Hlynur A. Vilmarsson bd for orchestra

Instrumentation:

3 * (Optional: 3rd plays Bass ) 3 Oboes* 2 Clarinets in B* Bass Clarinet in B 2 Bassoons Double Bassoon 4 Horns in F 3 Trumpets in C 2 Trombones Bass Trombone Tuba 4 Percussion** Piano Harp Strings

*Flutes, Oboes and Clarinets in B also play Tubes (8x). (This can be variety of ethnic overtone flutes and/or PVC plastic tubes)

**Bass drum, 2x Bongos, 2x Tom tom, Tam tam, Gong (C), 4x Small gongs (laid flat),Thundersheet, Piatti, Cymbal, Small Cymbal, 2x Almglocken, 2x Log drums, Lion´s Roar, Spring Drum, Waldteufel, Guiro, Sand paper block, Triangle, Wine glass, 4+2 Tubulum (big PVC plastic pipes), 4x Harmonic Tubes (PVC corrugated flexible plastic hose/tube), Marimba bar (or lowest note on marimba), Timpani.

Duration ca. 12 min. Score in C.

Commissioned by Ilan Volkov and the Iceland Symphony Orchestra. Premiered at the Kennedy Center, 4. march 2013.

The work is dedicated to Ilan Volkov. Performance notes

Woodwinds Multiphonics: pick any, but use the same one within each section (usually 4 or 8 bars).

When or reed is removed, play the instrument (not mouthpiece/reed).

Harmonic gliss., is playing the harmonic series (from given fundamental, legato).

Brass Harmonic gliss: play the harmonic series (from given fundamental, legato). (natural , not adjusted to equal temperament).

Trumpets and trombones, mutes: straight, harmon with stem, plunger and practice mute (trumpet 1).

Percussion Tubulum: Big PVC plastic pipes. Random notes. Flat (“pingpong”) mallets.

Harmonic Tube: PVC corrugated flexible plastic hose/tube. Random length. Material and sound is similar to whirly tube, but the tube has smaller diameter. Blow into instrument not swing in a circle (like with whirly tubes).

The end of the harmonic tube needs to be put into mouth for playing. Flute or trumpet blowing techniques do not work. Outcome should be harmonic. When dynamic is p the harmonic should be static and in lower register.

Piano Notes CC, C, G, c, g: Prepared with rubber (pencil eraser f.ex.). Bell-like sound, not distinctive note.

Bowed string: try to bow strings in measures 2-48. Can be done using f.ex. nylon sring (with a lot of rosin) or make string/bow from violin/cello bowhairs (w. rosin). Sustain pedal down. Sound should be very soft and sustained. No attack.

Harp Try to sustain notes in measures 13-59, with f.ex ebow. Sound should be soft and sustained. No attack.

Also needed for harp part: drumstick and guitar pick.

Strings “Bow on bridge”: white noise type of sound, no pitch/tone.

"Vertical" bowing (bow in same direction as string). Unpitched: The bow is held normally but starts close to bridge and moves down fingerboard (and then back). Put some pressure on strings, not “windy” sound.

Final chord, measures 235-242: possible to fine-tune the chord by listening to harmonics 7, 11 and 13 from double bass (C string). ! 1 = 84 C bd Flute I-III ² ; 4 ¼ # 4 a a a a Oboe I-III ¼ 4 ¼ # 4 a a a a Clarinet I-II ¼ 4 ¼ # 4 a a a a Bass Clarinet ¼ $ 4 ¼ 4 a a a a Bassoon I-II ¼ ¼ $ 4 a a a a Double Bassoon¼ ˆ 4 d d d ¼< 4 a c b c b c b tI tI tI Horn I-IV 'Ç Ç Ç ; 4 ¼<# 4 a a a a Trumpet I-III ; 4 ¼ # 4 a a a a Trombone I-II ¼ $ 4 ¼ 4 a a a a Bass Trombone ¼ $ 4 ¼ 4 a a a a Tuba ¼ $ 4 a a a a ¼< 4 Bass Drum Percussion 1 ; 4 a A A A ¼ ' (continue trill) Percussion 2 ¼ ¡ääääääääääääääääääääääääääääääTam Tam ¼ 4 a A A A Percussion 3 ¼ ‘ ¼ 4 a a a a Percussion 4 ¼ 4 ¼< 4 a Bow string with nylona string. a a Piano $ 4 a Ð A A A Harp ´ $ 4 a a a a Violin I ; 4 ¼ # 4 a a a a Violin II ¼ 4 ¼ # 4 a Bow on bridge. a a a Viola ¼ 4 ¼ ‚ 4 a Bow} on tail piece. } } Cello ¼ ¼ $ 4 a } } } ¼ ´ 11h, sul C. Double Bass ¼ ! AÉ AÉ AÉ AÉ ¼ $ 4 ¼< '

- 1 - ! 5 = 80 = 84 C C Fl. ; ¼ # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a ¼ Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ¼ ˆ d c d c b d c d c d c d c d c ¼< I I I I I I I Hn. t t t t t t t ; Ç Ç Ç Ç Ç Ç Ç ¼<# a a a a Trp. ; ¼ # a a a a Trbn. ¼ $ ¼ a a Slap Tounge, lowesta possible note. a Btrbn.¼ ¼ $ a a c dÇ b a Lowest possible note. uJ Tb. ¼ ¼ $ d d ¼< a b uI c a b uI c Perc. 1 ' ; | | b | | | b | ¼ Perc. 2¼ A A A A ¼ Gong, low (C) Perc. 3¼ A a a b | ¼ Timpani (superball mallet) Perc. 4¼ ‘ ¼< a a c dÇ ZN b a Pno. ' $

Hp. A A A A

$ a Bow on bridge. a a a Vl. I ; ¼ # a Bow} on bridge. } a Vl. II ¼ ¼ # a } } a Vla. ¼ ¼ ‚ } } } } Vc. ¼ ¼ $ } } } } ¼ ´ Db. ¼ AÉ ! AÉ AÉ ¼ $ ¼< a - 2 - !

9 = 80 C Fl. ; ¼ # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ¼ ˆ d c d c a a a ¼< I I tÇ tÇ Hn. ; ¼<# a a a a Trp. ; ¼ # a a a a Trbn. ¼ $ ¼ a a a a Btrbn.¼ ¼ $ a a a a Tb. ¼ ¼ $ b d c a a a ¼< uI Rub with superball mallet Perc. 1 ; | | b | A b | Rub with superball mallet Perc. 2¼ ¼ ääääääääääääääääääää A a A Rub with superball mallet a ¼ Perc. 3¼ ¼ a a b | | Perc. 4¼ ¼< a a a a Pno. $ a a a Hp. A $ a a a a Vl. I ; ¼ # a a a a Vl. II ¼ ¼ # a a a a Vla. ¼ ¼ ‚ } } a a Vc. ¼ ¼ $ } } } a ¼ Rub with superball mallet on body Db. AÉ ¼ $ ¼< a a } - 3 - ! 13 = 84 C Fl. ; ¼ # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ $ ¼ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ˆ d ¼< a a a b c -1/4tone (49cent).I 11th harmonic. tÇ Hn. ; a a a ¼<# (harmonic!|Ç gliss.) N Trp. ' ; ¼ # a a a a Trbn. ¼ $ ¼ a a a Slapa Tounge Btrbn. ¼ $ ¼ a a a b e d c Tb. ¼ JN $ a a a b d c ¼< ord.uI Perc. 1 ; A | b a b | ¼ Perc. 2 ¡ äääääääääääääää ¼ A A a Aord. Perc. 3 ¼ ¼ a A a a Perc. 4 ¼ ¼ ¼< a (bowed) a a a Pno. $ a Ebow A A A Hp. µ $ A A A A Vl. I ; µ ¼ # a a a a Vl. II ¼ ¼ # a a a a Vla. ¼ ¼ ‚ a a a Bow on tail piece a Vc. ¼ $ ¼ a a a Bow} on tail piece Db. ¼ $ ¼< b } } a }

- 4 - ! 17 = 80 C Fl. ; # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ a a a a ¼ Dbsn. ¼ ˆ b d c d c d c b d c d c d c ¼< I I I I I I Hn. tÇ tÇ tÇ tÇ tÇ tÇ ; ¼<# A a a a Trp. ; ¼ # a a a a Trbn. ¼ ¼ $ a a a a Btrbn.¼ ¼ $ b d c a a b d c Tb. ¼ IN IN ¼ $ d d d d ¼< b uI c b uI c b uI c b uI c Perc. 1 ; b | | | b | | | ¼ Perc. 2¼ ääääääääääääääääääää A A A a ¼ ord. Perc. 3¼ ¼ a a b | a Perc. 4¼ ‘ ¼< b d YN c a a a Pno. $ a a Hp. A A $ a a A A Bow on bridge. Vl. I ; } a } a ¼ # Bow on bridge. Vl. II ¼ ¼ } a } a # Bow on tail piece Vla. ¼ ¼ ‚ } a } a ¼ Vc. ¼ ¼ $ } } } } Db. ¼ ¼ $ ¼< } } } }

- 5 - ! 21 Tube, lower harmonic. Fl. ; # a a } } b a } } b a ¼ Tube,' lower harmonic Ob. ¼ ¼ # a a } } b a } } b a ¼ Tube,' lower harmonic Cl. ¼ ¼ # a a } } b a } } b a Bcl. ¼ ' ¼ $ a a a a a a a a Bsn. ¼ $ ¼ a a a a a a a a Dbsn. ¼ ˆ ¼< a a a a a a a a Hn. ; ¼<# a a a a a a a a Trp. ; ¼ # a a a a a a lowest possiblea note a Trbn. ¼ $ ¼ a a a a a a } } ¼ ‘lowest possible note Btrbn. ¼ $ ¼ a a a a a a } } ¼ ‘lowest possible note Tb. ¼ $ a a a a a a ¼< Superball mallet } } Perc. 1 ‘ ; a b | A a A a A a Superball mallet Perc. 2¼ ¼ a a a A a A a a ¼ Thundersheet. Superball mallet Perc. 3¼ a a b | | b b | | b a a ¼ Timpani, rub with superball mallet Perc. 4¼ ¼< a A a A A a a A Pno. $ a a a a a a a a Hp. $ a a Bow on taila piece a a a a a Vl. I ; ¼ # a a Bow} on tail piece a a } a a Vl. II ¼ ¼ # a a } a a } a a Vla. ¼ ¼ ‚ a a a a a a a a Vc. ¼ $ ¼ } } a superballa mallet on bodya a a a ¼ Db. ¼ $ ¼< } } } b b } } } } a

- 6 - !

29 = 76 C Fl. ; ¼ # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ¼ ˆ ¼< Air noise a a a a Hn. ; ¼<# AirQ noise a Q a Trp. ; ¼ # Q Air noise a Q a Trbn. ¼ $ ¼ a AirQ noise a Q Btrbn.¼ $ ¼ a AirQ noise a Q Tb. ¼ ¼ $ ¼< a Q a Q Perc. 1 ¡ äääääääääääääääääääwith hand ("white noise") ¡ ääääääääääääääääää ; A a A a ¼ ' Perc. 2 ¡ äääääääääääääääääää ¡ äääääääääääääääääää ¼ Withb wire brushes | | b b | | b ¼ Perc. 3¼ ' ¡ äääääääääääääääääää ¡ äääääääääääääääää Witha wire brushes A a A ¼ Cymbal Perc. 4 ' ääääääääääääääääää ¼ With wire brushes ¡ ¼< a b | | b a Pno. ' $ a a a a Hp.

$ Bow on bridge. a a a a Vl. I ; ¼ # Bow} on bridge. a } b } Vl. II ¼ ¼ # Bow} on bridge. a } b } Vla. ¼ ¼ ‚ } Bow on bridge. a } b } Vc. ¼ $ ¼ a Bow} on bridge. a } b Db. ¼ ¼ $ ¼< a } a } b

- 7 - ! 33 = 84 = 80 = 84 C C C Fl. ; # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ a a a a ¼ # Slap tounge Bcl. ¼ $ d ¼ a Slap toungea (Remove reed). c b a Bsn. ¼ {I ¼ $ a a d c b a Dbsn. ¼ {I ¼ ˆ ¼< c c c b c c ' t t t | slap tounge t | t Hn. Ç Ç Ç Ç Ç ; a a d c b a ¼<# slap{I tounge Trp. ; a a d c b a ¼ #lowest possible note {I Trbn. ¼ ¼ $ b c b c b b c lowest possible note Èu u } u Btrbn.¼ ' ¼ $ b b c b b c ¼ lowest possible note È} u slap tounge } (ord. L.p.n.) u Tb. ¼ ' $ d ¼< u c b } b c b u c b Perc. 1 ' IN ; t c t c t c t c b t c t c t c ¼ Perc. 2 ' äääääääääääää ¼ ääääääää À äääääää ¼ A Spring drum. A | Hit| spring against Aother object (>) ¼ ‘ Gong. damp Perc. 3¼ b t c b t c b t c b t c ¼ Timpani (superball mallet) Perc. 4¼ ' ¼ ¼< (bowed) a b | a b | Pno. ' $ A A A A Hp. µ $ (ebow) 8vbA A A A Vl. I ; # a a a a Vl. II ¼ ¼ # a a a a Vla. ¼ ¼ ‚ a a a a ¼ Bow on tail piece Vc. ¼ $ ¼ Bow} on tail piece a } a Db. ¼ $ ¼< } a } a - 8 - ! 37 = 80 = 84 = 80 Fl. C C C ; ¼ # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a d c b a Bsn. ¼ {I $ d ¼ a a c b am Multiphonic. Dbsn. ¼ {I ¼ ˆ ¼< b c c b c Hn. ; | tÇ tÇ | t } # a a d c b a ¼< I Trp. ; { # a a d c b a ¼ I Trbn. { ¼ $ ¼ b u c b u c b u c u c u c Btrbn.¼ $ ¼ a } b b u c u c u c Tb. ¼ ¼ $ d ¼< b u c } b b c u c u c Perc. 1 IN ; b t c t c t c b t c t c t c ¼ Perc. 2¼ äääää À äääääääääääääääääääääää ¼ A A | (same)| A Perc. 3¼ ¼ b t c b t c b t c b t c Perc. 4¼ ¼ ¼< a b | a a Pno. $ a Hp. A A A $ A A A A Vl. I ; ¼ # a a a a Vl. II ¼ ¼ # a a a a Vla. ¼ ¼ ‚ a a a a Vc. ¼ ¼ $ } a } a Db. ¼ ¼ $ ¼< } a } a

- 9 - ! 41 m Multiphonic. m (same mulitphonic as before) Fl. ; ¼ # a } a } Ob. ¼ ' ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ¼ ˆ ¼< a a Natural harmonics (11,12,13,14).a Stopped. a Hn. ; ¼<# a a "!"AA a Trp. ' ; ¼ # a a a a Trbn. ¼ $ Btrbn.¼ a a a a ¼ $ a a a a Tb. ¼ $ ¼< a a a a Perc. 1 ääääääääääääääääääää äääääääääääääääääää ; a Spring drum. Slide spring against other object. a ¼ A A Tam' tam, arco Perc. 2¼ ¼ a A a A Gong, arco Perc. 3¼ ¼ A a A a ¼ Cymbal on timpani, arco. Move pedal up and down. ¼ Perc. 4¼ ¼< A A A a (bowed) Pno. $ A A A A Hp. $ Bow on tail piece a a a a Vl. I ; } } a a ¼ # Bow on tail piece Vl. II ¼ ¼ # } } a a Vla. ¼ ¼ ‚ a a a a Vc. ¼ ¼ $ } Sul A. Slow harmonic gliss.} Molto sul pont. } } ¼ ' ¼ m Db. ¼ $ N "Multiphonic" Sul G. N N N ¼<

- 10 - ! 45 m Fl. ; ¼ # a } a a Ob. ¼ ¼ # a m a a a Cl. ¼ Multiphonic a (same mulitphonica as before) a ¼ # m } m Bcl. ¼ ¼ $ } a } a Bsn. ¼ ' ¼ $ a a a m a Dbsn. ¼ ¼ ˆ ¼< a a a } Hn. ; ¼<# a a "!"AA a Trp. ; ¼ # a a a a Trbn. ¼ $ ¼ a a a a Btrbn.¼ ¼ $ a a a a Tb. ¼ ¼ $ ¼< a a a a Perc. 1 ääääääääääääääääääää ; a A a a Perc. 2¼ ¼ a A a a ¼ Perc. 3¼ ¼ a a A a Perc. 4¼ ¼< b | A A A Pno. $ A A A A Hp. A A A A $ (ebow)

Vl. I ; ¼ # } } a a Vl. II ¼ ¼ # } } a a ¼ Sul C. Slow harmonic gliss. Molto sul pont. Vla. ¼ ¼ ‚ } } } } ¼ ' Vc. ¼ } } } } ¼ $ Db. ¼ ¼ $ N N N ¼< a

- 11 - ! 49 Fl. ; ¼ # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ¼ ˆ ¼< a Play with mouthpiecea inside mouth up against cheek (very low rumblinga sound). a Hn. ; ¼<# a } a } Trp. ; ¼ # a a a a Trbn. ¼ $ ¼ a a a a Btrbn.¼ ¼ $ a a a a Tb. ¼ ¼ $ a a a a ¼< Bass drum. ord. Perc. 1 ; | b | b | b | b ¼ Tam tam. ord. Perc. 2¼ ' ¼ A a a a ' ¼ Gong. Superball Perc. 3¼ A a A a ¼ ' Timpani. Superball Perc. 4¼ ¼< a a | b a Pno. $ a a a a Hp. $ Bow on tail piece a a a a Vl. I ; b } b } b } b } ¼ # Bow on tail piece Vl. II ¼ ¼ # Bowb on tail piece } b } b } b } Vla. ¼ ¼ ‚ Bow} on tail piece } } } Vc. ¼ $ ¼ Bow} on tail piece b } b } b } b Db. ¼ ¼ $ ¼< } b } b } b } b

- 12 - ! 53 = 76 Whistle tones. Fl. C ; b z z b b z z b ¼ # Tube. Harmonics (lower). Ob. ¼ ‘ a } a } ¼ # Tube. Harmonics (lower). Cl. ¼ ‘ ¼ # a } a } Bcl. ¼ ‘ ¼ $ a a a a ¼ Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ¼ ˆ a a a a ¼< harmonic gliss. ca between 8-14 harmonic (C). Hn. ; "t a a a "t t ! t t ¼<# } t t Trp. ; ‘ ¼ # a a a a Trbn. ¼ ¼ $ a a a a Btrbn.¼ ¼ $ a a a a Tb. ¼ ¼ $ a a a a ¼< Small cymbal. Trill on bell. Soft mallets. Perc. 1 ; a A a | b ¼ ‘Tube. Harmonics (lower). Perc. 2¼ a A a a ¼ ‘Tube. Harmonics (lower). Perc. 3¼ ¼ a A a a Perc. 4¼ ‘ ¼< a a a a Pno. $ a a a a Hp. $ a a a a Vl. I ; ¼ # a a a a Vl. II ¼ ¼ # a a a a Vla. ¼ ¼ ‚ a a a a ¼ Sul C. 7th harmonic. ´É ´É Vc. ¼ "| "t ¼ $ a b a c b ¼ Db. ¼ $ ¼< a a a a - 13 - ! 57 = 76 C Fl. ; ¼ # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ Dbsn. a a a a ¼ ˆ ¼< a a a a Hn. ; ¼<# a a a a Trp. ; ¼ # a a a a Trbn. ¼ $ a a a a Btrbn.¼ ¼ $ a a a a Tb. ¼ ¼ $ a a a a ¼< Damp cymbal. (hold tightly/no crash sound.) Spring drum. Slide spring against other object. Perc. 1 À ääääääääääääääääääääääääääääääääääääääää ; Yt d c b A A b ¼ Waldteufel ' Perc. 2¼ ' A a A a ¼ Lions' Roar. Slow. Perc. 3¼ ¼ A A A | b ¼ Timpani' (superball mallet) Perc. 4¼ ¼< A a A a Pno. $ Ebow a a a a Hp. $ a a A A Scrapetone.µ ------bow slower ("stutter")------Scrapet. ------ord. Vl. I ; (p) ¼ # } } } } } | ¼ Scrapetone. ------bow slower ("stutter")------Scrapet. ------ord. Vl. II ¼ ¼ # (p) ¼ Scrapetone.} - - }------bow slower} ("stutter")------Scrapet.} - - - }------ord.| Vla. ¼ ‚ (p) ¼ } } } } } | ¼ Scrapetone. Div. ------bow slower ("stutter")------Scrapet. ------ord. Vc. ¼ ¼ $ (p)} } } } } | ¼ Scrapetone. ------bow slower ("stutter")------Scrapet. ------ord. Db. ¼ $ ¼< (}p) } } } } | - 14 - !

61 = 80 C Fl. ; ¼ # a a a Ob. ¼ ¼ # a a a Cl. ¼ ¼ # a a a Bcl. ¼ $ ¼ a a a Bsn. ¼ ¼ $ a a a Dbsn. ¼ ˆ ¼< a a a Hn. ; ¼<# a a a Trp. ; ¼ # a a a Trbn. ¼ $ ¼ a a a Btrbn. ¼ $ ¼ a a a Tb. ¼ $ ¼< a a a Perc. 1 ; a a a Perc. 2¼ ¼ a a a Perc. 3¼ ¼ a a a Perc. 4¼ ¼ ¼< a a a Pno. $ a a a Hp. $ a a a Half press (harmonics and unpitched) all strings and gliss up and down fingerboard. Bow in circular motion. Vl. I ; } ¼ # a a } ¼ Half press (harmonics and unpitched) all strings and gliss up and down fingerboard.‘ Bow in circular motion. Vl. II ¼ } } ¼ # a } } ¼ Half press (harmonics and unpitched) all strings‘ and gliss up and down fingerboard. Bow in circular motion. Vla. ¼ ¼ ‚ } } } ¼ } } } Vc. ‘ ¼ $ a a a Db. ¼ ¼ $ ¼< a a a

- 15 - ! 64 = 84 m m C Fl. ; ¼ # } b a } b a Ob. ¼ ' ¼ # a a m a a Cl. ¼ ¼ # a a } b a Bcl. ¼ ' ¼ $ a a a a Bsn. ¼ ¼ $ a m a a m a Dbsn. ¼ ¼ ˆ a } b a } b ¼< Stopped Open Stopped Hn. ' ; # a c b c b c b ¼< Mute..Harmon w. stem (+: damped) t t t ' Trp. ; # c b b c b c b c ¼ t Mute. Harmon w. stem (+: damped) t t t ¼ ' Ë Ë Trbn. t Ët t Ët ¼ $ c b b c b c c b ¼ ' Mute. Harmon w. stem(+: damped) Btrbn.¼ t Ët t Ët ¼ $ b c b c b c c b 'Mute Tb. ¼ ¼ $ t t t ¼< b c a c b b c Perc. 1 ' ; a a a a Perc. 2¼ Perc. 3¼ a a a a ¼ a a a a Perc. 4¼ ¼< a a a a Pno. $ a a a a Hp. $ a a a a Vl. I ; } dÇ } dÇ ¼ # } uJ c b } uJ c b Vl. II ¼ } dÇ } dÇ ¼ # } uJ c b } uJ c b Vla. ¼ Ç ‚ } } } } ¼ } Halfu press (harmonics and unpitched) all strings} and gliss up and down fingerboard. Bow in} circular motion. uJ ¼ Vc. ¼ $ } dÇ }Ç ¼ a } uJ c b } uJ ¼ ‘Half press (harmonics and unpitched) all strings and gliss up and down fingerboard. Bow in circular motion. Db. ¼ Ç ¼ $ } dÇ } ¼< a } uJ c b } uJ ‘

- 16 - ! 68 "tÉ harmonic gliss. (from C). Fl. É É ; tÉ ¼ # c b a a a Ob. ¼ ' # a a a a Cl. ¼ ¼ a a a a ¼ # m m Bcl. ¼ $ ¼ } c b a c } b a Bsn. ¼ • $ a a a a Dbsn. ¼ ¼ ˆ ¼< a a a a Hn. ; ¼<# a a a a Trp. ; # a a a a Trbn. ¼ ¼ $ a a a a Btrbn.¼ $ Tb. ¼ a a a a ¼ $ a a a a ¼< Tube. Harmonics Perc. 1 ; t c b a c t b a ¼ Tube. Harmonics Perc. 2 ' ¼ t c b a c t b a ¼ Tube. Harmonics Perc. 3¼ ' ¼ t Tube. Harmonicsc b a c t b a Perc. 4¼ ' ¼< t c b a c t b a Pno. ' $ a a a a Hp. $ Harmonic gliss on notateda string. a a a Vl. I ; ¢¢¢ # d c b d ¢¢¢c b b c d IN c b ¼ • I¢¢¢ IN N¢¢¢¢¢ ¼ Harmonic glissN on notated string. Vl. II ¼ c c c b ¢¢¢¢¢ c b c b ¼ # N ¢¢¢¢¢¢¢¢¢¢ N¢¢¢¢¢ N¢¢¢¢¢ N N¢¢¢¢¢ ¼ • Harmonic gliss on notated string. Vla. ¼ ¼ ‚ c b b c d IN ¢¢¢ c c b c ¼ • N¢¢¢¢¢Harmonic gliss on notated string. N¢¢¢¢¢ N¢¢¢¢¢ N¢¢¢¢¢ Vc. ¼ $ d ¼ b c b c a ¢¢¢¢¢ c c N¢¢¢¢¢ N¢¢¢¢¢ N IN ¢¢¢ ¼ • Harmonic gliss on notated string. Db. ¼ $ ¼ a c b c c d IN ¢¢¢ b c N¢¢¢¢¢ ¼< N¢¢¢¢¢ N¢¢¢¢¢ •

- 17 - ! 72 pizz. Fl. ; # c d b a c d b a Ob. ¼ tI tI ¼ • Ç Ç # a a a a Cl. ¼ ¼ # a a slaptounge a a Bcl. ¼ ¼ $ a a c d b a Bsn. ¼ tIÇ $ a a a a Dbsn. ¼ ¼ ˆ ¼< a a a a Hn. ; ¼<# a a a a Trp. ; # a a a a Trbn. ¼ ¼ $ a a a a Btrbn.¼ $ Tb. ¼ a a a a ¼ $ a a a a Perc. 1¼< ; a a a a Perc. 2¼ Perc. 3¼ a a a a ¼ a a a a Perc. 4¼ ¼< (prepareda with rubber) a a a Pno. $ c d b a c d b a tIÇ tIÇ "Ricochet"' With drum stick on lower strings, damp w. hand. . Hp. $ c NÇ Ç Ç Ç b a c NÇ Ç Ç Ç b a ' Half press notes (unpitched). Ricochet col legno battuto. Let bow gliss down fingerboard. Vl. I ; d N d N N d N ¼ # N c b N c b b N c N c N N N N ¼ Half press notes (unpitched). Ricochet col legno battuto. Let bow gliss down fingerboard. Vl. II ¼ ¼ N c c N c N b N c b c N b ¼ # N N N N N N N N N N ¼ Half press notes (unpitched). Ricochet col legno battuto. Let bow gliss down fingerboard. ¼ Vla. ¼ ¼ N N N N N ‚ c N b b N c d N c c N b N c ¼ Half press notes (unpitched).N Ricochet col legno battuto. Let bow glissN down fingerboard. N N N ¼ Vc. ¼ ¼ $ N N N d N b N c b c N a N c c N ¼ Half press notes (unpitched).N Ricochet col legno battuto. Let bow gliss down fingerboard.N N N ¼ Db. ¼ $ N N N N ¼ a N c b c N c d N b c N ¼< N N N N - 18 - ! 76 m m Fl. ; } b c u ¼ # m m Ob. ¼ ' ¼ # c } mc c } c Cl. ¼ ' ¼ # b mc u u c b Bcl. ¼ ' $ ¼ b } a m Bsn. ¼ ' ¼ $ a b } ¼ m Dbsn. ' ¼ ˆ ¼< a Stopped } b Hn. ' ; b c c b ¼<# t t Trp. ; ' ¼ # a a Trbn. ¼ $ ¼ a a Btrbn.¼ ¼ $ a a Tb. ¼ ¼ $ ¼< Tube. Harmonics. a a Perc. 1

; Tube.A Harmonics. A Perc. 2¼ ' ¼ Tube.A Harmonics. A ¼ ' Perc. 3¼ Tube.A Harmonics. A ¼ ' Perc. 4¼ ¼< A A Pno. ' $ a a Hp. $ a a Vl. I ; ¼ # a a Vl. II ¼ ¼ # a a Vla. ¼ ‚ a a ¼ Half press (harmonics and unpitched) all strings and gliss up and down fingerboard. Bow in circular motion. ¼ Vc. ¼ $ } }Ç ¼ } } Db. ¼ ‘ $ ¼< a a

- 19 - ! 78 "tÉ harmonic gliss. (from C). "tÉ Fl. É É ; É É É É # t c b a t c b a Ob. ¼ ¼ ' # a a a a Cl. ¼ ¼ # m a a m a a Bcl. ¼ $ ¼ u c b a u c b a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ˆ ¼< a a Harmonic gliss (random fundamental).a a Hn. ; Zp # a a dÇ c a ¼< Half valve. Gliss. } ' p Trp. Z ; |¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ dÇ ¼ # a a c a ¼ Harmonic' downward gliss. Also move slide from VII. to I. position. Trbn. ¼ z $ VII.------I. dÇ ¼ a a zJ c a Btrbn.¼ ' ¼ $ a a a a Tb. ¼ ¼ $ a a a a Perc. 1¼< ; t c b c t b t c b c t b Perc. 2¼ ' ¼ t c b c t b t c b c t b Perc. 3¼ ' ¼ t c b c t b t c b c t b Perc. 4¼ ' ¼< t c b c t b t c b c t b Pno. '

$ a a Scrape string witha guitar pick. a Hp. Â $ a a d c b a tI Harmonic gliss on notated string. Arco. µ Molto Sul pont. Vl. I ; d c b d c b b c d ¢¢¢c b ¼ # ¢¢¢ ¢¢¢¢¢ IN • IN ¢¢¢ IN N ¼ Harmonic gliss on notated string. Arco. Molto Sul pont. Vl. II ¼ ¼ # c c c b N ¢¢¢¢¢ c b c b ¼ N ¢¢¢¢¢¢¢¢¢¢ N¢¢¢¢¢ N¢¢¢¢¢ N¢¢¢¢¢ Harmonic• gliss on notated string. Arco. Molto Sul pont. Vla. ¼ ¼ ‚ c b b c d ¢¢¢ c c b c ¼ N¢¢¢¢¢ N¢¢¢¢¢ IN N¢¢¢¢¢ N¢¢¢¢¢ ¼ Harmonic gliss on notated• string. Arco. Molto Sul pont. Vc. ¼ $ ¼ b c b c a ¢¢¢¢¢ c c d N¢¢¢¢¢ N¢¢¢¢¢ N IN ¢¢¢ ¼ Harmonic gliss on notated string.• Arco. Molto Sul pont. Db. ¼ ¼ $ d ¼< a c b c c IN ¢¢¢ b c N¢¢¢¢¢ N ¢¢¢¢¢ - 20 - N¢¢¢¢¢ • ! 82 =80 Harmonic gliss to highest poss. note. Fundamental: C C Fl. ; a b Yp d c b a ¼ # Tube. Harmonics. Ob. • } ¼ Yr d Yr d ¼ # } }Ç } }Ç 'Tube. Harmonics. • • Cl. ¼ ' ¼ Yr d Yr d # Slaptounge.} }Ç } }Ç ¼ ' • ' • Bcl. ¼ ¼ $ IN d c b a a a Bsn. ¼ • ¼ $ a a a a Dbsn. ¼ ˆ ¼< Harmonic gliss, Ca (sounding) as fundamental. Start low, end high.a a a Hn. Zp Zp ; dÇ c b b dÇ c ¼<# Harmonic gliss, C as fundamental. Start low, to highest possible note. | • z z Trp. ; p p p ¼ # b c r c c r c c r c b Harmonic upward gliss. Also move• slide from I. to VII. position. (open) Trbn. ¼ ¼ $ Zz dÇ c c Zz dÇ b c Zz dÇ b ¼ I. ------>VII. I.------>VII. I.- - - - - z------> VII. • "z "z "z ¼ Harmonic upward gliss. Also move slide from I. to VII. position. (open) Btrbn.¼ ¼ $ c Zz dÇ Zz dÇ c b Zz dÇ c b ¼ • "zI.------>VII. "zI.------>VII. "zI.------> VII. Harmonic gliss, C as fundamental. Start low, to highest possible note. ¼ Slaptounge. Tb. ¼ ¼ $ d Yp ¼< YN c b a a zÇ Ç Tube. Harmonics. Perc. 1 • • ; Yr d Yr d Tube.}Ç Harmonics. a a }Ç Perc. 2¼ ' • ' • ¼ Yr d Yr d Tube.} Harmonics. }Ç } }Ç Perc. 3¼ ' • ' ' • ¼ Yr d Yr d Tube.} Harmonics. }Ç } }Ç Perc. 4¼ ' ' ¼ • ' • ¼< }Ç Yr d a a }Ç Yr d Pno. ' • ' • $ Hp. a a a a

$ a a Seagull gliss.a a Vl. I ; Nz # a a dÇ c a ¼ • Seagull gliss. zJN Vl. II ¼ Nz ¼ a a dÇ c a # zJ Vla. ¼ • N ¼ ‚ Seagulla gliss. a a a Vc. ¼ z ¼ $ c N dÇ a a a ¼ zJ Db. • N ¼ $ ¼ a a a a ¼< - 21 - ! 86 =84 pizz. C Fl. ; # c d d d a c d d d b d c Ob. ¼ tI tI tI tI tI tI tI ¼ • Ç Ç Ç Ç Ç Ç Ç # a a a a Cl. ¼ ¼ # a a slaptounge a a Bcl. ¼ ¼ $ a a c d b a Bsn. tI ¼ $ • Ç Dbsn. ¼ a a a a ¼ ˆ Hit on Mouthpiece ¼< a a a a Hn. ; Hit on Mouthpiece d d ¼<# a a a c eZN c eZN Trp. ; # a a aHit on Mouthpiece c YN d YN d YN d Trbn. ¼ ¼ $ a a a Hit on Mouthpiece d YN d YN d YN d YN Btrbn. ¼ ¼ $ a a aHit on Mouthpiece dÇ ZN c dÇ ZN c Tb. ¼ ¼ $ a a a c dÇ ZN c dÇ ZN ¼< Bass drum, edge. "Ricochet". Perc. 1 ; c d N d c a b d N d a ¼ Bongo Ç Ç Ç"Ricochet".Ç Ç Ç Ç Ç Perc. 2 ' ¼ small "wood" sound. Ç c N b (edge on drum f.ex.)a c N b b Yt d c ¼ Ç Ç Ç Ç "Ricochet". Ç Ç Ç Ç • Perc. 3 ¼ ' ¼ smallb "wood" sound. ÇN Ç Ç Ç a b c ÇN Ç Ç Ç a (edge on drum f.ex.) ' "Ricochet". Perc. 4 ¼ ¼ b c a b c a ¼< (highest note, c)ÇN Ç Ç Ç ÇN Ç Ç Ç ' Pno. Ç Ç $ c Yp d b a c Yp d b a (drum stick on lower strings, damp w. hand.) "Ricochet"' . Hp. $ c NÇ Ç Ç Ç b c NÇ Ç Ç Ç b c NÇ Ç Ç Ç b c NÇ Ç Ç Ç b Half press notes' (unpitched). Ricochet col legno battuto. Let bow gliss down fingerboard. Vl. I ; d N d N N d N ¼ # N c b N c b b N c N c • N N N N ¼ Half press notes (unpitched). Ricochet col legno battuto. Let bow gliss down fingerboard. Vl. II ¼ N N N N N ¼ # N c c N c N b N c b c N b ¼ N N N N N ¼ •Half press notes (unpitched). Ricochet col legno battuto. Let bow gliss down fingerboard. ¼ Vla. ¼ N N N N N ‚ c N b b N c d N c c N b N c ¼ N Half press notes (unpitched). Ricochet col legnoN battuto. Let bow glissN down fingerboard. N N ¼ • Vc. ¼ N N N N ¼ $ b N c b c N a N c c d N N Half press notes (unpitched). RicochetN col legno battuto. Let bow gliss down fingerboard.N N ¼ • Db. ¼ $ N N N N ¼ a N c b c N c d N b c N ¼< N N N N • - 22 - ! 90 =80 C Fl. ; # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a Slap tounge. a a Bcl. ¼ ¼ $ a b d c a b d c ¼ Remove Reed. Slap Tounge. Bsn. "IN "IN ¼ $ a a d c b a ¼ I Dbsn. ¼ " N ˆ d d d d d d d d ¼< c c c b c c tI c I I I ILowest possible note.I Ç I I ' tÇ tÇ tÇ • tÇ tÇ tÇ tÇ Hn. ; ¼<# a a b } a ' Trp. ; # a a a a Trbn. ¼ ¼ $ a a a a ¼ Slap tounge. Btrbn.¼ ¼ $ c dÇ b d c c dÇ b d c JSlap tounge. I J I Tb. ¼ " N " N " N " N ¼ $ b d c b d c b d c b d c ¼< Bass drum. ord. I I I I Perc. 1 ÇN ÇN ÇN ÇN ; t t t t t t t t c t t t t t t t ¼ Tom' Tom Perc. 2¼ t c b a t c b a ¼ t t Lions Roar. tÇ t Perc. 3 ¼ ' È È ¼ b c t Timpani (superballa mallet) a t c b Perc. 4¼ ' ¼ È È ¼< (prep.) a c t b a c t b Pno. ' $ c b c b c b c b • t Èt t Èt Hp. µ µ $ a b d c a b d c • tI tI Vl. I ; µ µ ¼ # a a a a Vl. II ¼ ¼ # a a a a Vla. ¼ ¼ ‚ a a a a Vc. ¼ ¼ $ a a a a ¼ Tailpiece Molto sul pont. Db. ¼ $ b p c b p c d c p c b p c ¼< tIÇ • - 23 - ! 94 =76 Tounge ram "Tremolo" Tounge ram. C Fl. ; c d b ¼ # } } {I Ob. ¼ ¼ # a a a Cl. ¼ ¼ # a a Slap Tounge.a Bcl. ¼ ¼ $ a a c d b Slap ITounge. Bsn. ¼ N ¼ $ a a c d b ¼ Remove Reed. Slap "Tounge.IN Dbsn. ¼ ˆ Slap tounge. Lowest possible note. d ¼< a a c b Hn. IN ; d d dÇ ¼<# uI c b uI c b c uJ b Trp. ; ¼ #Slap tounge. a a a Trbn. ¼ ¼ $ (SlapIN tounge.)d c e d c d IN c d c c dÇ JN c d Btrbn.¼ JN IN IN ¼ $ d c d c d c d c c dÇ c d (Slap tounge.) e ¼ "IN JN "IN IN "JN IN Tb. ¼ $ d c e d c d c d c c dÇ c d Perc. 1¼< I J I I J I ; N N N N N N (Tom tom). Superball. a a b c t Perc. 2¼ ¼ c |Ç a a Perc. 3¼ ' ¼ c Èt b Èt c b b Èt c Perc. 4¼ ¼< a t c b c t b Pno. • $ a a a Hp. $ a a Scrapetone a Vl. I ; # a a d c b ¼ (If) ¼ Scrapetone uÇ Vl. II ¼ ¼ # a c e d b a (Jf) ¼ Scrapetone uÇ Vla. ¼

¼ ‚ c dÇ (f) b a a ¼ uJÇ Scrapetone Vc. ¼ ¼ $ b c d c d c d c d c d (If) I I I I ¼ Scrapetone uÇ uÇ uÇ uÇ uÇ Db. ¼ ¼ $ c d d d d d d d c d d d ¼< (f) uIÇ uIÇ uIÇ uIÇ uIÇ - 24 - uIÇ uIÇ uIÇ uIÇ uIÇ ! 97 =84 C Fl. ; # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ˆ ¼< a a a a Hn. ; ¼<# a a a a Trp. ; # a a a a Trbn. ¼ ¼ $ a a Ca notes. Mute. Stacc. a a Btrbn.¼ ¼ $ a a c b a ¼ Ca notes. Mute. Stacc.' N Tb. N ¼ $ ¼ a a c b a ¼< ' N Perc. 1 N ; a a a a Perc. 2¼ ¼ Lions Roar. Slow a a a a Perc. 3¼ ¼ A a A a Perc. 4¼ ' ¼< | b a c t b a Pno. ' $ a a a a Hp. $ a "Vertical"a bowing (bow in same direction as string).a Unpitched. a

Vl. I ; Ì Í Ì Í Ì Í Ì Í ¼ # a (f)N N "Vertical"N bowing (bowN in same direction as string).a Unpitched. N N N N Vl. II ¼ Ì Í Ì Í Ì Í Ì Í ¼ # a (f)N N N N a N N N N ¼ "Vertical" bowing (bow in same direction as string). Unpitched. Vla. ¼ ¼ Í Ì Í Ì Í Ì Í Ì Í Ì Í Ì Í Ì Í Ì ‚ (f)N N N N N N N N N N N N N N N N ¼ "Vertical" bowing (bow in same direction as string). Unpitched. ¼ Vc. ¼ $ Í Ì Í Ì ¼ c (f)N Ç N N N ¼ "Vertical" bowing (bow in same direction as string). Unpitched. Db. ¼ ¼ $ ÍÇ ÌN ¼< c (f)N a a (strings: put pressure on strings, not "windy" sound)

- 25 - ! 101 =80 Harmonic gliss. Fundamental: C C Fl. ; a b Yp d c b a ¼ # Tube. Harmonics. } Ob. ¼ • Yr Yr # Ç d Ç d ¼ Tube.'} Harmonics. } } } Cl. ¼ • ' • Yr d Yr d ¼ # } }Ç } }Ç Bcl. ¼ ' • ' • $ a a a a Bsn. ¼ ¼ $ !!tÀYt d ¼ c b a a a • À Dbsn. ¼ Yt ¼ ˆ d ¼< c b a a a Harmonic• gliss, C (sounding) as fundamental.Stopped. Hn. ; Zp Zp # dÇ c b b | dÇ c ¼< Mute. Harmonic gliss, C as fundamental. To highest possible note. • A | Trp. ; p p p # b c c c c c c b ¼ Mute. Harmonic upward gliss. Also• mover slide from I. to VII. position. r r Trbn. ¼ ¼ $ Zz dÇ Zz dÇ Zz dÇ I.------> VII. c c I.------> VII. b c z b ¼ I.------>VII. • "z "z "z ¼ Mute. Harmonic upward gliss. Also move slide from I. to VII. position. Btrbn.¼ Zz Zz Zz ¼ $ c dÇ dÇ c b dÇ c b ¼ • "zI.------>VII. "I.-z ------>VII. "zI.------> VII. ¼ Slap tounge. Mute. Harmonic gliss, C as fundamental. To highest possible note. Tb. ¼ $ d Yp ¼< YN c b a a zÇ Ç Tube. Harmonics. Perc. 1 • ; Yr Yr Tube.} Harmonics.Ç d a a }Ç d Perc. 2¼ ' ' • Yr •Yr ¼ Tube.} Harmonics. }Ç d } }Ç d Perc. 3¼ ' • ' ' • Yr d Yr d ¼ Tube.' } Harmonics. }Ç } }Ç Perc. 4¼ • ' ' • ¼< }Ç Yr d a a }Ç Yr d Pno. ' • ' • $ a a a a Hp. $ a a Seagull gliss.a (ca notes) a Vl. I ; Nz # a a dÇ c a ¼ • Seagull gliss.zJ N(ca notes) Vl. II ¼ Nz ¼ # a a dÇ c a Vla. ¼ • zJN ¼ ‚ Seagull gliss. a(ca notes) a a a Vc. ¼ z $ N dÇ ¼ zJ c a a a Db. ¼ • N ¼ $ ¼< a a a a

- 26 - ! 105 =84 C jet whistle Fl. Â ; d c b a a a ¼ # tI Ob. ¼ • ¼ # a a a a Cl. ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ˆ ¼< a a a a Hn. ; ¼<# a a a a Trp. ; # a a a a Trbn. ¼ ¼ $ a a a a Btrbn.¼ ¼ $ a a a a Tb. ¼ $ ¼< a a a a Perc. 1 À ; Yt d c b a a a Perc. 2¼ À ¼ Yt d c b a a a Perc. 3¼ À ¼ Yt d c b a a a Perc. 4¼ À ¼< Yt d c b a a a Pno. $ a a a a Hp. $ a Half press all strings (unpitched and harmonics).a gliss down fingerboard within eacha phrase. a ëääää Vl. I ; c NN b c sim. NN b c NN b c NN b ¼ # NN NN NN NN NN NN NN NN ¼ ' N N Half press all strings (unpitchedN andN harmonics). gliss down fingerboardN withinN each phrase. N N ë ääääääää Vl. II ¼ ¼ NN NN sim. NN NN NN NN NN NN NN NN # N N N N c N N N N N N N N c N N N N b c N N N N c ¼ N N N N N HalfN pressN all stringsN N (unpitchedN N andN harmonics). glissN downN fingerboardN N within each phrase. N N N N ' N NN N N N N NN NN N N NN N N NN N ¼ ë ääääääää Vla. ¼ ¼ NN NN sim. NN NN NN NN NN NN ‚ c NN NN NN NN c b NN NN NN NN b NN NN NN NN b NN NN NN NN ¼ N NN N N Half pressNN all stringsN (unpitched and harmonics).N glissNN down fingerboardN within each phrase.N NN N ¼ ' ë ääääääää ¼ Vc. NN NN NN NN NN NN NN NN ¼ $ b N N N N b c sim. N N N N N N N N c N N N N b ¼ NN NNNN NN NN NN NN NNNN NNNN NN NN NNNN NN ¼ ' Half press all strings (unpitched and harmonics). gliss down fingerboard within each phrase. ¼ ë ääääääää Db. ¼ $ NN NN sim. NN NN NN ¼ a NN NN NN NN b b c NN NN NN NN c c NN NN ¼< N NN N N N N N N N ' - 27 - ! 109 =88 Remove mouthpiece. Play in lower register. C Fl. ; } a } a ¼ # Remove mouthpiece. Play in lower register. ‘ Ob. ¼ ¼ b } } b a } # Remove mouthpiece. Play in lower register. ¼ ‘ Cl. ¼ ¼ # a } Remove mouthpiece. Play bin lower register. } } b Bcl. ¼ ‘ $ ¼ Remove Reed. Slap Tounge.a b } } b b } Bsn. ¼ ‘ ¼ $ c c c c c c c c ¼ Remove Reed.{ Slap Tounge. { { { { { { { Dbsn. ¼ ¼ ˆ b c b c b c b c ¼< { { Slap tounge. Lowest{ possible note. { Hn. ; a a c d b a ¼<# Hit on mouthpiece.uI Trp. ; a a c N b a ¼ # Hit on mouthpiece. Trbn. ¼ ¼ $ c N b c N b c N b c N b Hit on mouthpiece. Btrbn.¼ ¼ $ c N c N c N c N c N c N c N c N ¼ Hit on mouthpiece. Tb. ¼ ¼ $ b c N b c N b c N b c N ¼< Tubulum. Perc. 1 ; a a c t c t c t c t ¼ Tube. Harmonics. Perc. 2 ' ¼ A a A a ¼ Tube. Harmonics. Perc. 3¼ ' ¼ A b | A a Cymbal on Timpani. Arco. Perc. 4¼ ' ¼< a a A a Pno. ' $ a a a a Hp. $ a a a a Vl. I ; # a a a a Vl. II ¼ ¼ a a a a Vla. ¼ # ¼ ‚ a a a a ¼ Half press (harmonics and unpitched) all strings and gliss up and down fingerboard. Bow in circular motion. ¼ Vc. ¼ $ } } } }Ç ¼ } } } } ¼ ‘ "Multiphonic". Sul G. Db. ¼ $ } } } ¼< a - 28 - ! 113 =84 C jet whistle Fl. ; Â # d c b a a a Ob. ¼ tI ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ˆ a a a a Hn. ¼< ; $ ¼<# a a a a Trp. ; # a a a a Trbn. ¼ ¼ $ a a a a Btrbn.¼ ¼ $ a a a a Tb. ¼ ¼ $ a a a a Perc. 1¼< ; a a a a Perc. 2¼ À ¼ Yt d c b a a a Perc. 3¼ À ¼ Yt d c b a a a Perc. 4¼ ¼< a a a a Pno. Gliss with palm. Ca. Notes. Almost unpitched (damp with hand). $ ¢¢¢ ¢¢¢ ¢¢¢ ¢¢¢ a ¢¢¢ ¢¢¢ ¢¢¢ ¢¢¢ a a a

Hp. ¢¢¢ ¢¢¢ ¢¢¢ ¢¢¢ N ¢¢¢N ¢¢¢ N ¢¢¢N N N N N $ N N N N N N N N ( ( ( ' Make 4 note chord, gliss down fingerboard within each phrase. Bow Behind Left hand. ëääää Vl. I ; c NN b c NN b c NN b c NN b ¼ # NN NN NN NN NN NN NN NN ' N N Make 4 note chord, Ngliss downN fingerboard within eachN phrase.N Bow Behind Left hand. N N ¼ ë ääääääää Vl. II ¼ ¼ NN NN c NN NN NN NN c NN NN b c NN NN c ¼ # NN NN NN NN NN NN NN NN NN NN NN NN NN NN NN NN NN NN NN NN N NN N N MakeN N4 note Nchord,N glissNN downN fingerboardN withinNN eachN phrase. Bow Behind Left hand.N NN N ¼ ' ¼ ë ‰‰‰‰‰‰‰‰ Vla. ¼ NN NN NN NN NN NN NN NN ¼ ‚ c NN NN NN NN c b NN NN NN NN b NN NN NN NN b NN NN NN NN N NN N Make 4 note chord,N glissNN downN fingerboard withinN eachNN phrase.N Bow Behind Left hand.N NN N ¼ ' ¼ ë ääääääää Vc. ¼ $ NN NN NN NN NN NN NN NN ¼ b NN NN NN NN b c NN NN NN NN NN NN NN NN c NN NN NN NN b ¼ N NN N N N N NN NN N N NN N ¼ ' Make 4 note chord, gliss down fingerboard within each phrase. Bow Behind Left hand. ë ääääääää Db. ¼ ¼ $ NN NN NN NN NN ¼< a NN NN NN NN b b c NN NN NN NN c c NN NN N NN N - 29 - N N N N N N ' ! 117 =88 C Fl. ; # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # Slap toungea a a a Bcl. ¼ YN YN ¼ $(mouthpiecec on)d IN c d c d IN b d IN c d c d IN c c d IN ¼ Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ˆ ¼< Slap tounge a a a a Hn. YN YN ;$ d d d d d d d # ¼< c IN c c IN b IN c c IN c c IN Trp. ; ¼ #Slap tounge. Muted. a a a a Trbn. ¼ $ ¼ d d d IN d IN d d d IN d d d IN d IN d d d IN d d Slap tounge.I Muted.IN I IN I IN I IN I IN Btrbn.¼ N N N N N ¼ $ d d d d d d d d d d d d d d d d ¼ IN IN IN IN IN IN I IN Knock on instrument. I IN I IN I IN I IN Tb. ¼ N N N N N ¼ $ b N c b c N b c N a ¼< 2x Log drums Perc. 1 ; t t d c b c t t d b t t t c b c t t t b ¼ 2x' Tom Tom Perc. 2¼ ¼ t t t t t t c t t t c t t t t t t c t t t c t t t c t t t t t t t t t c ¼ 2x 'Tubulum Perc. 3¼ c t t t t t t t t t t t t c t t t t t t c t t t t t t t t t t t t c t t t t t t ¼ ' ¼ 2x Almglocken. short decay (prepare if needed).soft mallets. Perc. 4¼ ¼< b t t d c t t t c c t t t c t t d c t t t b c t t d Pno. ' $ a a a a Hp. $ Tap on instrument body.a a a a Vl. I ; # t t d c b c t t d b t t d c b c t t d b ¼ Tap on instrument body. Vl. II ¼ ' ¼ # t t d t t d c t t d c t t d t t d c t t d c t t d c t t d t t d t t d c ¼ ¼ Tap' on instrument body. Vla. ¼ ¼ ‚ c t t d c t t d t t d c t t d t t d b t t d t t d c t t d b ¼ ' Tap on instrument body. Vc. ¼ $ ¼ b t t d c t t d c c t t d c t t d c t t d b c t t d ¼ Tap on' instrument body. Db. ¼ $ d d d d d d ¼< b t t c t t c c t t c t t c t t b c t t ' - 30 - ! 121 Air noise Fl. ; # a Air noise Q Q d Q Q d Q Q d Q Q d a Q Q d Q Q d Q Q d Q Q d Ob. ¼ ¼ # a Air noise Q Q d Q Q d Q Q d Q Q d a Q Q d Q Q d Q Q d Q Q d Cl. ¼ ¼ # a Q Q d Q Q d Q Q d Q Q d a Q Q d Q Q d Q Q d Q Q d Bcl. ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ¼ ˆ a Air noise a a a Hn. ¼< ; a Q c b Q c b Q c b ¼<# Air noise Trp. ; # aAir noise Q c b Q c b Q c b Trbn. ¼ ¼ $ b AirQ noise c Q c Q c Q c Q c Q c Q c Btrbn.¼ ¼ $ b AirQ noise c Q c Q c Q c Q c Q c Q c Tb. ¼ ¼ $ b Q c Q c Q c Q c Q c Q c Q c ¼< Bass drum. With hand ("white noise"). Perc. 1 ; t t t t t t t t t t t t t t t t ¼ Sandpaper Block Perc. 2¼ ' a t t d t t d t t d t t d a t t d t t d t t d t t d Perc. 3¼ ' ¼ a a a a Perc. 4¼ ¼< a a a a Pno. $ a a a a Hp. $ a a a a Unpitched. Stacc. Vl. I ; NÇ N N NÇ # d NÇ c ÇN Ç c c c c ÇN Ç c c d NÇ b ¼ ' ÇN ÇN ÇN ¼ ÇNUnpitched. Stacc. ÇN ÇN Vl. II ¼ ÇN c c ÇN c ÇN ÇN c ÇN c ÇN c c ÇN b ¼ # N ÇN N ÇN N ÇN N ÇN N ÇN N ÇN N ÇN ¼ ' ÇN Ç Unpitched. Stacc.ÇN Ç ÇN Ç ÇN Ç ÇN Ç ÇN Ç ÇN Ç ¼ Vla. ¼ ÇN ÇN ÇN ÇN ÇN ÇN ÇN ÇN ÇN ÇN ¼ ‚ ÇN ÇN c ÇN ÇN c ÇN c ÇN ÇN c c ÇN ÇN ÇN c N ÇN N ÇN N ÇN N ÇN N ÇN N ÇN N ÇN N ÇN N ÇN N ÇN ¼ 'Unpitched.Ç Stacc.Ç Ç Ç Ç Ç Ç Ç Ç Ç ¼ Ç Ç Ç Ç Ç Vc. NÇ N NÇ N NÇ N NÇ N NÇ N ¼ $ N N N N NÇ NÇ NÇ NÇ NÇ c ÇN Ç ÇN Ç c ÇN Ç c c ÇN Ç c NÇ c NÇ NÇ c NÇ NÇ ¼ ' N ÇN N ÇN N ÇN N ÇN ¼ Unpitched. Stacc.Ç Ç Ç Ç Db. ¼ $ c c N ÇN c c c c N ÇN c c c N ÇN b c N ÇN ¼< ÇN Ç ÇN Ç ÇN Ç ÇN Ç ' ÇN ÇN ÇN ÇN

- 31 - ! 125 Fl. ; # a a a a Ob. ¼ ¼ a a d c b a ¼ # Cl. • ÀtI ¼ staccatissimo # a a a a Bcl. ¼ ¼ $ b c d c d b b c d b c d ¼ staccatissimo t t t t t t t t Bsn. • ¼ $ ¼ d c d c b d c t t d c d c b d c ¼ t tstaccatissimo t t t t t t t t Dbsn. • ¼ ˆ d c d c b d c t t d c d c b d c ¼< t t t t t t stopped t t open t t Hn. • ; a a d c b d c b ¼<# tI tI Trp. ; • À À ¼ # Staccatissimo.a Muted. a a a Trbn. ¼ $ ¼ c d b d c c d c d b c d b •Staccatissimo.t t Muted. t t t t t t t t Btrbn.¼ ¼ $ d d d d d ¼ c c c c b c b ¼ • t t Staccatissimo.t t Muted. t t t t t t Tb. ¼ $ d d ¼< a c b c b a Bass drum. Superball • tI tI Perc. 1 µ µ ; Sandpaperb Block c t c t b b c t a Perc. 2¼ ¼ c t t d b a c t t d b a ¼ Guiro • Perc. 3¼ t t d t t d t t d t t d t t d t t d t t d t t d t t d t t t t t t d t t d c t t t t t t d t t t ¼ ' Perc. 4¼ timpani (superball) ¼< b c t c t b b c t b c t Pno. • $ a a a a Hp. $ a a a a Vl. I ; # a a a a Vl. II ¼ ¼ # a a a unpitched a Vla. ¼ ¼ ‚ a a a d c b ¼ unpitched ÇN ÇN Vc. ¼ • ¼ $ a a a d c b ¼ Tail piece unpitched ÇN ÇN Db. ¼ • $ Ç Ç d Ç Ç d d Ç Ç d ¼< b c p p c p p b a c c p p ÇN ÇN • • - 32 - ! 129 Fl. ; # a a a a Ob. ¼ ¼ a a a a ¼ # Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ $ a a a a Dbsn. ¼ ¼ ˆ ¼< a a a a Hn. ; ¼<# a a a a Trp. ; a a a a ¼ # Ca. notes. muted. staccatiss. Trbn. ¼ ¼ $ a a c b a Ca. notes. muted. staccatiss. N Btrbn.¼ • N N N ¼ $ a a c b a ¼ Ca. notes. muted. staccatiss. Tb. • N N N N ¼ $ ¼< a a c b a Perc. 1 • N N ; a a a a ¼ Lions Roar. Slow Perc. 2¼ A a A a ¼ ' Perc. 3¼ ¼ a a a a Timpani (superball mallet) Perc. 4¼ ¼ ¼< | b a c t b a Pno. ' $ a a a a Hp. $ "vertical" bowing. Unpitched.a a a a Vl. I ; Ì Í Ì Í Ì Í Ì Í # a (f) N N N N a N N N N ¼ "vertical" bowing. Unpitched. ¼ Vl. II Ì Í Ì Í Ì Í Ì Í ¼ a (f) N N N N a N N N N ¼ #"vertical" bowing. Unpitched. ¼ Vla. ¼ Í Ì Í Ì Í Ì Í Ì Í Ì Í Ì Í Ì Í Ì ¼ ‚ (f)N N N N N N N N N N N N N N N N ¼ "vertical" bowing. Unpitched. Vc. ¼ Í Ì Í Ì ¼ $ (f)N N N N ¼ "vertical" bowing. Unpitched. Db. ¼ $ Í Ì ¼< (f)N a N a - 33 - ! 133 Fl. ; # a a a a Ob. ¼ ¼ a a d c b a ¼ # tI Cl. ¼ • À ¼ # a staccatissimo a a a Bcl. ¼ $ ¼ staccatissimob c c b c b c Bsn. ¼ • t t t t t t t t t t t t t t t t ¼ $ c c b c d t t c c b ¼ •staccatissimot t t t t t t t t t t t t t t t t t t t Dbsn. ¼ ¼ ˆ c c b c d t t c c b ¼< t t t t t t t t t t t t stopped t t t t open t t t t Hn. • ; a a d c b c d b ¼<# tI tI Trp. • À À ; a a a a ¼ # Staccatissimo. Muted. Trbn. ¼ ¼ $ c b c c c b c b Staccatissimo.t t t t Muted. t t t t t t t t t t t t t t t t Btrbn.¼ • ¼ $ c b c c c b c b ¼ • t t t t tStaccatissimo.t t t Muted. t t t t t t t t t t t t Tb. ¼ ¼ $ d d ¼< a c b c b a Superball • tI tI Perc. 1 µ ; b c t c t b b c t a ¼ Sandpaper Block Perc. 2¼ c t t t b a c t t d b a ¼ Guiro Perc. 3¼ • ¼ t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t c t t t t t t t t t t t t Perc. 4¼ ' ¼< b c t c t b b c t b c d Yt Pno. • $ a a a a Hp. $ a a a a Vl. I ; ¼ # a a a a Vl. II ¼ ¼ # a a a unpitched a Vla. ¼ ¼ ‚ a a a unpitched c b ¼ N ÇN ÇN Vc. • ¼ $ a a a c b Tail piece ¼ unpitched N ÇN ÇN Db. ¼ • ¼ $ b c pÇ pÇ d c pÇ pÇ d a d c c pÇ pÇ d ¼< N N • Ç Ç - 34 - • ! 137 jet whistle (jet whistle) Fl. Â Â Â ; b d c a c d b b c d ¼ # tI tI tI Ob. ¼ • ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ $ a a a a Dbsn. ¼ ¼ ˆ a a a a ¼< Hit on mouthpiece Hn. ; a a ZN d c b a ¼<# Hit on mouthpiece e Trp. ; a a YN d c b a ¼ # Hit on mouthpiece Trbn. ¼ $ ¼ a aHit on mouthpiece d YN c b a Btrbn. ¼ ¼ $ a a d YN c b a ¼ Hit on mouthpiece Tb. ¼ $ a a dÇ ZN c b a ¼< Bass Drum, with hand. ("white noise") Perc. 1 ; Yt d Yt d Yt d Yt d Yt d Yt d Yt d Yt d c Yt d Yt d Yt d Yt d Yt d Yt d Yt d ¼ Sandpaper' Block Perc. 2 ¼ ¼ t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t Tubulum Perc. 3 ¼ ' ¼ a a t t t c b a ¼ Tube (harmonics) "jet whistle" Perc. 4 ¼ ' Â ¼< a a c Yt d b a Pno. • $ a a a a Hp.

$ aSul G. Unpitched. "Chop". a a a Vl. I ; (P) d d ¼ # b c Sul G. Unpitched. "Chop".N N N N N N N N N N N N N N N N N N N N N N N N N N N Vl. II ¼ ¼ d d d d ¼ # (P) N N Sul C.N Unpitched.N N N "Chop".N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N Vla. ¼ ¼ ‚ (P) d d d d d d d ¼ N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N ¼ Sul C. Unpitched. "Chop". Vc. ¼ $ c d d c d d ¼ (P) N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N ¼ Sul C. Unpitched. "Chop". Db. ¼ ¼ $ c d ¼< (P) N N N N N N N N N N N N N N- 35N - N N N N N N N N N N N N N N N N N N ! 141 Air noise Fl. ; d d d d d d d d ¼ # a AirQ Q noiseQ Q Q Q Q Q a Q Q Q Q Q Q Q Q Ob. ¼ d d d d d d d d ¼ # a AirQ Q noiseQ Q Q Q Q Q a Q Q Q Q Q Q Q Q Cl. ¼ d d d d d d d d ¼ # a Q Q Q Q Q Q Q Q a slaptoungeQ Q Q Q Q Q Q Q Bcl. ¼ ¼ $ a a a c dÇ b Bsn. ¼ JN ¼ $ a a a b d c Dbsn. ¼ tI ¼ Ç ˆ Air noise a a a b d c ¼< tI Hn. Â Â Â Â Â Ç Â ; c d YQ b YQ d c c YQ d b YQ d c c d YQ c YQ d ¼<# Air noise Trp.       ; YQ d c d YQ c b d YQ c c d YQ b d YQ c d YQ c ¼ # Air noise Trbn. ¼ $        ¼ Aird noiseYQ c c YQ d c YQ d c d YQ c YQ d d YQ c b c d YQ Btrbn.¼ $        ¼ Airb noise YQ d c d YQ c YQ d c YQ d c c YQ d YQ d c YQ d c Tb. ¼ ¼ $  d d  d  d  d   d  d ¼< c YQ c YQ c YQ b YQ c c YQ c YQ YQ c Perc. 1 ; c t t t t t t t t t t t t t t t Perc. 2¼ ¼ c t t t t t t t t t t t t t t t t t t t t t t Yt d t t t t t t ¼ Thundersheet. Wire brushes. Damp. Perc. 3¼ ¼ b c t c t c t c t c t c t c t Perc. 4¼ ' ¼< a a aHighest note (C). a Pno. $ a a a p p d c b Hp. $ a a a a Vl. I ; Ç Ç d Ç Ç d Ç Ç d Ç Ç d ¼ # a c N N c N N a c N N c N N Vl. II ' ¼ Ç Ç Ç Ç Ç Ç Ç Ç ¼ # a c N N d c N N d a c N N d c N N d Vla. ¼ ' ¼ ‚ a c NÇ NÇ d NÇ NÇ d NÇ NÇ d a c NÇ NÇ d NÇ NÇ d NÇ NÇ d ¼ Highest possible note. Pizz. (Unpitched. Arco.) Vc. ¼ ' ¼ $ a b NÇ NÇ d c a p p d c NÇ NÇ d c ¼ Db. ' ¼ $ Ç Ç d Ç Ç d ¼< a b N N c a b N N c '

- 36 - ! 145 Tounge ram "Tremolo" Fl. ; c ¼ # }Ç } Ob. ¼ # a a Cl. ¼ ¼ # a a Bcl. ¼ ¼ $ a a Bsn. ¼ ¼ $ a a Dbsn. ¼ ¼ ˆ a a Hn. ¼< ; $ ¼<# a a Trp. ; # a a Trbn. ¼ ¼ $ a a Btrbn.¼ ¼ $ a a Tb. ¼ ¼ $ a a Perc. 1¼< ; a a Perc. 2¼ ¼ a a Perc. 3¼ ¼ a a Perc. 4¼ ¼< a a Pno. $ c p p d b a Hp. ' $Highest possible note. Pizz. a a Vl. I ; p p d p p d ¼ # c b b c ¼ Highest possible' note. Pizz. Vl. II ¼ p p p p p p p p ¼ # c d d c d c c d ¼ Highest possible' note. Pizz. Vla. ¼ p p d p p d p p d p p d ¼ ‚Highestb possible note. Pizz. c c Vc. ¼ ' ¼ $ b c p p d c p p d p p d c ¼ ' Highest possible note. Pizz. ¼ Db. ¼ $ p p d ¼ a c b ¼< '

- 37 - ! 147 Tounge ram. pizz. (Tounge ram.) Fl. ; d d d d d d # Removeb reed. slaptounge. c b c c c c c ¼ {I uIÇ {I uIÇ {I uIÇ Ob. ¼ ¼ # c d b a c d b a {I Slaptounge. {I Cl. ¼ ¼ # c d b d c c d b d c c d b ¼ Slaptounge. {I {I {I {I {I Bcl. ¼ $ Y) ¼ b {I d c d c c d {I b c d b {I d c ¼ Remove reed. slap tounge. {I Bsn. ¼ $ a a d c b a ¼ Remove reed. slap tounge. I Dbsn. ¼ { ˆ d ¼ Slaptounge. a a c b a ¼< {I Hn. YN YN YN ;$ d c c d c d b c d b d c d c ¼< IN Slaptounge. IN IN Trp. ; b d c b d YN c c d c YN d b c d ¼ #Slaptounge. IN IN IN Trbn. ¼ ¼ $ d c c d IN b d c b IN d c c d b Slaptounge.IN IN IN Btrbn.¼ ¼ $ d c c d IN b d c b IN d c c d b ¼ Slaptounge.IN IN IN Tb. ¼ ¼ $ c d b c d b a d c c d ¼< I IN I I Perc. 1 N N N ; Tubulum (x4) a a a a ¼ Perc. 2 ¼ t t d t t t d t t t t t t t d t t t ¼ t t t t t t t c t t t t t Log' drums (x2) Perc. 3¼ ¼ b t t d c t t d c t t d c b t t d c t t d c t t d c ¼ ' Tubulum. (x2) Perc. 4¼ ¼< a t t c b b t t c a Pno. ' $ Hp. a a a a $ a a a a Vl. I ; ¼ # a a a a Vl. II ¼ # a a a a Vla. ¼ ¼ ‚ a a a a Vc. ¼ $ ¼ Behind Bridge.a Pizz. a a a Db. ¼ ¼ $ ¬ N ¼< ¬ N c b a a a ¬ N ' - 38 - ! 151 Tounge ram. pizz. (Tounge ram.) Fl. ; Ç # b Y) d c b d c d c d Yu c d c c d ¼ uIÇ {I {I tIÇ Ob. ¼ ¼ c d b a c d b a # IN IN Cl. ¼ ¼ c d b d c c d b d c c d b # IN IN IN {I {I Bcl. ¼ ¼ $ b YN d c d c c d b c d b Y) d c staccatiss. IN {I ¼ IN Bsn. ¼ $ c b a c b c d ¼ tÇ tÇ tÇ "tÇ e ¼ staccatiss.' tÇ tÇ tÇ "tÇ tÇ tÇ tÇ "tÇ "tJÇ Dbsn. ! tÇ # tÇ tÇ Ç ¼ ˆ t d ¼ c !tÇ #tÇ tÇ t b a c !tÇ #tÇ tÇ t b c e tJ ¼< ' Ç Ç Ç Hn. YN YN YN ;$ d d d d d d ¼< IN c c c IN b c b IN c c Trp. ; b d c b d YN c c d c YN d b c d ¼ # IN IN IN Trbn. ¼ ¼ $ a a a a Btrbn.¼ ¼ $ d c c d IN b d c b IN d c c d b Tb. ¼ IN IN IN ¼ $ c d b c d b a d c c d ¼< I IN IN I Perc. 1 N N ; a a a a ¼ Perc. 2 ¼ d t t t t t d t t t t t t d t t t ¼ t t t t t t t t c t t t t t Perc. 3¼ ¼ b t t d c t t d c t t d c b t t d c t t d c t t d c Perc. 4¼ ¼ ¼< b t t c b t t c c t t b t t c b Pno. $ ¬t c b a a a ¬t ' ¬t Hp. µ $ a a a a Vl. I ; ¼ # a a a a Vl. II ¼ ¼ # a a a a Vla. ¼ ¼ ‚ Behind Bridge. aPizz. a a a Vc. ¼ $ ¬ N ¼ ¬ N Behindc Bridge. Pizz.b a a a ¬ N Db. ¼ ' ¬ N ¼ $ ¬ N ¼< ¬ N c b a a a ¬ N - 39 - ! 155 Fl. ; # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ !YtÇ ! tÇ ¼ ˆ a a c d b d c c ¼< ' tI tÇ Hn. Ç ;$ # ¼< a a a a Trp. ; # a a a a Trbn. ¼ ¼ $ a a a a Btrbn.¼ ¼ $ a a a a Tb. ¼ ¼ $ Bongo x2 a a a a ¼< Tom Tom x2 Perc. 1 ; t t t t t t t t t t t d t t t t t t t t d Yt t t t t t t t t d tI ¼ 4x small Gongs. Laid Flat. Perc. 2¼ ' Yt d t t d t Yt d ¼ 2x Log drum. a a t t t t tI t t t ¼ Marimba bar (lowest possible note). ' Perc. 3¼ d t t Yt d d Yt d Yt t Yt d t t d d Yt t t d Yt t Yt d t t d ¼ t t 2x Almglocken.tI t tI Perc. 4 ¼ ' t t ¼< (notes prepared with rubber)a a d t d b d tI c c t Pno. ' $ t t t t t tI d t t t t ' t t t t t t t t t t t t t t t t t t t t t µ µ µ Hp. "YtÉ "YtÉ "YtÉ "YtÉ µ $ b Lowestd stringc (C), playb ca. 7th harmonic. d c b d c b d c Behind Bridge. Pizz. Vl. I ; ¬IN d ¼ # ¬ N c b a a a ¬ N ¼ ¬' ¼ Behind Bridge. Pizz. Vl. II ¼ ¬IN d c b a a a ¼ # ¬ N ¬ N Pizz.. Unpitched. ¼ ¬' Vla. ¼ ¼ ‚ c d N N N N N N N N N N N N N N IN N N N N N N ColN legno.N Unpitched.N N N N N N Vc. ¼ ' ¼ $ a a a d YN c b ¼ Col legno. Unpitched. Db. ¼ ' ¼ $ d ¼< a a a YN c b - 40 - ' ! 159 "pizz." Fl. ; # b d tIÇ c a c !tI d b b d c Ob. ¼ Ç tIÇ ¼ # a a a a Cl. ¼ ¼ a a a a ¼ # Bcl. ¼ $ a a a a Bsn. ¼ ¼ $ c c d c d c ¼ tÇ tÇ tÇ tÇ tÇ tÇ tIÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tIÇ tÇ tÇ tÇ tÇ Dbsn. ¼ ' ! YtÇ !YtÇ ! tÇ ¼ ˆ c d d c c d b c d b d c c ¼< Stopped Open Ç Hn. tIÇ tIÇ tIÇ t ; # a d c b d c b a ¼< Muted. tIÇ tIÇ Trp. ; # d c b a c d b a ¼ I I ¼ ' Muted.t t Trbn. Ç Ç ¼ $ tMuted.It d c b a c tIt d b a ¼ ' Ç Ç Btrbn. ¼ $ ¼ !tIÇ d c b a c !tIÇ d b a Tb. ¼ ' ¼ $ Bongo x2 a a d c b a ¼< Tom Tom x2 tIÇ Perc. 1 ' ; t t t t t t t t t t t d t t t t t t t t d Yt t t t t t t t t d tI ¼ 4x small Gongs. Laid Flat. Perc. 2 ¼ ¼ t d t t t d t Yt d t t d t Yt d 2x Log drum.t tI t t t t t t t t t t t tI t t t ¼ Marimba bar (lowest possible note). Perc. 3 ¼ ¼ d t t t Yt d d Yt d Yt t t Yt d t t d tI d Yt t t d Yt t t Yt d t t d tI ¼ 2x Almglocken. Perc. 4 ¼ Yt t t ¼< c tI d d c c d tI b d t d b d tI c c t Pno. $ c t t t t tI d t t d t t t t t t t t t t t t t t t t t t t t t Hp. µ É µ É É É µ $ "Yt d "Yt d "Yt d "Yt d b c b c b Behind Bridge. Pizz. c b c Vl. I ; ¬IN a a ¬ N Behindd c Bridge. Pizz.b a ¼ # ¬ N Vl. II ¼ ¬ N ¼ a a ¬IN d c b a # ¬ N Vla. ¼ ¬ N ¼ ‚ N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N ¼ Vc. ¼ $ ¼ c YN d b a a d YN c b Db. ¼ ¼ $ c YN d b a a d YN c b ¼< - 41 - ! 163 Fl. ; ¼ # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ˆ ¼< a a a a Hn. ; ¼<# Solo. Muted (practice mute).a a a a Trp. ; c t c t t c t b c t t c t t c t c t ¼ # t t t t t Open. t t t t t Trbn. ¼ ' $ a a d c b a ¼ Open. tIÇt Btrbn. ¼ ' $ ¼ a a !tIÇ d c b a Tb. ¼ ' ¼ $ a a d c b a ¼< tIÇ Perc. 1 ' ; a a a a Perc. 2 ¼ Perc. 3 ¼ a a a a ¼ a a a a Perc. 4 ¼ ¼< a HIghesta note (C). a a Pno. Yp Yp $ a c d b b c d a Hp. ' $ a Behind bridge. Pizz.a a a # Vl. I ; a c b b c N a ¼ # N N Behind bridge. Pizz. ' N Vl. II ¼ ¼ N N # N c c N c N c N c c N c N c ¼ ' N Behind bridge. Pizz.N N N N N N N Vla. ¼ N ¼ ‚ N N N c N N N N c N N N N c N N c N N N N N c ¼ Behind' bridge.N Pizz. N N Vc. ¼ ¼ $ c N N c N c c N c N N N c c N c N ¼ N N N N N Behind 'bridge.N Pizz. N Db. ¼ ¼ $ N N N b N c a c N b b c ¼< ' N

- 42 - ! 167 É Fl. t tYtÉ ; d ¼ # c b a c b a Ob. ¼ ' ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ $ a a a a Bsn. ¼ ¼ $ a a a a Dbsn. ¼ ¼ ˆ ¼< a a a a Hn. ; ¼<# a a a a Trp. ; # a a a a Trbn. ¼ ¼ $ a a a a Btrbn.¼ ¼ $ a a a a Tb. ¼ $ a a a a ¼< Bell Tree. Highest note. Perc. 1 ; t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t t ¼ 'Tube. Harmonics (lower). Perc. 2¼ ¼ t Triangle.c Damp. t c t(open) c t c b t c t c t c Perc. 3¼ ' ¼ t t t t t t t t tÉ tÉ tÉ tÉ t t t t t t t t t t tÉ tÉ tÉ tÉ t t t t t t ¼ ' Tube. Harmonics (lower). Perc. 4¼ ¼< c t b b c t b c t c t b Pno. ' $ p p (harmonics) a c b a Hp. tÉ | tÉ | É Y É Y # c |Ç c d d Yt |Ç c d ! tÉ Arco. Harmonics (5th harmonic sul G,D,A,E) ! tÉ É Vl. I É ! t ; t ¼ # Arco. Harmonics (3tha harmonic sul G,D,A,E)c b b c a ¼ ' É É É t É tÉ É É Vl. II ¼ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ sim. tÉ tÉ ¼ # Arco.c Harmonicsc (2th harmonic sul C,G,D,A)c c c c c c ¼ ' tÉ É Vla. ¼ tÉ tÉ tÉ tÉ tÉ tÉ tÉ tÉ tÉ tÉ ¼ tÉ tÉ tÉ tÉ tÉ tÉ tÉ tÉ ‚ tÉ c c sim. tÉ c c tÉ c ¼ Arco. Harmonics (2th harmonic sul C,G,D,A) ' É ¼ tÉ tÉ tÉ Vc. ¼ tÉ É tÉ É tÉ É tÉ É tÉ É tÉ ¼ $ c tÉ t c t c c t sim.c t c c t c tÉ ¼ ' Arco. Harmonics (2th harmonic sul C,A,D,G) É É tÉ Db. ¼ É t t tÉ ¼ $ t É ¼< b c a c b b c t ' - 43 - ! 171 tÇ tÇ tÇ tÇ tÇ tÇ Fl. Yt Yt Yt Yt Yt Yt ; d d d d d d ¼ # c b c c c c b c Ob. ' Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç ¼ t t t t t t t t t t t ¼ # d Yt d Yt c Yt d c Yt d c Yt d Yt d d Yt d Yt c Yt d d Yt d Yt c Cl. ¼ ' ¼ # c tI d d tI d tI d tI c tI d d tI b tI d d tI c tI d tI d c ¼ ' tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ Bcl. YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ ¼ $ c d d d d c d d b d d c d d c ¼ ' Bsn. ¼ tÇ tÇ tÇ tÇ tÇ ¼ $ b Yt d c c d Yt b d Yt c b d Yt c c d Yt ' Dbsn. ¼ YtÇ YtÇ YtÇ YtÇ YtÇ ¼ ˆ b d c c d b d c b d c c d ¼< stopped ' open Hn. ; tÇ !tÇ c d tI b d ""t c c d tI b d !tI c d d I c ! t d ¼<# !!t Yt ""t !! t ! tI !t !Yt Trp. ' tÇ "tÇ Ç ! t ! t ; ! tÇ Ç ¼ # a a a a Trbn. ¼ Ç Ç $ ""tYt ""tYt ¼ a a b d c d ""tIt c d d tIt ' Ç Ç Btrbn.¼ Ç Ç ¼ $ a a b "Yt d c d c "Yt d d "tIÇ tIÇ Tb. ¼ ' ¼ $ ¼< a a a a Perc. 1 ; a a a a Perc. 2¼ ¼ t c t c t c t c b t c t c t c Perc. 3¼ Perc. 4¼ a a a a ¼ Pno. ¼< a a a a $ a a a a Hp. $ a a a a # Div. a3. Sul tasto ÈÈt Èt Vl. I Yt Yt z Èt ; d d | Yt d ¼ # c b c b c c c b Div.‘ a3. Sul tasto ¼ Èt Vl. II ¼ Èt Èt Èt Yt Èt Èt d Yt d Yt d Yt d d Yt d d Yt d ¼ # c tI c c c c c c tI c ¼ Èt Èt Div. a3. Sul‘ tasto Vla. ¼ ¼ Èt Èt Èt Èt ‚ b tI d c b Yt d c Yt d c Yt d c b Yt d d tI ¼ Èt Èt Vc. ¼ ‘ ¼ $ a a a a ¼ Db. ¼ $ ¼< a a a a - 44 - ! 175 Fl. ; # a a a a Ob. ¼ ¼ a a a a ¼ # Cl. ¼ # a a a a Bcl. ¼ ¼ $ a a a a Bsn. ¼ ¼ $ d d tIÇ d t t d d tIÇ d t t ¼ ' tI t t t tIÇ tI t t t tIÇ Dbsn. ¼ ˆ d d d d d d d d d d d d ¼< t tI tIÇ tI t t tI tIÇ tIt ' tI t t tI tIÇ tI t t tI tIÇ Hn. ; d It d It It d It d $ ¼<# t c b t c b t c b t c b ' tÇ tÇ ™ Àt Àt Trp. ; µ µ ¼ # a a a a Trbn. ¼ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ ¼ $ d d d d d d d d d d d d d d d d Btrbn.¼ ' ¼ $ d c b a d c b a Tb. ¼ ' ÈtI ÈtI ¼ $ ¼< a a a a Perc. 1 ; a a a a Perc. 2¼ Perc. 3¼ a a a a ¼ Timpani. C (lower) and aA. a a a ¼ Perc. 4¼ ¼< d tI c b d Yt c b d tI c b d Yt c b Pno. ' $ a a a a Hp. $ t t Yt t d t t t tI d t c d t t Yt d t t d (sul‘ tasto) Vl. I ttt ttt ttt ttt ttt ttt ttt ttt ; tttt tttt tttt tttt tttt tttt tttt tttt ¼ # c tt tt c tt c tt c c tt tt c tt c tt c ' (sul tasto) Vl. II ¼ ¼ t t t t t t t t # d tttc d tttc c tttd d tttc d tttc d tttc c tttd d tttc ¼ ' ttt ttt ttt ttt ttt ttt ttt ttt ¼ Pizz. Vla. ¼ t t t t t t t t ‚ d d Yt d d Yt d d Yt d d Yt d d Yt d d Yt d d Yt d d Yt ¼ tI tI tI tI tI tI tI tI ¼ '(arco)t t t t t t t t Vc. ¼ $ d d tI d d d tI d ¼ tI t t t tI tI t t t tI Db. ¼ ' t t t t $ ¼ d t tI d d tI d tI t d d d t tI d d tI d tIt d d ¼< 'tI t t tI tI tI t t tI tI - 45 - ! 179 Fl. ; ¼ # a a a a Ob. ¼ ¼ # a a a a Cl. ¼ ¼ # a a a a Bcl. ¼ t $ a d t tI d c a d d d t t ¼ t t t Bsn. ¼ ™t ¼ $ a a a a Dbsn. ¼ ˆ ¼< a a a a Hn. tÇ tÇ tÇ tÇ tÇ ;$ t d t d t d t d d t ¼< b Yt c c Yt b Yt c c Yt b Yt c Trp. ; ' ¼ # a a a a Trbn. ¼ È È Èt $ È Èt t È Èt t ¼ c Èt c t c c c t c c c Btrbn.¼ ™ ¼ $ c c c c t c c c t c Èt ¼ t Èt È Open. t Èt È Tb. Èt È È ¼ $ ™ ¼ a a c c c c ¼< Bass drum Èt t Èt Perc. 1 ™ µ Èt È ; c t c t c t c t c t c t c t c t ¼ Piatti ' Perc. 2¼ ¼ c t b a c t b a Perc. 3¼ ‘ ¼ a a a a Perc. 4¼ ¼< tI d c b a tI d c b a Pno. ' $ a a a a Hp. $ a a a a # t Vl. I t t t t t t t t ; t t t t t t t t t t t t t t t t t # d t t t t t t t b c t t t b c t t t t b b d t t t t d ¼ ' t t t t t t t t t ¼ Arco. (ord.) Vl. II ¼ ¼ # d c d d c d d c d d c d d c d d ¼ Arco.' tIÇ tIÇ tIÇ tIÇ tIÇ tIÇ tIÇ tIÇ tIÇ tIÇ tIÇ Vla. ¼ ‚ d c d d c d d c d d c d d c d d ¼ tI tI tI tI tI tI tI tI tI tI tI ¼ Pizz.' Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Vc. ¼ $ d t ¼ t t t t t t t t t t t t t t t t t t t t ¼ Pizz. ' t t t t t t t t t t Db. t t t t ¼ $ t t t t t t t t t t t t t t t t t t t t t ¼< t t t t t t t ' - 46 - ! 183 ! tÇ Ç tÇ Ç ! tÇ Ç tÇ Ç ! tÇ Ç tÇ Ç ! tÇ Ç tÇ Ç Fl. Ç t Ç t Ç t Ç t t Ç t Ç t Ç t ; t tÇ t tÇ t tÇ t tÇ d tÇ t tÇ t tÇ t tÇ ¼ # Ob. ‘ ¼ tÇ !tÇ Ç #tÇ tÇ !tÇ Ç #tÇ tÇ Ç tÇ tÇ !tÇ Ç #tÇ tÇ !tÇ Ç #tÇ tÇ !tÇ Ç #tÇ tÇ Ç tÇ tÇ !tÇ Ç #tÇ ¼ # t t d t t t t d t t ¼ ‘ Ç Ç Ç Ç Cl. tÇ ! t tÇ ! t tÇ ! t tÇ ! t ¼ Ç tÇ Ç tÇ Ç tÇ Ç tÇ ¼ # b t t b b t t b Bcl. ¼ ‘ $ t t t ¼ a d t t t a d t t d t t t t t Bsn. ¼ ¼ $ d ¼ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ Dbsn. ¼ ' Ç Ç ˆ Yt Ç Yt Ç ¼ tIÇ d c d c Yt d c d c tIÇ d c d c Yt d c d c ¼< ' tI tI Hn. ; tÇ tÇ Ç tÇ tÇ tÇ Ç $ c Yt d b Yt d c c Yt d b Yt d c c Yt d b # ¼< Open. Trp. ; È È Èt # c c c Èt c t c c Èt c t c ¼ Èt Èt Èt Trbn. ¼ ™ È È Èt $ È Èt t È Èt t ¼ c Èt c t c c c t c c c Btrbn.¼ ¼ $ c c c c c c c c Èt Èt Èt Èt Èt Tb. ¼ Èt Èt Èt ¼ $ ¼< a a c c c c t Èt Èt Perc. 1 Èt È ; c t c t c t c t c t c t c t c t Perc. 2¼ ¼ c t b a c t b a ¼ Triangle. (open-damp) Perc. 3¼ ¼ tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t tÉ t Perc. 4¼ ‘ ¼< tI d c b a tI d c b a Pno. $ a a a a Hp. "t t t t t t "t t t t t t "t t t t t t "t t t t t t $ # t t t t t t t t ‘ t Vl. I t t t t t t ; t t t t t t t t t t t t t t t t # c t t t t t t t c b d t t t c b d t t t c b t t t t t t t t ¼ t t t t t t t t t t t t t t Vl. II ¼ ¼ c d d c d d c d d c d d c d d c # It It It It It It It It It It Vla. ¼ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ ¼ ‚ c d d c d d c d d c d d c d d c ¼ tI tI tI tI tI tI tI tI tI tI Vc. ¼ Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç $ t t t t ¼ t t t t t t t t t t t t t t t t ¼ t t t t t t t t t t t t Db. t t t t ¼ $ t t t t t t t t t t t t t t t t t t t t t ¼ t t t t t t t ¼< - 47 - ! 187 ! tÇ Ç tÇ Ç ! tÇ Ç tÇ Ç Fl. Ç t Ç t Ç t Ç t ; t tÇ t tÇ t tÇ t tÇ ¼ # a a Ob. ¼ tÇ!tÇ Ç #tÇ tÇ !tÇ Ç #tÇ tÇ !tÇ Ç #tÇ tÇ !tÇ Ç#tÇ ¼ # a a t t t t ¼ Ç ! tÇ Ç ! tÇ Cl. t Ç t Ç ¼ a a b tÇ t tÇ t b ¼ # Bcl. ¼ $ d c b a d c b a ¼ I I Bsn. ¼ •Àt Àt ¼ $ d d tI d d d tI d tI t Ç t t tI tI t Ç t t tI Dbsn. ¼ t t Ç t t Ç ¼ ˆ d t tI d d tIÇ d tIt d d d t tI d d tIÇ d tIt d d ¼< tI t t tI tIÇ tI t t tI tIÇ Hn. ; $ # d tI c b d tIc b tId c b tI d c b ¼< tÇ tÇ t t ' µ ™ À À Trp. µ t t ; d t d ttt d t ¼ # b c ttt b c tt tI c c t b c tt ™ttt t t t Trbn. ¼ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ YtÇ ¼ $ c d d d d d d d d d d d d d d d Btrbn.¼ ' ¼ $ d d b a d d b a Tb. ¼ ' t t ¼ $ d d b a d d b a ¼< ' t t Perc. 1 µ µ ; d Yt c b a d Yt c b a Perc. 2¼ Perc. 3¼ a a a a ¼ É É É É É É É É Timpani. C (lower) and A.a a t t t t t t t t t tt t t t t t ¼ Perc. 4¼ ¼< d tI c b d Yt c b d tI c b d Ytc b Pno. $ a a a a Hp. $ t t Yt t d t t t tI d t c d t t Yt d t t d Vl. I ttt ttt ttt ttt ttt ttt ttt ttt ; tttt tttt tttt tttt tttt tttt tttt tttt ¼ # c tt tt c tt c tt c c tt tt c ttc tt c ¼ ' Vl. II ¼ ¼ d tttc d tttc c tttd d tttc d tttc d tttc c tttd d tttc # ttt ttt ttt ttt ttt ttt ttt ttt ¼ 'Pizz.t t t t t t t t Vla. ¼ t t t t t t t t ¼ ‚ d tI d Yt d tI d Yt d tId Yt d tI d Yt d tI d Yt d tI d Yt d tId Yt d tI d Yt ¼ 'Arco.t t t t t t t t Vc. ¼ $ ¼ d d tI d t t d d tI d t t Arco.tI t tI tI t tI ¼ ' t t t t Db. ¼ $ ¼ d t tI d d tI d tIt d d d t tI d d tI d tIt d d ¼< tI t t tI - 48tI - tI t t tI tI ' ! 191 t Fl. tt t ; tt t t t t t t t # b d tt c d c c d t t b d t c c t t b ¼ • Ob. ¼ t t d t d d d t t ¼ # b t c c c t t b t c c t b Cl. ¼ • t ¼ d t d d d t # b t c c c t b t c c t b Bcl. ¼ • t t t ¼ $ a a a a Bsn. ¼ $ b d c c d b d c b d c b ¼ !!tIÇt !!tIÇt !!tIÇt !!tIÇt Dbsn. ¼ • ¼ ˆ !YtÇ d d !YtÇ d !YtÇ d !YtÇ ¼< b c c b c b c b Hn. • Ç ;$ a c d b b ""tYt d c d c b ¼< ""tIÇt ""tIÇt Trp. ' ; d ¼ # tI c b a a a Trbn. t ¼ $ ¼ a a a a Btrbn.¼ "YtÇ $ a a b d c d c b ¼ "tIÇ Tb. ¼ ' $ "YtÇ d d ¼< a a b c "tI c b Perc. 1 ' Ç ; a a a a Perc. 2¼ Perc. 3¼ a a a a ¼ a a a a Perc. 4¼ ¼< a a a a Ç Ç ´Ç Ç ´Ç Ç ´Ç Ç Ç Ç Ç´Ç Pno. !!!tt tt !!!tt tt tttt !!!tt tttt tt ´tt !!!tt tt tttt ! !ttÇ ttÇ ttÇ ! !ttÇ ttÇ ttÇ ! !ttÇ ttÇ ! !ttÇ ttÇ $ c ! t t t ! t t t (Gliss! t only on black tkeys.) ! t t !!!ttÇ !!!ttÇ !!!ttÇ !!!ttÇ ttÇ ' ´ Hp. "t t ´t "t ´t "t ´t $ "t t "t "t a "t c "t c c c c "t ' ¢¢¢ ¢¢¢ t Div. a3. Pizz. t t (gliss.) t t t Vl. I Yt Yt Yt t Yt t ; d d d d ¼ # c b c c c c b c Div.• a3. Pizz. (gliss.) ¼ ¢¢¢¢¢ ¢¢¢¢¢¢ Vl. II ¼ t t t t t t t t t t t ¼ # d Yt d Yt c Yt d c Yt d c t Yt d d Yt d Yt c t d Yt d Yt c ¼ Div. a3.• Pizz. (gliss.) ¢¢¢ ¢¢¢ Vla. ¼ t t t t t t t t t t ¼ ‚ c Yt d d Yt d Yt d Yt c Yt d d Yt b t d Yt c Yt d t c

¼ Div. a3. Pizz. (gliss.) ¼ • Vc. t t¢¢¢Y t t¢¢¢ Y t ¼ $ b Yt d c c d Yt d c d Yt c b d Yt d c d Yt ¼ Db. ¼ • $ ¼< a a a a - 49 - ! 195 Fl. tÇ Ç ; d !!Yt d !t ¼ # a ! Yt b a Ob. ¼ • a d tI c b a ¼ # !!t Cl. ¼ • Ç ¼ # a c d b a !tI Bcl. ¼ • Ç ¼ $ a c d !Yt b a ¼ • tÇ tÇ Bsn. Ç Ç t t ¼ $ d ""t t ¼ c b a c b • ""tI • Dbsn. ¼ Ç "tÇ tÇ ¼ ˆ !tÇ tÇ tÇ t ¼< t t tÇ tÇ !t "t #t t !t tÇ "tÇ #tÇ tÇ !tÇ Ç "t Ç !t tÇ !t – tÇ Ç Ç Ç Ç Ç tÇ Ç Ç Hn. "t t ; Ç Ç t t $ c !t t b a a # ¼< •!t t Trp. ; # a a a Trbn. ¼ ¼ $ d c b a a ¼ tIÇ Btrbn.¼ • ¼ $ d c b a a ¼ I Tb. ¼ • tÇ ¼ $Bass drum. a a a Perc. 1¼< ; tI d c b a a Perc. 2¼ ' ¼ a a a Perc. 3¼ a a a Perc. 4¼ ¼ Pno. ¼< a a a $ a a a # Hp. $ Pizz. a a a Vl. I t t ! t ; t t t # c d !t c !t !t c d !t c t !t ¼ Pizz. tI tI Vl. II ¼ ! t • t ¼ t !t t t !t # d c !tI d !tI d c !t d t ¼ !t t t !t t ¼ Pizz.• Vla. ¼ t t t t d ¼ ‚ !t t !t t "t #t t !t !t t "t #t t !t ¼ t !t t "t #t Pizz.• Vc. ¼ ! t ! t ¼ t $ t t d t d tI t !Yt c d t c ¼ t t t tI tI t tI ¼ Pizz.• Db. ¼ Yt ¼ $ "t !t d t !Yt d "t !t d t d ¼< t c c t c c ! t - 50 - !t • ! 198 Fl. tÇ Ç Ç !!Yt #tÇ "t !t ; a d d " Yt b d Yt c " Yt d c Ob. ¼ # ¼ d !tÇ d d It d # a ! Yt "#tI b "t c "!tI c ¼ Ç tÇ Ç tÇ Cl. ¼ t a d Yt d It b d It c I d c ¼ # t t !t Bcl. ¼ Ç Ç Ç Ç ! tÇ $ !tÇ tÇ t t tÇ tÇ "t t ¼ c b b t t Ç Ç a Bsn. ¼ • "tÇ tÇ Ç Ç ¼ $ a a a Dbsn. ¼ Ç Ç ¼ ˆ !tÇ tÇ "t t ¼< c b b c tÇ tÇ a Hn. • tÇ tÇ ; "t t c " t tÇ b a a ¼<# Trp 1 t t "tÇ tTrp 2 Trp. t t ; Ç Ç # Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç ¼ Mute.t t t t t t t t t t t t t t t t t t t t t t t t t t t t tÇ tÇ tÇ tÇ t t t t t t t t tÇ "tÇ tÇ tÇ tÇ Ç Ç Ç ¼ ™ Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç t t"t Trbn. Ç Ç Ç Ç Ç "tÇ Ç ¼ $ c t "tÇ #tÇ t !t t !t t d t "tÇ #tÇ t d t !t tÇ "tÇ !tÇ Ç tÇ !tÇ Ç ¼ ' Mute.Ç Ç Btrbn.¼ ¼ $ d c b a a ¼ I Mute Tb. tÇ ¼ $ Ç d ¼< c b a a • tI Ç Perc. 1 µ ; d c b a a Perc. 2¼ tI Perc. 3¼ a a a ¼ a a a Perc. 4¼ ¼< a a a Pno. tÇ Ç t !t a d t d t b a # Scrape string with guitar pick. Yt !t • Yt Hp.  $ d c b a a • tI Col Legno Battuto µ t t Vl. I ; "t "t c d t c t t c d t c t ¼ # Col"tI Legno Battuto "tI !t ! t t Vl. II ¼ t t ! t ¼ d t d d !Yt d t t d t # !t tI c "t !t ¼ tI t tI t t Vla. ¼ !t !t "t ¼ ‚ Col Legno Battuto t t t "t #t "t #t t !t t t t "t #t t !t ¼ Col Legno Battuto t !t t !t t Vc. ¼ "t t t $ d d !t d !t d !t ¼ !t t tI "tI Yt !t t c "tI c ¼ "t "t Db. ! t ¼ Yt "Yt $ Col Legnot Battutod t d t t d ¼ !t c c !t c c ¼< t !t t !t - 51 - ! 201 Ç Fl. ! t Ç tÇ tÇ ; ! Yt "#t "Yt "!Yt # a d d Yt b d c d c Ob. ¼ ¼ tÇ # a d !!Yt d #tI b d "tI c !tI d c ¼ " tÇ Ç " t Cl. ¼ tÇ Ç ¼ # a d Yt d It b d It c !tI d c tÇ tÇ ! t Bcl. ¼ Ç Ç "tÇ tÇ Ç ¼ $ !tÇ tÇ c b b tÇ tÇ t t a tÇ tÇ tÇ tÇ Bsn. ¼ ! tÇ tÇ ¼ $ tÇ tÇ ¼ c b a a Dbsn. ¼ "tÇ tÇ ¼ ˆ !tÇ tÇ c b b c Ç Ç a ¼< tÇ tÇ t t Hn. ; d ¼<# !tI c b a a !! t Trp. Ç ; µ "t t t t ¼ # c t tt t""t t t tb c t t t t !t t t t b c tt t t b • tÇ tÇ tÇ tÇ Ç Ç Ç Ç ""tÇ tÇ tÇ tÇ # tÇ tÇ tÇ tÇ ! tt t t"tÇ tÇ tÇ tÇ Trbn. ¼ Ç "tÇ Ç "tÇ ! tÇ tÇ tÇ tÇ $ !t c b !t d c t t ¼ tÇ tÇ tÇ tÇ tÇ tÇ tIÇ Ç Ç !t ¼ • "tÇ Ç Btrbn. Ç Ç ¼ $ d c c t !t tÇ !t b d t d c ¼ I Ç tÇ Ç t "tI Tb. • t !tÇ ! tÇ Ç Ç ¼ $ Ç ¼ d c b a c b ¼< tI (bass drum) hit on edge with bamboo (bundle) sticks. Perc. 1 Ç ! t "tÇ µÇ Ç ; t t t t t t t t t t t t t t t t t t t t t t t t Perc. 2¼ ¼ a a a Perc. 3¼ Perc. 4¼ a a a ¼< a tÇ a a !! t Ç Pno. ! t #"t ! t " #t # a d Y d Yt b a Hp.   $ d c b b d c a tI tI t Vl. I t "t t "t ; d t d t ¼ # c "tI c t t c "tI c t ! t t ! t Vl. II ¼ t t ! t ¼ d t d d !Yt d t !t d t # !t tI c "t ¼ Arco. Stacc. tI t Yt t t Vla. ¼ ¼ ‚ d t t t t t t t t t t t t t t t t t t t t t t tt t t t tt t t t tt t t tt t t t t t t t t t"tt t t t t "t ¼ t t Vc. ¼ "t $ d d !t d !t d !t ¼ !t t tI "tI Yt !t t c "tI c ¼ "t "t Db. ¼ ! t t Yt t "Yt ¼ $ !t d c t d c !t c t d c ¼< t !t t !t - 52 - ! 204 Fl. "t"t t ; d "t"t d t!t d t t ¼ # c b c t b c t"t b Ob. ¼ t t t ¼ c t t d b c "t"t d b c t!t d b # t !t!t Cl. ¼ t "tÇ !tÇ ¼ c t Ç b c Ç !tÇ b c t tÇ b # Ç t !t Ç Bcl. ¼ Ç ¼ Ç Ç "tÇ tÇ $ tÇ tÇ c b b tÇ tÇ t t a ¼ "t t tÇ tÇ Bsn. Ç Ç "tÇ tÇ ¼ Ç Ç tÇ tÇ t t t t ¼ $ c t t b c "tÇ tÇ c Ç Ç c Ç Ç b "t t !tÇ tÇ Dbsn. ¼ Ç Ç t ¼ ˆ !t d b a t d b ¼< 1-2 t (1-2) –t 3-4 Stopped. !t Hn. ; ¼<# Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç Ç tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ t t t t t t t t tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ t t t t t t t t tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ tÇ"tÇ tÇ tÇ tÇ tÇ tÇ"tÇ Trp. ™ ; "t t t t # c t t t t""t t t t b c t t t t b c t t t t b ¼ tÇ tÇ tÇ tÇ Ç Ç Ç Ç ""t t t t#!tÇ tÇ tÇ tÇ !t t t t"t t t t Trbn. ¼ Ç Ç Ç Ç ! tÇ tÇ tÇ tÇ Ç Ç Ç Ç ¼ $ d c b b d c a Btrbn.¼ "tIÇ "tIÇ ¼ $ d c b b d c a ¼ I I Tb. tÇ tÇ ¼ $ d b a tÇ d b ¼< !tÇ Perc. 1 tÇ ! tÇ t t µ Ç Ç ; t t t t t t t t t t t t t t t t t t t t t t t t Perc. 2¼ ¼ a a a Perc. 3¼ Perc. 4¼ a a a ¼< a a a Pno. ¶pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ # Hp.   $ d c b b d c a tI (Unpitched) tI t Vl. I t "t t "t ; c d t N N t N N N t N N ¼(Unpitched)# "tI t "t t t !t ! t Vl. II ¼ t t ! t ¼ N t N N !t N N N t N t # !t t "t !t t ¼ Col Legno Battuto t t t t ¼ Vla. "t ¼ d !t ‚ t "t (Unpitched)#t t t t ¼ tI t ! t t "t #t t !t t !t t "t #t t !t Vc. ¼ "t t t ¼ $ !t !t !t !t t N t N "t N t !t t N N N "t N N ¼ "t (Unpitched) "t ¼ Db. t ! t "t t ¼ $ t N N N t N N N t N N t ¼< !t !t !t !t "t t t - 53 - t ! 207 Fl. ; # a a a a Ob. ¼ ¿ ¿ ¼ # a a a a Cl. ¼ ¿ ¿ ¼ # a a a a Bcl. ¼ ¿ ¿ ¼ $ ¿ a a a (don't playa when repeated) ¿ Bsn. ¼ Ç ¼ $ a a Yt d c b a ¼ ¿ ‘ (don't play when repeated) ¿ Dbsn. YtÇ ¼ ˆ d ¼< ¿ a a c b a ¿ Open ‘ (don't play when repeated) Hn. ; $ ""tIt # a a d c b a # ¼< ¿ Open. tt (don't play when repeated) ¿ ‘Ç Trp. ; # a a d c b a ¼ ¿ Open. ! tIt (don't play when repeated) ¿ Trbn. ¼ ‘ Ç ¼ $ a a tYtÇ d c b a ¿ Open. (don't play when repeated) ¿ ¼ ‘ Btrbn.¼ $ a a "YtÇ d c b a ¼ ¿ (don't play when repeated) ¿ Tb. ¼ ‘ $ Ç d ¼< ¿ a a "Yt c b a ¿ Perc. 1 ‘ ; Yt d c b a Yt d c a ¼ ¿ ¿ Perc. 2 ‘ ¼ a a a a Perc. 3¼ ¿ ¿ a a a a Perc. 4¼ ¿ ¿ ¼< a a a a Pno. ¿ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ pÇ ¿ # c ¿ • ¿ Hp.  $ d c b a a a # ¿ Let bow gliss from bridge and down fingerboard. (col legno battuto) ¿ • tI (don't play when repeated) µ Vl. I ë ë ; N N N N N N N N N N N N N N N N c N N N N N N N N N N N N N N ¼ # ¿ Let bow gliss from bridge and down fingerboard.(col legno battuto) (don't play when repeated) ¿ Vl. II ¼ •ë ë ¼ # N N N N N N N N N N N N N N N N c N N N N N N N N N N N N N N ¼ ¿ Let bow gliss from bridge and down fingerboard.(col legno battuto) (don't play measures 209-210 when repeated) ¿ Vla. ¼ •ë ë ¼ ‚ N N N N N N N N N N N N N N N N c N N N N N N N N N N N N N N ¼ ¿ Let bow gliss from bridge and down fingerboard.(col legno battuto) ¿ • Vc. ¼ ë ë ¼ $ N N N N N N N N N N N N N N N N c N N N N N N N N N N N N N N ¼ ¿ Let bow gliss from bridge and down fingerboard.(col legno battuto) ¿ Db. ¼ •ë ë ¼ $ ¼< ¿ N N N N N N N N N N N N N N N N c N N N N N N N N N N N N N N ¿ • - 54 - ! 211 Tounge Ram. È Fl. Ç ! t ; d "tYt d !Yt d d ¼ # b c b c b c c b Ob. {IÇ ‘ {IÇ ¼ d "ttÇ d # b Slapc tounge. b c Yt a a ¼ Itt Cl. ¼ ‘ !tÇ " tÇ È ¼ # b c d b c tY d b Yt d c c d b ¼ Slap tounge. !IN ‘ tÇ !IN Bcl. YN Y YN ¼ $ b c d b c d b YÈt d c c d b ¼ ‘ "ttÇ Bsn. ¼ Ç Y $ b !tYt d c b c d c b a ¼ Highest possible note. It ‘ Ç pÇ !tÇ Dbsn. ¼ Yt Y ¼ ˆ d d YtÇ d b c (open)b c (stopped)c b a ¼< [a,b,h,c] 0 ‘ Slap tounge. Hn. Ë Ë ; d uÇ YN d d uÇ uÇ d # c Yu b c Slap tounge. b Yu Mutec (Plunger).b b c Yu ¼< ‘ (Ord.) Trp. Ç Ë Ë ; c d !"tYt b c YN d b d !"tYt c b b c !"tYt d ¼ # Slap tounge. Trbn. ‘ ¼ Ç Ç ¼ $ b d c b d "NYN c b d c c d YN b Slap tounge. "IN Btrbn.¼ ÇN IÇN ¼ $ b d c b d c b d c c d b Slap tounge. !IÇN !IÇN Tb. ¼ ! IÇN ! IÇN ¼ $ b d c b d IN c b d c c d IN b ¼< Tubulum Ç Ç Perc. 1 IÇN IÇN ; b d tI c b d Yt c b d tI c c d Yt b ¼ Bongo Perc. 2 ¼ Ç Tom Tom Ç Ç Ç Ç Ç c Yt d b Yt d c Yt d c c Yt d c Yt d b Yt d c ¼ Log Drum ‘ Perc. 3¼ ¼ d Yt c b c d Yt c d MarimbatI c bar. d Yt b d tI c c d Yt ‘ Almglocken (damp/short decay) Perc. 4¼ ¼ c d Yt b c Yt d b d Yt c b b c Yt d ¼< (Highest note.)‘ Pno. YpÇ YpÇ YpÇ YpÇ d Lowestd prepared note.d d d d # (Highestc note.) c c b b b c ‘ uIÇ uIÇ Hp. YpÇ YpÇ YpÇ YpÇ # d c b d c b b c d b d c ‘Highest possible note. Pizz. Pizz. Behind Bridge. Vl. I Ç Ç ; Yp d d ¬IN d Yp d ¬IN # c b ¬ N c b b c b ¬ N c ¼ Highest possible note. Pizz. ¬ N Pizz. Behind Bridge. ¬ N ¼ ‘ ¬ ÇN ¬ÇN Vl. II YpÇ YpÇ ¼ d c b d ¬IN c b b c d b d ¬IN c ¼ # ¬ N ¬ N ‘ Highest possible note. Pizz. ¬ ÇN Pizz. Behind Bridge. ¬ÇN Vla. ¼ ¼ YpÇ ¬IN YpÇ ¬IN ‚ d c b d ¬ N c b b c d b d ¬ N c ¼ Pizz. Behind Bridge. ¬ Random Chord. Pizz. ¬ ‘ Arco. Sul pont.¬ ÇN Pizz. (Pizz. Behind¬ÇN Bridge.) Vc. ¼ ¼ $ d ¬IN c c d c d ¬IN c d c d ¬IN b d ¬uI c c d IN ¬ Arco. Sul pont. ¬ ¬ ¬ ¬ ¬ N Pizz. Behind Bridge. "Itt ¬ N "Itt ¬ N Random Chord. Pizz. ¬u ¬ N ¼ ‘ ¬ ÇN tÇ ¬ ÇN tPizz.Ç ¬ÇN ¬uÇ ¬ÇN Db. ¼ $ d ¬IN d " tÇ d ¬IN d " tÇ d ¬IN d ¬Iu (Pizz. Behind Bridge.)d ¬IN ¼< ¬ N c c tYt c ¬ N c tYt c ¬ N b ¬u c c ¬ N ‘¬ ÇN ¬ ÇN - 55 - ¬ÇN ¬uÇ ¬ÇN ! 215 Tounge Ram. Ç Fl. ! t " tÇ !Yt ; b c d b c tYt d b d c c d b ¼ # {I {I Ob. Ç Ç – Ç ¼ b d c b c "tYt d a a ¼ # It Slap tounge. Cl. – !tÇt ‘ ¼ " tÇ Ç ¼ # b c d b c tY d b Yt d c c d b ¼ Slap tounge. !IN tÇ !IN Bcl. YN Y – YN ¼ $ b c d b c d b YtÇ d c c d b ¼ "ttÇ Bsn. ¼ Ç Y – $ !tYt d d ¼ b c b c !tIt c b a ¼ – Highest possible note. ‘ Ç tÇ pÇ – Dbsn. ¼ Y Y Ç ˆ b d c b c d Yt d c b a ¼< (open) 0 Slap tounge. (stopped) – ‘ Hn. – Ë Ë ; [a,b,h,c] Ç Ç Ç # c d Yu b c YN d b d Yu c b b c Yu d ¼< (Open.) Slap tounge. (Muted.) ‘ Trp. Ç –Ë Ë ; c d !"tYt b c YN d b d !"tYt c b b c !"tYt d ¼ # Slap tounge. Trbn. ¼ – ‘ ¼ $ b d c b d c b d c c d YNÇ b Slap tounge."IN "It Btrbn.¼ ÇN – tÇ IÇN ¼ $ b d c b d c b d c c d !IN b ¼ Slap tounge. (muted) Ç Tb. ! IÇN – !tIÇ ! IÇN ¼ $ d d d d ¼< b c b c b c c IÇN b Perc. 1 IÇN – tIÇ IÇN ; b d tI c c Yt d b b d tI c c d Yt b Perc. 2¼ Ç Ç Ç Ç Ç Ç ¼ c Yt d b Yt d c Yt d c c Yt d c Yt d b Yt d c Perc. 3¼ – ¼ d Yt c b c d Yt c d c d Yt b d c c d Yt ¼ tI tI Perc. 4¼ – ‘ d d d d ¼< c (Highest note.)Yt Lowestb prepared note.c Yt b Yt c b b c Yt Pno. Ç Ç – Ç Ç ‘ Yp d c d c d Yp c b b d d Yp b d Yp c # uIÇ uIÇ Hp. Ç Ç Ç Ç Yp d d Yp d Yp d Yp # Highest cpossible note.b Pizz. cPizz. Behindb Bridge. b c b c Vl. I Ç Ç ; Yp d c b d ¬IN c b b c d Yp b d ¬IN c ¼ # Highest possible note. Pizz. ¬ N Pizz. Behind Bridge. ¬ N –¬ N ‘ ¬ N Vl. II ¼ Ç ¬ ÇN Ç ¬ÇN Yp ¬IN Yp ¬IN ¼ d c b d ¬ N cPizz. Behindb Bridge. b c d b d ¬ N c # Highest possible note. Pizz. ¬ N ¬ N Vla. ¼ –¬ ÇN ‘ ¬ÇN YpÇ ¬IN YpÇ ¬IN ¼ ‚ d c b d ¬ N c b b c d b d ¬ N c ¼ ¬ N (Pizz. ¬BehindN Bridge.) Pizz. Behind Bridge. Arco. Sul –pont.¬ ÇN Pizz. ‘ Random Chord. Pizz. ¬ÇN ¼ Vc. IN IN IN Iu ¼ $ d ¬ N c c d c d ¬ N c d c d ¬ N b d ¬u c c d ¬IN ¬ N Pizz. Behind Bridge. Arco." SulItt pont. ¬ N Pizz."Itt ¬ N Random¬u Chord. Pizz. ¬ N ¼ –¬ ÇN ‘ tÇ ¬ ÇN tÇ ¬ÇN –¬uÇ ‘¬ÇN Db. ¼ $ ¬IN Ç ¬IN Ç ¬IN ¬Iu ¬IN ¼ d ¬ N c c d "tYt c d ¬ N c d "tYt c d ¬ N b d ¬u c c d ¬ N ¼< ¬ ¬ ¬ ¬ (Pizz. Behind Bridge.)¬ –¬ ÇN ‘ ¬ ÇN - 56 - ¬ÇN –¬uÇ ‘ ¬ÇN ! 219 Highest possible note. !Èt Fl. Ç Ç t Ç ; Yp "tYt !Yt HighestYp possible note. # b c d b c d b d c c d b Ob. ¼ ¼ – Ç ‘ YpÇ # b d c b c "tYt d d c b c d b ¼ Highest possible note. –!tIÇt !tIÇt Cl. ¼ Ç Ç ‘ Ç b c Yp d b c "tYt d b YÈt d c c Yp d b ¼ #Highest possible note. ¼ – tÇ Bcl. Ç Y ‘ Ç ¼ $ b c Yp d b c d b YÈt d c c Yp d b ¼ "ttÇ Bsn. – Y ‘ ¼ $ !tYtÇ !tYtÇ ¼ b d c b c d c b a –Ç Highest possible note. pÇ ‘Ç Dbsn. ¼ Yt Y Yt ¼ ˆ d d 0d ¼< b [a,b,h,c] 0 c b (stopped)c (open)c b a Hn. ; – Ë ‘ Ë c d YuÇ b c YuÇ d b d YuÇ c b b c YuÇ d ¼<# 0 (open.) 0 (Open.) – (Muted). ‘ – Trp. Ë Ë ; d !"tYtÇ !"tYtÇ d d !"tYt !"tYtÇ d # c b c b c b b Closed.c ¼ Mute (Plunger).– Open. Closed. ‘ Open. Trbn. ¼ – ¼ $ b d c b d c b d c c d "tYtÇ b ¼ Mute (Plunger). – "Open.tIÇt "Closed.tIÇt "tIÇ Open.t ‘Closed. Btrbn.¼ $ b d c b d c b d c c d b ¼ (Muted). !tIÇ Tb. ¼ – ! tIÇ !tIÇ ! tIÇ ‘ $ d d d d ¼< b c b c b c c tIÇ b Perc. 1 – BasstIÇ drum, edge tIÇ tIÇ ‘ Bass drum, ord. µ ; a tI d c b c d Yt b d Yt c tI d c Perc. 2¼ – ‘ tÇ d tÇ d tÇ d tÇ –d tÇ d tÇ d ¼ Log Drumc Yt b Yt c Yt c c Yt c Yt b Yt c Perc. 3¼ Marimba bar. ‘ ¼ d Yt c Almglockenb c d Yt c d tI c d Yt b d tI c c d Yt Perc. 4¼ – d d d ‘ d ¼< c (Highest note, Ytc.) bLowest prepared note.c Yt b Yt c b b c Yt – – Pno. Ç Ç ‘ Ç Ç Yp d d d Yp d d Yp d Yp # c uI c c b b uI b c – Ç Ç ‘ Hp. Ç Ç Ç Ç Yp d c b d Yp c b b c d Yp b d Yp c # Highest possible note. Pizz. Pizz. Behind Bridge. – ‘ Vl. I ; YpÇ YpÇ d c b d ¬IN c b b c d b d ¬IN c ¼ # Highest possible note. Pizz. ¬ Pizz. Behind Bridge. ¬ – ¬ N ‘¬ N Vl. II ¼ Ç ¬ Ç Ç ¬Ç Yp d d ¬IN d Yp d ¬IN ¼ # c b ¬ N c b b c b ¬ N c ¼ –Highest possible note. Pizz. ¬ N Pizz. Behind Bridge. ‘ ¬ N Vla. ¬ ÇN ¬ÇN ¼ YpÇ ¬IN YpÇ ¬IN ‚ d c b d ¬ N c b b c d b d ¬ N c ¼ ¬ N (Pizz.¬ BehindN Bridge.) – Pizz. Behind Bridge. Arco. Sul pont.¬ ÇN Pizz. Random Chord. Pizz. ‘ ¬ÇN Vc. ¼ ¼ $ ¬IN ¬IN ¬IN ¬Iu d ¬ N c c d c d ¬ N c d c d ¬ N b d ¬u c c d ¬IN ¼ ¬ N "Itt ¬ N "Itt ¬ N Random Chord.¬u Pizz. ¬ N –¬ ÇN Pizz. Behind Bridge. Arco. SultÇ pont. ¬ ÇN Pizz.tÇ ¬ÇN ‘ ¬uÇ ¬ÇN Db. ¼ ¼ $ d ¬IN d " tÇ d ¬IN d " tÇ d ¬IN d ¬Iu (Pizz. Behind Bridge.)d ¬IN ¼< ¬ N c c tYt c ¬ N c tYt c ¬ N b ¬u c c ¬ N – ¬ N ¬ N ¬ N ¬u ¬ N Ç Ç - 57 - Ç ‘ Ç Ç ! 223 =80 C ! Èt Fl. Ç Ç t Ç ; Yp d "tYt d !Yt d Yp d ¼ # b c b c b c c b Ob. ‘ ¼ Ç – YpÇ # b c b c "tYt d d c b c d b ¼ ‘ tt tt tt tt Itt Cl. ¼ !tÇ tÇ tÇ tÇ – ! tÇ YpÇ " tÇ È YpÇ ¼ # b c d b c tY d b Yt d c c d b ¼ ‘ tÇ Bcl. Y – ¼ $ YpÇ È YpÇ ¼ b c d b c d b Yt d c c d b ‘ "ttÇ Bsn. ¼ Ç Ç Ç Ç Y Ç – ¼ $ b !tt tt tt tt c b c !tYt d c b a ¼ ‘Ç Ç Ç Ç pÇ – Ç Dbsn. ¼ t t t t Y Yt ˆ b c b c d d c b a ¼< [a,b,h,c] 0 (stopped) 0 (open) Hn. ‘ – ; Ç ËÇ Ç ËÇ # c d Yu b c Yu d b d Yu c b b c Yu d ¼< 0 (open.) – 0 (Open.) Trp. ‘ Ë Ë ; Ç Ç Ç c d!"tYt b c !"tYt d b d !"tYt c b b Closed.c !"tYt d ¼ # Open. Closed. Open. Trbn. ¼ ‘ – $ b d c b d d b d c c d "tYtÇ b ¼ "Open.tIt "ttClosed.tt tt tt "tIt Open. Closed. Btrbn.¼ ‘ Ç Ç Ç Ç Ç – Ç $ ¼ b d c b d d b d c c d !tIÇ b Tb. ¼ ‘ !tIÇ ! tÇ tÇ tÇ tÇ –!tIÇ $ d d d d ¼< b c b c b c c tIÇ b Perc. 1 BasstIÇ drum, edge tIÇ – tIÇ ‘Bass drum, ord. µ ; a tI d c b c d Yt b d Yt c tI d c Perc. 2¼ ‘ ¼ Ç Ç Ç Ç – Ç Ç c Yt d b Yt d c Yt d c c Yt d c Yt d b Yt d c ¼ Log Drum‘ – Perc. 3¼ d d d Marimba bar. d d d ¼ Yt c b Almglocken c Yt c tI c Yt b tI c c Yt Perc. 4 ‘ – ¼ d d d d ¼< c (Highest note.)Yt b Lowest prepared note.c Yt b Yt c b b c Yt Pno. ‘ – YpÇ YpÇ YpÇ YpÇ # d c d c d c b b d d b d c Hp. uIÇ uIÇ ‘Ç Ç – Ç Ç $ Yp d c b d Yp c b b c d Yp b d Yp c # Highest possible note. Pizz. Pizz. Behind Bridge. ‘ – Vl. I ; YpÇ YpÇ d c b d ¬ N¬ N¬ N¬ N d b b c d b d ¬IN c ¼ # ¬ N¬ N¬ N¬ N ¬ N ‘Highest possible note. Pizz. ¬ ¬ ¬ ¬ ¬ ¼ ¬ ÇN¬ÇN¬ÇN¬ÇN Pizz. Behind Bridge. – ¬ ÇN Vl. II ¼ Ç Ç Yp d d ¬ N¬ N¬ N¬ N d d Yp d ¬IN ¼ # c b ¬ N¬ N¬ N¬ N b b c b ¬ N c ‘ ¬ N¬ N¬ N¬ N ¬ N ¼ Highest possible note. Pizz. ¬ ÇN¬ÇN¬ÇN¬ÇN Pizz. Behind Bridge. – ¬ ÇN Vla. ¼ ¬NÇ ¬NÇ ¬NÇ ¬NÇ YpÇ ¬N ¬N ¬N ¬N YpÇ ¬IN ¼ ‚ d c b d ¬N ¬N ¬N ¬N d b b c d b d ¬ N c Pizz. Behind Bridge. ¬N ¬N ¬N ¬N (Pizz.¬ N Behind Bridge.) ¼ ‘ Arco. Sul pont. Pizz. – Random Chord. Pizz. ¬ ÇN Vc. ¼ $ ¬IN ¬IN ¬IN ¬Iu ¼ d ¬ N c c d c d ¬ N c d c d ¬ N b d ¬u c c d ¬IN ¬ N Arco. "SultIt pont. ¬ N "tIt ¬ N ¬u ¬ N ¼ ‘¬ÇN Pizz. Behind Bridge. Ç ¬ÇN Pizz.Ç – ¬ ÇN Random¬uÇ Chord. Pizz.(Pizz. Behind Bridge.)¬ÇN Db. ¼ $ d ¬IN d" tÇ d ¬IN d " tÇ d ¬IN d ¬Iu d ¬IN ¼< ¬ N c c tYt c ¬ N c tYt c ¬ N b ¬u c c ¬ N ‘¬ÇN ¬ÇN - 58 - –¬ ÇN ¬uÇ ¬ÇN ! 227 = 80 C ² Fl. ; # a a a a a a a a Ob. ¼ ¼ # a a a a a a a a Cl. ¼ ¼ # a a a a a a a a Bcl. ¼ ¼ $ a a a a a a a a Bsn. ¼ ¼ $ a a a a a a a a Dbsn. ¼ ˆ ¼< a a a a a a a a Hn. ; ¼<# a a a a a a a a Trp. ; # a a a a a a a a Trbn. ¼ ¼ $ a a a a a a a a Btrbn.¼ ¼ $ a a a a a a a a Tb. ¼ ¼ $ a a a (bass drum)a a a a a Perc. 1¼< ; a a a a Yt d c a a a Perc. 2¼ ‘ ¼ a a a a a a a a Perc. 3¼ ¼ a a a a a a a a Perc. 4¼ ¼< (highest note,a c) a a a a a a a Pno. YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ YpÇ # c d d d d d d d d d d d d d d d b d d d d d d b d d d d d d Hp. ' $ Leta bow gliss from bridgea and down fingerboard.a (col legno battuto)a a a a a

Vl. I ë ; # c N N N N N N N a a a a a a ¼ Let bow gliss from bridge and down fingerboard. (col legno battuto) ¼ ' Vl. II ¼ ë ¼ # c N N N N N N N N N N N N N N N a a a a ¼ Let bow gliss from bridge and down fingerboard. (col legno battuto) ¼ ' Vla. ¼ ë ë ¼ ‚ c N N N N N N N N N N N N N N N b N N N N N N a a ¼ ' Let bow gliss from bridge and down fingerboard. (col legno battuto) ¼ Vc. ë ë ¼ $ ¼ c N N N N N N N N N N N N N N N b N N N N N N b N N N N N N ¼ ' Let bow gliss from bridge and down fingerboard. (col legno battuto) Db. ¼ ë ë ¼ $ ¼< c N N N N N N N N N N N N N N N b N N N N N N b N N N N N N ' - 59 - ! 235 = 76 Tube. Harmonics (lower register, static). C ² Fl. ; # a a a a } } } } ¼ 'Tube. Harmonics (lower register, static). Ob. ¼ ¼ # a a a a } } } } ¼ Tube.' Harmonics (lower register, static). Cl. ¼ ¼ # a a a a } } } } Bcl. ¼ ' ¼ $ a a a a a a a a Bsn. ¼ $ ¼ a a a a a a a a Dbsn. ¼ ˆ ¼ a a a ¼< ' A A A A A Hn. ; ¼<# a a a a a a a a Trp. ; # a a a a a a a a Trbn. ¼ ¼ $ a a a a a a a a Btrbn.¼ ¼ $ a a a a a a a a Tb. ¼ ¼ $ a a a a a a a a ¼< Bass drum. With Superball. Perc. 1 ; A a A a A a A a ¼ Tube. Harmonics' (lower harmonics) Perc. 2¼ Tube. HarmonicsA (lower harmonics) A A A A A A A ¼ ' Perc. 3¼ ¼ A A A A A A A A Timpani.' Rub with superball mallet. Perc. 4¼ ¼ ¼< A a A a A a A a Pno. ' # a a a a a a a a Hp. $ a a a a a a a a Div. a4. F# -1/4tone. G# +1/4t. ("11th and 13th harmonic (C)") Vl. I ; A A A A A A A A ¼ # !!AA AA AA AA AA AA AA AA ¼ Div' a4. B: -31 cent ca 1/8 tone ("7th harmonic (C)") Vl. II ¼ ¼ # "A A A A A A A A ¼ A A A A A A AStop on any harmonicA (sul C). Harmonic' gliss, Sul C. Vla. ¼ ¼ |¢¢¢¢¢¢¢¢¢¢¢¢¢¢ |¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ |¢¢¢¢¢¢¢¢¢ ‚ |¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ |¢¢¢¢¢¢¢¢¢ |¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢¢ | | ¼ ' ¼ Vc. ´É É ´É É ´É ´É É ´É ¢¢¢¢¢ ¼ $ "A |¢¢¢¢¢¢ "A | "|¢¢¢¢¢¢¢ "A | "| |É ¢¢¢¢¢¢¢ b |É¢¢¢¢¢¢¢¢ b |É ¼ ' ¼ ´ Harmonics, Sul C. É É É Db. ¼ É É É É É |É |É ! A A A $ "A A "A | | ¼< ' - 60 -