Off the Shelf Fall 2020
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Brooklyn Transit Primary Source Packet
BROOKLYN TRANSIT PRIMARY SOURCE PACKET Student Name 1 2 INTRODUCTORY READING "New York City Transit - History and Chronology." Mta.info. Metropolitan Transit Authority. Web. 28 Dec. 2015. Adaptation In the early stages of the development of public transportation systems in New York City, all operations were run by private companies. Abraham Brower established New York City's first public transportation route in 1827, a 12-seat stagecoach that ran along Broadway in Manhattan from the Battery to Bleecker Street. By 1831, Brower had added the omnibus to his fleet. The next year, John Mason organized the New York and Harlem Railroad, a street railway that used horse-drawn cars with metal wheels and ran on a metal track. By 1855, 593 omnibuses traveled on 27 Manhattan routes and horse-drawn cars ran on street railways on Third, Fourth, Sixth, and Eighth Avenues. Toward the end of the 19th century, electricity allowed for the development of electric trolley cars, which soon replaced horses. Trolley bus lines, also called trackless trolley coaches, used overhead lines for power. Staten Island was the first borough outside Manhattan to receive these electric trolley cars in the 1920s, and then finally Brooklyn joined the fun in 1930. By 1960, however, motor buses completely replaced New York City public transit trolley cars and trolley buses. The city's first regular elevated railway (el) service began on February 14, 1870. The El ran along Greenwich Street and Ninth Avenue in Manhattan. Elevated train service dominated rapid transit for the next few decades. On September 24, 1883, a Brooklyn Bridge cable-powered railway opened between Park Row in Manhattan and Sands Street in Brooklyn, carrying passengers over the bridge and back. -
Cultural Guide for Seniors: Brooklyn PHOTOGRAPHY
ART / DESIGN ARCHITECTURE DANCE / SING THEATRE / LIVE MONUMENTS GALLERIES / ® PARKSCultural Guide for Seniors: Brooklyn PHOTOGRAPHY Acknowledgments NYC-ARTS in primetime is made possible in part by First Republic Bank and by the Rubin Museum of Art. Funding for NYC-ARTS is also made possible by Rosalind P. Walter, The Paul and Irma Milstein Foundation, The Philip & Janice Levin Foundation, Elise Jaffe and Jeffrey Brown, Jody and John Arnhold, and The Lemberg Foundation. This program is NYC-ARTS.org supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. On multiple platforms, Thirteen/WNET’s Additional funding provided by members of NYC-ARTS aims to increase awareness of THIRTEEN. New York City’s nonprofit cultural organizations, whose offerings greatly benefit We are grateful to Megan Flood for residents and visitors—from children to adults, contributing the design of the cover of this and teenagers to senior citizens. publication. NYC-ARTS promotes cultural groups’ We are grateful for the cooperation of the activities and events to tri-state, national and cultural organizations that supplied information international audiences through nonprint media, for this guide. using new technologies as they develop. Through websites, television, mobile applications and social media, NYC-ARTS This program is supported, in part, by nurtures New York City’s position as a public funds from the New York City thriving cultural capital of the world, one that Department of Cultural Affairs. has both world renowned institutions and those that are focused on local communities. WNET 825 Eighth Avenue New York, NY 10019 http://WNET.org (212) 560-2000 Cover Design: Megan Flood Copyright © 2012 WNET Table of Contents A.I.R./Artists in Residence Gallery............................................................................. -
A Bald Eagle in the Land of Muhammad: American Foreign Policy in the Middle East
A BALD EAGLE IN THE LAND OF MUHAMMAD: AMERICAN FOREIGN POLICY IN THE MIDDLE EAST by Ari Epstein A thesis submitted to Johns Hopkins University in conformity with the requirements for the degree of Masters of Government Baltimore, Maryland June 2020 © 2020 Ari Epstein All rights reserved Abstract A lack of information regarding American foreign policy in the Middle East can lead to deleterious political decision-making. There are many people both in the civilian world and the world of government that view Middle Eastern related security issues through a sociocultural lens. This thesis portfolio seeks to assess the implications of American foreign policy in the Middle East as opposed to socio-culture. It places emphasis on the theory that American foreign policy contributes to anti-American antagonism. There are a few different methods by which this is measured. First, this thesis will assess American military policy in the Middle East. Specifically, it analyzes the impact of American military policy in Iraq, Syria, and Afghanistan on Muslim public opinion. This is conducted by looking at numerous sets of data and public polls from different credible organizations, as well as secondary sources. Second, socio-cultural sources are directly assessed in order provide evidence that American foreign policy is the primary driver behind anti-American antagonism. Writings from notorious anti-American figures and scholarly sources on Middle Eastern culture, are considered in order to measure socio-cultural based anti-American antagonism against anti-American antagonism driven by American foreign policy. ii ABSTRACT Third, the diplomatic consequences of the Trump administration’s withdrawal from the Iran Nuclear Agreement are assessed. -
Leaders in Rebted Agencies for Discussion Of: (1) Identified Needs and Projects Evaluation Techniques
DOCUMENT RESUME ED 022 509 LI 000 972 SUMMARY (HARRIMAN, NEW CONFERENCE ON LIBRARY SERVICES FORTHE DISADVANTAGED, PROCEEDINGS YORK, DECEMBER 10-11, 1964). New York State Library, Albany. Pub Date [64] Note-26p. EDRS Price MF -$025 HC-$1.12 *LIBRARY Descriptors-CONFERENCE REPORTS, *CULTURALLYDISADVANTAGED, *LIBRARY PROGRAMS, SERVICES, *POVERTY PROGRAMS, PROGRAMCOORDINATION, *PUBLIC LIBRARIES Identifiers-Library Services and Construction Act,*New York An invitational conference washeld to bring togetherlibrary system staff members immediately concerned with projectsfinanced under the LibraryServices ant...: Construction Act, representativesfrom the New York StateEducation Department, and leaders in rebted agenciesfor discussion of: (1) identifiedneeds and projects designed to meet these needs,(2) cooperation and coordinationof projects, (3) evaluation techniques, and (4)publicity about the projects.This summary of the proceedings includes descriptions of projectsfor the disadvantaged inpublic library systems in the state ofNew York, along with critiquesand comments on these projects. Summaries of remarks by principalspeakers are also included, coveringthe subjects of library participation in the war onpoverty, characteristicsof the disadvantaged child, and service to the disadvantaged.(JB) 000972 SEP 2 3'68 di CONFERENCE ON LI BRARY SERVICES FOR THE DISADVANTAGED PROCEEDINGS SUMMARY 0% rj U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION (Z) THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE LIU PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. ARDEN HOUSE HARRIMAN, NEW YORK tcl. DECEMBER 10 AND 11, 1964 tc: THE UNIVERSITY OF THE STATE OF NEW YORK/THE STATE EDUCATION DEPARTMENT THE NEW YORK STATE LIBRARY/DIVISION OF LIBRARY EXTENSION/ALBANY, NEW YORK THE UNIVERSITY OF THE STATE OFNEW YORK Regents of the University (with yearswhen terms expire) Edgar W. -
A Look Inside Central Library
A LOOK INSIDE CENTRAL LIBRARY With its breathtaking façade, sweeping grand lobby and vast contemporary and historical collections, OUR Central Library is a Brooklyn icon. The building’s history dates to 1898, when the Brooklyn Park Commission was authorized to select a location for the library. In 1912, ground was broken on architect Raymond F. Almirall’s imposing Beaux-Arts design, HISTORY but construction slowed and eventually ceased as the nation and the borough endured economic difficulties brought on by World War One and the Great Depression. A single unfinished wing sat empty on Flatbush Avenue for more than two decades, until construction resumed on a redesigned Central Library in 1935. The building finally opened to the public on February 1, 1941. At 352,000 square feet, with a circulation of more than 1.7 million materials and an annual door count of 1.3 million visits, Central is Brooklyn’s home library, one of New York City’s foremost cultural, civic and educational institutions. Designed to resemble an open book, Central Library is clad in limestone with 1 2 3 impressive Art Deco detailing by sculptors Thomas Hudson Jones and Carl P. Jennewein. Perhaps the building’s most striking feature is its 50-foot-high entry portico, set into a concave façade that reflects the elliptical configuration of Grand Army Plaza. The dramatic entrance is adorned by fifteen bronze sculptures of famous characters and personages from American literature, framed by columns with a series of gilded bas-reliefs depicting the evolution of art and science. THE 4 5 6 ENTRANCE 7 8 9 10 11 12 10 1. -
Qpl's Path Forward in the Era of Covid-19
QUEENS PUBLIC LIBRARY REOPENING PLAN QPL’S PATH FORWARD IN THE ERA OF COVID-19 June 23, 2020 REOPENING PLAN QPL’S PATH FORWARD IN THE ERA OF COVID-19 CONTENTS Introduction 3 Stages of Reopening 10 Health and Safety Measures 4 Stage 1: To-Go Service 14 Personal Protective Equipment Initial Locations and Cleaning and Disinfectant Supplies 4 To-Go Service 14 Physical Distancing 4 Initial Locations Fulfillment Services and Returns 14 Education, Training, and Support 5 Hours Open to the Public 15 Health Screening 5 Branch Staffing Model 15 Infection Response 5 Mail-a-Book 15 Facilities Cleaning, Disinfecting, and Maintenance 6 City Partnerships 15 Materials Handling 6 Stage 2: Limited Access 16 Distributed Workforce 7 Stage 3: New QPL 17 Communications 8 Digital Collections and Programs 9 QUEENS PUBLIC LIBRARY | 2 REOPENING PLAN QPL’S PATH FORWARD IN THE ERA OF COVID-19 INTRODUCTION In order to help stem the spread of COVID-19, Queens A Reopening Task Force including leadership and staff Public Library closed all of our physical locations on across departments has worked to develop this plan, March 16, 2020. Since then, thanks to our dedicated in consultation with the Library’s Board of Trustees and talented staff, we have adapted quickly and and our union partners, and informed by evolving resolutely to meet our mission, delivering critical City, State, and Federal guidance, executive orders, services, programs, and resources to the public and laws, information and recommendations from remotely and offering everyone – no matter who they public health authorities, and experiences of other are, where they come from, or the challenges of our organizations around the world. -
Equity & Social Justice Resource Guide
Metropolitan King County Council Equity & Social Justice Section EQUITY & SOCIAL JUSTICE RESOURCE GUIDE “All human beings are born free and equal in dignity and rights.” 1 Equity Resources: Compiled using multiple national and local sources, May 2020 [this page left intentionally blank] 2 Equity Resources: Compiled using multiple national and local sources, May 2020 CONTENT I. Terminology THE LAW II. Protected Classes III. Legislation READING: IV. Books V. Blogs and Articles VI. Magazines VII. Reports MEDIA VIII. Films IX. Videos X. Podcast XI. Web Sites LANGUAGE EQUITY TRAININGS (To be added) XII. Online training XIII. Learning & Development FACILITATION (To be added) WELL BEING (To be added) ADDITIONAL READING XIV. Challenging Racism XV. Colorblindness, Diversity, Inclusion, and Equity XVI. Racial Equity Tool Kits XVII. Talking About Pronouns 3 Equity Resources: Compiled using multiple national and local sources, May 2020 TERMINOLOGY The following terminology is commonly used in conversations regarding social justice, diversity, equity and allyship. It is meant to be a starting point for engaging in open and honest conversation by offering a shared language of understanding. Please note, this list is not exhaustive and the meaning of these words may change and evolve based on context. If there is a term that you feel should be included here, please let me know. 1. Ableism: A system of oppression that includes discrimination and social prejudice against people with intellectual, emotional, and physical disabilities, their exclusion, and the valuing of people and groups that do not have disabilities. 2. Accomplice: An ally who directly challenges institutionalized homophobia, transphobia and other forms of oppression, by blocking or impeding oppressive people, policies and structures. -
Fiscal Years 2012 2013 Brooklyn Public Library ANNUAL REPORT
Brooklyn Public Library ANNUAL REPORT Fiscal Years 2012 2013 A NEW Brooklyn Public Library In 2013, Brooklyn Public Library As we embark on the next era launched an exciting new brand. of service for the Library, our The mark is clean, current and logo symbolizes our renewed reflects a new way of thinking commitment to providing the about the Library. Brooklynites best possible service to the have long been coming to BPL public. And by rolling out to begin new journeys, such as our brand across all 60 of opening new businesses, learning our libraries, we will provide English and finding jobs. Our a strong visual identity for the tagline, Start Here, embodies institution as a whole, raising the Library’s role as a place where awareness of the Library system 2012 2013 everyone can begin achieving and its ties to every neighborhood their goals. in our borough. 2 Brooklyn Public Library ANNUAL REPORT 2012 2013 Letter from the Chair ...........................................................................4 Letter from the President & CEO .......................................................5 FY2012/2013 Highlights .....................................................................6 Facts & Figures .................................................................................. 22 Table of CONTENTS FY2012 Donor List .............................................................................31 FY2013 Donor List ............................................................................ 35 How to Help BPL ............................................................................. -
PRATT INSTITUTE LIBRARY, 22 4-228 Ryerson Street, Borough of Brooklyn
Landmarks Preservation Commission December 22, 1981, Designation List 151 LP-2011 PRATT INSTITUTE LIBRARY, 22 4-228 Ryerson Street, Borough of Brooklyn. Built 1896: architect William B. Tubby. Landmark Site: Bor ough of Brooklyn, Tax Map Block 1919, Lot 1 in part consisting of the ±and on which the described building is situated. On October 9, 1979, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Pratt Institute Library and the pro posed designation of the related Landmark Site (Item No. 10). The hearing had been duly advertised in accordance with the provisions of law. Three witnesses spoke in favor of designation. There were no speakers in opposition to designation. DESCRIPTION AND ANALYSIS The Pratt Institute Library, built in 1896 , is a handsome example of the Renaissance Revival style. Designed by William B. Tubby, the buildi ng was constructed to house the Pratt I nstitute Free Library, the first free public library in the city of Brooklyn. The library is located on the campus of Pratt Institute, founded by Charles Pratt for t he, training of artisans, foremen, designers, draftsmen, and other technicians. The school was an outgrowth of Pratt's interest in manual training and his belief that the best way to help others was to teach them how to help themselves. The type of technical training established at Pratt ~a s unprecedented in the United States at that time. Charles Pratt (1830-1891) was born in Watertown, Massachusetts. In 1851 he moved to New York City and worked for the firm of Schenck & Downing, dealers in paints and oils. -
Off the Shelf Spring 2021 1 Feature
SPRING 2021 OFF THE SHELF A LOOK INSIDE BROOKLYN PUBLIC LIBRARY FEATURE A MESSAGE FROM THE PRESIDENT upgraded fleet of flexible, tech-savvy Bookmobiles will bring WiFi as well as March marks one year since our city A MESSAGE FROM THE PRESIDENT books throughout the borough. And our went into lockdown and our lives—and librarians continue to provide one-on-one Library—totallyThis summer, transformed. tens of thousands Twelve of phone training for older adults Zooming monthsBlack later, Lives our librarians Matter protesters and staff gathered for the very first time. “After six months on the steps of Central Library to BPL POET- are still finding new ways to reach of being alone… your wonderful classes Brooklynitesdemand across racial the justice distance. in our city and came to me,” one of them recently wrote. across the nation. As painful as it is We are now providing grab-and-go lobby “I again began to feel that I am still a IN-RESIDENCE BPL Poet-in-Residence Cyrée Jarelle Johnson to confront the racism that continues service at 48 neighborhood libraries, person able to create, to learn, and to to shape our country and its many BPL, in collaboration with Brooklyn where patrons can pick up books, job interact socially with a new group of the 2020 Lambda Literary Award in institutions, including our own, it has Poet Laureate Tina Chang, has named search kits, arts and crafts supplies, and understanding people.” Gay Poetry. Johnson earned an MFA in also renewed our sense of purpose as Cyrée Jarelle Johnson as the Library’s more. -
No Selves to Defend
NO SELVES TO DEFEND A Legacy of Criminalizing Women of Color for Self-Defense they won’t ask where we were By Rachel White Domain for the so many women who are incarcerated for fighting back to protect their lives and their children’s lives we have to ask where we were when whatever happened, happened that they had to make that choice we have to ask that question because that’s not the question they are asking in a court of law they’ll ask where was she they’ll ask if she was a good girl (otherwise) how long she took it for they’ll ask whether it was bad enough get out a ruler and measure the inches she was to the edge of the cliff they’ll look over at the rocks and dust kicked over the edge in the struggle and consider how far down it is she probably would have survived, they might say she could have taken it a little longer and maybe they’ll keep her in a cage which is where they keep fierce life-loving freedom-fighting women in worlds where they don’t think we should all get to be safe and free *This (fictional) poem was inspired by my friend who is currently incarcerated in Chicago. I wrote it on the morning of her first day of trial. Introduction By Mariame Kaba Rachel White Domain’s poem is a fitting introduction to this publication. She asks us to put ourselves in the shoes of women who have been and are criminalized for defending themselves against unrelenting violence. -
Molly Crabapple
MOLLY CRABAPPLE Molly Crabapple is an artist and writer in New York. Her 2013 solo exhibition, Shell Game, led to her being called “Occupy's greatest artist” by Rolling Stone, and “an emblem of the way that art could break out of the gilded gallery” by The New Republic. She is the fourth artist in the last decade to draw Guantanamo Bay. Crabapple is a columnist for VICE, and has written for The New York Times, Newsweek, The Paris Review, CNN, The Guardian, The Daily Beast, Jacobin, and Der Spiegel. Harper Collins published her illustrated memoir, Drawing Blood in 2015. SOLO EXHIBITIONS 2016 Annotated Muses, Postmasters Gallery, New York, NY 2013 Shell Game: A Crowd-Funded Show about the 2008 Financial Collapse 2008 Deminonde Arena Studios, New York, NY 2007 Peepshow: The Art of Molly Crabapple, Trinity Fine Arts, New York, NY 2006 Tarts and Flowers – A Valentine's Day Show, Jigsaw Gallery Licentious Behavior, Perihelion Arts, Phoenix, AZ 2005 Ink! Babes! Irony!-Molly Crabapple Says Goodbye to Pen and Ink, Jigsaw Gallery GROUP EXHIBITIONS 2015 #WCW (@womencrushwednesday), Postmasters Gallery, New York, NY Respond, Smack Mellon, Brooklyn, NY 2014 Temple of Art Exhibition and Book Launch, La Luz de Jesus Gallery, Los Angeles, CA Portraits in the Twenty First Century, Postmasters Gallery, New York, NY Show Me the Money: The Image of Finance 1700 to the Present, John Hansard Gallery, Southampton, UK Message in a Bottle, Cavalier Galleries, Nantucket This is what sculpture looks like, Postmasters Gallery, New York, NY 2013 An Evening in Celebration