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National Library of Australia Conservation Management Plan
NATIONAL LIBRARY OF AUSTRALIA CONSERVATION MANAGEMENT PLAN A management plan complying with s.341S(1) of the EPBC Act 1999 Prepared for the National Library of Australia by Dr Michael Pearson Duncan Marshall 2012 EXECUTIVE SUMMARY This Conservation Management Plan (CMP), which satisfies section 341S and 341V of the Environment Protection and Biodiversity Conservation Act 1999 (EPBC Act), provides the framework and basis for the conservation and good management of the National Library of Australia building, in recognition of its heritage values. The National Library of Australia’s Heritage Strategy, which details the Library’s objectives and strategic approach for the conservation of heritage values, has been prepared and accepted by the then Minister on 24 August 2006. The Heritage Strategy will be reviewed during 2012 in parallel with the endorsement of this plan. The Policies in this plan support the directions of the Heritage Strategy, and indicate the objectives for identification, protection, conservation, presentation and transmission to all generations of the Commonwealth Heritage values of the place. The CMP presents the history of the creation of the National Library of Australia and the construction of its building, describes the elements that have heritage significance, and assesses that significance using the Commonwealth Heritage List criteria. The plan outlines the obligations, opportunities and constraints affecting the management and conservation of the Library. A set of conservation policies are presented, with implementation -
CHARLEVILLE FLOOD MANAGEMENT – MOVING BEYOND MITIGATION Murweh Shire, Queensland Town of Charleville, Murweh Shire, Queensland
6/4/2014 Neil Polglase David Murray Murweh Shire, Queensland May 2014 • Land area of 43,905 km 2 CHARLEVILLE FLOOD MANAGEMENT – • Population MOVING BEYOND MITIGATION – Murweh Shire – 4,910 – Town of Charleville – 3,278 Emergency Management System – Town of Augathella - 500 • Temperatures – 15 oC to 37 oC during the summer months – 3oC to 25 oC during the winter months • Wet season is typically January through April The Warrego River Overtopped its Banks in Town of Charleville, Murweh Shire, April 1990 and February 1997 with Little Queensland Australia Warning In Response to 1990 and the 1997 Flooding, a In March 2010 the Town Floods Again via Levee along Warrego River was Constructed Bradley’s Gully Tributary 1 6/4/2014 Following the 2010 Flood, Queensland In February 2012 –Levee Saves Charleville From Government Funded Two Additional Flood Second Biggest Flood of Record Mitigation Projects • Construction of a second levee along Bradley’s Gully • Project for flood and fire response planning Warrego River Bradley’s Gully Five Major Floods were Recorded Since 1990 Emergency Management System • CDM Smith was selected to meet with Stakeholders and Event Estimated Peak Location Flood Mechanism develop approach to meet their needs (year) Discharge (m 3/s) • First task order included: November 2012 – February 2013 Warrego River 1990 5470 No Levee – Major Warrego River Flooding at Charleville – Onsite visit to review historical data & meet with stakeholders No Levee – Repeat of significant Warrego River 1997 2180 Flooding – Collect relevant data -
Report to Office of Water Science, Department of Science, Information Technology and Innovation, Brisbane
Lake Eyre Basin Springs Assessment Project Hydrogeology, cultural history and biological values of springs in the Barcaldine, Springvale and Flinders River supergroups, Galilee Basin and Tertiary springs of western Queensland 2016 Department of Science, Information Technology and Innovation Prepared by R.J. Fensham, J.L. Silcock, B. Laffineur, H.J. MacDermott Queensland Herbarium Science Delivery Division Department of Science, Information Technology and Innovation PO Box 5078 Brisbane QLD 4001 © The Commonwealth of Australia 2016 The Queensland Government supports and encourages the dissemination and exchange of its information. The copyright in this publication is licensed under a Creative Commons Attribution 3.0 Australia (CC BY) licence Under this licence you are free, without having to seek permission from DSITI or the Commonwealth, to use this publication in accordance with the licence terms. You must keep intact the copyright notice and attribute the source of the publication. For more information on this licence visit http://creativecommons.org/licenses/by/3.0/au/deed.en Disclaimer This document has been prepared with all due diligence and care, based on the best available information at the time of publication. The department holds no responsibility for any errors or omissions within this document. Any decisions made by other parties based on this document are solely the responsibility of those parties. Information contained in this document is from a number of sources and, as such, does not necessarily represent government or departmental policy. If you need to access this document in a language other than English, please call the Translating and Interpreting Service (TIS National) on 131 450 and ask them to telephone Library Services on +61 7 3170 5725 Citation Fensham, R.J., Silcock, J.L., Laffineur, B., MacDermott, H.J. -
The Scottish Background of the Sydney Publishing and Bookselling
NOT MUCH ORIGINALITY ABOUT US: SCOTTISH INFLUENCES ON THE ANGUS & ROBERTSON BACKLIST Caroline Viera Jones he Scottish background of the Sydney publishing and bookselling firm of TAngus & Robertson influenced the choice of books sold in their bookshops, the kind of manuscripts commissioned and the way in which these texts were edited. David Angus and George Robertson brought fi'om Scotland an emphasis on recognising and fostering a quality homegrown product whilst keeping abreast of the London tradition. This prompted them to publish Australian authors as well as to appreciate a British literary canon and to supply titles from it. Indeed, whilst embracing his new homeland, George Robertson's backlist of sentimental nationalistic texts was partly grounded in the novels and verse written and compiled by Sir Walter Scott, Robert Bums and the border balladists. Although their backlist was eclectic, the strong Scottish tradition of publishing literary journals, encyclopaedias and religious titles led Angus & Robertson, 'as a Scotch firm' to produce numerous titles for the Presbyterian Church, two volumes of the Australian Encyclopaedia and to commission writers from journals such as the Bulletin. 1 As agent to the public and university libraries, bookseller, publisher and Book Club owner, the firm was influential in selecting primary sources for the colony of New South Wales, supplying reading material for its Public Library and fulfilling the public's educational and literary needs. 2 The books which the firm published for the See Rebecca Wiley, 'Reminiscences of George Robertson and Angus & Robertson Ltd., 1894-1938' ( 1945), unpublished manuscript, Mitchell Library, State Library of New South Wales, ML MSS 5238. -
Johnathon Davis Thesis
Durithunga – Growing, nurturing, challenging and supporting urban Indigenous leadership in education John Davis-Warra Bachelor of Arts (Aboriginal & Torres Strait Islander Studies & English) Post Graduate Diploma of Education Supervisors: Associate Professor Beryl Exley Associate Professor Karen Dooley Emeritus Professor Alan Luke Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Education Queensland University of Technology 2017 Keywords Durithunga, education, Indigenous, leadership. Durithunga – Growing, nurturing, challenging and supporting urban Indigenous leadership in education i Language Weaves As highlighted in the following thesis, there are a number of key words and phrases that are typographically different from the rest of the thesis writing. Shifts in font and style are used to accent Indigenous world view and give clear signification to the higher order thought and conceptual processing of words and their deeper meaning within the context of this thesis (Martin, 2008). For ease of transition into this thesis, I have created the “Language Weaves” list of key words and phrases that flow through the following chapters. The list below has been woven in Migloo alphabetical order. The challenge, as I explore in detail in Chapter 5 of this thesis, is for next generations of Indigenous Australian writers to relay textual information in the languages of our people from our unique tumba tjinas. Dissecting my language usage in this way and creating a Language Weaves list has been very challenging, but is part of sharing the unique messages of this Indigenous Education field research to a broader, non- Indigenous and international audience. The following weaves list consists of words taken directly from the thesis. -
Annual Report 2013 - 2014
Lockhart River Aboriginal Shire Council Annual Report 2013 - 2014 Page 0 Lockhart River Aboriginal Shire Council TABLE OF CONTENTS INTRODUCTION ............................................................................................................................ 2 MAP OF LOCKHART RIVER ....................................................................................................... 3 MAP OF LOCKHART RIVER TOWNSHIP .................................................................................. 4 COUNCIL VISION, MISSION STATEMENT AND GUIDING VALUES .................................... 5 MAYOR’S REPORT ...................................................................................................................... 6 CHIEF EXECUTIVE OFFICER’S REPORT ................................................................................. 7 LOCKHART RIVER HISTORY ..................................................................................................... 8 FACILITIES AND SERVICES ..................................................................................................... 12 PRIVATE ENTERPRISES ........................................................................................................... 15 OUR COUNCIL ............................................................................................................................ 17 ELECTED MEMBERS ................................................................................................................................................. 18 COUNCILLORS -
Artistic Identity in the Published Writings of Margaret Thomas (C1840-1929)
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1993 Artistic identity in the published writings of Margaret Thomas (c1840-1929) Lynn Patricia Brunet University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Brunet, Lynn Patricia, Artistic identity in the published writings of Margaret Thomas (c1840-1929), Master of Creative Arts (Hons.) thesis, School of Creative Arts, University of Wollongong, 1993. -
1 Cathy Perkins. the Shelf Life of Zora Cross. Clayton
Cathy Perkins. The Shelf Life of Zora Cross. Clayton: Monash University Publishing, 2020. 285 pp. A$29.95. ISBN: 978-1-925835-53-3 Once a week for two years, I caught the bus from West End to Teneriffe in Brisbane for French classes, stepping off at Skyring Terrace near the new Gasworks Plaza. I was terrible at French and never did my homework, but I persisted out of a lifelong dream of writing in Paris. When I picked up Cathy Perkins’s The Shelf Life of Zora Cross, I realised that I was walking a street with a literary connection: Skyring was the surname of writer Zora Cross’s grandfather. Chance encounters bring us to poetry. In the basement of the Mitchell Library in NSW, a collection of letters led researcher Cathy Perkins to the author of the enormously popular Songs of Love and Life, published in 1917. Although this work sold four thousand copies via three reprints, by the time of Cross’s death in 1964 the author was slipping into obscurity. Two efforts had been made to draw attention to her importance in Australia’s literary history: Dorothy Green’s Australian Dictionary of Biography entry (1981) and an attempted biography by Michael Sharkey which was abandoned in favour of a biography of Cross’s partner, writer David McKee Wright. By the mid-1980s, Perkins writes, Cross had ‘fallen so far from literary consciousness that poets Judith Wright and Rosemary Dobson felt safe in recommending that the Australian Jockey Club name a horserace after her’ (86–87). By contrast Perkins, when she found a reference to Songs of Love and Life in the basement among the letters of George Robertson, publisher at Angus and Robertson, she was captivated. -
Vol No Artist Title Date Medium Comments 1 Acraman, William
Tregenza PRG 1336 SOUTH AUSTRALIAN HISTORICAL PICTURES INDEX ARTIST INDEX (Series 1) (Information taken from photo - some spellings may be incorrect) Vol No Artist Title Date Medium Comments 1 Acraman, William Residence of E Castle Esq re Hackham Morphett Vale 1856 Pencil 1 Adamson, James Hazel Early South Australian view 1 Adamson, James Hazel Lady Augusta & Eureka Capt Cadell's first vessels on Murray 1853 Lithograph 1 Adamson, James Hazel The Goolwa 1853 Lithograph 1 Adamson, James Hazel Agricultural show at Frome Road 1853 W/c 1 Adamson, James Hazel Jetty at Port Noarlunga with Yatala in background 1855 W/c 1 Adamson, James Hazel Panorama of Goolwa from water showing Steamer Lady Augusta 1854 Pencil & wash No photo 1 Angas, George French SA Illustrated photocopies of plates List in front 1 Angas, George French Portraits (2) 1 Angas, George French Devil's Punch Bowl 1844 W/c 1 Angas, George French Encounter Bay looking south 1844 W/c 1 Angas, George French Interior of crater, Mount Shanck 1844 W/c Plus current 1 Angas, George French Lake Albert 1844 W/c 1 Angas, George French Mt Lofty from Rapid Bay W/c 1 Angas, George French Interior of Principal Crater Mt Gambier - evening 1844 W/c 1 Angas, George French Penguin Island near Rivoli Bay 1844 W/c 1 Angas, George French Port Adelaide 1844 W/c 1 Angas, George French Port Lincoln from Winter's Hill 1845 W/c 1 Angas, George French Scene of the Coorong at the Narrows 1844 W/c 1 Angas, George French The Goolwa - evening W/c 1 Angas, George French Sea mouth of the Murray 1844-45 W/c 1 Angas, -
Women in the Federal Parliament
PAPERS ON PARLIAMENT Number 17 September 1992 Trust the Women Women in the Federal Parliament Published and Printed by the Department of the Senate Parliament House, Canberra ISSN 1031-976X Papers on Parliament is edited and managed by the Research Section, Senate Department. All inquiries should be made to: The Director of Research Procedure Office Senate Department Parliament House CANBERRA ACT 2600 Telephone: (06) 277 3061 The Department of the Senate acknowledges the assistance of the Department of the Parliamentary Reporting Staff. First published 1992 Reprinted 1993 Cover design: Conroy + Donovan, Canberra Note This issue of Papers on Parliament brings together a collection of papers given during the first half of 1992 as part of the Senate Department's Occasional Lecture series and in conjunction with an exhibition on the history of women in the federal Parliament, entitled, Trust the Women. Also included in this issue is the address given by Senator Patricia Giles at the opening of the Trust the Women exhibition which took place on 27 February 1992. The exhibition was held in the public area at Parliament House, Canberra and will remain in place until the end of June 1993. Senator Patricia Giles has represented the Australian Labor Party for Western Australia since 1980 having served on numerous Senate committees as well as having been an inaugural member of the World Women Parliamentarians for Peace and, at one time, its President. Dr Marian Sawer is Senior Lecturer in Political Science at the University of Canberra, and has written widely on women in Australian society, including, with Marian Simms, A Woman's Place: Women and Politics in Australia. -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
The Making of White Australia
The making of White Australia: Ruling class agendas, 1876-1888 Philip Gavin Griffiths A thesis submitted for the degree of Doctor of Philosophy of The Australian National University December 2006 I declare that the material contained in this thesis is entirely my own work, except where due and accurate acknowledgement of another source has been made. Philip Gavin Griffiths Page v Contents Acknowledgements ix Abbreviations xiii Abstract xv Chapter 1 Introduction 1 A review of the literature 4 A ruling class policy? 27 Methodology 35 Summary of thesis argument 41 Organisation of the thesis 47 A note on words and comparisons 50 Chapter 2 Class analysis and colonial Australia 53 Marxism and class analysis 54 An Australian ruling class? 61 Challenges to Marxism 76 A Marxist theory of racism 87 Chapter 3 Chinese people as a strategic threat 97 Gold as a lever for colonisation 105 The Queensland anti-Chinese laws of 1876-77 110 The ‘dangers’ of a relatively unsettled colonial settler state 126 The Queensland ruling class galvanised behind restrictive legislation 131 Conclusion 135 Page vi Chapter 4 The spectre of slavery, or, who will do ‘our’ work in the tropics? 137 The political economy of anti-slavery 142 Indentured labour: The new slavery? 149 The controversy over Pacific Islander ‘slavery’ 152 A racially-divided working class: The real spectre of slavery 166 Chinese people as carriers of slavery 171 The ruling class dilemma: Who will do ‘our’ work in the tropics? 176 A divided continent? Parkes proposes to unite the south 183 Conclusion