COMPLAINT for VIOLATIONS of the FEDERAL V
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Balaji Telefilms Limited C-13, Balaji House, Dalia Industrial Estate, Opp
Balaji Telefilms Limited C-13, Balaji House, Dalia Industrial Estate, Opp. Laxmi Industries, New Link Road, Andheri (West), Mumbai 400 053 Tel: 40698000 Fax: 40698181/82/83 Website: www.balajitelefilms.com CIN: L99999MH1994PLC082802 ALTBalaji records highest ever subscriptions sold during a quarter, active subscriber base crosses 2.1million February 11, 2021: Balaji Telefilms Limited, India’s leading media and content powerhouse, today announced its financial results for the third quarter and nine-months ended 31st December 2020. ALTBalaji added the highest ever subscribers this quarter with 1.6m subscription sold. The Company has been aggressively driving deeper audience engagement and reducing subscriber churn and is adding over 20k subscribers a day. The platform added 9 shows and today has 74 shows offering unmatched content diversity for the Indian audience. ALTBalaji has continually been strengthening the consumer experience via support for various connected devices and technology upgrades TV business now operating at more normal levels as daily show production hours picks up, average rates remain firm after initial impact of COVID-19. 7 shows were on air during the quarter which included 3 new launches. Movie business continues to wait for availability for theatrical launch windows and currently working on 5 projects. 3 movies to commence shooting in March / April 2021 with the remaining 2 projects to commence shooting in coming quarters. Overall remain conservative with the investments in movies and continue to pursue pre sales and co-production. Mrs. Shobha Kapoor, Managing Director, Balaji Telefilms Limited said, “ALTBalaji has added highest ever 1.6million subscribers this quarter which shows the strong demand for the mass content that we create for Indian audiences. -
Eros International Plc Reports Fourth Quarter & Fiscal Year 2014 Results
EROS INTERNATIONAL PLC REPORTS FOURTH QUARTER & FISCAL YEAR 2014 RESULTS 06/12/2014 Financial Highlights Fourth Quarter Ended March 31, 2014 Revenues increased by 21.2% to $63.3 million, compared to $52.2 million in the prior year period Currency comparable revenues increased by 23.4% Adjusted EBITDA increased by 45.6% to $13.1 million, compared to $9.0 million in the prior year period Net income decreased by 7.2% to $6.4 million, compared to $6.9 million in the prior year period Fiscal Year Ended March 31, 2014 Revenues increased by 9.4% to $235.5 million, compared to $215.3 million in the prior year period Currency comparable revenues increased by 15.8% Adjusted EBITDA increased by 42.6% to $80.3 million, compared to $56.3 million in the prior year period Net income increased by 10.1% to $37.1 million, compared to $33.7 million in the prior year period A reconciliation of the non-GAAP financial measures discussed within this release to our IFRS net income are included at the end of this release. See also “Non-GAAP Financial Measures.” LONDON--(BUSINESS WIRE)-- Eros International Plc (NYSE:EROS) (“Eros” or “the Company”), a leading global company in the Indian film entertainment industry, today reported financial results for the fourth quarter and fiscal year ended March 31, 2014. Jyoti Deshpande, Eros’ Managing Director and Chief Executive Officer said, "Our fourth quarter and full year results demonstrate the strength of our business and our ability to capitalize on compelling trends in the growing and underpenetrated Indian media and entertainment industry. -
Promoting Elite Culture by Pakistani Tv Channels ______
PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS ___________________________________________________ _____ BY MUNHAM SHEHZAD REGISTRATION # 11020216227 PhD Centre for Media and Communication Studies University of Gujrat Session 2015-18 (Page 1 of 133) PROMOTING ELITE CULTURE BY PAKISTANI TV CHANNELS A Thesis submitted in Partial Fulfilment of the Requirements for the Award of Degree of PhD In Mass Communications & Media By MUNHAM SHEHZAD REGISTRATION # 11020216227 Centre for Media & Communication Studies (Page 2 of 133) University of Gujrat Session 2015-18 ACKNOWLEDGEMENT I am very thankful to Almighty Allah for giving me strength and the opportunity to complete this research despite my arduous office work, and continuous personal obligations. I am grateful to Dr. Zahid Yousaf, Associate Professor /Chairperson, Centre for Media & Communication Studies, University of Gujrat as my Supervisor for his advice, constructive comments and support. I am thankful to Dr Malik Adnan, Assistant Professor, Department of Media Studies, Islamia University Bahawalpur as my Ex-Supervisor. I am also grateful to Prof. Dr. Farish Ullah, Dean, Faculty of Arts, whose deep knowledge about Television dramas helped and guided me to complete my study. I profoundly thankful to Dr. Arshad Ali, Mehmood Ahmad, Shamas Suleman, and Ehtesham Ali for extending their help and always pushed me to complete my thesis. I am thankful to my colleagues for their guidance and support in completion of this study. I am very grateful to my beloved Sister, Brothers and In-Laws for -
Ficci Baf Awards 2015 - Nomination List
FICCI BAF AWARDS 2015 - NOMINATION LIST CATEGORY ENTRANT ENTRY TITLE COUNTRY Hochschule Luzern - Design & Kunst The Sound of Crickets Switzerland Communication University of China Fly China Animated Short Film - Student Communication University of China My Daddy China [International] Communication University of China HideSeek China The Arts University at Bournemouth Do Us Part United Kingdom The Arts University at Bournemouth The Shipping Forecast United Kingdom National Institute of Design Her long nails India National Institute of Design Horn Ok Scream India Animated Short Film - Student [Indian] DSK Supinfocom International Campus Magarwasi India National Institute of Design Death of a Mosquito India Thought Cloud Studio Rise of the Valiant INDRAJEET India Animated Promos [International] Climb Media India Pvt Ltd Jugnoo India 19th Day Pictures Vincent the Artist USA | India Thought Cloud Studio Rise of the Valiant INDRAJEET India Animated Promos [Indian] Climb Media India Pvt Ltd Jugnoo India Nestle | Paperboat Design Studios Pvt Ltd Superbabies India Climb Media India Pvt Ltd BSE Fishing India Animated Ad Film Mit Institute of Design ICRC India [International] Syu Design BSE APP India Studio Eeksaurus Productions Pvt Ltd Rotary Lifeline India Studio Eeksaurus Productions Pvt Ltd Rotary Heartline India Animated Ad Film [Indian] Studio Eeksaurus Productions Pvt Ltd Rotary Fateline India FutureWorks Integrated Advertising | Welspun-world of hygrocotton India Futureworks Media Ltd Studio Eeksaurus Productions Pvt Ltd Fisherwoman and Tuk Tuk India Animated Short Film - Professional Mud n Water Production Pvt Ltd Talking Walls India [International] Aroop Dwivedi Aai India Studio Eeksaurus Productions Pvt Ltd Fisherwoman and Tuk Tuk India Animated Short Film - Professional Figment Films Sonali Pakhi India [Indian] Mud n Water Production Pvt Ltd Talking Walls India Bluepixels Animation Studios Pvt Ltd Ande Pirki India Studio 100 | Visual Computing Labs - Tata Heidi Belgium | India Animated TV Episode Elxsi Ltd. -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
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Pdf (Accessed: 3 June, 2014) 17
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 The Production and Reception of gender- based content in Pakistani Television Culture Munira Cheema DPhil Thesis University of Sussex (June 2015) 2 Statement I hereby declare that this thesis has not been submitted, either in the same or in a different form, to this or any other university for a degree. Signature:………………….. 3 Acknowledgements Special thanks to: My supervisors, Dr Kate Lacey and Dr Kate O’Riordan, for their infinite patience as they answered my endless queries in the course of this thesis. Their open-door policy and expert guidance ensured that I always stayed on track. This PhD was funded by the Arts and Humanities Research Council (AHRC), to whom I owe a debt of gratitude. My mother, for providing me with profound counselling, perpetual support and for tirelessly watching over my daughter as I scrambled to meet deadlines. This thesis could not have been completed without her. My husband Nauman, and daughter Zara, who learnt to stay out of the way during my ‘study time’. -
Dramas and Their Perception: a Social Awareness of Drama's Structures and Their Representation
DOI: 10.31 03/gmcr.2018(III-I).03 | Vol. III, No. I (2018) URL: http://dx.doi.org/10.31 03/gmcr.2018(III-I).03 | Pages: 34 – 45 p- ISSN: 2 08-2105 L-ISSN: 2 08-2105 Dramas and their perception: A Social Awareness of Drama's Structures and their Representation Salman Amin* | Saadia Fatima† | Sajjad Ali‡ Abstract This research is designed to explore the impact of Pakistani dramas of the private channel on Pakistani women. To witness various effects caused by dramas, detailed research is carried out. To gather and document the perceptions of the female viewers of Rawalpindi and Islamabad, a detailed questionnaire was prepared. Through a sample of 300 respondents, data was collected from people of different age groups, educational background and occupational groups. The perceptions of viewers about the various content in dramas showed that private channels provide a lot of content for entertainment, education, comedy, information, serious, horror, emotional and musical content. Overall, it was observed that Geo TV dramas provide the content mentioned more frequently than Hum TV and ARY Digital. The study concludes that there are significant changes taking place in all the mentioned domains. The degree to which private channels display different lifestyles was another important variable of the study that has been discussed for so long, but it was observed from the finding that dramas of private channels promote multiple lifestyles (Western and Indian) on an equal basis. Key Words: Impact, Pvt Channels, Drama, Rawalpindi, Islamabad, Lifestyles Introduction In the past, television watching was a lot different from that of today. -
Annual Report and Accounts 2008
Eros International Plc Annual Report and Accounts 2008 Corporate Office UK UAE Australia Eros International Plc Eros International Plc Eros International Ltd Eros Worldwide FZ LLC Eros Australia Pty. Limited 15-19 Athol Street Unit 23 529 Building No 8 4 Rosewood Way Isle of Man IM1 1LB Sovereign Park Dubai Media City Werrington Tel +44 (0) 8700 418 211 Coronation Road P.O. Box 502121 NSW 2747 Annual Report and Accounts 2008 Fax +44 (0) 8700 418 212 London NW10 7QP Tel +971 (0) 4390 2825 Tel +61 2 9623 3480 Tel +44 (0) 20 8963 8700 Fax +971 (0) 4390 8867 Fax +61 2 9623 3481 Fax +44 (0) 20 8963 0154 Fiji India USA Eros Pacific Limited Eros Multimedia Pvt. Ltd. Eros Entertainment Inc 27 Lodhia Street Satya Dev Building, 2nd Floor 550 County Avenue P.O. Box 1802 Off New Link Road Secaucus Nadi-Fiji Andheri (W) NJ - 07094 Tel +679 670 7722 Mumbai - 400 053 Tel +1 201 558 9001 Fax +679 670 7723 Tel: + 91 22 4053 8500 Fax +1 201 558 9002 Fax: + 91 22 4053 8540 Om Shanti Om (2007) – International box office No. 1, Eros International Plc is a global player in the rapidly honoured at the Berlin Film Festival expanding Indian media and entertainment arena which is growing at over 18% CAGR and slated to cross US$29 billion by 2012 (source: PwC). Being vertically integrated means that Eros not only produces and commissions film projects similar to how Hollywood studios operate but also distributes and exploits films across all formats globally including cinemas, home entertainment, television syndication and digital new media. -
Eros International
Result Update June 2, 2016 Rating matrix Rating : Hold Eros International (EROINT) | 206 Target : | 225 Target Period : 12 months Improving clarity on transfer pricing… Potential Upside : 9% • Revenues were expected to be subdued in the quarter as it had no What’s changed? big budget movie release. During the quarter, there were six medium Target Changed from 164 to | 225 and six low budget movies, respectively. Hence, revenues came in at EPS FY17E Changed from | 23.8 to | 25.2 | 269.9 crore, down 39.9% YoY and 19.5% QoQ EPS FY18E Introduced at | 28.2 • EBITDA came in at | 32.1 crore vs. our expectation of | 37.9 crore Rating Unchanged while margins came in at 11.9% (estimated 14.9%). Margins came in Quarterly performance lower than estimated owing to higher-than-expected operating Q4FY16 Q4FY15 YoY (%) Q3FY16 QoQ (%) expenses, which came in at | 208.3 crore vs. estimate of | 199 crore Revenue 269.9 449.1 -39.9 335.4 -19.5 • PAT came in at | 32.7 crore, higher than our estimate of | 21.9 crore. EBITDA 32.1 68.2 (52.9) 66.8 -52.0 The beat was due to tax credit of | 5 crore EBITDA (%) 11.9 15.2 -329 bps 19.9 -803 bps Leading producer/distributor with one of the largest film libraries PAT 32.7 51.7 (36.8) 37.8 -13.4 Eros, a producer/distributor, has a large film library of over 2000 films. Key financials Also, it has launched Trinity Pictures to focus on franchise films. -
General Knowledge
Siddhartha Basu Preface Know for Sure—a series of eight general knowledge books for students of classes 1 to 8—has been a carefully and has earned the trust of many for providing detailed and accurate information on a wide range of subjects. between knowing more and being sure of what we learn is by getting to the primary source of facts or by cross- checking these with sound references. Know for Sure has been doing this since its beginning while continuously updating itself to keep pace with this age of information boom. This year, the series has been thoroughly revised Know for Sure is not just a bunch of questions and answers or just another bundle of facts which have to be answers. It is about going beyond a few select subjects that are taught in schools. It is also about becoming more aware of the world around us. Therefore, this series has been designed as an extension of the recommendations of National Curriculum Framework (NCF) 2005 and is aimed at bringing alive general knowledge in the classroom with quizzes, games, facts, surveys, word craft, activities, life skills, brain-teasers, lifestyles, stories, handicrafts, group discussions about value systems, and a whole lot more that can excite, engage, and educate a young mind. The perspective of the series—India and the World—is aimed at kindling an all-round interest in subjects both familiar and unknown. While systematically dealing with subjects and areas recommended for learning, these books not only make quizzing fun and fascinating but also encourage learners to discover more. -
Saif Ali Khan Property Worth
Saif Ali Khan Property Worth Snafu and epistolic Wye never downs his oasts! Swallow-tailed and fibrillar Voltaire chirre maritally and plots his peptizing heinously and phraseologically. Interior and supernumerary Kit never rig his Oldenburg! Three times like extravagant structure named as per reports and actress is an actress ruchika pandey, property worth of the Today I immediately talk of an. Sara Ali Khan Net Worth 2021 Income Cars brands & Luxury. The properties in main aim of india and writer in the notorious barbarian and her wealth? Saba ali khan age Kingsville Community Centre. As a result, it propelled her to higher heights. And as the saying goes, many great things start from modest beginnings. That has always stayed in my mind. Please his multiple awards, mumbai police arrested her money, saif says that has been submitted successfully. Parse the OS into an object. Who being the richest woman in Bollywood? Saif Ali Khan Net Worth biography quotes wiki assets cars. Nandini Sen and Gautam Berry are the parents of actress Tara Alisha Berry. We stream in challenging the status quo and issue a life bigger than there own. Who is unknown as the skills and enjoy the company, lifestyle of news to do you are set out! 'Royal Couple' Kareena Kapoor Khan And Saif Ali Khan's Combined Net there Will. He just one of property worth and assets and saif ali khan property worth so is a room which the. Is the years she is salman khan struggled a career in indian actor in ahmedabad, respectful and whose last samurai, my grandparents and.