephone Bill? B1 5:58 Written-By – Gary Cooper*, George Clinton, William Collins* Munchies For Your Love B2 Written-By – Garry Shider, Gary Cooper*, George Clinton, William 9:39 Collins* Can't Stay Away B3 5:28 Written-By – George Clinton, William Collins* Reprise: We Want Bootsy B4 0:20 Written-By – George Clinton, Maceo Parker, William Collins* Companies, etc. Phonographic Copyright (p) – Warner Bros. Records Inc. Copyright (c) – Warner Bros. Records Inc. Published By – Rubber Band Music Recorded At – United Recording Studios Recorded At – Hollywood Sound Recorders Mastered At – Allen Zentz Mastering Pressed By – Capitol Records Pressing Plant, Winchester Credits Arranged By [All Songs Arranged By] – Bootsy*, Casper Arranged By [Horn Arrangement By] – Bootsy*,
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Pdf, 187.98 KB
00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:19 Jesse Host It’s Bullseye. I’m Jesse Thorn. This week, we’re taking a look back Thorn at two Bullseye interviews with stone cold music legends. Two music legends who happened to be from Cincinnati, Ohio—where this show just started airing. First up: Bootsy Collins, from 2011. Bootzilla. The pride of the ‘Nati. One of pop music’s greatest bass players. Legendary for his contribution to James Brown and The J.B.s and to Parliament-Funkadelic and to his own band, Bootsy’s Rubber Band, and to many, many, many years of hits. He’s the owner of one of the heaviest bass sounds in the world and one of the architects of funk. [Music fades out.] Earlier this summer, he dropped a new single, called “Stars”. It features Dr. Cornel West, Steve Jordan, Béla Fleck, and many, many more. [Music fades in.] It’s part of a fundraiser for the MusiCares COVID-19 Relief fund put on by the Grammys. Let’s listen. 00:01:16 Music Music “Stars” by Bootsy Collins. As a people, we have crawled before The struggle is pretty hard to ignore And on occasion we take it for granted And we forget all the seeds that we planted Power to the people (yeah, come together) All colors Now, this thing can’t last forever Oh, we gotta forge a better way [Volume decreases and plays underneath the dialogue before fading out completely.] 00:01:41 Jesse Host Bootsy Collins, welcome to Bullseye.
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Review Bootsy Collins and Contemporary Youth Orchestra In
Review Bootsy Collins and Contemporary Youth Orchestra in “Rock the Orchestra” at CSU (May 17) by Mike Telin Since 2001, the Contemporary Youth Orchestra un- der the direction of its always-creative founder and music director Liza Grossman, have presented an end-of-season Rock the Orchestra concert. Past con- certs have given CYO members the chance to work with some of the greats from the world of Rock in- cluding the likes of Graham Nash, Jon Anderson, Pat Benatar, Donnie Iris and Jefferson Starship. On Fri- day, May 17 in Cleveland State University’s Waetjen Auditorium, legendary funk bassist Bootsy Collins joined forces with CYO in an electrifying concert ti- tled Psychotic Bump School. But this concert amounted to far more than a celebrated artist playing his or her beloved tunes backed up by an orchestra; this performance was all about the collaborative nature of music. Collins, the CYO, the 57-member Campus International School Bootsy Choir under the direction of Janice Fields Pohl, and his own band — Keith Cheatham, guitar, “Monster” Mike Cobb, bass, Ken “BAM” Smith, drums, Zac Adams, Candice Cheatham and Lauren Mallory, vocals — plus some cool dance steps by Patti Collins, all added up to one gigantic music-making and dancing machine. 9<83838-388+>3&3663+7+<699>=C96638=I<=>1+38/.38>/<8+>398+6+>>/8>39838 his late teens when he began touring with James Brown. He later teamed with George Clinton and Parliament- Funkadelic, with whom he was inducted into the Rock and Roll +6690+7/38 ?>38+838>/<@3/AA3>2>23=:?,63-+>39896638=</J/->/.98>2/ role that music education played in his formative years.
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Eastern Progress 1996-1997 Eastern Progress
Eastern Kentucky University Encompass Eastern Progress 1996-1997 Eastern Progress 1-16-1997 Eastern Progress - 16 Jan 1997 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1996-97 Recommended Citation Eastern Kentucky University, "Eastern Progress - 16 Jan 1997" (1997). Eastern Progress 1996-1997. Paper 17. http://encompass.eku.edu/progress_1996-97/17 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1996-1997 by an authorized administrator of Encompass. For more information, please contact [email protected]. ^mmmmmmm The envelo Hero or ► WEATHER TODAY Hi: 34 Low: 26 aa7J?;X<,< Accent ► Arts Conditions: a t'il'ta » Campus critics predict Movie shows both sides Snow flurries who will take top album of Kentucky native i 7, snow flumes, windy award at the 39th Larry Flynt, portrayed SAT: 15, partly doudy Annual Grammys/Bl by Woody Harrelson/B3 35, partly doudy EasterntfVogress _ —-^ . - « ^■■■■•^ Vnl TilKr, 1fi .lannarv 1 14 pages ©The Eastern Progress Vol. 75/No. 16 January 16, 1997 Phone Brrr ... services Cold weather slows work, bursts pipes BYJAWENEAL Sue Lainhart, administrative Lainhart said the physical plant ready from had looked at the heating problem News editor assistant in the registrar's office said even when the heat is on, and said a pump was out and that Standing around in winter coats every wintry cold breeze travels they would be back to fix it They ACUS and gloves, some attempting to under the heater and staff that have were still working on getting it up warm themselves in front of space and working on Tuesday afternoon.
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Liner Notes, No. 22
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notesNO. 22 / 2017-2018 featuring Bootsy Collins & Dr. Scot Brown aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for Greetings, repository recognized and utilized the purpose of research and by multiple constituencies within the study of African American When I began my new role as Director university and beyond. Much gratitude is music and culture. of the AAAMC on January 1, 2018, it owed to these two prestigious scholars in aaamc.indiana.edu was evident to me that the past directors, Black music who carried the torch as past Drs. Portia Maultsby and Mellonee directors. Burnim, established a firm foundation As current Director of the AAAMC, Table of Contents and legacy for me to extend upon. Dr. my vision is to increase our collection Maultsby founded AAAMC in 1991 acquisitions and visibility in ways that From the Desk of working tirelessly for over two decades foster unique interactions amongst and the Director .........................2 while collecting a treasure trove of vital between the academy, industry and information representing our current community sectors. With this broad In the Vault: holdings on Black music and culture, vision in mind, I have initiated a few Recent Donations .................3 which include both published and strategies for success. First, during unpublished materials in a variety of spring 2018, I developed a new forum formats: A/V time-based media, paper, series called “Groovin’ Black” where Bootsy Collins Comes photographs, memorabilia (wood, metal, students, premiere scholars, acclaimed to Campus ...........................4 plastic, cloth, etc.).
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Eddie Gilreath
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 24 / 2019-2020 Eddie Gilreath: The Man Behind the Music aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and Greetings, Music Icons Live” and a related exhibit, dissemination of materials for While the COVID-19 pandemic which would bring acclaimed jazz the purpose of research and along with racial and political upheavals bassist/composer Reggie Workman and study of African American have greatly transformed the social his sextet to campus for public workshops music and culture. climate in the United States and abroad, and a culminating performance. This www.indiana.edu/~aaamc I remain optimistic about AAAMC’s entertaining and informative gathering important undertaking to conserve, was sure to attract aspiring student document and widely disseminate artists, music instructors, researchers, Black expressive culture. My confidence and music enthusiasts within IU and the is fueled by reflections on the recent broader region. Unfortunately, due to Table of Contents 2019-20 academic year, as AAAMC the emergence of COVID-19, this event, collections were displayed in unique co-sponsored by the Jacobs School of From the Desk public forums. Instantly, what comes to Music and Neal-Marshall Black Culture of the Director ................. 2 mind is the presentation of our holdings Center, was cancelled. On the bright side, during IU’s 200 Festival Collections we have already received confirmation In the Vault: Showcase, the headline event for the fall from Workman to revisit this program in Recent Donations ............. 4 semester in honor of Indiana University’s the near future.
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Clinton Objections
Before the COPYRIGHT ROYALTY BOARD Washington, D.C. ) In the Matter of ) ) Distribution of DART Sound Recordings Fund ) Docket No. 14-CRB-0006 DART SR (2013) Featured Recording Artists and Copyright ) Owners Subfund Royalties for 2013 ) ) COMMENTS OF GEORGE CLINTON By notice posted in the Federal Register dated September 30, 2014, the Copyright Royalty Board (“CRB”) solicited comment on the August 19, 2014 notice of settlement and request for partial distribution of royalties in the 2013 DART Sound Recordings Fund Featured Recording Artists and Copyright Owners Subfunds filed by the Alliance of Artists and Recording Companies (“AARC”). 79 Fed. Reg. 60185. George Clinton (“Clinton”) submitted informal objections on August 25, 2014, id. at 60186, and hereby submits through his undersigned counsel his formal comments objecting to the proposed settlement and distribution. INTRODUCTION George Clinton is the Godfather of Funk and a national treasure. A recording artist since 1959, Clinton is one of the most important musicians of the twentieth and twenty-first centuries. In Parliament and Funkadelic, musical groups he formed and led, he scored more than forty hit singles in the 1970s, including four R&B number ones: Parliament’s “Flash Light” and “Aqua Boogie (A Psychoalphadiscobetabioaquadoloop),” and Funkadelic’s million-selling “One Nation Under A Groove” and “(Not Just) Knee Deep.” Clinton, along with fifteen other members of Parliament and Funkadelic, was inducted into the Rock and Roll Hall of Fame in 1997. In 2011, the Smithsonian Institution acquired the Mothership, the flying saucer from which Clinton’s groups once embarked to begin concert performances, to anchor the National Museum of African American History’s inaugural exhibition.1 In 2012, Berklee College of Music awarded Clinton an honorary doctorate.
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Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, May 28, 2020 NEWS CHART ACTION New On The Chart —Debuting This Week CMA Reveals Voting Schedule For song/artist/label—Chart Position Ain't A Train/Cody Jinks/Late August Records — 64 54th Annual CMA Awards Times Like These/Conner Sweet/Given Records — 74 Stronger Than That/Andrew Hopson/Tower Road Records — 75 These Days/MacKenzie Porter/Big Loud Records — 76 Part Of Me/Joe Hanson — 77 Gone/Tim Johnson/Tim Johnson Music — 80 Greatest Spin Increase song/artist/label—Spin Increase Champagne Night/Lady Antebellum/BMLG — 156 Lady/Brett Young/BMLG — 152 Hole In The Bottle/Kelsea Ballerini/Black River Entertainment — 151 The Country Music Association has revealed the ballot schedules for One Of Them Girls/Lee Brice/Curb — 142 both the 54th annual CMA Awards, as well as the 2020 CMA Broadcast Cool Again/Kane Brown/RCA Nashville — 141 Awards. The eligibility period for the 54th Annual CMA Awards is July 1, No I In Beer/Brad Paisley/Arista Nashville — 139 2019 through June 30, 2020. All balloting is oﬃciated by the Happy Place/Clayton Smalley/YN Records — 119 professional services frm Deloitte. Click here to see the voting schedule. All Night/Brothers Osborne/EMI — 117 EXCLUSIVE: Kip Moore Brings Fresh Intensity Most Added song/artist/label—No. of Adds To New Album Wild World Hole In The Bottle/Kelsea Ballerini/Black River Entertainment — 14 Happy Place/Clayton Smalley/YN Records — 13 More Than My Hometown/Morgan Wallen/Big Loud Records — 11 Lady/Brett Young/BMLG — 9 Almost Maybes/Jordan Davis/MCA Nashville — 9 Freedom/Tara Shannon feat.
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List by Song Title
Song Title Artists 4 AM Goapele 73 Jennifer Hanson 1969 Keith Stegall 1985 Bowling For Soup 1999 Prince 3121 Prince 6-8-12 Brian McKnight #1 *** Nelly #1 Dee Jay Goody Goody #1 Fun Frankie J (Anesthesia) - Pulling Teeth Metallica (Another Song) All Over Again Justin Timberlake (At) The End (Of The Rainbow) Earl Grant (Baby) Hully Gully Olympics (The) (Da Le) Taleo Santana (Da Le) Yaleo Santana (Do The) Push And Pull, Part 1 Rufus Thomas (Don't Fear) The Reaper Blue Oyster Cult (Every Time I Turn Around) Back In Love Again L.T.D. (Everything I Do) I Do It For You Brandy (Get Your Kicks On) Route 66 Nat King Cole (Ghost) Riders In The Sky Johnny Cash (Goin') Wild For You Baby Bonnie Raitt (Hey Won't You Play) Another Somebody Done Somebody WrongB.J. Thomas Song (I Can't Get No) Satisfaction Otis Redding (I Don't Know Why) But I Do Clarence "Frogman" Henry (I Got) A Good 'Un John Lee Hooker (I Hate) Everything About You Three Days Grace (I Just Want It) To Be Over Keyshia Cole (I Just) Died In Your Arms Cutting Crew (The) (I Just) Died In Your Arms Cutting Crew (The) (I Know) I'm Losing You Temptations (The) (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons ** Sam Cooke (If Only Life Could Be Like) Hollywood Killian Wells (If You're Not In It For Love) I'm Outta Here Shania Twain (If You're Not In It For Love) I'm Outta Here! ** Shania Twain (I'm A) Stand By My Woman Man Ronnie Milsap (I'm Not Your) Steppin' Stone Monkeys (The) (I'm Settin') Fancy Free Oak Ridge Boys (The) (It Must Have Been Ol') Santa Claus Harry Connick, Jr.
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