Sussex County Artists & Friends for a Progressive Future Hosts

Total Page:16

File Type:pdf, Size:1020Kb

Sussex County Artists & Friends for a Progressive Future Hosts Sussex County Artists & Friends for a Progressive Future PRESS RELEASE FOR IMMEDIATE RELEASE Contact: Robin Lennon Tel: 646 645-1003 Email: [email protected] Sussex County Artists & Friends for a Progressive Future Hosts Entertaining Fundraiser And Democratic Candidate Meet & Greet April 28, 2017 STOCKHOLM, NJ – A local group of politically active artists invite County residents supportive of a more progressive future for Sussex to join them Monday, May 22 for “The Art of the NO Deal!”, a fun evening of community building at the Snufftown Auction House in Stockholm and meet all four June 6 primary Democratic candidates while being entertained by local Broadway musical theater performers and their friends. “We were looking for a fun way to support the Sussex County Democratic Committee and introduce the candidates,” explained Ward Billeisen, one of the organizers, “And a number of us are performers so the obvious answer was to put on a show.” Billeisen, who will MC the evening, will be joined by Seth Danner and Christopher Sieber, Stockholm resident and two-time Tony nominee for Monty Python’s Spamalot and Shrek The Musical along with other contributing performers. Throughout the evening, the Democratic candidates and event organizers will model fashion designs by Robin Lennon with a portion of any sales that evening going to the County Committee. The doors open at 6pm for socializing with the festivities getting underway shortly thereafter and ending at 10pm. The Snufftown Auction House is located at 2700 Rte 23 North in Stockholm at the intersection of County Road 515 with plentiful parking available off Rd 515. Formerly known as Jorgensen’s Inn, a Sussex County landmark with a rich history as a gathering place, the auction house is available for events and will be open during the evening for people to browse and ask any questions of James Gregory and Keri Ann, auction house contacts. Find Sussex County Artists & Friends for a Progressive Future on Facebook. For more information contact Robin at (646) 645-1003 or by email to [email protected]. ### .
Recommended publications
  • Shrek the Musical Study Guide
    The contents of this study guide are based on the National Educational Technology Standards for Teachers. Navigational Tools within this Study Guide Backward Forward Return to the Table of Contents Many pages contain a variety of external video links designed to enhance the content and the lessons. To view, click on the Magic Mirror. 2 SYNOPSIS USING THE LESSONS RESOURCES AND CREDITS TABLE OF CONTENTS Section 1 BEHIND THE SCENES – The Making of Shrek The Musical Section 2 LET YOUR FREAK FLAG FLY Section 2 Lessons Section 3 THE PRINCE AND THE POWER Section 3 Lessons Section 4 A FAIRY TALE FOR A NEW GENERATION Section 4 Lessons Section 5 IT ENDS HERE! - THE POWER OF PROTEST Section 5 Lessons 3 Act I Once Upon A Time. .there was a little ogre named Shrek whose parents sat him down to tell him what all little ogres are lovingly told on their seventh birthday – go away, and don’t come back. That’s right, all ogres are destined to live lonely, miserable lives being chased by torch-wielding mobs who want to kill them. So the young Shrek set off, and eventually found a patch of swampland far away from the world that despised him. Many years pass, and the little ogre grows into a very big ogre, who has learned to love the solitude and privacy of his wonderfully stinky swamp (Big Bright Beautiful World.) Unfortunately, Shrek’s quiet little life is turned upside down when a pack of distraught Fairy Tale Creatures are dumped on his precious land. Pinocchio and his ragtag crew of pigs, witches and bears, lament their sorry fate, and explain that they’ve been banished from the Kingdom of Duloc by the evil Lord Farquaad for being freakishly different from everyone else (Story Of My Life.) Left with no choice, the grumpy ogre sets off left to right Jacob Ming-Trent to give that egotistical zealot a piece of his mind, and to Adam Riegler hopefully get his swamp back, exactly as it was.
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • Recommended Talking Points
    RECOMMENDED TALKING POINTS “What is SHREK THE MUSICAL?” The official title of the show is SHREK THE MUSICAL. SHREK THE MUSICAL is an entirely new musical based on the story and characters from William Steig’s book Shrek!, as well as the Oscar® winning DreamWorks Animation film Shrek, the first chapter of the Shrek movie series. SHREK THE MUSICAL looks backwards at all the fairy tale traditions we grew up on: a hero (a big, green, ill-tempered ogre), a beautiful princess (who is not all she appears to be), and a dastardly villain (with some obvious shortcomings) and takes great fun turning all their storytelling conventions upside-down and inside-out (and on their ear). “How did the musical come about?” Sam Mendes, the British director and producer, was a big fan of the first film, and he suggested the idea of creating a musical to DreamWorks’ Jeffrey Katzenberg, around the time the second film was in production. Now, the musical is being produced by DreamWorks Theatricals (Bill Damaschke, President) and Neal Street Productions, Ltd (principals Sam Mendes and Caro Newling). “How does the new musical fit into the Shrek pantheon?” The story of the musical follows the events and characters of the first Shrek feature film, which won the first-ever Academy Award® for Best Animated Feature. In SHREK THE MUSICAL, the creative team will go deeper into the background and story of Shrek, Princess Fiona, Donkey and the lovable collection of everyone’s favorite Fairy-Tale characters. SHREK THE MUSICAL will feature a completely original score by one the theatre’s most eclectic composers, Jeanine Tesori, working in theatre today.
    [Show full text]
  • Edition 2 | 2019-2020
    WELCOME FROM THE OFFICE OF THE DIRECTORS elcome to Paper Mill Playhouse and to Rodgers + Hammerstein’s Cinderella. We’ve worked magic to bring you this delightful musical fairy tale complete Wwith dance, romance, laughs, and timeless tunes. Our fabulously talented cast features favorite Paper Mill alumni alongside some of the brightest newcomers; the design team is first-class; and Mark S. Hoebee is back in the director’s chair, thrilled as always to collaborate with choreographer JoAnn M. Hunter and music director Michael Borth. It’s not too late to secure your seats for the rest of our exciting 2019–2020 season by becoming a subscriber. Up next, we are proud to produce the world premiere of Unmasked: The Music of Andrew Lloyd Webber, celebrating the most prolific Broadway composer of our day. Then, the “divine” comedy smash Sister Act ushers in the spring and is guaranteed to make you sing praises. We close with The Wanderer, another world premiere, based on the life and music of rock and roll sensation Dion. It’s already selling like gangbusters, so don’t miss out. Subscribers should have received our “State of the Theater” newsletter, which highlights many of the accomplishments of the past year and demonstrates Paper Mill’s far-reaching impact across the state of New Jersey and around the world. You may also view it online at PaperMill.org/stateofthetheater. Paper Mill is stronger than ever, with great thanks to you, our audience, donors, and funders. And before the clock ticks down on another year, we hope you will renew your support or consider becoming a Member with a tax-deductible contribution (read more below).
    [Show full text]
  • Journey Planet 57—January 2021 ~Table of Contents~ 2
    Arthur, King of the Britons Editors Chris Garcia, Chuck Serface, James Bacon Journey Planet 57—January 2021 ~Table of Contents~ 2 Page 5 King Arthur Plays Vegas: The Excalibur Editorial by Christopher J. Garcia by Christopher J. Garcia Page 38 Page 7 In Time of Despair and Great Darkness Letters of Comment by Ken Scholes by Lloyd Penney Page 49 Page 12 Camelot Instant Fanzine Article: Arthur and Merlin by Laura Frankos by Christopher J. Garcia and Chuck Serface Page 55 Page 16 A Retro-Review: Monty Python’s Spamalot The Story of Arthur by Steven H Silver Retold by Bob Hole Page 58 Page 19 Arthurs for Our Time: Recent Interpretations Arthur, Alfred, and the Myth of England of the Legend by Julian West by Chuck Serface Page 62 Page 23 Lady Charlotte and King Arthur Two Cups of Blood: Dracula vs. King Arthur by Cardinal Cox by Derek McCaw Page 64 Page 29 From a Certain Point of View: Merlin & Nimue Knights of Pendragon: The Other Arthurian Comic by Steven H Silver by Helena Nash Page 31 Page 75 Interview with Dorsey Armstrong Tristan, Isolde, and Camelot 3000 by Christopher J. Garcia by Christopher J. Garcia Page 35 King Arthur in Fifteen Stamps Page 77 by Bob Hole “It’s Only a CGI Model”: Arthurian Movies of the Twenty-First Century Page 36 by Tony Keen Arthur, King of the Britons 3 ~Table of Contents~ Page 81 Cover by Vanessa Applegate Terry Gilliam's The Fisher King by Neil Rest Page 1—DeepDreamGenerator Combination of Page 84 King Arthur Tapestry of the Nine Worthies and My Barbarian’s “Morgan Le Fey” .
    [Show full text]
  • Christopher Sieber
    OUT November 4, 2011 | Volume IX Issue 13 La Cage! photo: Paul Kolnik A CONVERSATION WITH... Howard County Introduces Christopher Sieber Gender ID by CHuCk DunCan multi-talened, Tony-nominated Broadway The latest version of La Cage aux star! I recently had the great pleasure of Protections Folles has hit the road for a na- speaking with Christopher, from his home- Columbia, MD – Howard County tionwide tour that is current- town of Minneapolis, Council members Courtney Watson ly in Baltimore through No- to talk about the new (District 1), Calvin Ball (District 2), Jen vember 6 at the Hippodrome show, his outrageous Terrasa (District 3), and Mary Kay Si- Theatre. If you haven’t got- role in Shrek the Musi- gaty (District 4) introduced county leg- ten your tickets yet, there cal and what the future islation on October 27 that would pro- are several reasons to see holds. hibit discrimination based on gender the new production (which CD: How is the identity and expression in the areas is a more intimate version tour going? This is of housing, law enforcement, public of the original Broadway your first tour, right? accommodations, financing, employ- extravaganza), and two of CS: This is not ment, and health and social services. them are the show’s stars necessarily my first This bill was immediately applauded – the legendary George tour. It’s my second, by the local chapter of Parents, Fami- Hamilton has taken over but the first tour I did lies & Friends of Lesbians & Gays the role of Georges (played was 20-some odd (PFLAG) and Gender Rights Maryland by Christopher Sieber on Christopher Sieber years ago so..
    [Show full text]
  • Broadway Bound with Garrett Stack Originating on WMNR Fine Arts
    Playlist* Originating on WMNR Fine Arts Radio Monroe, Connecticut Broadway Bound with Garrett Stack [email protected] *Playlist is in order by show/disc, which is in order of play. Show #: 220 Broadcast Date: December 6, 2014 Time: 16:00 - 18:00 # Selections: 27 Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 3:24 Menken|Ashman|Rice|Beguelin Somebody's Got Your Back James Monroe Iglehart, Aladdin Original Broadway Cast Disney 2014 Opened 3/20/2014 CDS Aladdin 15 2014 8/16/14 12/6/14 6:02 T Parker/R Lopez/M Stone Tomorrow Is A Latter Day AndrewAdam Jacobs Rannells;Josh & “friends” Book Of Mormon - Original Broadway Cast Ghostlight 2011 Opened 3/24/11. Nominated for 14 Tony awards. Book, music, lyrics shared credit: Trey CDS Book of Mor 16 2011 11/10/1212/6/14 Parker, Robert Lopez and Matt Stone. 3:36 (m)John Kander (l)Fred Ebb The Woman's Dead CompanyGad;Nikki M. Curtains - Original Broadway Cast Broadway Angel 2007 Opened March 22, 2007. Music by John Kander and Fred Ebb with additional lyrics by CDS Curtains none 5 2007 8/4/07 12/6/14 Rupert Holmes. 3:14 (m)Henry Krieger (l)Tom Eyen Dreamgirls Sheryl Lee Ralph, Loretta Dreamgirls - DISC 1 - 25th Anniversary HIP-O/Decca 1981 12/20/1981- 8/11/1985. 1521 perf. 1982 Tony Awards: Best Book - Tom Eyan; Best CDS Dreamg 6 2006 8/23/08 8/4/12 12/6/14 Remastered Original Broadway Cast Actor - Ben Harney; Best Actress - Jennifer Holliday; Best Featured Actor - Cleavant 6:55 A L Weber/Tim Rice Oh, What a Circus RickyDevine, Martin, Jennifer Elena Holliday Roger Evita - New Broadway Cast Recording DISC 1 Masterworks 2012 Opened 4/5/2012 CDS Evita 2 2012 6/23/12 9/15/12 12/6/14 Broadway 2:44 Jule Styne & Bob Merrill Don't Rain On My Parade Barbra Streisand Funny Girl - Original Broadway Cast Broadway Angel 1964 Mar 26, 1964 - Jul 1, 1967 - 1348 perf Nominated for EIGHT 1964 Tony Awards.
    [Show full text]
  • Spamalot the Talent Behind the Show
    Summer 2007 CAMP BROADWAY LLC CAMP BROADWAY ® NEW YORK SSttaaggeeNNOOTTEESS A FIELD GUIDE FOR TEACHERS Table of Contents Welcome from Dallas Summer Musicals . .3 Using the Field Guide . .4 A Brief History of the Broadway Musical . .5 Spamalot The Talent Behind the Show . .8 Spamalot: A Production History . .8 Spamalot: Synopsis . .9 Spamalot: Background Information . .10 Spamalot: Lesson Ideas . .12 The Broadway Guide to Theatergoing Etiquette . .14 The Dallas Summer Musicals School of Musical Theatre and Kids Club . .16 2 WelcomeDallas from Summer Musicals Summer 2007 Welcome to Dallas Summer Musicals! We’re so glad you could join us! Musical theater is a unique American creation. It’s also a joyful mixture of song and story, and, since 1945, Dallas Summer Musicals has brought the finest musicals to Dallas. Want to know what goes into making a musical? Just two simple ingredients: singing and acting (song and story). There’s just something about a song that makes a story mean more than just regular speech. It touches us in a different way. Whether a show uses classical music or rock, a musical uses music to tell its story, to suggest feelings, emotions, and attitudes. As long as it mixes song and story, musical theater can be about literally anything, and this season’s shows are great examples of the wide range of subjects. From the blockbuster musical Wicked to the sweeping epic of Camelot, each production reveals a different aspect of what makes musical theater so special. The story of Dallas Summer Musicals is a long and honored one, and by learning about and attending one of our shows, you are now part of that story too! Sincerely, Michael A.
    [Show full text]
  • La Cage Aux Folles Christopher Sieber As Zaza and George Hamilton
    WWW.WIREWEEKLY.COM DISTRIBUTED EVERY THURSDAY IN MIAMI, THE BEACHES, AND FORT LAUDERDALE • THE LONGEST-RUNNING WEEKLY ON SOUTH BEACH “LIKE” US /WIREMAGAZINE & STAY TUNED FOR WWW.WIREMAG.COM COMING THIS SUMMER ISSUE #23 | 06/07/12 2 | wire magazine | issue #23, 2012 | www.wireweekly.com | facebook | twitter EXCEPTIONAL. BECAUSE WE’RE MADE THIS WAY. hand-harvested, handcrafted and estate bottled since 1870. HERRADURA® TEQUILA. NEVER COMPROMISE.TM ENJOY WITH UNCOMPROMISED RESPONSIBILITY. Alc. 40% by Vol. (80 proof). Tequila imported by Brown-Forman, Louisville, KY ©2011 3 | wire magazine | issue #23, 2012 | www.wireweekly.com | facebook | twitter EDITOR IN CHIEF’S NOTE MEMORIAL DAY WEEKEND REVISITED ast week I wrote a column entitled “A Sad Police State of Affairs.” I heard from a number of readers who either strongly disagreed or agreed with my point of view. Some residents of Miami Beach were happy with the large police presence, the traffic restrictions and the barricades, but other residents and business owners were definitely not. Rafa Carvajal One thing is clear, we need some leadership to properly address the real issues without Publisher/Editor in Chief importing an army of police officers from several jurisdictions and spending millions of taxpayer dollars. A year ago in issue #23, June 9, 2011, I wrote a column entitled “Miami Associate Publisher Beach Needs to Become A Different Kind of War Zone” suggesting a concrete solution Jesse Spencer and plan to address the Memorial Day weekend and urged City officials to exercise some leadership and create a new weekend honoring our veterans. I am once again printing Editor portions of that column below to see if someone in the City of Miami Beach exercises some James Cubby leadership on this matter.
    [Show full text]
  • Monty Python's Spamalot
    Monty Python’s Spamalot Character Descriptions/Role Requirements/Vocal Parts Principal Roles King Arthur: Broadway: Tim Curry (Tony nomination). Python: Graham Chapman. The King of England who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Lead role, late 30s-60s. Baritone (G3-F4). Charismatic and comedic actor and strong singer who can move; a great leader, with a vulnerable side. Must also be able to improv with the audience. The Lady of the Lake: Broadway: Sara Ramirez (Tony award). A Diva. Strong, beautiful, possesses mystical powers. Lead role, 20s-30s. Alto with a large range (E3-B6). Strong triple threat with “it” factor who can play strength and vulnerability simultaneously, with great comedic timing. Sir Robin: Broadway: David Hyde Pierce. Python: Eric Idle. A Knight of the Round Table. Ironically called ‘Sir Robin the Brave,’ though he couldn’t be more cowardly. Also plays Guard 1 and Brother Maynard. Featured role, 30s-40s. Tenor/Baritone (D3-G4). A strong comedic actor, who can sing and dance (at the same time). Ability to play piano, a plus. Sir Lancelot: Broadway: Hank Azaria (Tony nomination). Python: John Cleese. A Knight of the Round Table. He is fearless to a bloody fault, but through a twist of fate, does discover his ‘softer side.’ Also plays The French Taunter, Knight of Ni and Tim the Enchanter. Featured role, 30s-40s. Tenor/Baritone (C3-E4). Strong comedic actor who sings and can dance. Patsy: Broadway: Michael McGrath (Tony nomination). Python: Terry Gilliam. King Arthur’s horse and servant.
    [Show full text]
  • Broadway Artists Alliance 2018 BAA Junior Intensive Schedule
    Name: _______________________________ Group: ___________________ Advisor: ____________________ Broadway Artists Alliance 2018 BAA Junior Intensive Schedule th Wednesday, June 27 10:30 AM Participants staying at the Homewood Suites by Hilton and the Hilton Garden Inn meet in the Hotel Lobby for a brief (10 to 15 min.) Hotel Orientation 10:45 AM Hotel based participants check in with BAA escorts to depart for Ripley Grier Studios. Don’t be late! We will leave promptly! 11:00 AM Commuter Drop Off, Ripley Grier Studios, 520 8th Avenue (between 36th St. and 37th St.) (Studio TBA) Commuting students and parents of commuting students: Kindly plan to drop off students on the 17th floor of the Ripley Grier Studios. Please do not arrive more than 10-15 minutes early. BAA reps will be available to guide you from the lobby area to the 17th floor on Day One in order to help you get familiar with the building. Every other day, students should report directly to the 17th floor. 11:00 AM - 11:30 AM Optional Parent Orientation with Michelle R. Lehrman (Assistant Director) & Ashleigh Junio (Admissions Director) (Studio TBA) ** PARENTS ** Parents of hotel based and commuting students can get any program and schedule related questions answered in this brief informational meeting. 11:00 AM - 11:55 AM Student Orientation/Registration/Introductions/Theatre Games with Jennifer Johns (Artistic Director, Founder) (Studio TBA) 12:00 PM - 1:10 PM DANCE MASTER CLASS/DANCE ELECTIVE – Learn Broadway Dance Repertoire Andi Hopkins National and International Tours of Singin’ in the Rain, Studio Broadway Theatre Dance – Levels 1 & 2 (12:00 and 12:20) Joseph…Dreamcoat, Dreamgirls (Effie u/s), West Side Story, Ain’t Misbehavin’, TBA Broadway Repertoire (Beginning-Intermediate) Radio City, etc.
    [Show full text]
  • Giants in the Sky Analysis
    Giants in the sky analysis Continue This article is about a piece of music. For other purposes, see in the forest (disambigation). 1987 musical by Stephen Sondheim and James Lapin Into the WoodsPoster for the original Broadway productionMusichen SondheimLyricsStephen SondheimBookJames LapineBasisS.Uses of Enchantmentby Bruno BettelheimProlections 1986 San Diego 1987 Broadway 1987 Broadway 1987 Broadway 198788 US Tour 1990 West End 1998 West End revival 2002 Broadway revival 2010 West End Revival Tony Awards Award for Best Original Score Tony Award for Best Book of Musical Drama Table Outstanding Musical 2002 Tony Award for Best Revival 2011 Laurence Olivier Award for Best Revival in Woods - Musical with Music and Lyrics by Stephen Sondheim and a book by James Lapine. The musical weaves the plots of several fairy tales of brothers Grimm and Charles Perrault, exploring the consequences of the wishes and quests of the characters. The main characters are taken from Little Red Riding Hood, Jack and the bean stalk, Rapunzel and Cinderella, as well as a number of others. The musical is connected with the story of the childless baker and his wife and their desire to create a family (the original beginning of the Rapunzel of the Brothers Grimm), their interaction with the witch, which imposes a curse on them, and their interaction with other characters of the collection of stories during their journey. The musical debuted in San Diego at the Old Globe Theater in 1986 and premiered on Broadway on November 5, 1987, where it won several Tony Awards, including best score, best book, and best actress in a musical (Joanna Gleeson), a year dominated by The Phantom of the Opera (1988).
    [Show full text]