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Home , Alfred Maria Willner, Carlisle Floyd, Delores Ziegler, Gianna Rolandi, Impresario, Robert Tear

Cast Directed by Michael Schwarzkopf

February 26, 2010 February 27, 2010 Magda, Rambaldo’s mistress ...... Meghan Dewald Carolina Castells The Lisette, her maid ...... Megan Radder Jennifer Jakob Ruggero, a young man ...... Daniel Shirley Jonathan Matthews Prunier, a poet ...... Corey Bonar Matthew Wells Rambaldo, a wealthy Singing Parisian ...... Bill Kloppenburg Carl Kanowsky Perichaud ...... Will Hearn Ryan Torino Hoosiers Rambaldo’s Friends: 60th Anniversary Gobin ...... Blake Kendall Brandon Gauby Crébillon ...... Nathan Brown Christopher Grundy Including a tribute to Eric Kunzel and Al Cobine Ladies of pleasure and friends of Magda: Saturday, March 27, 8 pm Yvette ...... Stephanie Nakagawa Loralee Culbert INDIANA UNIVERISTY AUDITORIUM Bianca ...... Catherine O’Rourke Johanna Moffitt Box Office: (812) 855-1103 | .indiana.edu/events Suzy ...... Laura Thoreson Julia Snowden Major Domo ...... James Arnold James Arnold AnAmerican

TO OUR PATRONS: Curtain time for IU Theater is promptly at 8 p.m., by which time all opera goers should be in their seats. Latecomers will be Evening seated only on the third terrace, or at the discretion of the management. Thank you for your cooperation. Spring Ballet

La Rondine will conclude at approximately 11:00 p.m. March No Cameras, Flash Equipment, or Audio Recorders 26, 27 8 pm are allowed in the auditorium March of the Musical Arts Center. 27 2 pm Serenade | Rubies | Rodeo Where the finest productions come alive! MUSICAL ARTS CENTER (MAC) Box Office: (812) 855-7433 | music.indiana.edu/ballet Five Hundred Ninety-Sixth program of the 2009-10 Season Indiana University Opera Theater presents as its 411th production Opera in Three Acts

by

Libretto by Translated and adapted from a German By Alfred M. Willner and Heinz Reichert

David Effron, Conductor Vincent Liotta, Stage Director Todd Hensley, Lighting Designer Gary Thor Wedow, Chorus Master Brian Schkeeper and Ryan Tibbetts, Assisant Chorus Masters William Forrester, Set Designer Linda Pisano, Costume Designer Chris Faesi, Choreographer Stefano Sarzani, Italian Diction Coach

La Rondine premièred at the Theater du Casino, Monte Carlo On March 27,1917 ______Musical Arts Center Friday, February Twenty-Sixth Saturday, February Twenty-Seventh Friday, March Fifth Saturday, March Sixth Eight O’Clock music.indiana.edu Cast of Characters Magda, Rambaldo’s mistress ...... Carolina Castells, Meghan Dewald Lisette, her maid ...... Jennifer Jakob, Megan Radder Ruggero, a young man . Jonathan Matthews, Daniel Shirley Prunier, a poet ...... Corey Bonar, Matthew Wells Rambaldo, a wealthy Parisian ...... Carl Kanowsky, Bill Kloppenburg Perichaud ...... Will Hearn, Ryan Torino

Rambaldo’s Friends: Gobin ...... Brandon Gauby, Blake Kendall Crébillon ...... Nathan Brown, Christopher Grundy

Ladies of pleasure and friends of Magda: Yvette ...... Loralee Culbert, Stephanie Nakagawa Bianca ...... Johanna Moffitt, Catherine O’Rourke Suzy ...... Julia Snowden, Laura Thoreson

Major Domo . James Arnold

Ladies and Gentlmen of the World, Citizens, Students, Artists, Demi-Mondaines, and Dancers...... Jennifer Albert, James Arnold, Melissa Block, Nathan Brown, Mary Cloud, Loralee Culbert, Kelly Cullinan, Brandon Gauby, Kelly Glyptis, Luis Gonzales, Christopher Grundy, Leonora Green, Ashleigh Guida, Morgan Harrington, Will Hearn, Kimberley Izz, Jermaine Jackson, Jennifer Jones, Hirotaka Kato, Blake Kendall, Benjamin Koenig, Blake Koness, Krista Laskowski, Jessica Lewis, William Lim, Johanna Moffitt, Stephanie Nakagawa, Avery Nielsen, Catherine O’Rourke, Michael Porter, Michael Powell, Evan Snipes, Julia Snowden, Marco Stefani, Laura Thoreson, Ryan Torino, Diana Valdés, Jennylynn Vidas, Laura Waters, Megan Winsted

Synopsis Place: Paris and Nice, France Time: Turn of the 20th Century Act I Magda and her lover and protector, Rambaldo, are entertaining in their luxurious Paris apartment. One of their guests, the poet Prunier, sits at the piano and starts singing his latest composition. It tells the story of one Doretta, who dreams that the King looked upon her one day. However, Prunier says that the end to the song evades him. He challenges Magda to finish it, which she does to applause from the guests. Rambaldo surprises Magda with a necklace. Lisette, Magda’s impudent maid, annoys Prunier, but Magda defends her saying she is like a ray of sunshine in her life. Lisette asks Rambaldo if he will consent to see the young man who has been waiting to see him for hours. He is the son of an old friend of Rambaldo’s. Magda is reminiscing of the days when she was young and innocent and went to the Café Bullier in search of adventure and perhaps love. She still remembers the man she met there, into whose eyes she gazed but whose name she never knew and whom she has never forgotten. Ruggero, the young man, arrives just as Prunier is reading Magda’s palm. Prunier announces that Magda’s fortune is like that of the swallow; that she will migrate far away from Paris, perhaps to find love. The conversation turns to where Ruggero shall spend his first night in Paris. The Café Bullier is chosen. All leave except for Prunier. Lisette reminds Magda that it is her day off. She goes and changes and leaves with Prunier, dressed in her mistress’s finery. Magda also reappears but is hardly recognizable. She has changed her hairstyle, and she is dressed simply as a grisette as Act I comes to an end.

(Intermission of 15 minutes) Act II Act II opens at the Café Bullier. The room is crowded with artists, grisettes, demi- mondaines, and men about town. Ruggero arrives and sits alone at one of the tables, oblivious to the confusion and noise around him and quite unresponsive to the various girls who approach him. Magda comes in and is quickly surrounded by many would-be escorts. She fends them off saying she is meeting the young man sitting alone. Ruggero is delighted, and he and Magda dance. She is reminded of her adventure long ago. Prunier and Lisette arrive and Lisette thinks she recognizes her mistress but is persuaded by Prunier that she is mistaken. Rambaldo arrives. As he approaches Magda, Prunier gets both Lisette and Ruggero out of the way. Rambaldo brushes Prunier aside and asks Magda if she is coming home with him. She replies that she has found love and is not leaving with him now or at any time! In spite of the blow, he retains his dignity and leaves her sitting where he found her. Ruggero returns, and he and Magda leave the restaurant together. (Intermission of 15 minutes) Act III Act III opens in a cottage overlooking the sea near Nice, where Magda and Ruggero have been living secure in their love. Ruggero confides in Magda that he has written his parents asking permission to marry her. He says he is confident that when they know her they will embrace her as one of their own. Magda worries how to let him know the truth about her past. Lisette and Prunier arrive. It seems that, despite Prunier’s efforts to try and turn Lisette into an actress, she has failed spectacularly and now wants her old job back working for Magda. Magda takes her back. Prunier has also brought back a message from Rambaldo that he will take Magda back if she wants it. Magda refuses, and Prunier departs as Lisette resumes her former duties. Ruggero returns with a letter from his family accepting Magda. At this point, Magda tells him that she cannot deceive him and confesses her guilty past. Marriage for them, she says, is not an option, and she forces Ruggero to depart, broken-hearted, but for his own good. Magda is left alone with her decision -- looking out to sea as the curtain falls. Notes on the Opera by Amanda Sewell When the directors of the Carltheater asked Puccini in 1913 for a new opera, he agreed but asserted that this new project must be a through-composed comic opera “like [’s] Rosenkavalier, but more amusing and more organic.” La Rondine emerged when Puccini settled on Alfred Maria Willner’s scenario Die Schwalbe. “It’s a light sentimental opera with touches of comedy – but it’s agreeable, limpid, easy to sing with a little waltz music and lively and fetching tunes….It’s sort of reaction against the repulsive music of today,” Puccini wrote in September of 1914. The “repulsive” music to which he referred probably included Stravinsky’s Le sacre du printemps, which Puccini declared to be “the work of a madman,” and Richard Strauss’s , which Puccini called “the most extraordinary, terribly cacophonous thing.” Whether in reaction to Strauss’s thick orchestration, Stravinsky’s jagged rhythms, or to the weighty WWI-era such as Erich Wolfgang Korngold’s Die tote Stadt, Puccini composed for La Rondine what he termed “some rather pretty music … light, but as clear as spring water.” Several scenes in La Rondine evoke moments and plot devices from other operas, including Puccini’s own. La Rondine often draws comparisons to Verdi’s La traviata in its depiction of a kept woman and her lover, although the fate of Puccini’s Magda is probably less heartbreaking than that of Verdi’s Violetta. Magda’s maid Lisette dresses in her mistress’s clothing and jewelry in La Rondine, just as the maid Adele did in Johann Strauss II’s . The lively choral tableau at the opening of La Rondine’s Act II is set in Chez Bullier instead of the Café Momus of Puccini’s La bohème. While some have criticized La Rondine for lacking the dramatic heft of operas such as La Traviata, La bohème, and Lescaut, recall that Puccini aimed to write a comic opera, and thus the leading lady’s death was not a necessary plot point. In this case, Magda returns to her kept life rather than joining the ranks of Violetta, Mimì, and Manon. Modern ballroom dance melodies and rhythms permeate the score of La Rondine. Despite the fact that the opera is set in Second Empire (1852-70) Paris and Nice, Puccini frequently employed popular early twentieth-century musical devices. Some instances are undeniably anachronistic, such as the slow fox-trot accompanying the lovers’ Act II duet, “Perche mai cercate,” and the frequent appearance of tango rhythms during the poet Prunier’s scenes; neither the fox-trot nor tango appeared on the European continent before 1900. Other times, the musical themes may evoke the past but were still commonly heard in the early twentieth century. Toward the end of Act I, as the characters decide where to spend the remainder of their evening, their suggestions (“Tutti Parigi scintilla! Tutta Parigi sfavilla!”) are accompanied by a polka, a genre popular since the mid-nineteenth century. (Just prior to this exchange, Prunier claims that Paris’s allure is a myth, echoed by three trumpets’ brief statement of the Marseillaise.) As Magda and her new lover, Ruggero, take the dance floor in Act II, the chorus sings a generic waltz tune which transforms into a lively, vigorous Viennese waltz reminiscent of Johann Strauss II’s (1825-99) compositions. Puccini’s fondness for recurring leitmotivs facilitates the plot as Magda lives out Prunier’s Act I prediction that she will leave her home and then return to it, just like a swallow (“la rondine”). During Magda’s Act I “Ore dolci e divine,” she recalls the words of the young student with whom she entertained a brief flirtation years ago: “Fanciulla, è sbocciato l’amore.” The young man cautioned her that falling in love was dangerous, and these words and their music create a reminiscence theme that recurs as the prophecy unfolds. This reminiscence theme is set to a relatively simple waltz, marked by its distinctive bass line and a pair of clarinets which accompany Magda’s vocal line. Later in Act I, Puccini underpins Ruggero’s entrance with Magda’s melody played in the upper strings, thus employing a Wagnerian technique of allowing the orchestra to share with the audience what the characters have yet to discover: Magda will indeed fall in love with Ruggero but at a high cost. Toward the end of Act II, Magda’s patron, Rambaldo, permits her to leave him for Ruggero, and she stands alone in the dance hall. An offstage soprano, doubled by piccolo, paraphrases the student’s cautionary words in a haunting and lilting pentatonic melody. While, in this instance, Puccini does not present the music of the reminiscence motive, a similar effect is achieved through the poetic paraphrase. At the beginning of Act III, Ruggero mentions that he has written to his mother for permission to marry Magda, and a recurrence of the reminiscence motive in the strings reveals Magda’s consternation at this prospect. Just as Prunier predicted and the student had cautioned, Magda’s pursuit of love will not have a happy ending: Magda leaves Ruggero and their Nice love nest in order to return to the financial and social protection offered by Rambaldo. The reminiscence motive thus serves the same purpose as Prunier’s spoken prophecy, foreshadowing and then accompanying Magda’s fate.

Artistic Staff Biographies David Effron, Conductor Originally from Cincinnati, Ohio, distinguished symphony and opera conductor David Effron grew up in a musical family. His father was concertmaster of the Cincinnati Symphony for 28 years, and his mother was the pianist for that orchestra. After earning Bachelor of Music and Master of Music degrees in piano at the University of Michigan and Indiana University, respectively, Effron received a Fulbright grant for study in Germany and began his professional career as an assistant to General Music Director Wolfgang Sawallisch at the Cologne Opera. Returning to the in 1964, he joined the conducting staff of the , a position he held for 18 years. In his early career as a pianist, he accompanied such artists as George London, Placido Domingo, and Sherrill Milnes in recital and collaborated with soprano Benita Valente as her accompanist for a decade. As a prominent educator, Effron taught at the Curtis Institute of Music from 1970to 1977. As the head of the orchestral program at the Eastman School of Music from 1977 to 1998, he trained hundreds of instrumentalists who are now in professional orchestras worldwide. His conducting students presently hold positions ranging from the assistant conductor of the to music director positions in the United States, Canada, Europe, Japan, and South America. Since 1998, he has served as professor of conducting at the Indiana University , where he was appointed chairman of the Conducting Department in the fall of 2005. A highly sought-after guest conductor with a repertoire of all the standard symphonic works as well as 105 operas, Effron’s 40-year career has included appearances with major symphony orchestras and opera companies in the United States, Canada, Europe, Mexico, and the Far East. The summer of 2007 marked his eleventh and final season as artistic director and principal conductor of the Brevard Music Center in North Carolina, during which time the board of the Brevard Music Center established a Principal Artistic Director/Principal Conductor Chair in his honor. Effron was also honored with the title of Conductor Laureate. In 1984, Effron was the conductor for the Grammy Award-winning recording of Copland’s Lincoln Portrait. His discography also includes a 1987 Pantheon recording with Benita Valente, which won the German Critics Prize. He joined forces with flutist James Galway for an RCA recording of John Corigliano’s Pied Piper Fantasy, winning a top prize from Ovation Magazine. In 2003, Effron received the Musicians of the Year Award from the National Foundation of Music Clubs. In recognition and acknowledgement of his pedagogical contributions, he was honored in the spring of 2004 with the unveiling of a portrait to be displayed at the University of Rochester’s prestigious Eastman School of Music. In the spring of 2006, Effron was awarded an honorary doctorate from North Carolina State University. Vincent Liotta, Stage Director Stage director Vincent Liotta has been both a professional stage director and a dedicated educator for more than 25 years. He is the head of the Opera Stage Directing program at Indiana University, where he teaches stage directing, acting, and operatic literature. His professional projects have been seen on four continents and include Britten’s A Midsummer Night’s Dream (Seoul, Korea), the eastern European première of Bernstein’s Candide (), and Puccini’s (Buenos Aires) as well as La fanciulla del West at the (Toronto), Turandot at the El Paso Opera, and a new production of Die Fledermaus at the Cedar Rapids Opera Theatre. In 1993, Liotta co-founded the Utah Festival Opera. His professional productions have covered the entire history of operatic repertory from Cavalli to John Corigliano. Notable works include directing the world premières of Mollicone’s Coyote Tales, a new version of Frank Loesser’s Greenwillow, Edwin Penhorwood’s Too Many Sopranos, and the American première of Dragon of Wantley. In addition, his works for the musical theater include a new libretto for Victor Herbert’s , Naughty Marietta, and Viva Verdi, an original biographical evening about the life and work of . He has created productions at major American companies, including San Francisco, Houston, and Santa Fe, and has collaborated with on productions of Turandot and Don Giovanni as well as the world première of . Gary Thor Wedow, Chorus Master Gary Thor Wedow recently led an acclaimed new production of Gluck’s Iphigénie en Tauride for , Die Zauberflöte at The Juilliard School, Baroque in his debuts with the Seattle Symphony and Orchestra London, and Don Giovanni with the ’s Merola Program. His long association with the New York City Opera has included many performances of Carmen, Le nozze di Figaro, Patience, and the company’s distinguished production of Handel’s Xerxes, an opera he has also conducted for Pittsburgh Opera and the Wolf Trap Opera, with period instruments. Other Handel performances include with Seattle Opera and The Grand Opera, Rinaldo with Berkshire Opera and , and Alcina with Toronto’s Opera in Concert. Career highlights include La Calisto and Giasone of Cavalli and the North American première of Sartorio’s Giulio Cesare in Egitto for the Canadian Opera Company, all with Tom Diamond directing; L’elisir d’amore and La bohème at Chautauqua Opera; and L’incoronazione di Poppea and La finta giardiniera for the Juilliard Opera Center. Upcoming performances include the world première of The Loathly Lady, a new opera by Paul Richards and Wendy Steiner, Mätthaus Passion with the Berkshire Choral Festival, and Il Ritorno d’Ulisse in Patria for Wolf Trap. Formerly associate conductor of Boston’s Handel and Haydn Society under Thomas Dunn, Wedow is a frequent collaborator with countertenor Lawrence Lipnik. He studied piano at the Jacobs School of Music with the renowned virtuoso Jorge Bolet and currently is on the faculty of The Juilliard School and the Jacobs School of Music. Ryan Tibbetts, Assistant Chorus Master Brian Schkeeper, Assistant Chorus Master Brian Schkeeper is currently completing his Doctorate in Choral Conducting at the Indiana University Jacobs School of Music, where he is an associate instructor and pursuing research on both the radio cantatas of and the choral music of Dmitri Shostakovich. Schkeepr also serves as president of Indiana University’s chapter of the American Choral Director’s Association. He has conducted the premières of Steven Snethkamp’s White Love/Shadow Inversion No. ∞ and Joshua Groffman’s Haloes, and prepared the Piscataway H.S. Women’s Choir for Blake Henson’s : The Good Fence, whose performance was hailed by The Star Ledger as “resounding.” His 2009-10 season includes conducting Schumann’s Der Rose Pilgerfahrt and Arvo Pärt’s Passio with The American Choral Scholars as well as Haydn’s Missa Brevis in F, Shostakovich’s Antiformalist Rayok, and Ten Songs to Words of Revolutionary Poets. Also in this season, he serves as assistant conductor for Stravinsky’s Les Noces and Mendelssohn’s Elijah. Schkeeper has studied with some of the most influential choral conductors of the world, including Joseph Flummerfelt, Dale Warland, and Vance George, and has participated in master classes with Robert Page, Charles Bruffy, James Jordan, and Stephan Parkman. He holds a B.M. in Music Education from Grove City College and a Master of Music in Choral Conducting from Westminster Choir College. William Forrester, Set Designer Bill Forrester has designed for a number of regional theatres, including The Alliance Theatre (), Alabama Shakespeare Festival, Arizona Theatre Company, Denver Center Theatre, Florida Stage, Geva Theatre (Rochester), Kansas City Repatory, Portland Center Stage, Utah Festival Opera, Utah Shakespearean Festival, and The Yale Repatory. He has also designed for a number of theatres in Seattle, where he resides. Linda Pisano, Costume Designer Linda Pisano heads the Costume Design Program at Indiana University. She also directs the Theatre and Drama Department’s Study Abroad Program in London. A member of the United Scenic Artists Local 829, her work has covered a broad range of theatre, contemporary dance, musical theatre, ballet, and new works. Her designs have been featured in the Quadrennial World Design Expo in Prague and the World Stage Design Exhibition. She is a four-time recipient of the Peggy Ezekiel Award for Excellence in Design, a three-time jury winner in the National Design Exhibition for the United States Institute for Theatre, and a two-time recipient of the Kennedy Center/ACTF Meritorious Achievement in Costume Design Award. Pisano regularly designs with many companies, including the Utah Shakespearean Festival, Indiana Repertory Theatre, BalletMet, Lyric Repertory Theatre, Contemporary American Theatre Company, and others. Several of her ballet designs continue to tour through Canada, England, and the United States. Stefano Sarzani, Italian Diction Coach Born and raised in Italy, Italian diction coach Stefano Sarzani is a master’s student in the Orchestral Conducting program at the IU Jacobs School of Music under the guidance of David Effron and Arthur Fagen. He studied piano and composition in Pesaro (Italy) at the Conservatorio Statale di Musica, G. Rossini, graduating in piano in 2007 and composition in 2009. He previously received a conducting degree from the Accademia Musicale Pescarese, where he studied with Gilberto Serembe, and he has also studied conducting with Donato Renzetti, Otto Werner-Mueller, and Harold Farberman. He has worked as a vocal coach, diction coach, and piano accompanist. Cast Biographies Magda, Rambaldo’s mistress Carolina Castells, originally from Miami, Fla., is currently a doctoral candidate at Indiana University, where she also earned her master’s degree. With the Indiana University Opera Theater, she has performed the roles of Emily Webb (Our Town), Donna Elvira (Don Giovanni), Antonia (Les contes d’Hoffmann), and Cendrillon (Cendrillon). Castells received a Bachelor of Music in Voice at the University of Miami, where she performed the roles of Pamina (Die Zauberflöte) and Yum-Yum (The Mikado). At the Brevard Music Center, she performed the title role in Carlisle Floyd’s . Castells has previously performed with the Indianapolis Symphony Orchestra as a soloist for Brahms’ Deutches Requiem and Beethoven’s Symphony No. 9 and was also a finalist in the National Council Auditions. She studies with Costanza Cuccaro. Meghan Dewald, soprano, recently covered soprano Dawn Upshaw as Margarita in Osvaldo Golijov’s Ainadamar in a production at Cincinnati Opera. Recent IU performances include the soprano soloist in Britten’s conducted by Robert Porco and Cleopatra in Giulio Cesare, conducted by Gary Thor Wedow. Other IU roles include Camelia la Tejana in the world première of Gabriela Ortiz’s “videopera” ¡Únicamente la verdad!, Diana in ’s A Wedding, and Margarita Xirgu in the collegiate première of Ainadamar. Dewald’s operatic credits include the roles of Juliette in Roméo et Juliette (OperaWorks tour) and Berta in Il barbiere di Siviglia with Kentucky Opera; and First Lady in Die Zauberflöte and Suor Dolcina in Suor Angelica at Northwestern University. Dewald recently performed the soprano solo in the J. S. Bach Magnificat and Cantata 171 with the Bach and Handel Chorale of Jim Thorpe, Pa. She has been the recipient of several awards, including Second Place Regional Finalist (Upper Midwest Region, 2009) and District Winner (Wisconsin, 2008, 2009) in the Metropolitan Opera National Council Auditions, Indianapolis Matinee Musicale Competition, and Friends of Music scholarship and graduate assistantship at Indiana University. She has participated in master classes with Gianna Rolandi, David Gately, and Elizabeth Upchurch. Dewald is a native of Reading, Penn., and completed her Bachelor of Music magna cum laude at Northwestern University and her Master of Music at Indiana University. She studies with Costanza Cuccaro. Lisette, Magda’s maid Soprano Jennifer Jakob is a native of Kempten, Germany, and is currently in the final year of her graduate studies. At IU, she has performed the role of Rita Billingsley in the collegiate première of William Bolcom’s A Wedding as well as Frau Fluth in Nicolai’s The Merry Wives of Windsor. She received her bachelor’s from Oberlin College, where she performed the roles of Beth (Little Women), Adina (L’Elisir d’amore), Anna Reich (Die lustigen Weiber von Windsor), and Sister Mathilde (Dialogues des Carmélites). In 2005, Jakob debuted in Italy as Clarina (La cambiale di matrimonio) as part of the Oberlin in Italy program and was invited to participate in the Master Class Series of the Schubert Institut in Baden, Austria, to work with Elly Ameling, Rudolf Jansen, and Robert Tear. She has been a Gerdine Young Artist for Opera Theatre of St. Louis, covering the title role in David Carlson’s Anna Karenina and Rose Maurrant (Street Scene), and an apprentice singer at the , singing the role of Annina in La traviata in Natalie Dessay’s debut of the title role. Jakob’s orchestral appearances include concerts with the Newark Symphony Orchestra and the Green Bay Symphony Orchestra, and she will debut with the Santa Fe Symphony later this year. An avid recitalist, Jakob has performed numerous concerts in Oberlin, St. Louis, Santa Fe, Baden (Austria), and her hometown. Jakob has won 1st Place in the Indianapolis Matinee Musicale Competition and the Metropolitan Opera National Council Auditions (St. Louis District). In April, she begins her residency with the as a member of its Ryan Opera Center. She is a student of Costanza Cuccaro. Soprano Megan Radder, a native of Milwaukee, Wis., has performed the roles of La Fée in Cendrillon, Gilda in , Gretel in Hänsel und Gretel, Yum- Yum in The Mikado, Adina in L’elisir d’amore, the Shepherd Boy in , Despina in Così fan tutte, Belinda in Dido and Aeneas, Cupid in Orphée aux enfers, Cis in , and Barbarina in Le nozze di Figaro. Radder has been a young artist at both Opera Theatre of St. Louis (OTSL) and Opera North. During OTSL’s 2008 summer season, Radder covered the role of Ghita in Una cosa rara. In 2009, she returned to OTSL to sing a Gossip in The Ghosts of Versailles and a Slave in Salome. In addition to her mainstage roles, she covered the role of Aminta in Il re pastore. Other professional performance credits include a reprisal of a Gossip at the Wexford Festival in Ireland; serving as Artist in Residence with the Opera Theatre of St. Louis during the fall of 2008; a recital with the Florentine Opera in Milwaukee; donor events with the Indianapolis Opera and Cleveland Orchestra; and the cover of Belinda at Teatro Colón in Buenos Aires, Argentina. Radder is a doctoral student at the Indiana University Jacobs School of Music and studies with Costanza Cuccaro. She earned her Bachelor of Music degree from the Oberlin Conservatory of Music. Ruggero, a young man Jonathan Matthews is a second-year doctoral student, studying with Timothy Noble. Originally from Salt Lake City, Utah, he received his Bachelor of Music in vocal performance at the University of Utah and completed his Master of Music in Voice at IU. While at IU, he has performed the roles of Leandro in Arlecchino, Luigi in A Wedding, Nathaniel in Les contes d’Hoffmann, the Prince in The Love for Three Oranges, the Doctor in The Most Happy Fella, and Roméo in Roméo et Juliette. Other roles include Don José from Carmen at the Bayview Music Festival, the title role in Les contes d’Hoffmann at Prelude to Performance in NYC, Aeneas in Dido and Aeneas, the title role in , Lippo Fiorentino in Street Scene at the University of Utah, and Don Ottavio from Don Giovanni at the Astoria Music Festival. Daniel Shirley, a native of Jackson, Miss., has been featured with IU Opera Theater as Roméo in Roméo et Juliette, Fenton in Die lustigen Weiber von Windsor, and Dino in A Wedding. Following a 2009 apprenticeship with Santa Fe Opera, during which he covered Don Ottavio (Don Giovanni), he sang the role of Edgar in the world première recording of Frédéric Chaslin’s Wuthering Heights at the Palau de les Arts Reina Sofia (Valencia) with the Orquesta de la Comunidad Valenciana and London Symphony Chorus. Other operatic engagements have included Sam in the family performance of Susannah and Larry/Matt in The Face on the Barroom Floor as an apprentice artist with Central City Opera, Don Curzio in Le nozze di Figaro as a studio artist with Chautauqua Opera, and an educational outreach tour as an artist- in-residence with Opera Memphis. Regional concert appearances have included St. Matthew Passion with the Bloomington Chamber Singers, Messiah with the Evansville Philharmonic, Mass in B Minor with the Columbus Philharmonic, and Elijah with the Lafayette Bach Singers. Prunier, a poet Corey Bonar hails from Churubusco, Ind. Bonar is completing his Bachelor of Music and studies with Andreas Poulimenos. He has appeared as the tenor soloist in Rossini’s Petite Messe Solennelle with the University Singers of Indiana University-Purdue University Fort Wayne and has sung with the Bach Collegium out of Fort Wayne. This marks his first appearance on the MAC stage in a principal role.

Tenor Matthew Wells is currently completing his Master of Music under the tutelage of Patricia Stiles. He also completed his undergraduate studies at Indiana and is a former student of Brian Horne. With IU Opera Theater, he has most recently been seen as Trouffaldino in The Love for Three Oranges; Andrès, Cochenille, Pitichinaccio, and Frantz in Les contes d’Hoffmann; and Little Bat in Susannah. This summer, he will appear as a Gerdine Young Artist with the Opera Theater of St. Louis. He spent the summer of 2009 as a young artist with the Crested Butte Music Festival in Colorado, where he performed the roles of Don Basilio and Don Curzio in Le nozze di Figaro, and the Black Wedgwood and the Tree Frog in Ravel’s L’enfant et les sortileges. He is also a frequent concert soloist, and recent credits include the Monteverdi Vespers, Haydn’s Schöpfungsmesse, Carissimi’s Jonas, and J. S. Bach’s cantata, Aus der Tiefen, BWV 131, with Indiana University Pro Arte Singers. In 2008, he was a national finalist in the Music Teachers National Association Competition and won second place in the undergraduate division at the Indianapolis Matinee Musicale competition. Rambaldo, a wealthy Parisian Bass-baritone Carl Kanowsky, from Santa Clarita, Calif., is pursuing a Master of Music, having received his bachelor’s with distinction from IU in 2007. Kanowsky has interned at the LA Opera and the Los Angeles Jewish Symphony. He has given recitals at the Palais Corbelli in and Milan’s Casa di Riposo Giuseppe Verdi. Kanowsky participated in performances and recordings with the Indianapolis Symphony Orchestra and an east coast tour with the Aguavá New Music Ensemble. In 2008, he was selected to participate in a series of master classes with Roger Vignoles. Kanowsky was also seen in the world première of Gabriela Ortiz’s ¡Únicamente la verdad!. Previous roles with IUOT include Williamson in the collegiate première of Bolcom’s A Wedding, Orson in Penhorwood’s Too Many Sopranos, and Cook in Prokofiev’s The Love for Three Oranges. Outside IU, Kanowsky was seen as Caronte in Monteverdi’s L’Orfeo (Bloomington Early Music Festival) and originated the role of Ragtail in Herman Whitfield’s The Small Box (Magic Carpet Opera). He is a student of Patricia Havranek. Bill Kloppenburg, bass-baritone, is in his third year of master’s study in voice at the Jacobs School of Music. Kloppenburg made his operatic debut with the IU Opera Theater as the sergeant in Rossini’s Il barbiere di Siviglia and has since been seen as Elder Mclean in Carlisle Floyd’s Susannah, as Alcindoro/ Benoit in Puccini’s La bohéme, and as Second Man in Armor in W. A. Mozart’s Die Zauberflöte. He has been involved in several choirs in and around Bloomington and helped create the role of Friar Laurence in Don Freund’s musical adaptation of Romeo and Juliet. He is a student of Brian Horne. Perichaud William R. Hearn is a small-town Texan and recent graduate of Texas State University in San Marcos. While at Texas State, Hearn performed many roles, including Javert in Les Misérables; Marco, Betto, Pinnelino, and Buoso Donatti in Gianni Schicchi; Le Chevalier in Dialogues des Carmélites; Eisenstein in Die Fledermaus; and Papageno in Die Zauberflöte. In the fall of 2006, he placed first in the Junior Men’s division and, in 2007, third in the Senior Men of the TEXOMA NATS Competition. He was also awarded the 2007 National Scholarship from the National Federation of Music Clubs. Hearn has twice been invited to Opera in the Ozarks, where he performed the title role in Il barbiere di Siviglia, Sharpless in Madama Butterfly, and Count Almaviva in Le nozze di Figaro. In 2008, he was invited to perform as a young artist with the Des Moines Metro Opera. Hearn is also the director and producer of a string of charity Christmas shows that benefit the Brazoria County Youth Home. Since 2004, Hearn and his colleague Greg Essington have raised over $30,000 to the local youth home. Hearn is currently pursuing a master’s at Indiana University under the tutelage of Andreas Poulimenos. Ryan Torino, baritone, is in his third year of undergraduate study in voice and is a student of Patricia Stiles. He was featured in IU Opera Theater’s production of The Most Happy Fella as the Bus Driver and as a member of the dance ensemble. He has also appeared in the chorus of the IU Opera Theater productions of Roméo et Juliette, The Love for Three Oranges, and Les contes d’Hoffmann. Torino appeared on Broadway in the Tony-nominated revival of The Man Who Came to Dinnerand on NBC’s Law and Order. Gobin, Rambaldo’s Friend Brandon M. Gauby, tenor, makes his principal role debut with IU Opera Theater after appearing in the choruses ofLa traviata and Cendrillon during the 2008-09 season. Recent performances include a solo performance with the AIMS Festival Orchestra in Graz, Austria, in August 2009 and performances in selected scenes with the IU Summer Opera Workshop. Additionally, Gauby has participated in master classes with Bo Skovhus and has worked with Edoardo Müller and Simone Luti, both of Teatro alla Scala, Milan. The Arizona native recently completed undergraduate studies at Indiana University, where he received the Music Faculty Winifred Bain Scholarship and was a Hudson Scholar. He studies with Patricia Stiles. Blake Kendall, tenor, is a first-year Master of Music student from Columbus, Ind. Kendall received his Bachelor of Music in Voice from Butler University, where he studied with Michael Sells. While at Butler, Kendall was a soloist in Handel’s Messiah and W. A. Mozart’s Requiem, the First Sailor in Purcell’s Dido and Aeneas, the tenor soloist in the première of composer Aaron Krerowicz’s Verouchenie, and participated in master classes with Nathan Gunn and Carolyn Sebron. Kendall recently appeared in the chorus for W. A. Mozart’s Die Zauberflöte and made his debut with IU Opera Theater in Cendrillon in February 2009. He is a student of Brian Horne. Crébillon, Rambaldo’s Friend Bass-baritone Nathanael Brown has performed many roles with IU Opera including, Giuseppe in the collegiate première of The Light in the Piazza, Chelio in The Love for Three Oranges, Baron Douphol in La traviata, Count Ceprano in Rigoletto, Lieutenant Breedley in the collegiate première of William Bolcom’s A Wedding, and Hermann in Les contes d’Hoffmann. Brown recently has been working with Indianapolis Opera in roles such as Die Lakai in and Sciarrone in Tosca. Other roles include Tartuffe in Tartuffe, Count Carl-Magnus Malcolm in A Little Night Music, and Ben in The Telephone. Partial roles include Reverend Olin Blitch in Susannah and Figaro and Bartolo in Le nozze di Figaro. Brown is currently in his third year of the master’s program at the Jacobs School of Music and studies under Timothy Noble. Baritone Christopher Grundy, a first-year Master of Music student, makes his IU Opera Theater debut in La rondine. Recent performances include J. S. Bach’s Magnificat, Vaughan Williams’ Five Mystical Songs and Fantasia on Christmas Carols, M. A. Charpentier’s Te Deum, and the role of Israelite Man in Handel’s Esther. Previous operatic roles include Dr. Falke (Die Fledermaus), Mr. Gobineau (The Medium), and Spinelloccio and Amantio (Gianni Schicchi). He has performed as a soloist with the Amor Artis Chorale, St. Patrick’s Cathedral Choir, Orchestra New England, and the Fairfield County Chorale. This spring, he is a soloist in Haydn’s Grosse Orgelmesse with the Great Neck Choral Society. In a 2009 recital, he gave the world première performance of songs by composer Neely Bruce, and recorded songs of Johannes Brahms for the Max Klinger project at Wesleyan University. He has performed at the Art Song Festival at Baldwin-Wallace and at AIMS in Graz, Austria. He received his B.A. from Yale University, where he conducted the Yale Russian Chorus. Currently a student of Scharmal Schrock, his former teachers include Steve Smith and John Mack Ousley. Prior to attending IU, Grundy accumulated more than 2,000 hours of flight time as a commercial helicopter pilot and flight instructor. Yvette Loralee Culbert began her bachelor’s in vocal and piano performance at George Mason University, where she received the Spotlight on the Arts Ruth Haycock Scholarship in Piano. She is now continuing her studies in voice with Carlos Montané at Indiana University, where she received the Shirley Rabb Winston Scholarship in Voice and has been named a Founder’s Scholar. Culbert has received numerous awards in voice, including first place at the Vienna Club level and second place at the regional level of the James Bland Competition, first place at the Virginia NATS competition in the College Freshman Women division, and honorable mention at the Friday Morning Music Club Voice Competition in Washington, D.C. She is a member of the select a cappella chamber chorus, Harmonia Speculum, based in Bloomington. Culbert has performed several opera roles including Miss Skjaere (Love’s Comedy), Woman of Grenada (Ainadamar), a female Blogger (¡Únicamente la verdad!), and Cherubino (Le nozze di Figaro); she has also sung in Scarlatti’s Tigrane. This performance marks her debut with IU Opera Theater. Culbert is also an avid pianist and organist and recently played solo organ recitals at Christ Church Cathedral in Indianapolis and at the IU Auditorium. Currently, Culbert is anticipating future studies at IU in both vocal and organ performance. Stephanie Nakagawa, a native of Vancouver, Canada, is a first- year master’s student at IU, studying under . She received her B.Mus. degree in opera performance with a minor in commerce from the University of British Columbia (UBC). She was awarded the UBC Medal for highest academic standing in her faculty. She has won the Western Canada District Metropolitan Opera National Council auditions and the Gold Medal for highest national ranking from the Royal Conservatory of Music (RCM). She holds RCM ARCT performance diplomas in both piano and voice. Her UBC stage credits include Gretel (Hänsel und Gretel), Musetta (La bohème), Adele (Die Fledermaus), and Zerlina (Don Giovanni) with the Vancouver Symphony Orchestra, Westcoast Symphony Orchestra, and the North Bohemian Philharmonic in the Czech Republic. Nakagawa has also performed Ginastera’s Cantata para América Mágica at the Aspen Music Festival. She has won numerous awards in competitions, including First Place at the British Columbia Provincial Festival of the Performing Arts, and is a Jeunesse Ambassadeur Lyriques laureate. She has been awarded the Wesbrook Scholar, June Goldsmith Music Scholarship, Johann Strauss Foundation Scholarship, UBC BMO National Scholarship, UBC TREK Excellence Scholarship, and the Canada Millennium Excellence Award. Bianca Johanna Moffitt is a native of Buffalo, N.Y. She is working towards her doctorate in vocal performance at the Indiana University Jacobs School of Music. While in Bloomington, Moffitt has played Mother Abbess in the Cardinal Stage Company production of The Sound of Music, Countess Ceprano in Rigoletto with the IU Opera Theater, Duchess Maryborough in the IU Lee Norvel Theatre and Drama Center’s production of An Ideal Husband, and appeared in the Dynamic Presence Project’s production of Terminus, written and directed by Adam Noble. With IU Opera Workshop, she has performed Nella in Gianni Schicchi, Mimí in scenes from La bohème, and Adriana Lecouvreur in scenes from Adriana Lecouvreur. Moffitt is a student of Scharmal Schrock. Catherine O’Rourke makes her IU debut with this role in La Rondine. She recently returned from remounting the role of Lucienne (Opera Box Soprano) in John Corgliano’s The Ghosts of Versailles, with Wexford Opera in Wexford, Ireland. She first performed the role at the Opera Theatre of Saint Louis (OTSL) in summer 2009, where she was a Gerdine Young Artist and also covered the role of Marie Antoinette. She will return to OTSL this summer, where she will cover the roles of Susanna in Le nozze di Figaro and Mrs. Nordstrom in A Little Night Music. She recently finished her master’s at the New England Conservatory, where she was an apprenticed artist with Opera Boston. Her favorite roles include Alma in Hoiby’s Summer and Smoke, Countess Almaviva, Madame Herz in The Impresario, Lucy in The Telephone, Climene in Egisto, and Monica in The Medium (cover). O’Rourke, a native of New Jersey, holds a B.M. from the University of North Carolina at Greensboro, where she studied with James Bumgardner, and two masters from the New England Conservatory, where she studied with Delores Ziegler. She is currently pursuing doctoral studies at IU, under the tutelage of Costanza Cuccaro. Suzy Mezzo-soprano Julia Snowden is a Massachusetts native completing her master’s at the Indiana University Jacobs School of Music. She earned her bachelor’s in voice from Indiana University in 2008. This past summer she performed the roles of Hänsel in Hänsel and Gretel and Florence in Albert Herring, both at Opera in the Ozarks in Eureka Springs, Ark. She made her IU Opera Theater debut as Giovanna in 2007’s Rigoletto and most recently appeared as Dorothée in Massenet’s Cendrillon. She has also appeared in Così fan tutte (W. A. Mozart), Our Town (Rorem), Madama Butterfly(Puccini), La traviata (Verdi), and The Love for Three Oranges (Prokofiev) as a member of the chorus. Formerly a student of Brian Horne, Snowden is currently studying with Mary Ann Hart. Mezzo-soprano Laura Thoreson is a second-year master’s student from Vancouver, Wash. She received her Bachelor of Music in Vocal Performance from Central Washington University in Ellensburg, Wash., where she performed the roles of Gertrud in Humperdinck’s Hänsel und Gretel and Dido in Purcell’s Dido and Aeneas, and performed scenes from Così fan tutte (Dorabella) and Little Women (Jo March). In Bloomington, Thoreson has participated in the IU Opera Workshop program, performing in scenes from Madama Butterfly (Suzuki), Il barbiere di Siviglia (Rosina), L’incoronazione di Poppea (Nerone), Hänsel und Gretel (Hänsel), and Norma (Adalgisa). She has also appeared as a soloist with the Bloomington Chamber Singers, the University Singers, Pro Arte Singers, and Summer Chamber Choir, and, in 2008, performed the role of Mama Lucia in Lafayette Symphony Orchestra’s concert performance of Cavalleria Rusticana. In April, she will appear as a soloist with the IU New Music Ensemble and as the alto soloist for IU production of Mendelssohn’s Elijah. She will also perform the role of Orfeo in an IU student production of Glück’s . Thoreson is a student of Patricia Wise. Concert Orchestra Violin I Cello cont’d Trumpet Chao Kai Lin Lia Kohl Justin Brookens Anna Tsai Lauren Coburn Daniel Kiley Peter Vickery Stephen Dorff Gillian Freed Yeji Chung Ryan Fitzpatrick Sangwoo Kim Chas Helge Trombone David Ramos Alana Shannon Lucas Borges Pyunghwa Choi Weipeng Liu Sarah Barbash-Riley Hanna Woo Andrew Slemmon Heather Gibson, Bass Kevin Matson Thomas Ems Yu-Chen Hsu Justin Criner Timpani Bo Yoon Choi Eric Allen Paul Walker Grace Kim Yi Xin Percussion Violin II Bass Colin Hill Delyana Lazarova Steven Metcalf Jon Lou Steffen Zeichner Eric Lacour Mary McCauley Benjamin Wedeking Evan Spieker Jacob Harpster Michael Acosta Zachary Hardie Alexandru Hamzea Dorian Jackman Harp Anastasia Falasca Alicia McQuay Ran Seo Flute Marijo Miller Jessica Banks Piano Garrett Semmelink Caroline Wong Piotr Wisniewski Abigail Pratt Minjoo Ji, Piccolo Carrie Hoogland Celesta Andrew Bloom Oboe Natsuko Ejiri Andrej Power Lindsay Flowers Lindsay Haukebo Orchestra Manager Viola Sarah Huebsch, Benjamin Huseby Woonjoo Park English Horn Anna Tsai, ass’t. Gerry Varona Susanna Johnson Clarinet Orchestra Set-Up Alexander Smith Gideon Alon Shoshana Kay Zara Ahmad-Post Kevin Schaffter Aspen McArthur Amanda Cook, Bass Librarian Forrest Wu Mariel Johnson Stauff Erica Zappia Bassoon Joyce Fleck Cello Banri Hoshi Edward Prevost Catherine Lukits Horn Austin Hoke John Reem Julia Morelli Laura Goodenkauf Jesse Clevenger Kelsey Westvelt Student Production Staff Assistant Conductor...... Will White Assistant Stage Director. Kyung-Ook Kim Assistant Chorus Masters...... Brian Schkeeper, Ryan Tibbetts Assistant Stage Managers...... Matthew Opitz, Sarah Stone, Julie Wyma Italian Diction Coach. Stefano Sarzani Head Fly Person ...... Jesse Willett Deck Supervisors...... Justin Searle, Andy Shaw Stage Supervisor ...... Adrianne Dunlap Head Deck Electrician...... Patrick Dagley, Greg McGracken Light Board Operator. Carrie Reading Prop Master. Adam Svoboda Paint Assistants...... Sara Radke, Sarah Stone Paint Crew...... Claire Bidwell, Eric Dagley, Melody Eotvos, Elizabeth Hadley, Rachel Kremidas, Eva Mahon-Taylor, Nolan Moss, Laura Sibrel, Claire Stebbins, Adrian Stark, Adam Svoboda Electrics Crew ...... Devin Bean, Mark Davies, Heather Forrester, Kelly Glyptis, Skylar Kooi, Alyssa Martins, Olivia Miller, Matt Nowlin, Eric Svoboda, June Tomastic Deck Crew...... Kevin Carson, Hannah Carter, Jeff Cierniak, Keenen Dadds, Kelsey DeWitt, Alana Dion, Adrianne Dunlap, Jacob Fisk, Michael Groenewegen, Joshua Held, Ashley Hughes, John Jonas, Nicolas Kegley, Jennifer Kempfer, Adam Lamirand, Krista Laskowski, Ikema Leason, Abby Lefkove, Danielle McClendon, Kelly McMeen, Gib Primeau, Lauren Polaski, Michael Powell, Caitlin Saraceno, Alana Shannon, Matthew Storino, Scott Taft, Grace Walsh, Steven Wilson, Nicole Worobey Costume Assistants...... Kelly Holterhoff, Caitlin Shirley, Emily Solt Costume Crew...... Suna Avci, Jasmine Brown, Kjersti Cubberley, Ben Delony, Ashleigh Guida, Anne Holen, Rebecca Johnstone, Alysse Maglior, Sherri Miller, Kate Murphy, Maryam Noorzad, Sara Radke, Adam Svoboda, Anthony Webb, Julie Wyma, Larrea Young Assistant House Managers...... Lindsay Flowers, Jonathan Matthews Audio Production Crew ...... Haley Fohr, Mark Galup, Matthew Holmes, Ted Jamison-Koenig, Hank Powell, Scott Simpson Supertitle Operator . Emily Smokovich one regional center for your family’s comprehensive orthopedic care

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Eversold George Hill and Amy Edgeworth Hill Bruce A. Cain Jeffrey and Deborah Ewald Lowell and Ruth Hoffman Ronald and Marcia Capone John and Suzanne Farbstein F. Michael Holdeman J. P. and Barbara Carver Terrell D. Faulkenberry Nicholas and Katherine Holzmer Leland F. Caulfield John Fearnsides and Margaret Jenny Harlow and Harriet Hopkins Robert and Susan Cave Jean E. Felix Ray and Phyllis Horton John P. Cecrle Craig A. Fenimore Emily L. Hostetter Lee A. Chelminiak Moira J. Fetterman Robert and Jacqueline Hounchell Robert and Gayle Chesebro George and Jody Fielding Jeffrey Huber and Timothy W. Chipman Jonathan Fields and Kathleen Collins Lesa Lorenzen-Huber Nancy O. Hublar Ellen L. McGlothin Dolores P. Rainey Marjorie C. Hudgins Carmen J. McGrae George and Peggy Rapp Philip D. Huffman P. Douglas McKinney Susanna M. Rast Ivan and Anne Hughes James and Nelia McLuckie John A. Rathgeb John and Cindy Hughes Mary Jo McMillan Alan and Diana Rawizza James and Janet Humphrey Robin McNeil Sara E. Reid Llewellyn and Sally Humphreys Naegeli C. Metcalf John L. Reitz Robin S. Hunden Lynn A. Meyer William and Lynn Remsburg Linda S. Hunt Edward and Alice Michaels Laura J. Rexroth George E. Huntington, III Jonathan and Miah Michaelsen Carolyn J. Rice John L. Iltis Joe and Juliana Michie David and Barbara Rich Carol L. James Ben F. Miller Susan M. Rider Robert and Kathryn Jessup Donald A. Miller William and Nancy Riggert Ted and Barbara Johnson Lois C. Adams Miller Donald and Lucy Ritter Russell L. Jones Patrick and Frances Mitchell Brent Robertson and Wayne and Kristin Jones Edward J. Mitro Elizabeth Aronson Robertson Kathleen Katra Richard J. Mylnarski Bruce R. Robinson Douglas and Mary Katz Tracy and Kevin Moeller Bruce Ronkin and Janet Zipes Marilyn J. Keiser Rosalind E. Mohnsen James and Maureen Ross Dennis D. Keithley Philip and Patty Moreau Philip and Barbara Ross Richard E. Kennon J. Timothy and Barbara Morris Daniel Rothmuller Robert and Stephanie Keys Paul F. Mueller K. Stephen Royce John and Julianne King Michael J. Murphy Gerald J. Rudman Curtis J. Kinney Andrea Myslicki George T. Rush Karen L. Klages George and Diane Nadaf Irving L. Sablosky Michael and Jill Klee Emery and Patricia Nagy Eric B. Samuelson Marilyn Bone Kloss Osamu James and Tomoko Nakagawa Anne E. Sanders Dean J. Kluesner David and Jean Nanney Michael and Susan Sanders Joan D. Knollenberg Emile G. Naoumoff Steve Sanders James W. Krehbiel Carl and Jacquelyn Nelson V. Gayle Sarber Joel S. Krueger Lynn S. Nestler John and Donna Sasse Larry Lafferty David L. Newby Norin F. Saxe Betty E. Landis Brian K. Newell Daniel W. Schene Aldis and Susan Lapins David B. Nicastro Christopher and Janet Schwabe Robert L. Larsen Kenneth H. Nichols Robert E. Schweitzer Howard Larson M. Victoria Norman Ronald Schwier and Martha Starkey Peter and Marianne Lauffer Tony E. Norris Perry and Lisa Scott Hyung and Antionette Lee Philip and Jennifer Nubel Beverly C. Scott Bradley Leftwich and Ronald and Elizabeth Oakerson Ilene V. Sears Linda Higginbotham Pamela L. O’Connor William and Laurie Sears James E. Leick Vincent J. Ognibene John A. Seest Amy Letson David and Diane O’Hagan Mary K. Seidholz Andrew J. Leverenz William and Kathleen Oliver Richard Sengpiehl and Jerry and Jane Lewis George D. Osborne Mary Ann Adams William and Karen Lion Adrienne Ostrander Nancy L. Shane Lillian G. Livingston Elayne Ostrower Nadine E. Shank Charles and Jo Lohmeyer Mary A. Owings David L. Shea Paul and Donna Love Donald and Jeanette Palla Robert and Catherine Shelton Beryl Lowrance Robert and Sandra Parker Odette F. Shepherd John and Ellen Lowrie Travis R. Paulin Richard L. Shepherd Patricia D. Lust David and Linda Pennebaker Sandra Brown Sherman Joan M. Mack Kathie I. Perrett Kyun Wook Shin and Frances M. Madachy Dorothy L. Peterson Myung Jai Rhim Robert W. Magnuson George W. Pickering Wayne and Lois Shipe Mayer and Ellen Mandelbaum R. David Plank and John and Rebecca Shockley Joseph and Leslie Manfredo T. Earline Moulder Robert and Jill Siddall Kim and Marissa Manlove Lorraine W. Plauth Roger S. Simmons Rochelle G. Mann Richard and Carolyn Pollak Arvi Sinka Rudy T. Marcozzi Helen E. Poulos Denis Sinor Brian D. Marcus Daniel E. Powers and Charles and Eleanor Six Philip and Rovena Marcus Martha A. Krasnican Jo Anne Skoog Constance V. Martin Glenn and Susan Pratt John and Donna Slinkard Richard and Susan Marvin Sylvanna T. Prechtl John W. Smallshaw Judith A. Mason Bryan Proctor and Aimee Walters Timothy and Kristin Smith Jim Matthews and Jan E. Prokop Eliot R. Smith Sallie Liesmann Matthews Earl and Dorothy Prout Carey and Peggy Smith Barbara E. Mayhew Derrick M. Purvis G. Robert and Lynda Smith Judith S. McCorkle R. A. and Brenda Quick Kenneth Smith Gary W. McCourry Anola E. Radtke Lucille Snell Scott McCray Diane Ragains-Slawin Steve and Mary Snider David and Nancy McDougall Oswald G. Ragatz Robert A. Soller James and Carolyn Sowinski Elizabeth N. Thompson John and Emily Ware Frederick and Lori Spencer Scott Tisdel and Stephanie Jacob Stephanie C. Wayland Barry R. Springer Joseph and Diana Tompa Paul and Mary Waytenick Peter and Ann Spurbeck Philip Trimble and Alice Langston Gary T. Wedow Darrell T. Stachelski Trimble Roger and Barbara Wesby David E. Starkey Myrna D. Trowbridge Sidney and Kay Wessol Marjie P. Steiner Linda J. Tucker Tricia M. Wheeler P. Bruce Stephenson Dale and Melody Turner M. Patricia White Scott A. Stewart Wayne and Debra Uhl David B. Williams John Stipp and Donyel Byrd Matthew S. Underwood Mark and Melinda Wiseman Janies M. Stockhouse Charles and Marjorie* Van Tassel Mark A. Witucki Jennifer S. Stokes Allen and Geraldine Varner Donna S. Wolaver James L. Strause Dianne Vars Teresa A. Wolf Gregory and Rhonda Swanson William and Shirley Vessels Gregory Wolfe and Julie Hochman Merna Swihart William and Jane Volz Ian Woollen and Susan Swaney William and Diana Taggart Larry and Elaine Wagner James and Patricia Wright Yasuoki Tanaka Barbara J. Waite Michael M. Wright Jacqueline B. Telgheder Joel Wald and Claudia Krogh Wald G. Eugene Yates Helen C. Templeton Shirley R. Walters David and Joan Zaun James and Nancy Teutemacher. Sarah F. Ward Conrad and Debora Zimmerman

* = Deceased

Corporations and Foundation Donors $1,000,000 and Up Georgina Joshi Foundation, Inc. $100,000 and Up Dorothy Richard Starling Foundation $10,000-$99,999 Aebersold Charitable Lead Trust Ann and Gordon Getty Foundation Summer Star Foundation for Nature, Art, and Humanity, Inc. $1,000-$9,999

Avedis Zildjian Company The Harvey Phillips Foundation, Meridian Music Company, Inc. Crown Management Bloomington, Inc. M.J. and Associates, Inc. Inc. Martin and Son, Inc. Muesing Management Company Guy Kornblum and Associates Sweetwater Sound, Inc.

Up to $999 Bloomington Pops, Inc. Drummond Woodsum and Pentreath House Bed and Breakfast Chicago Symphony Orchestra MacMahon The Phil Nichols Company, Inc. Christ Church Eastern Connecticut Recorder Pinnacle Properties City Optical Company, Inc. Society Reis Nichols Jewelers Community Foundation of First United Methodist Church Ritman and Associates, Inc. Bloomington and Monroe Four Walls, LLC R.J. Pile, LLC County, Inc. Indiana University Alumni Sigma Alpha Iota Bloomington Cook Incorporated Association Alumnae Chapter Creekside Middle School Mishkin and Duvall P.C. Susan Hall and Associates, P.C. Opera Illinois League TIS Group Dean’s Circle

The Indiana University Jacobs School of Music Dean’s Circle includes individuals dedicated to making a difference in the cultural life of our nation. These unrestricted gifts of opportunity capital support the areas of greatest need, including financial aid, faculty, academic opportunity, and visiting artists.

Visionary Members - $10,000 and Up Gary and Kathy Anderson Jessie B. Gray Dick* and Ruth Johnson Jack and Pam Burks David H. Jacobs, Jr.

Strategic Members - $5,000 to $9,999 Jay and Karen Goodgold Ellen M. Rainier

Supporting Members - $2,500 to $4,999 William and Marion Crawford Dennis and Judy Leatherman Darby A. McCarty Peter and Monika Kroener Mark Sudeith

Contributing Members - $1,000 to $2,499 Martha Aramian Kenneth and Linda Kaczmarek Gary and Christine Potter Bob Barker and Pat Fell-Barker Thomas and Gail Kasdorf Edward and Lois Rath Constance Kramer Bash George and Cathy Korinek Gwyn and Barbara Richards Dr. F. Dale and Linda Bengtson Guy Kornblum James B. and Mary Alice Rickert Bill and Anita Cast Thomas and Theresa Kulb Mag Cole Russell and Steve Russell Danny and Patty Danielson James and Katherine Lazerwitz Randy Schekman and Nancy Walls D. Kim and Jane Dunnick Sara and Bob LeBien Richard C. Searles Frank K. Edmondson, Jr. Charles and Zelda Leslie Harold Segel and Jeannette Jung Segel Richard E. Ford Elyssa A. Lindner Jefferson Shreve Edward and Mary Ann Fox Hon. P.A. Mack, Jr. Dr. Frederic and Roberta Somach Craig and Missy Gigax Edward and Terri Martin Dr. W. Craig Spence Paul and Ellen Gignilliat Patrick and Marianne McCall Mary L. Stein Suzanne Gilson Cullen and Rachel McCarty Beth Stoner Frank C. Graves John and Geraldine Miller Marianne Tobias Alan J. Harris Joan C. Olcott Edward and Cynthia Towson Gene and Judith Hedrick Edward and Margaret Olson Charles H. Webb, Jr. Jeffrey S. Jepsen James and Carol Orr Dr. David L. Wicker Dr. Herbert E. Parks

Leadership Circle

Members of the Leadership Circle have contributed lifetime gifts of $100,000 or more to the Indiana University Jacobs School of Music. We gratefully acknowledge the following donors, whose generosity helps the school reach new heights and build a sound financial framework for the future.

More than $1,000,000 Cook Incorporated David H. Jacobs, Jr. The Estate of Mrs. Juana Mendel The Estate of Juanita M. Evans Georgina Joshi Foundation, Inc. The Estate of Clara L. Jack and Linda Gill Krannert Charitable Trust Nothhacksberger The Estate of Barbara M. Jacobs The Lilly Endowment Dorothy Richard Starling Foundation $500,000 to $1,000,000 The Estate of Ione B. Auer W. W. Gasser* and Mary Kratz Gasser The Estate of David H. Jacobs George A. Bilque Ann and Gordon Getty Foundation Robert R. O’Hearn Jack and Pamela Burks Col. Jack I. and Mrs. Dora Hamlin Arthur R. Metz Foundation The DBJ Foundation The Estate of Eva M. Heinitz The Estate of Ruth E. Thompson

$250,000 to $499,999 Dr. and Mrs. Jamey Aebersold Beatrice P. Delany Charitable Trust The Presser Foundation Dr. and Mrs. Gary J. Anderson The Estate of Alvin M. Ehret Mr. and Mrs. Rudolph Rasin The Estate of Wilfred C. Bain The Estate of Mrs. Lucille de Murray and Sue Robinson Olimpia F. Barbera Espinosa The Estate of Lee E. Schroeder The Estate of Angeline M. Battista Richard E. Ford Maidee H. Seward Alexander S. Bernstein The Estate of Emma B. Horn Mr. and Mrs. David E. Simon Jamie Bernstein IBM Corporation Deborah J. Simon Nina Bernstein Simmons Irwin-Sweeney-Miller Foundation Mr. Herbert Simon The Estate of Sylvia F. Budd Yatish Joshi and Louise E. Addicott- Mr.* and Mrs. Melvin Simon Christel DeHaan Family Joshi* Paul and Cynthia S. Skjodt Foundation. The Estate of Nina Neal The Estate of Herman B. Wells

$100,000 to $249,999 The Estate of Ursula Apel Paul and Ellen Gignilliat Leonard Phillips and Mary The Estate of Robert D. Aungst The Estate of Marjorie Gravit Wennerstrom Artur Balsam Foundation The Estate of Margaret H. Hamlin Cole and Kate Porter Memorial Bob Barker and Pat Fell-Barker Robert J. Harrison Graduate Fellowship in Music Trust Hank J. Bode and Wade and Ann Harrison Charlotte Reeves Susan Cartland-Bode The Estate of Jascha Heifetz The Estate of Dorothy Rey Bennet and Cynthia Brabson Georgia Wash Holbeck Living Trust, The Estate of William D. Rhodes Brabson Library and Robert J. Harrison, Trustee The Estate of Dagmar K. Riley Education Foundation Harold R. Janitz Mag Cole Russell and Steve Russell The Estate of Frances A. Brockman The Estate of Mr. and Scott and Kathryn Schurz Joan* and Marvin Carmack Mrs. Eugene Knapik Eva Sebok Foundation Peter and Monika Kroener Fred and Arline J. Simon Jean A. Creek David and Neill Marriott Smithville Telephone Company The Estate of Mavis M. Crow The Estate of Margaret E. Miller Thomson, Inc. The Estate of William H. Earles Betty Myers Bain The Estate of Mary C. Tilton The Estate of Robert A. Edwards The Estate of Jean P. Nay Marianne W. Tobias Vicky Felton Penn Asset Equity LLC Kenneth C. Whitener, Jr. Ford Meter Box Foundation, Inc. John* and Marilyn Winters

The Legacy Society The Legacy Society at the Indiana University Jacobs School of Music honors thefollowing individuals, who have included the Jacobs School as a beneficiary under their wills, trusts, life insurance policies, retirement plans, and other estate-planning arrangements.

Anonymous (5) Thomas and Ellen Ehrlich Jack and Dora Hamlin Richard L. and Ann T. Alden H. Campbell Engles Charles Handelman Mildred Frazee Allen Eleanor Fell Mr. and Mrs. Gerald W. Hedman Janette Amboise-Chaumont Marianne V. Felton Clara Hofberg Ione Breeden Auer Philip C. Ford Rona Hokanson Dennis Bamber Frederick G. and David Holcenberg Olimpia F. Barbera Mary Moffatt Freeburne P. Stuart Holmquest Christa-Maria Beardsley Mr. and Mrs. Howard M. Gabbert, II William T. and Kathryn R. Hopkins Colleen Benninghoff Erika Gabor and David Marshall David Huggins Michael E. Bent Marcella Schahfer Gercken Verna L. Johnson Richard and Mary Bradford Dr. M. A. Gilbert M. Bernice Jones and Charles C. Jones Eileen T. Cline Harold and Lucille Goodman James and Katherine Lazerwitz John and Doris Curran Ken W. Grandstaff Lynn Vaught Lewis Susie Dewey Mary J. Griffin Ann M. and Dr. Richard Lilly D. Michael Donathan Jonathan L. Gripe Bill and Brenda Little Harriett Block Macht Judit Pless Donald G. Sisler Hon. P. A. Mack, Jr. Jack Wallace Porter Samuel W. and Martha K. Siurua Charles Jeffery Marlatt Ben B. Raney, Jr. Catherine A. Smith Susan Sukman McCray Stanley Ransom George P. Smith II Douglas and Jean McLain Clare Rayner Mary Todd Snider Sylvia McNair Charlotte Reeves William D. and Donald and Sonna Merk Albert and Lynn Reichle Elizabeth Kiser Strauss, Jr. William F. Milligan Naomi Ritter Douglas and Margaret Strong Robert A. Mix Murray and Sue Robinson Hans and Alice Tischler Dale and Cynthia Nelson Eleanor Roehr Henry A. and Celicia Upper Del and Letty Newkirk Roy and Mary Samuelsen Nicoletta Valletti Robert O’Hearn George Pershing Sappenfield Robert J. Waller Fred Opie and Melanie Spewock Morton and Virginia Schmucker Charles Webb Eleanor Osborn Hubert and Norma Seller Michael Weiss Charles F. Peters Maidee H. Seward Patricia and Robert Williams Leonard Phillips Maurice F. Shadley Ross A. Wingler and Mary Wennerstrom Odette Fautret Shepherd

Thanks to the Friends of Music Donors The mission of the Society of the Friends of Music is to raise scholarship fundsfor deserving, talented students at the Indiana University Jacobs School of Music. The Society was established in 1964 by a small group led by Herman B Wells and Wilfred C. Bain. We are pleased to acknowledge outright gifts made between July 1, 2008, and June 30, 2009. We are grateful to these donors whose gifts are helping to support scholarships in the 2009-2010 academic year.

Guarantor Scholarship Circle Hoagy Carmichael $10,000 Wade and Ann Harrison Smithville Telephone Company

Cole Porter $5,000 - $9,999 Bob Barker and Pat Fell-Barker Raymond and Marcie* Tichenor John and Adele Edgeworth John and Beth Drewes Nelda Christ and Harold R. Janitz * Stephen and Jo Ellen Ham Jeanette Calkins Marchant Ross S. Jennings Susie J. Dewey Friends of Music $10,000 and Above James and Laura Byrnes

$5,000 - $9,999 Shaun and Jill Byrnes Jennifer A. Cast and Elizabeth K. Franklin

Herman B Wells Circle Gold $2,500 - $4,999 Pamela S. Buell Darby Earles McCarty P. Michael and Patricia Miller Dennis and Judy Leatherman Charles and Julia McClary Kenneth and Debra Renkens

Silver $1,000 - $2,499 Margaret K. Bachman James and Roberta Graham Elisabeth P. Myers Eleanor J. Byrnes Stephen and Jo Ellen Ham Dale and Cynthia Nelson William and Anita Cast Frank and Becky Hrisomalos Randy Schekman and Nancy Walls Jean A. Creek Peter P. Jacobi Phyllis C. Schwitzer Fred and Suzanne Dahling Ned and Wendy Kirby Curtis and Judith Simic James L. DeCaro Peter and Monika Kroener Gregg and Judith Summerville Frank J. Eberle Michael Molenda and Jack R. Wentworth Harvey and Phyllis Feigenbaum Janet Stavropoulos J. William and Joan Whitaker Paul and Ellen Gignilliat Joseph and Sandra Morrow John and Linda Zimmermann

Dean Wilfred Bain Circle Patrons $500 - $999 David and Ruth Albright James and Joyce Grandorf Carol R. Nicholas James and R. Ann Allen Kenneth R. R. Gros Louis Vera M. O’Lessker Richard and Adrienne Baach Steven L. Hendricks James and Carol Orr Olimpia F. Barbera Rudolf and Rhonda Kachmann James and Helen Pellerite Bob Barker and Pat Fell-Barker George and Catherine Korinek Eleanor B. Phillippe Mark and Mary Bauman Herbert Kuebler and Phil Evans Mildred R. Reich David and Ingrid Beery Robert and Olga May T. E. Reilly, Jr. Renee Benjaminov Michael and Ann McAlexander Gwyn and Barbara Richards Leland and Helen Butler Michael McRobbie and Margrit Rothmuller John and Cathleen Cameron Laurie Burns McRobbie David Sabbagh and Linda Simon Ute and Lynn Coyne Darl and June Miller Anthony and Jan Shipps Lee and Eleanore Dodge John and Geraldine Miller George and Viola Taliaferro Sterling and Melinda Doster Jerry and Anne Moss Henry and Celicia Upper Barbara F. Dunn Lee and Ardith Nehrt Leonard Phillips and Stephen A. Ehrlich Delano and Luzetta Newkirk Mary Wennerstrom Marianne V. Felton Leonard and Louise Newman Barbara L. Wolf Howard and Virginia Gest Jerry and Joan Wright Sustainers $300 - $499 Robert Agranoff and Susan Klein Kenneth and Janet Harker William and Diana Miller Christian and Mary Albright Robert and Ann Harman Martin Newman and James and Susan Alling Carter and Kathleen Henrich Shirley Clements Newman Mariann Bates Ernest Hite and Joan Pauls Roger and Ruth Newton Ronald and Dee Bloom Jean C. Holsinger Daniel and Gale Nichols Paul W. Borg Diane S. Humphrey Janet W. Paflas Malcolm H. Brown Michael Jacobson and Trine Sorensen John and Lislott Richardson James and Carol Campbell Kenneth and Linda Kaczmarek Murray and Sue Robinson Sarah Clevenger Robert and Troy Kassing Roger and Tiiu Robison Charles and Helen Coghlan Karl and Lynda Koehler Albert and Kathleen Ruesink Esther Ritz Collyer Phillip and Linda Leckey Dennis Senchuk and Karen Hanson Bruce Corner and Gaye Gronlund Jon and Susan Lewis Karen Shaw Dominic and Susan Devito Michael Larsen and R. H. Small and Jane Hewitt John and Beth Drewes Ayelet Lindenstrauss Larsen Jean J. Smith Michael and Cheryl Engber Harlan Lewis and Doris Wittenburg Glenn and Karen Stephenson Ellen L. Essig William and Violet Lynch Sheldon and Alyce Stryker James and Jacqueline Faris Jason D. McClellan Paula W. Sunderman J. Robert and Joan Fields Dennis and Beverly McGuire Hans and Sara Thorelli Robert and Martha Gutmann Howard and Carolee Mehlinger Samuel and Evelyn Ursu Ralph Hamon and Sandra Kirby Herb and Judy Miller Martha F. Wailes

Donors $100 - $299 Anonymous Howard and Elizabeth Chapman Sandra R. Freund Rodger and Diana Alexander Jay and Nancy Cherry Elizabeth Frey David and Melanie Alpers Nelda Christ Esther Gaber Miriam Alpert Milford and Margaret Christenson Bernardino and Caterina Ghetti Ethan and Sandra Alyea John and Joan Cochran Robert and Elizabeth Glassey Robert and Patricia Anker Delores J. Coleman James and Constance Glen John and Dianna Auld Thomas Coleman and Patricia Vincent M. Golik, III John and Teresa Ayres Williams Henry and Alice Gray Donna M. Baiocchi Edmond and Maxine Cooper Jerry and Linda Gregory Nicholas and Diann Balaguras Steven Coopersmith and Karin Donald Gray and Susan Gubar William and Honey Baldwin Bengtsson Coopersmith Samuel and Phyllis Guskin A. James Barnes Vivian L. Counts Jay and Sandra Habig David and Judith Barnett David B. Couper Richard J. Hamburger Robert and Patricia Bayer John and Barbara Csicsko Stanley and Hilary Hamilton Mark and Ann Bear Jefrey Davidson and Pamela Jones Robert and Julie Hammel Thomas and Barbara Beety Davidson Emmett and Pierrette Harris Shirley Bell Theodore and Alice Deppe Robert and Emily Harrison Ernest and Eva Bernhardt-Kabisch Susie Dewey John B. Hartley Norma B. Beversdorf Max and Jerri Dixon J. Richard Hasler Georgia R. Bledsoe M. Patricia Doyle Miriam Hatch John and Jean Boquist David and Jennie Drasin Lenore S. Hatfield Ellen R. Boruff John and Elizabeth Droege Barbara J. Henn William Bosron and Sheila Barton Michael and Sarah Dunn James and Sandra Hertling Herbert and Johnnie Brantley Mark and Karin Edwards David and Rachel Hertz Donald and Debbie Breiter Mary E. Ehrich John D. Hobson P. Delbert and Carolyn L. Brinkman Peter and Pearl Ekstrom Patricia S. Hodge Carl and Connie Brorson Joe and Gloria Emerson Marian M. Hoffa * Laurence and Mary Brown Mary I. Emison Cynthia R. Hogan Alexander and Virginia Buchwald Daniel and Judy Ent Rona Hokanson Richard and Ann Burke David and Brenda Esarey Richard Holen and Anne Jack Burks and Pam Boggs Burks Alan and Sara Feldman Kojola-Holen Derek and Marilyn Burleson Stephen L. Ferguson Richard and Lois Holl Sheila M. Burrello Joseph and Dolores Fiacable Norman and Judy Holy William and Victoria Butz Elfryda Florek Donna Hornibrook Roger and Elaine Byers Charles R. Forker William R. Hotz Barbara J. Byrum Richard Forkner and Susan Burk Ruth D. Houdeshel Anne K. Call Patricia L. Foster Robert and Jacqueline Hounchell Barbara Carlson Bruce and Betty Fowler Jeffrey Huber and Ledford and Julia Carter John and Ella Fox Lesa Lorenzen-Huber Alexander and Donna Cartwright Anne T. Fraker Owen and Annette Hungerford Lawrence and Celeste Hurst F. Timothy Nagler Samuel W. Siurua John L. Iltis Timothy and Donna Noble Charles Six and Eleanor Segal Six Bruce and Lea Jaffee Carol S. Nole Carl and Virginia Smith A. Louise Jerger Gloria G. Noone Catherine A. Smith Marley Jesseph David and Barbara Nordloh Ethel C. Smith Martin D. Joachim, Jr. Douglas and Roma North Janet S. Smith Keith and Doris Johnson Eugene O’Brien Fredric and Roberta Somach Burton and Eleanor Jones Wesley and Patricia Oglesby Alan and Donna Spears Donald and Margaret Jones Joan C. Olcott Janos and Rae Starker Ted Jones and Marcia Busch-Jones Richard and Jill Olshavsky Malcolm and Ellen Stern Gwen J. Kaag Robert and Mary Orben M. Dee and Rozella Stewart Marilyn J. Keiser Dan F. Osen Robert N. Stewart Patricia C. Kellar Cindy Oswalt Robert and Virginia Stockton Janet Kelsay Kent Owen and Suzann Mitten Owen Monique J. Stolnitz Thomas and Mary Kendrick J. Patrick and Margart Page Bruce and Shannon Storm John and Julianne King A. Ralph and Mary Papakhian Linda Strommen Robert and Rita Klausmeier Charles and Patricia Parmenter William and Gayle Stuebe Howard and Linda Klug Harlan and Joanna Peithman Saundra B. Taylor Jerome and Maryann Kopelov Edwin Penhorwood and Charlotte H. Templin Ronald and Carolyn Kovener Costanza Cuccaro Charles E. Thompson Rosey Krakovitz Lamar and Mary Peterson Raymond and Marcie* Tichenor William and Kate Kroll Richard and Harriet Pfister Jeffrey S. Tunis Emilie B. Kromer Doris B. Philbrick Charles and Marjorie Van Tassel Shirley Krutilla Cheryl L. Phillips Kenneth and Marcia VanderLinden William A. Kunkel, III Carol Pierce Alan and Evelyn Veritch Benjamin and Abigail Kuzma Ron and Frona Powell Wayne and Jane Vincent Yvonne Y. Lai Maryrose L. Pratter Robert and Marcia Voss David and Suzanne Larsen Stanley E. Ransom Judith Walcoff Merritt and D. Naomi Lawlis Charles and Suzie Rentschler George Walker and Carolyn John Lawson and Julia Karin Lawson Joseph and Roberta Rezits Lipson-Walker Don and Rita Lichtenberg Myfanwy Richards Donovan R. Walling Howard and Carolyn Lickerman Betty Posson Rieger David Ward-Steinman and Lena D. Lo Joyce H. Ritter Patrice Madura Ward-Steinman Carroll Cecil and Virginia Long-Cecil Jill A. Robinson Robert Botne P. A. Mack, Jr. David and Virginia Rogers Patricia A. Warren William and Eleanor Mallory Allan and Barbara Ross Thomas J. Weakley Mayer and Ellen Mandelbaum John and Mary Rucker Eugene and Frances Weinberg Jeanette Calkins Marchant Ruth L. Rusie John and Jocelyn Wentworth Nancy G. Martin John and D. Patricia Ryan Gloria D. Westfall Charles and Katherine Matson Edward and Janet Ryan James and Anna White Chester L. McCormack William and Margaret Salin Mark Wiedenmayer Jerry and Jane McIntosh Arthur and Norma Schenck Virginia N. Wightman James L. McLay Lynn L. Schenck Cleveland and Frances Wilhoit Donald L. McMasters Fred and Jane Schlegel Robert and Patricia Williams Michael and Virginia Metzger Maxie C. Schnicke Willard and Victoria Witte Stephen Moberly and Fredric and Nancy Schroeder Thomas and Sara Wood Sandra Schultz Moberly Richard C. Searles Allen and Rega Wood Alfred Moellering and Carol Christian and Mary Seitz John and Margaret Woodcock Wortman Moellering John and Lorna Seward Robert and Judy Woodley Bernard S. Morris Odette F. Shepherd Virginia A. Woodward Lois Morris J. Robert Shine William and Margaret Yarber Lenelle Morse Patrick and Lisa Shoulders Virginia Zeani J. D. and Patricia Mulholland Michael A. Simkowitz Thomas and Bernadette Zoss Frieda E. Myers Denis Sinor

* = Deceased Corporations and Foundations Redbud Hills Psi Iota Xi Bloomington Thrift Shop

Planned Gifts

We are grateful to those individuals who have expressed their interest in ensuring scholarship support for tomorrow’s students today, by making a planned gift through a testamentary gift in their estate planning by a will or trust, charitable gift annuity, or retirement plan. We are pleased to acknowledge here those individuals who have provided gift documentation in this past fiscal year and to remember those whose gifts have been received. David E. and M. Ruth Albright Esther Ritz Collyer Jeanette Calkins Marchant Margaret K. Bachman Marianne V. Felton in memory of Velma Anita Hursh Cast Douglas and Virginia Jewell and Emerson Calkins Judith C. Simic

Memorials and Tributes Each year, we receive gifts in honor or in memory of individuals whose leadership and good works have enriched the lives of so many. We are pleased to recognize those special individuals for their leadership and the donors whose gifts they have inspired. Margaret Bachman Ruth Houdeshel Louise Rosenthal in memory of William Bachman in memory of Harry Houdeshel in memory of John Calabrese Olimpia Barbera A. Louise Jerger Margrit Rothmuller in memory of Anthony Barbera in memory of Goldie Newman, in memory of Marko Rothmuller Robert Barker and Patsy Fell-Barker and in honor of Leonard and Catherine Smith in memory of Janis Chapline, Louise Newman in memory of Janis Chapline and in honor of Judith Simic Michael McRobbie and Laurie Burns Glenn and Karen Stephenson Shirley Bell McRobbie in memory of Lester Bates in memory of Alan Bell in memory of Janis Chapline, and and Kenda Webb, W. Leland and Helen Butler in honor of Judith Simic and in honor of Gertrude Bates in memory of Kenda Webb, Rosalind Mohnsen and Charles Webb and in honor of Charles Webb in memory of Robert Rayfield, Robert and Marcia Voss William and Anita Cast and in honor of Nancy Rayfield in honor of Richard Forkner in memory of Janis Chapline Barbara P. Monahan and Frieda Myers Fred and Suzanne Dahling in honor of Anita Cast Mark Webb and Lee Ann Smith in honor of Lydia Dahling Elisabeth Myers in memory of Kenda Webb, Susie Dewey in memory of John Myers and in honor of Charles Webb in memory of Robert Dewey Jerrold and Virginia Myerson Ewing and Kay Werlein Sandra Freund in memory of Albert Lazan, and in memory of Lester Bates in memory of Kenda Webb, in honor of Sylvia Ponemon and Robert and Patricia Williams and in honor of Charles Webb Morris Lazan in memory of Marcia O’Brien Esther Gaber Leonard and Louise Newman Porter Barbara Wolf in memory of George Gaber in memory of Janis Chapline in memory of Richard Good, Jr., Stephen and Jo Ellen Ham Vera O’Lessker and in honor of Marilyn Schultz in memory of Jeanne Forkner, in memory of Janis Chapline and in honor of Richard Forkner Harlan and Joanna Peithman in memory of Kenda Webb, and in honor of Charles Webb

Donations received between July 1, 2008, and June 30, 2009, will support scholarships for the 2009-2010 school year. They enrich your life, won’t you enrich theirs?

The performances of Jacobs School of Music students add immeasurably to our cultural life, but many of them could not be here without scholarship assistance. The Society of the Friends of Music is a volunteer organization whose mission focuses on providing scholarships for deserving, talented students at the Jacobs School of Music. Your annual membership contribution helps to fund these scholarships, and to thank you for your dona- tion, you will receive:

•The Libretto, the Friends of Music newsletter •IU Music, the Jacobs School of Music magazine •Prelude, the Jacobs School of Music monthly performance calendar •Invitations to special events

Guarantor Scholarship Circle $10,000 Hoagy Carmichael** $5,000 Cole Porter** Herman B Wells Circle $2,500 Gold** * Contributors admitted to designated dress rehearsals. $1,000 Silver** ** Contributors additional Dean Wilfred Bain Circle eligible for reserved parking upon request (812)855-5342 $500 Patron* $300 Sustainer* $100 Donor* $25 Explorer (age 50 and younger)

Name (s):______Address ______City ______State ______Zip ______Email ______New member Renewal

Checks should be made payable to the Friends of Music (I38I002015). Please mail this form to: Friends of Music, Jacobs School of Music, Indiana University, Bloomington, IN 47405. IU Opera Theater Production Staff General Manager...... Dean Gwyn Richards Executive Administrator, IU Opera & Ballet Theater...... Maria L. Levy Production Manager...... Jim Lile Guest Stage Manager . Katy Reeves Chorus Master . Gary Thor Wedow Visiting Lecturer/Opera Coach . Kimberly Carballo Coaches/Accompanists...... Piotr Wisniewski, Shuichi Umeyama Technical Director...... Alissia Lauer Assistant Technical Director ...... Nikolaus Miller Executive Administrator of Instrumental Ensembles and Special Performance Activity. Thomas Wieligman Director of Choral Studies ...... William Jon Gray Head of Properties Department and Scenic Artist ...... Timothy Stebbins Assistant Lighting Designer. Patrick Mero Scenic and Properties Assistant...... Mark F. Smith Scenic Painter ...... Makenzie Kus Painting Assistant. Shane Cinal Head of Costumes, Wigs & Make-up ...... Eléonore Maudry Guest Wig and Make-Up Designer ...... Gary Arave Cutters/Drapers ...... Soraya Noorzad, Dana Tzvetkov Part-Time Cutters/Drapers...... Anne Holen, Swallow Leach, Magdalena Tortoriello, Rebecca Williams Scenery Construction. Ken D’Eliso, Andrew Hastings, David Presson Audio Technician . Wayne Jackson Coordinator of Audio Production ...... Fallon Stillman Electrical Maintenance...... Dennis Long Production Administrative Assistant...... Elsa Finnegan Box Office and House Manager. Tridib Pal Director of Marketing and Publicity...... Alain Barker Publicity Assistant ...... Linda Cajigas Office of Marketing and Publicity Editor . Skip Sluder