Westbrook Pegler, Eleanor Roosevelt, and the FBI
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Journalist Lowell Mellett
Working for Goodwill: Journalist Lowell Mellett (long version) by Mordecai Lee University of Wisconsin-Milwaukee Note: This paper is an extended version of “Working for Goodwill: Journalist Lowell Mellett,” published in Traces of Indiana and Midwestern History (quarterly of the Indiana Historical Society) 27:4 (Fall 2015) 46-55. (All copyright protections of the article apply to this longer version.) This revision contains additional text, about twice as much as in the article. It also contains references and endnotes, which the journal’s house style omits. In addition, a chronological bibliography of Mellett’s non-newspaper writings has been added at the end of the article. Abstract: Lowell Mellett was a major figure in President Franklin Roosevelt’s unprecedented communications apparatus. He is largely remembered for his role as liaison between the federal government and Hollywood during World War II. However, Mellett had a major career in journalism before joining the administration in 1938 and was an influential syndicated columnist after leaving the White House in 1944. As his pre- and post-White House service is less known, this article seeks to provide an historical sketch of his journalism career. Presidential assistant Lowell Mellett (1884-1960) looms relatively large in one aspect of the history of Franklin Roosevelt’s administration and World War II. He was the senior federal 1 liaison between the film industry and Washington during the early years of the war. Holding a series of changing titles, he was President Roosevelt’s point man for the Hollywood studios, working to promote productions that supported FDR’s internationalist orientation and the nation’s war goals. -
Beckett in Black and Red: the Translations for Nancy Cunard's Negro
University of Kentucky UKnowledge French and Francophone Literature European Languages and Literatures 2000 Beckett in Black and Red: The Translations for Nancy Cunard's Negro Alan Warren Friedman University of Texas Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Friedman, Alan Warren, "Beckett in Black and Red: The Translations for Nancy Cunard's Negro" (2000). French and Francophone Literature. 10. https://uknowledge.uky.edu/upk_french_and_francophone_literature/10 IRISH LITERATURE, HISTORY, AND CULTURE Jonathan Allison, General Editor Advisory Board George Bornstein, University of Michigan Elizabeth Butler Cullingford, University of Texas James S. Donnelly Jr., University ofWisconsin Marianne Elliott, University of Liverpool Roy Foster, Hertford College, Oxford David Lloyd, Scripps College Weldon Thornton, University of North Carolina This page intentionally left blank BECI<ETT . In BLACIZ and The Translations for RED Nancy Cunard's NEGRO (1934) EDITED BY ALAN WARREN FRIEDMAN THE UNIVERSrrY PRESS OF KENIUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2000 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. -
Red Or Dead: States of Poetry in Depression America
Red or Dead: States of Poetry in Depression America by Sarah Elizabeth Ehlers A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2012 Doctoral Committee: Professor Alan M. Wald, Chair Professor Howard Brick Professor June M. Howard Professor Yopie Prins Associate Professor Joshua L. Miller ACKNOWLEDGMENTS The same year I began my Ph.D. work at the University of Michigan, my father lost the coal-mining job he had worked for over twenty years. That particular confluence of events had a profound effect on me, and I would be remiss if I didn’t acknowledge the ways in which my personal feelings of anger and frustration—my sense of being somehow out-of-place—influenced my thinking and this project. Certainly, it was one of the catalysts for my deep interest in the U.S. literary Left. Like so many others, I am indebted to Alan Wald for my understanding of Left literature and culture. Alan has been, probably more than he knows, an example of the kind of scholar I hope to be—even, I admit, an ideal ego of sorts. I continue to be as awed by his deep knowledge as I am by his humility and generosity. Yopie Prins taught me how to read poetry when I already thought I knew how, and my conversations with her over the past five years have shaped my thinking in remarkable ways. From my first days in Ann Arbor, June Howard has been a source of intellectual guidance, and her insights on my work and the profession have been a sustaining influence. -
Franklin D. Roosevelt
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1957 A Rhetorical Study of the Gubernatorial Speaking of Franklin D. Roosevelt. Paul Jordan Pennington Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pennington, Paul Jordan, "A Rhetorical Study of the Gubernatorial Speaking of Franklin D. Roosevelt." (1957). LSU Historical Dissertations and Theses. 222. https://digitalcommons.lsu.edu/gradschool_disstheses/222 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. A RHETORICAL STUD* OP THE GUBERNATORIAL SPEAKING OP FRANKLIN D. ROOSEVELT A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Meohanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech by Paul Jordan Pennington B. A., Henderson State Teachers College, 19U8 M. A., Oklahoma University, 1950 August, 1957 ACKNOWLEDGMENT The writer wishes to acknowledge the inspiration, guidance, and continuous supervision of Dr. Waldo W. Braden, Professor of Speech at Louisiana State University. As the writer1s major advisor, he has given generously of his time, his efforts, and his sound advice. Dr. Braden is in no way responsible for any errors or short-comings of this study, but his suggestions are largely responsible for any merits it may possess. Dr. C. M. Wise, Head of the Department of Speech, and Dr. -
Left of Karl Marx : the Political Life of Black Communist Claudia Jones / Carole Boyce Davies
T H E POLI T I C A L L I F E O F B L A C K C OMMUNIS T LEFT O F K A R L M A R X C L A U D I A JONES Carole Boyce Davies LEFT OF KARL MARX THE POLITICAL LIFE OF BLACK LEFT OF KARL MARX COMMUNIST CLAUDIA JONES Carole Boyce Davies Duke University Press Durham and London 2007 ∫ 2008 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by Heather Hensley Typeset in Adobe Janson by Keystone Typesetting, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. CONTENTS Acknowledgments vii Preface xiii Chronology xxiii Introduction. Recovering the Radical Black Female Subject: Anti-Imperialism, Feminism, and Activism 1 1. Women’s Rights/Workers’ Rights/Anti-Imperialism: Challenging the Superexploitation of Black Working-Class Women 29 2. From ‘‘Half the World’’ to the Whole World: Journalism as Black Transnational Political Practice 69 3. Prison Blues: Literary Activism and a Poetry of Resistance 99 4. Deportation: The Other Politics of Diaspora, or ‘‘What is an ocean between us? We know how to build bridges.’’ 131 5. Carnival and Diaspora: Caribbean Community, Happiness, and Activism 167 6. Piece Work/Peace Work: Self-Construction versus State Repression 191 Notes 239 Bibliography 275 Index 295 ACKNOWLEDGMENTS his project owes everything to the spiritual guidance of Claudia Jones Therself with signs too many to identify. At every step of the way, she made her presence felt in ways so remarkable that only conversations with friends who understand the blurring that exists between the worlds which we inhabit could appreciate. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Nancy Cunard: Collector, Cosmopolitan by Jenny Greenshields Dissertation submitted for the degree of Doctor of Philosophy in English Literature University of Sussex February 2015 2 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another university for the award of any other degree. Signed ....................................................... 3 Nancy Cunard: Collector, Cosmopolitan Jenny Greenshields Dissertation submitted for the degree of Doctor of Philosophy in English Literature, University of Sussex, February 2015 Summary of Thesis Part One of my thesis reads Nancy Cunard (1896-1965) as a modernist collector, situating her material and literary collections in relation to the vogue nègre of the 1920s and 30s, when European fascination with black expressive culture reached unprecedented heights. It also looks at how Cunard’s collecting practices translate into an ‘aesthetic of assemblage’ in her work as an anthologist, and shows how the African sculpture section of her Negro anthology (1934) reflects the collecting cultures of early twentieth-century Europe. -
Female Sportswriters of the Roaring Twenties
The Pennsylvania State University The Graduate School College of Communications THEY ARE WOMEN, HEAR THEM ROAR: FEMALE SPORTSWRITERS OF THE ROARING TWENTIES A Thesis in Mass Communications by David Kaszuba © 2003 David Kaszuba Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2003 The thesis of David Kaszuba was reviewed and approved* by the following: Ford Risley Associate Professor of Communications Thesis Adviser Chair of Committee Patrick R. Parsons Associate Professor of Communications Russell Frank Assistant Professor of Communications Adam W. Rome Associate Professor of History John S. Nichols Professor of Communications Associate Dean for Graduate Studies in Mass Communications *Signatures are on file in the Graduate School ABSTRACT Contrary to the impression conveyed by many scholars and members of the popular press, women’s participation in the field of sports journalism is not a new or relatively recent phenomenon. Rather, the widespread emergence of female sports reporters can be traced to the 1920s, when gender-based notions about employment and physicality changed substantially. Those changes, together with a growing leisure class that demanded expanded newspaper coverage of athletic heroes, allowed as many as thirty-five female journalists to make inroads as sports reporters at major metropolitan newspapers during the 1920s. Among these reporters were the New York Herald Tribune’s Margaret Goss, one of several newspaperwomen whose writing focused on female athletes; the Minneapolis Tribune’s Lorena Hickok, whose coverage of a male sports team distinguished her from virtually all of her female sports writing peers; and the New York Telegram’s Jane Dixon, whose reports on boxing and other sports from a so-called “woman’s angle” were representative of the way most women cracked the male-dominated field of sports journalism. -
HOUSE of REPRESENTATIVES Ralph L
14554 CONGRESSIONAL RECORD-HOUSE SEPTEMBER 1 i:· Robert W. Prater, Jr., Uleta, Fla., in place Thomas H. McMahon, Rosemont, Pa., in NEW YORK of J. F. Potts, resigned. place of A. A. Connelly, deceased. · Rolan E. Rice, Holland. , GEORGIA Charles L. Johnston, Waynesboro, Pa., in Robert J. Conklin, Richfield Springs. place of W. A. Thompson, resigned • . Carroll E. Toole, Garfield, Ga., in place of NORTH CAROLINA R. J. Walsh, retired. SOUTH DAKOTA Leon C. Frederick, Ca-Vel. James D. Kilpatrick, Quitman, Ga., in Charles S. Adams, Burke, S. Dak., in place Linville L. Hendren, Elkin. place of E. T. Williams, retired. o.f M. E. Smith, transferred. Howard E. Moricle, Reidsville. IDAHO TEXAS Leonard S. Daniel, Warrenton. ·Willis J. Lyman, Rexburg, Idaho, in place Aubrey Lee Davee, Brady, Tex., in place of OREGON of G. A. Hoopes, dece.ased. I. J. Burns, removed. Harold T. Lay, Enterprise. ILLINOIS Lucile Fairman, Goldthwaite, Tex., in place of M. Y. Stokes, Jr., transferred. PENNSYLVANIA Nola G. Lee, Xenia, Ill., in pla:ce of :,, E. J. Smith Cluck, Leander, Tex., in place of John P . Rumancik, Crucible. Goff, transferred. J. 0. McBride, transferred. David M. Barnhart, Stoystown. INDIANA Hulan P. Armstrong, Menard, Tex., in place SOUTH DAKOTA of Perry Hartgraves, resigned. James Neugebauer, Gary, Ind., in place of · Joseph E. Jiran, Bristol. W. J. O'Donnell, deceased. UTAH Wallace J. Schiferl, Davis. Amel Siebe, Lynnville, Ind., in place of L. Percy W. Seay, Magna, Utah, in place of Frank M. Brooks, Florence. A. Madden, transferred. D. H. Wilkin, removed. Vincent W. Hanrahan, Lemmon. • LOUISIANA VERMONT VERMONT Edwin J. -
The Freeman February 1953
FEB R U A R Y 9 • I 9 5 3 25 ¢ Critique of Containment James Burnham Bankruptcy on the Left William Henry Chamberlin Is Your Child an Isolate'? Burton Rascoe Resurgence of Liberalism Erik von Kuehnelt-Leddihn Germany, Key to Europe F. A. Voigt I > I • I I I 1\ ~__ __ ~~_ ~ __ ~_ _ ~ ~_ "Daddy...draw me a Freedoni' nSusie thinks I'm Renzbrandt. "She's not too bad at drawing cows or moons or pumpkins. But every time she hears a new word, she expects me to draw it for her. She doesn't take no for an answer ... so, for 'Freedom,' I drew her an American Flag and she was satisfied. ((Later I thought: how else can you describe a word like 'Freedom'? For instance ... "When a churchbell peals in America, it rings Freedom. Every time we mark a ballot, it votes for Freedom. Each pay check I get from Republic Steel is drawn on Freedom. Our newspapers have a rustle of Freedom to them. >,~;'''~ '\((Freedom is a major subject in every good If' ;. American School. The auto you drive is a deluxe Freedom model. All radio and TV sets are tuned in to Freedom. And every cop pounds a beat on Freedom Street ... in America. "Sure, we like Freedom, and some govern ments abroad don}t. But ... watch out for the home-grown commies, socialists and hate-mongers among us who are trying to get us to turn our Freedoms over to the 'State.' ((Y'know, our fathers passed along to us a pretty wonderful country .. -
C L O U D S H I L L B O O
C L O U D S H I L L B O O K S 27 BANK STREET • NEW YORK, NY 10014 212-414-4432 • 212-414-4257 FAX • [email protected] HENRY MILLER COLLECTION “I DETEST THE ILLUSTRATIONS” 1. TROPIQUE DU CANCER. Paris: Deux-Rives, 1947. Limited Edition. Unbound signatures in wrappers and a slipcase. One of 750 copies. Translated into French by Paul Rivert, with a Preface by Henri Fluchère. Illustrated with original lithographs by Timar. This edition contains a thirteen-page essay on Miller‟s writing, “Le Lyrisme de Henry Miller” by Henri Fluchère, which does not appear in any American or British edition. While striking and unusual due to colorful illustrations and being issued in an unbound state, Miller‟s reaction to this edition was not favorable. Writing to J. Rives Childs on June 24, 1950, Miller says, “Incidentally, there‟s a deluxe illustrated edition of Cancer I never mention… because I detest the illustrations – by Timar…” Miller appears in a number of them and a line drawing which appears on the title page has his nose drawn as a penis. Wrappers lightly creased at the spine, else a fine copy. 2. TROPIC OF CANCER. New York: Grove Press, 1961. First Grove Press Trade Edition in dust jacket. With an Introduction by Karl Shapiro and a Preface by Anaïs Nin. Ownership signature on the front free endpaper, else a very good copy in a very good jacket. Henry Miller was a leading example of a special kind of writer who is essentially seer and prophet, whose immediate ancestor was Rimbaud, and whose leading exponent was D.H. -
Rare Books and First Editions R R Manuscripts and Letters R Literary
Rare Books and First Editions R JamEs s. Jaffe R manuscripts and Letters R Rare Books Literary art and Photography R Rare Books & First Editions manuscripts & Letters Literary art & Photography James S. Jaffe Rare Books New York Item 1: Culin, stewart. Primitive Negro Art, 1923 [aFRICaN aRT] CULIN, stewart. Primitive Negro Art, Chiefly 1 from the Belgian Congo. 8vo, 42 pages, illustrated with 8 plates, origi- nal black, green & yellow printed wrappers. Brooklyn: Brooklyn mu- all items are offered subject to prior sale. seum, 1923. First edition of the first major exhibition of african art all books and manuscripts have been carefully described; however, any in america. In 1903, stewart Culin (1858–1929) became the found- item is understood to be sent on approval and may be returned within sev- ing curator of the Department of Ethnology at the museum of the en days of receipt for any reason provided prior notification has been given. Brooklyn Institute of arts and sciences, now the Brooklyn museum. Libraries will be billed to suit their budgets. He was among the first museum curators to display ethnological col- lections as art objects, not as ethnographic specimens, and among the We accept Visa, masterCard and american Express. first to recognize museum installation as an art form in its own right. New York residents must pay appropriate sales tax. Culin’s exhibition of Primitive Negro Art, based in large part on his own We will be happy to provide prospective customers with digital images of collection which became in turn the basis for the Brooklyn museum’s items in this catalogue. -
Travel, Friendship and Patronage, 1930–1931
1. A Sociable Life Travel, Friendship and Patronage 1930-1931 In 1930 travel was still a novelty, a privilege won by the success of Death of a Hero – and Aldington’s gift to Patmore. They spent the first two months of the year in North Africa. Aldington had asked Henri Davray to use his contacts with the French government to arrange passes, travel and accommodation in Tunisia and Algeria.1 They were thus able to tour both countries freely and cheaply by car and train. He had also arranged to write an article about each country for Nash’s Pall Mall Magazine.2 In Tunisia they based themselves in the capital but spent a fortnight covering some 850 miles of the interior by train and car, travelling by train to Kairouan and then south-west and inland to the oases of Nefta and Tozeur, then by car across to the coast at Gabes and on to the island of Jerba. Their return train journey took them north along the coast to Sfax, inland to El Djem (where Aldington admired the Roman amphitheatre, ‘standing up immense in the twilight against a huge, bare plain’), then back up to the coast at Sousse and on to Tunis.3 Anthony Clarendon,SAMPLE the protagonist of All Men Are Enemies (1932), is unimpressed by the art, architecture and culture of Tunisia, but overwhelmed by the natural landscape: on the night train from Kairouan to Tozeur he is electrified by the sight of the desert in the hours before dawn, ‘the dome of the sky clear and vast, filled with the white of the moonlight which shone over a great sea of lion-coloured sand’.