They Bewitched the Generator
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Abstract African and African
ABSTRACT AFRICAN AND AFRICAN AMERICAN STUDIES HILL, ERNESS A. B.A. SPELMAN COLLEGE, 1998 REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART. THE MACONDE AND THE SHETANI Advisor: Dr. Mustafah Dhada Thesis dated December, 2000 This thesis examines to what extent the shetani icon in Maconde Art has been elevated to the status of deity; and what powers it has been endowed with to transform the lives of its "worshippers." The investigation was based on the observation that, although not a recognized 'god' in the traditional Maconde form of worship, nor that of Mozambique, the shetani’s appearance in Mozambican art was consistent and abundant. The investigative approach used was a comparative analysis of three internationally known Mozambican artists, two of which are Maconde. The researcher found that with all three artists, the shetani was an obvious element in their artistic renderings and in each instance, their individual lives, though not unique, were charged with suffering and unhappiness. The conclusion drawn from this investigation suggests that, although created by a Maconde for the purpose of patronage, the shetani icon has become a 'deity' not only for the Maconde, but for Mozambicans, as well. While not 'worshipped' in the sense that Westerners worship, it has been endowed with powers that transform the lives of those who identify with it. At the very least, it has been endowed with the power to promote their artistic abilities with a view to catalyzing greater creativity. REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART, THE MACONDE AND THE SHETANI A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY ERNESS A. -
Zanzibar: Religion, Politics, and Identity in East Africa
CAS PO 204: Zanzibar: Religion, Politics, and Identity in East Africa Timothy Longman Summer 2013 M-R 10-12, plus field trips May 27-July 3 Email: [email protected] The islands of Zanzibar have been a crossroads of African, Persian, Arab, Indian, and European cultures for two millenniums, making them a unique setting in which to explore issues of religion, ethnicity, race, gender, class, and politics in East Africa. From about 1000 A.D., the first permanent settlers began to arrive from the African mainland, and they mixed with Arab, Persian, and Indian traders who had used Zanzibar as a port for centuries. Zanzibar was linked early into the Muslim world, with the first mosque in the southern hemisphere was built in there in 1107. Zanzibar’s two main islands of Unguja and Pemba ultimately developed a plantation economy, with slaves imported from the mainland growing cloves, cinnamon, cardamom, and other spices. Zanzibar’s strategic and economic importance made it a coveted prize, as it was alternately controlled by the Portuguese, Omani, and British empires. Zanzibar became the launching site for H.M. Stanley and other explorers, the center for many missionary groups, and an important base for European colonial expansion into East Africa. This course explores the role of Zanzibar as a gateway between East Africa and the Middle East, South Asia, and Europe and the fascinating legacy of social diversity left by the many different cultures that have passed through the islands. We study the contrast between the historical development of mainland East Africa and the Swahili coastal communities that range from Mozambique to Somalia and the role of Zanzibar in the expansion of colonialism into East Africa. -
The Migration of Indians to Eastern Africa: a Case Study of the Ismaili Community, 1866-1966
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2019 The Migration of Indians to Eastern Africa: A Case Study of the Ismaili Community, 1866-1966 Azizeddin Tejpar University of Central Florida Part of the African History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Tejpar, Azizeddin, "The Migration of Indians to Eastern Africa: A Case Study of the Ismaili Community, 1866-1966" (2019). Electronic Theses and Dissertations, 2004-2019. 6324. https://stars.library.ucf.edu/etd/6324 THE MIGRATION OF INDIANS TO EASTERN AFRICA: A CASE STUDY OF THE ISMAILI COMMUNITY, 1866-1966 by AZIZEDDIN TEJPAR B.A. Binghamton University 1971 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2019 Major Professor: Yovanna Pineda © 2019 Azizeddin Tejpar ii ABSTRACT Much of the Ismaili settlement in Eastern Africa, together with several other immigrant communities of Indian origin, took place in the late nineteenth century and early twentieth centuries. This thesis argues that the primary mover of the migration were the edicts, or Farmans, of the Ismaili spiritual leader. They were instrumental in motivating Ismailis to go to East Africa. -
Why It's So Hard to Prosecute Wildlife Crimes: Lessons from Tanzania
22/03/2021 Why it’s so hard to prosecute wildlife crimes: Lessons from Tanzania | Journal of African Elephants Journal of African Elephants SPOTLIGHTING THE PLIGHT OF AFRICA'S ELEPHANTS COMMENTARY Why it’s so hard to prosecute wildlife crimes: Lessons from Tanzania 22ND MAR 2021 By Global Initiative Against Transnational Organized Crime – In Mail & Guardian https://africanelephantjournal.com/why-its-so-hard-to-prosecute-wildlife-crimes-lessons-from-tanzania/ 1/8 22/03/2021 Why it’s so hard to prosecute wildlife crimes: Lessons from Tanzania | Journal of African Elephants evelopments in two major ivory trafcking cases in Tanzania are not what conservationists might have hoped for. The conviction of Boniface Mathew Malyango, known as “Shetani Hana Huruma” (“the Devil has no mercy” in Kiswahili), was hailed by conservation organisations as a victory in 2017, with one of East Africa’s most notorious illegal ivory traders. However, his conviction was quietly overturned in mid-2020 — a development that was largely unreported in the press. Likewise, Mateso “Chupi” Kasian was extradited from Mozambique to Tanzania in 2017 to face prosecution in what was, at the time, seen as a major victory for regional co-operation against wildlife trafcking. However, his prosecution only led to a ne of $215 — a small sum compared to the enormity of the trafcking operation he supposedly controlled. Boniface Mathew Malyango, known as “Shetani Hana Huruma” Both cases highlight the signicant challenges that major wildlife trafcking investigations often face, including corruption, delays in prosecution and poor evidence handling. Support and political pressure from international partners and NGOs have primarily focused on arrests and initial prosecutions, rather than on the follow-up to legal cases. -
Ethan R. Sanders
Ethan R. Sanders Associate Professor Department of History, Politics and Political Economy (HiPPE) Regis University 3333 Regis Boulevard, G-16 • Denver, CO 80221 • +1 303-964-5428 • [email protected] Education University of Cambridge, PhD in History, 2013. Thesis title: “The African Association and the Growth and Movement of Political Thought in Mid-Twentieth Century East Africa” Supervisors: Derek R. Peterson and John Lonsdale University of Cambridge, M.Phil. in Historical Studies, 2008. Wheaton College, M.A. in Church History, 2007. Baylor University, B.A. in History with Distinction, 2005. Academic Positions Associate Professor, Department of History, Politics and Political Economy, Regis University (May 2020-present) Assistant Professor, Department of History and Politics, Regis University (August 2014-May 2020) Assistant Professor, Department of History, Bridgewater State University (September 2012 – August 2014) Publications Articles, Book Chapters and Essays “James Aggrey and the African Nation: Pan-Africanism, Public Memory and Political Imagination in Colonial East Africa” International Journal of African Historical Studies 52:3 (2019): 399-424. “A Small Stage for Global Conflicts: Decolonization, the Cold War and Revolution in Zanzibar” Canadian Journal of History 52 (Winter 2017): 479-508. “Rethinking Patriarchy, Respectability and Women’s Mobility in Zanzibar,” review essay in African Studies Review 59 (December 2015): 225-230. “Women and Non-Ethnic Politics in East Africa, 1934-1947” in Gendering Ethnicity in African Women’s Lives, Jan Bender Shetler, ed. (Madison: University of Wisconsin Press, 2015), 123-152. “Missionaries, Empire and African Studies,” review essay in African Studies Review 58 (April 2015): 237-242. “Conceiving the Tanganyika-Zanzibar Union in the Midst of the Cold War: Internal and International Factors” The African Review: A Journal of African Politics, Development and International Affairs 41 (April 2014): 35-70. -
Issued by the Britain-Tanzania Society
Tanzanian Affairs Issued by the Britain-Tanzania Society No 119 Jan 2018 President Magufuli cites successes, while activists cry foul Peacekeepers killed in Eastern DRC Action in Maasai land dispute Ben Taylor: PRESIDENT MAGUFULI CITES SUCCESSES, WHILE ACTIVISTS CRY FOUL President Magufuli marked his first two years in office by celebrating ten key achievements. The Director General of Tanzania Information Services and Chief government spokesman, Hassan Abbasi, listed these as: •Restoration of discipline among public servants resulting in an increase of productivity in service delivery. •Control of government expenditure and enhancemant of value for money in all state funded projects. This included the removal of 32,000 names from the government payroll who were either ghost workers or public servants holding fake academic certificates, saving a total of TShs 378 billion. •The anti-corruption war, including the establishment of an anti-graft court, the dismissal of dishonest public officials and the arrest of the alleged masterminds behind the Escrow case. Tundu Lissu is greeted in hospital by fellow Chadema member Edward Lowassa. cover photo: UN memorial ceremony in Beni, eastern Congo for Tanzanian peacekeepers killed by rebels (Al-Hadji Kudra Maliro) President Magufuli cites successes... 3 •Increased control on the protection of natural resources such as minerals, including the signing of three mineral laws and changes which laid reforms in the extractive industry. •Cost cutting measures that saw fewer foreign trips by government officials and cuts in the budgets for unnecessary workshops. •Moving the government capital to Dodoma; Mr Abbasi described this as “a dream for a long time, at the beginning no one expected it would be possible, but the dream has become true.” •Reduced dependency on donors when it comes to implementing development projects. -
On Some Problems of the Modern Art of the Makonde People
ANNALS OF THE NAPRSTEK MUSEUM 11 e PRAGUE 1983 one >, “zcum <evo% ON SOME PROBLEMS OF THE MODERN ART OF THE MAKONDE PEOPLE ERICH HEROLD Little attention has been paid to the modern carving of Africa. After all, hardly eighty years have passed since the time when the intellectual Europe started to realize that, besides the fine arts based on the heritage of the antique of the Mediterranean and perhaps also the arts grown up from the soil of the great religious systems of Islam and Buddhism (having some common points with the antique), there exists yet another art quite in- dependent on the antique and guided by entirely different prin- ciples. This is the traditional tribal art, or, as one used to say, primitive art, or the art of natural peoples. But nevertheless Art, no mere masks, idols, or godlings. Among the areas in which this art was living, Africa with its carvings occupied the foremost place. It was thus only natural that, after the new conception had asserted itself and the European knowledge of the traditional tribal art had grown wider and deeper, one started to look, and is still looking, for works as old and original as possible, undis- turbed by foreign influences of form, ideas and socio-economic elements. It is only these works which are accepted as real re- presentatives of the African artistic genius and, therefore, also the only criteria of the value of everything which has originated in the soil of Africa, formerly as well as nowadays. To a certain extent, this attitude is justifiable, especially when evaluating sculptures which, though retaining traditional themes, were not made to traditional social order, but to satisfy the de- git mands of tourists and the uninformed foreign arts market. -
Transition from Slavery in Zanzibar and Mauritius
Transition from Slavery in Zanzibar and Mauritius This book is a product of CODESRIA Comparative Research Network with the Zanzibar Indian Ocean Research Institute (ZIORI) and the University of Mauritius. Transition from Slavery in Zanzibar and Mauritius A Comparative History Abdul Sheriff Vijayalakshmi Teelock Saada Omar Wahab Satyendra Peerthum Council for the Development of Social Science Research in Africa DAKAR © CODESRIA 2016 Council for the Development of Social Science Research in Africa Avenue Cheikh Anta Diop, Angle Canal IV BP 3304 Dakar, 18524, Senegal Website : www.codesria.org ISBN : 978-2-86978-680-6 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage or retrieval system without prior permission from CODESRIA. Typesetting: Alpha Ousmane Dia Cover Design: Ibrahima Fofana Distributed in Africa by CODESRIA Distributed elsewhere by African Books Collective, Oxford, UK Website: www.africanbookscollective.com The Council for the Development of Social Science Research in Africa (CODESRIA) is an independent organisation whose principal objectives are to facilitate research, promote research-based publishing and create multiple forums geared towards the exchange of views and information among African researchers. All these are aimed at reducing the fragmentation of research in the continent through the creation of thematic research networks that cut across linguistic and regional boundaries. CODESRIA publishes Africa Development, the longest standing Africa based social science journal; Afrika Zamani, a journal of history; the African Sociological Review; the African Journal of International Affairs; Africa Review of Books and the Journal of Higher Education in Africa. -
THE ROLE of CULTURE in the LIBERATION of MOZAMBIQUE* by Edward A
THE ROLE OF CULTURE IN THE LIBERATION OF MOZAMBIQUE* By Edward A. Alpers A baby is a European HE DOES NOT EAT OUR FOOD: he drinks from his ow.n water pot. A baby is a EUropean HE DOES NOT SPEAK OUR TONGUE: he is cross when the mother understands him not. A baby is a European HE CARES VERY LITTLE FOR OTHERS; he forces his will upon his parents. A baby is a European HE IS ALWAYS VERY SENSITIVE: the slightest scratch on his skin results in an ulcer.** One of the most important popular expressions of resistance to the brutality and humiliation of colonialism in Mozambique was cultural . Of these, songs, music and dance were easily the most universal form of protest, with proverbs, stories, and wood sculp ture providing other vehicles of resistance. Just as important, *Original Title: "Cultural Expressions of Protest and Resistance in Colonial Mozambique." Author's Note: Research for this article was supported by grants from the African Studies Center and the Academic Senate of the University of California, Los Angeles, and from the Fundasao Calouste Gulbenkian, Lisbon. I am indebted to colleagues at the Centro de Estudios Africanos of the Universidade Eduardo Mondlane, Maputo, for both material and intellectual support during visits to Mozambique in 1975 and 1976, especially to the Rector of the Universidade, Fernando Ganhao, and to the Director of the Centro, Aquino de Brangan~a. Special thanks go also to Allen Isaacman for friendship and criticism, as to Ricardo Teixeira Durate, then Di rector of the Nampula Museum, who allowed me to photograph items in the museum collection. -
ECFG-Tanzania-2020R.Pdf
About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for success. (Photo a courtesy of ECFG USAID). The guide consists of 2 parts: Part 1 introduces “Culture General,” the foundational knowledge you need to operate effectively in any global Tanzania environment. Part 2 presents “Culture Specific” Tanzania, focusing on unique cultural features of Tanzanian society and is designed to complement other pre- deployment training. It applies culture-general concepts to help increase your knowledge of your assigned deployment location. For further information, visit the Air Force Culture and Language Center (AFCLC) website at www.airuniversity.af.edu/AFCLC/ or contact AFCLC’s Region Team at [email protected]. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the expressed permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources as indicated. GENERAL CULTURE CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. A culture is the sum of all of the beliefs, values, behaviors, and symbols that have meaning for a society. All human beings have culture, and individuals within a culture share a general set of beliefs and values. -
43 Cloves, Slaves, and British Imperialism: the Rise and Fall of Omani Plantation Slavery in Nineteenth-Century Zanzibar Nicole
Cloves, Slaves, and British Imperialism: The Rise and Fall of Omani Plantation Slavery in Nineteenth-Century Zanzibar Nicole Crisp In the early nineteenth century, a new slave system emerged which would be all but completely eliminated less than one hundred years later. Following the subversion of the Dutch monopoly of clove production in the Malay Archipelago in the 1820s, plantation slavery aimed at clove production erupted throughout Zanzibar, an Omani-controlled archipelago in East Africa. By the 1850s, exportation of cloves had increased to fifteen times the size of which it had been just thirty years earlier. 1 However, this success was not set to last. Cracks emerged in this system by mid-century as the result of the confluence of factors like political instability, price fluctuations, and the availability of arable land. While efforts to produce cloves for export continued, Omani plantation owners had to further weather increasing European, particularly British, imperialism as well as natural disasters. In this essay, I analyze plantation slavery in Zanzibar from two different, yet related angles. First, I will examine how this slave system developed and collapsed in such a relatively short amount of time. In doing so, the seemingly unique case of nineteenth century Zanzibari slavery elicits comparisons and contrasts with a variety of other historical slave systems, especially that of elite domestic slaves in the late Ottoman Empire and plantation slavery in the antebellum Southern United States. In light of these comparisons, we can see how both economic and domestic slavery must be seen as two interconnected forms of slavery, particularly in the Zanzibari context. -
Oman & Zanzibar
guests Limited12 to just © SA 2.0 & OmanSeptember 26-October Zanzibar 14, 2020 (19 days | 12 guests) with anthropologist & architectural historian Trevor Marchand © Ron Van Oers Archaeology-focused tours for the curious to the connoisseur. Archaeological Institute of Al Mirani Fort America Lecturer & Host 3 MUSCAT NAKHL FORT Samail Hosn AL HAZM CASTLE Seeb Trevor Marchand is Manal Emeritus Professor of Wadi Bani Awf Rustaq Fort Social Anthropology at Birkat Al Mawz the School of Oriental BAT, AL-KHUTM, & AL-AYN Samad Al Shan and African Studies QALHAT Misfat Al Abriyeen Ibra Sur (SOAS, London) NIZWA and recipient of the BAHLA FORT 3 Royal Anthropological Castle of Jabrin Salout Fort Institute’s Rivers RAS AL 1 AL HAMRA JINZ Memorial Medal (2014). Al Mudhaireb 1 He studied architecture Wadi (McGill), received a Bani Khalid PhD in anthropology (SOAS), and qualified 1 WAHIBA as a fine woodworker at London’s Building SANDS Crafts College. Marchand has published extensively. His books include Architectural Heritage of Yemen (2017), Craftwork as Problem Solving (2016), The Masons of Djenné (2009, Taqah winner of three international prizes), and Minaret Empty Quarter Building and Apprenticeship in Yemen (2001). Ubar Marchand produces and directs documentary Sumhuram films on architecture and craftwork, and has Hanun Archaeological Park WADI DAWKAH curated exhibitions for the Brunei Gallery in SALALAH Mirbat London, Museum of Oriental Art in Turin, 4 Pergamon Museum in Berlin, Royal Institute Al-Baleed Archaeological Park Oman of British Architects, and the Smithsonian’s National Museum of Natural History. He is an independent advisor on World Heritage for ICOMOS and an advisor on the international experts panel for the British Museum’s Endangered Material Knowledge Programme.