The Poetics of Alchemical Engagement: the Allegorical Journey to God in Ripley and Norton After Chaucer
The Poetics of Alchemical Engagement: The Allegorical Journey to God in Ripley and Norton after Chaucer Marcelle Muasher Khoury Charlottesville, VA B.A., American University of Beirut, 1970 M.A., American University of Beirut, 1973 Ph.D., University of Virginia, 2014 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia May 2014 The Poetics of Alchemical Engagement: The Allegorical Journey to God in Ripley and Norton After Chaucer Marcelle Muasher Khoury © Copyright by Marcelle Muasher Khoury All Rights Reserved May 2014 i Abstract Both fifteenth-century alchemical poets, George Ripley and Thomas Norton, perceived themselves to be “Chaucerian” in far deeper ways than has been recognized. They perceived their own work, like Chaucer’s, to join author, reader and pilgrim on an essentially hermeneutical journey to Wisdom, and shared with him a deep concern with the human condition of fragmentation and infinite deferral, which they understood Chaucer to relegate to the interpreter’s confinement within the natural (sensible and semantic) mode of perception. They likewise perceived themselves to share with him the Boethian belief that this condition can and should be overcome through the hermeneutical pilgrim’s “hevy[ng] up the heved,” or “heav[ing] up the head,” and “entencioun” to ryght “heye thinges” (Boece V, m. 4.35-37), ultimately beyond the entire ontological structure of the Cosmos. The “Philosopher’s Stone” was an expression of the resultant entity. Like Chaucer, they consciously sought to harmonize with the Christian faith the natural philosophy that was absorbed into Western Europe through the Late Medieval translation movement.
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