FALL 2019 Amelia Chiaramonte
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(XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released. -
Mel Brooks Lever Og Har Det Godt
Mel Brooks lever og har det godt Poul Malmkjær For mange, mange år siden, nærmere bestemt i 1966, vanskelig genre, V2-hour comedy’en, der var værd at sendte vi i TV en serie, »Get Smart«, som vi kaldte »Smart støtte og værd at vise frem. skal det være«. Det var en agentparodi med lille Don Bag serien stod Buck Henry og Mel Brooks. Og gik det Adams som superagenten, der hjulpet af agent 99 (Bar ikke så godt for serien herhjemme, så blev den dog en bara Feldon - og det første ni-tal blev aldrig nogensinde anselig succes i sit hjemland, og den betød for Mel vendt om, men muligheden forelå), skulle bekæmpe en Brooks den endelige etablering som selvstændigt ska skurkeorganisation, KAOS, ledet af Mr. Big (Michael bende humorist, og ikke blot endnu en kvik fabrikant af Dunn). Serien var karakteriseret ved en pågående, grov »Jewish vun-liners«. og vel nok i manges øjne smagløs form for parodi og I disse katastrofe-tider er det bemærkelsesværdigt at humor. Den blev i hvert fald aldrig den store succes hos se, med hvilken iver Hollywood - og industrien som hel TV-anmeldernes helhjertede gennemsnitsdanskere, og in hed - søger at fylde det hul i produktionen, der hedder gen græd, da serien standsede. Vi, de programansvarlige, komedier. Jerry Lewis er nærmest gået i stå af frustration sukkede lidt; vi havde moret os meget godt med den, og efter de ambitiøse fiaskoer, der har indtil for nylig været vi så den først og fremmest som et forsøg på at forny en stille om Blake Edwards, Tashlin er næsten glemt, Milos Forman har næppe nok ladet høre fra sig siden samar bejdet med Buck Henry, Anthony Newley nåede ikke ud over vennekredsen, og Richard Lesters vej tilbage kender man endnu ikke. -
Department of English and American Studies Sid Caesar and His
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Be. Vojtěch Vokurka Sid Caesar and His Writers: Revolution in American Comedy Masters Diploma Thesis Supervisor: GeneTerruso, M.F.A. 2018 / declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Vojtěch Vokurka Acknowledgement I would like to thank my supervisor, Mr. Gene Terruso, for his time, for his ideas and for introducing me to Sid Caesar and his work. Also, I would like to thank Sid Caesar, his actors and writers for keeping me entertained while I was working on this thesis. Table of Contents Introduction 6 1. Caesar's Shows 8 1.1 When Liebman Met Caesar 8 1.1 The Cast 13 1.3 The Writers 16 1.4 Evolution of American Sketch Comedy 19 2. Jewishness in Caesar's Humor 23 2.1 Roots of Jewish Comedy in America 23 2.2 Muting the Jewishness 25 2.3 Characteristics of Jewish Humor 27 2.4 Reaching the General Audience 33 2.5 Being Openly Jewish 35 2.6 Evolution of American Humor 39 3. Parody in Caesar's Sketches 45 3.1 Caesar's Parodies 45 3.2 Parody on Saturday Night Live 48 3.3 Movie Parodies 50 4. Caesar and Physical Comedy 54 4.1 History of Physical Comedy 54 4.2 Physical Comedy in Caesar's Sketches 56 4.3 Physical Comedy in the Years after Caesar 59 Conclusion 64 Bibliography 66 Primary Sources 66 Secondary Sources 70 Introduction When comedian Sid Caesar died in 2014, the news outlets all over the United States printed their obituaries. -
The Morning Line
THE MORNING LINE DATE: Thursday, February 13, 2014 FROM: Emily Meagher, Michelle Farabaugh PAGES: 14, including this page February 13, 2014 Sting’s Musical ‘The Last Ship’ Finds a Home and a Cast By Erik Piepenburg Casting and a Broadway theater were announced on Wednesday for “The Last Ship,” the new show with music and lyrics by the Grammy Award-winning singer Sting and a book by the Tony Award-winning author John Logan (“Red”) and the Putlizer Prize winner Brian Yorkey (“Next to Normal”). The producers Jeffrey Seller and Kathryn Schenker announced that the show, a tale of love and labor strife in an English shipbuilding town, will begin previews on Sept. 30 at the Neil Simon Theater, with opening night set for Oct. 26. (The musical “Big Fish” closed there in December.) The cast will include Michael Esper, Rachel Tucker, Jimmy Nail, Aaron Lazar, Sally Ann Triplett, Collin Kelly-Sordelet and Fred Applegate. Additional casting is to be announced. Also announced was the design team of David Zinn (sets and costumes), Christopher Akerlind (lighting) and Brian Ronan (sound). As previously announced, Joe Mantello (“Wicked”) will direct, and Steven Hoggett (“Once”) will be the choreographer. Before opening on Broadway “The Last Ship” will have a Chicago tryout from June 10 to July 13. A concert staging of the musical that was performed at the Public Theater last year will be broadcast on the PBS series “Great Performances” on Feb. 21. NY Times Total Daily Circulation–876,638 Monthly Online Circulation–19,500,000 February 13, 2014 Mob Princess Wages War On Concept Of Inevitable In ‘Philosophy for Gangsters,’ Ideas Are Deadly By Daniel M. -
Why LAUGHTER on the 23RD FLOOR? by David Cecsarini
volume 30, issue 2 30, volume 2019 november “ Why LAUGHTER ON THE 23RD FLOOR? by David Cecsarini Twenty-one years ago, HE COULD DO ANYTHING as we were preparing our Sid Caesar was a tall, strapping, staged reading of Neil Simon’s rubber-faced acting powerhouse LAUGHTER ON THE 23RD FLOOR, whose bottomless comedic in- I was introduced to the singu- vention found expression through lar and colossal comedic genius, fluid movement and superb vocal Sid Caesar. Simon was a rookie acrobatics. Sifting through the writer for Caesar in 1953, and his many video recordings of Your play is a loving tribute to the cra- Show of Shows or Caesar’s Hour, ziest writers’ room in television. the breadth and depth of his cre- I had some vague notion of who ative talents are simply astonish- Sid Caesar was and that he did ing. Though his natural Brooklyn a 90-minute live comedy broad- accent colored many of Caesar’s cast, Your Show of Shows, back Sid Caesar characterizations, he was also a in early TV. But the immersion fokkers vas Messerschmitts!” I master of other accents, includ- course of specific study, as often can remember us watching the ing the utterance of approximate happens in our business, brought 60s TV comedy Hogan’s Heroes, foreign languages known as dou- Isaac Sidney Caesar into full fo- with wonderful actors John Ban- ble talk. French, German, Italian, cus, context and prominence ner and Werner Klemperer taking Russian, Japanese: he could carry within the pioneering world of it on the chin for the Luftwaffe. -
CONGRESSIONAL RECORD— Extensions Of
E738 CONGRESSIONAL RECORD — Extensions of Remarks August 7, 2020 than 720,000. In this capacity Michelle has tertainment unit. After his honorable discharge stress friends, who enlisted the help of their been able to leverage her college degrees and in 1946, Carl branched into performing Broad- friends, and an organization instantly formed bilingual skills to help resolve complex prob- way musicals, until landing a spot in an NBC as volunteers coalesced around one simple lems for many individuals in need. comedy sketch show entitled ‘‘Your Show of idea: to provide masks to those who need Michelle is deeply principled, a hard worker, Shows’’ as an actor and a writer. In this writ- them. and an excellent team player. She consistently ing room with Mel Brooks, Mel Tolkin, Lucille In their first month of operation, the Iowa took on challenges to serve others using her Kallen, and Neil and Danny Simon, the idea of Mask Brigade used over 75 furnace filters. intelligence, diplomacy, and empathy. Re- the 2,000-Year-Old-Man routine came to life Today, the Iowa Mask Brigade consists of 35 cently, Michelle served as the only staffer sup- with fellow comedian and director Mel Brooks. volunteers who have collectively produced al- porting a congressional fact-finding visit, when Later, while writing for singer Dinah Shore’s most 8,000 masks since its inception in I traveled to the U.S.-Mexico border along with variety, Carl developed the idea for ‘‘The Dick March. my colleague Congressman COLIN ALLRED. Van Dyke Show,’’ a comedy sitcom based on One of those volunteers is Ray Getting, who Michelle’s language skills, subject matter his own life experiences. -
Rank Series T Title N Network Wr Riter(S)*
Rank Series Title Network Writer(s)* 1 The Sopranos HBO Created by David Chase 2 Seinfeld NBC Created by Larry David & Jerry Seinfeld The Twilighht Zone Season One writers: Charles Beaumont, Richard 3 CBS (1959)9 Matheson, Robert Presnell, Jr., Rod Serling Developed for Television by Norman Lear, Based on Till 4 All in the Family CBS Death Do Us Part, Created by Johnny Speight 5 M*A*S*H CBS Developed for Television by Larry Gelbart The Mary Tyler 6 CBS Created by James L. Brooks and Allan Burns Moore Show 7 Mad Men AMC Created by Matthew Weiner Created by Glen Charles & Les Charles and James 8 Cheers NBC Burrows 9 The Wire HBO Created by David Simon 10 The West Wing NBC Created by Aaron Sorkin Created by Matt Groening, Developed by James L. 11 The Simpsons FOX Brooks and Matt Groening and Sam Simon “Pilot,” Written by Jess Oppenheimer & Madelyn Pugh & 12 I Love Lucy CBS Bob Carroll, Jrr. 13 Breaking Bad AMC Created by Vinnce Gilligan The Dick Van Dyke 14 CBS Created by Carl Reiner Show 15 Hill Street Blues NBC Created by Miichael Kozoll and Steven Bochco Arrested 16 FOX Created by Miitchell Hurwitz Development Created by Madeleine Smithberg, Lizz Winstead; Season One – Head Writer: Chris Kreski; Writers: Jim Earl, Daniel The Daily Show with COMEDY 17 J. Goor, Charlles Grandy, J.R. Havlan, Tom Johnson, Jon Stewart CENTRAL Kent Jones, Paul Mercurio, Guy Nicolucci, Steve Rosenfield, Jon Stewart 18 Six Feet Under HBO Created by Alan Ball Created by James L. Brooks and Stan Daniels and David 19 Taxi ABC Davis and Ed Weinberger The Larry Sanders 20 HBO Created by Garry Shandling & Dennis Klein Show 21 30 Rock NBC Created by Tina Fey Developed for Television by Peter Berg, Inspired by the 22 Friday Night Lights NBC Book by H.G. -
The Poetics of Sketch Comedy
UNLV Retrospective Theses & Dissertations 1-1-1994 The poetics of sketch comedy Michael Douglas Upchurch University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Upchurch, Michael Douglas, "The poetics of sketch comedy" (1994). UNLV Retrospective Theses & Dissertations. 368. http://dx.doi.org/10.25669/8oh8-bt66 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS TTiis manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
The Thesis Committee for Steven Vern Reddicliffe
The Thesis committee for Steven Vern Reddicliffe Certifies that this is the approved version of the following thesis Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows APPROVED BY SUPERVISING COMMITTEE: Supervisor: ________________________________________ Janet Staiger __________________________________________ Michael Kackman Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, B.S.J. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin August 2010 Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, MA The University of Texas at Austin, 2010 SUPERVISOR: Janet Staiger An oral history of television comedy from the early 1950s through the mid 1970s as told by the writers Sydney Zelinka, Larry Rhine, Milt Josefsberg, and the team of Seaman Jacobs and Fred S. Fox. The shows they wrote for included “The Honeymooners,” ‘The Phil Silvers Show,” “The Red Skelton Hour,” Bob Hope specials, “Here’s Lucy,” “All in the Family,” and “Maude.” These five writers were working in the earliest days of the medium and spent years writing for the personalities—from performers to producers—who pioneered and defined it. Most of them also wrote scripts during one of broadcast television’s greatest periods of transformation, when comedy took a decidedly topical turn that continued to have a significant impact on television comedy in the decades that followed. iii Table of Contents Introduction ……………………………..….……………….……..……1 Chapter One: Sydney Zelinka ……………………………....…..….…..15 Chapter Two: Larry Rhine ……………………………………......……32 Chapter Three: Milt Josefsberg ……………………...…….…...…....…58 Chapter Four: Seaman Jacobs and Fred S. -
Sheldon Keller Collection
http://oac.cdlib.org/findaid/ark:/13030/c82j6g15 No online items Sheldon Keller Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/wgf-library-archive/about-the-film-and-tv-archive/ 2018 Sheldon Keller Collection WGF-MS-016 1 Descriptive Summary Title: Sheldon Keller Collection Dates: 1939, 1960-2004 Collection Number: WGF-MS-016 Creator/Collector: Keller, Sheldon, 1923-2008 Extent: 6.4 Linear feet Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: The Sheldon Keller Collection, 1939, 1960-2004 consists of scripts from television, variety specials, and films, as well as correspondence and other materials related to Sheldon Keller's writing career. Several scripts feature sketches, jokes and speeches that Keller wrote for entertainers such as Bob Hope, Frank Sinatra, and Sophia Loren. Various items are collaborations with other writers, including Larry Gelbart and Howard Albrecht. Language of Material: English Access Majority of materials stored off site. One week advance notice required for retrieval. Publication Rights The responsibility to secure copyright and publication permission rests with the researcher. Preferred Citation Sheldon Keller Collection. Writers Guild Foundation Archive Acquisition Information Donated January 13, 2014 by Sheldon Keller’s son, Casey Keller. Biography/Administrative History Sheldon Bernard Keller, who was always called Shelly, was born in Chicago on Aug. 20, 1923. His parents, immigrants from Poland, had built a successful business in Chicago making and selling corsets. Attending the University of Illinois, Keller teamed up with a fraternity brother, Allan Sherman, to put on comic shows. -
Lifelong Learning Society in Jupiter Has Presented Lectures, Courses, Concerts and More to Our Community
WINTER 201 5 LIFE LONG LEaRNING SOCIETy NO HOMEWORk • NO TESTS • NO STRESS JuPITER BaCk aGaIN! Pulitzer Prize Winning author and Former New York Times Sports Columnist, Ira Berkow (Special guest appearances by prominent sports figures.) President and CEO of The National World War II Museum, Gordon H. Mueller, Ph.D., Lectures on “Operation Overlord: Turning Point of the 20 th Century” PLUS! Pulitzer Prize Winning Author and Historian, David McCullough (561) 799-8547 or (561) 799-8667 www.fau.edu/llsjupiter • Online Registration: https://llsjuponline.com 3 Thank You to Our Donors! For more than 18 years, the Lifelong Learning Society in Jupiter has presented lectures, courses, concerts and more to our community. Lifelong Learning would like to thank all of our generous donors who gave $1,000 or more to help LLS continue to bring our students the highest quality programming possible. We could not do it without you! Earl Abramson & Sheila Schlaggar Jim Lipsit Bruce & Marcia Balter Tamar & Milton Maltz Janice & Michael Barry William Morton Dorothy Battles Fred Menowitz Betsy & Donald Bleznak Robert & Sara Neumann William & Gail Boyan Andrea & Tim Palmer Paul & Cynthia Brown Doug & Pat Pierson Martin & Nancy Cohen Mark & Mary Reisler Bill & Ann Deigan Irene Ross Shatzi Gaines Anne Roth Win & Lenore Gerson Marcia Rothschild Ken & Felice Hassan Paula Sennet Bob & Mary Higgins Adele Shamban Helen & Arnold Hoffman Judy & Donald Smith Bob & Gayle Jacobs Susan Namm Spencer Marilyn & Stanley Katz D’Vera Topol John & Helga Klein Myron & Carol Warshauer Clare & Richard Lesser Richard & EllenYorks David & Myrna Leven Ph.D. Partnership Program The Jupiter Lifelong Learning Society proudly presents our first Ph.D. -
Jews, the Blacklist, and Stoolpigeon Culture / Joseph Litvak
The Un-Americans Edited by Michèle Aina Barale Jonathan Goldberg Michael Moon Eve Kosofsky Sedgwick JOSEPH LITVAK The Un-Americans JEWS, THE BLACKLIST, AND STOOLPIGEON CULTURE Duke University Press Durham and London 2009 © 2009 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper b Designed by C. H. Westmoreland Typeset in Scala with Gill Sans display by Achorn International, Inc. Library of Congress Cataloging-in-Publication Data Litvak, Joseph. The un-Americans : Jews, the blacklist, and stoolpigeon culture / Joseph Litvak. p. cm. — (Series Q) Includes bibliographical references and index. isbn 978-0-8223-4467-4 (cloth : alk. paper) isbn 978-0-8223-4484-1 (pbk. : alk. paper) 1. Jews in the motion picture industry—United States. 2. Jews—United States—Politics and government—20th century. 3. Antisemitism—United States—History—20th century. 4. United States—Ethnic relations—Political aspects. I. Title. II. Series: Series Q. e184.36.p64l58 2009 305.892’407309045—dc22 2009029295 TO LEE CONTENTS acknowledgments ix ❨1❩ Sycoanalysis: An Introduction 1 ❨2❩ Jew Envy 50 ❨3❩ Petrified Laughter: Jews in Pictures, 1947 72 ❨4❩ Collaborators: Schulberg, Kazan, and A Face in the Crowd 105 ❨5❩ Comicosmopolitanism: Behind Television 153 ❨6❩ Bringing Down the House: The Blacklist Musical 182 coda Cosmopolitan States 223 notes 229 bibliography 271 index 283 ACKNOWLEDGMENTS This book is about, among other things, the thrill of naming names. As I look back on the process of writing it, it gives me great pleasure to point my finger at the accomplices who made it possible: Cheryl Alison, Susan Bell, Lauren Berlant, Susan David Bernstein, Diana Fuss, Jane Gallop, Marjorie Garber, Helena Gurfinkel, Judith Halberstam, Janet Halley, Jon- athan Gil Harris, Sonia Hofkosh, Carol Mavor, Meredith McGill, David McWhirter, Madhavi Menon, D.