Melvyn Bragg Howard Goodall

Total Page:16

File Type:pdf, Size:1020Kb

Melvyn Bragg Howard Goodall A Queen’s Theatre Hornchurch and Hull Truck Theatre production in association with Oldham Coliseum Theatre BOOK BY MELVYN BRAGG MUSIC AND LYRICS BY HOWARD GOODALL A SERIOUS MUSICAL ABOUT ORDINARY PEOPLE HOW A YOUNG COMPOSER AND A TV PRODUCER CREATED The Hired Man first night after-show party, AN ENTIRELY NEW SOUND FOR BRITISH MUSICALS November 1984 (l-r Andrew Lloyd Webber, Howard Goodall and Melvyn Bragg) Alan Davidson/Rex/Shutterstock y the time The Hired Man closed in the “He was as thoughtful, talented and sensitive chorales, duets and ensemble numbers, the score Salisbury in 2004 - for which Goodall wrote a new West End in 1985, after five months, it had as any of those who wore fine clothes and sounds like the musical love child of Tallis and song, ‘Day Follows Day’ - to a nationwide tour by already inspired great devotion among its dominated fiction,” Bragg said in an interview Vaughan Williams - with Goodall’s acute ear for New Perspectives in 2008 that journeyed as far as Bfans. Many remember it as the greatest at the time. “Naively, I thought the novel could beautiful melody lines laid on top. New York. British musical of the last half century, and ‘show them’.” audiences are struck by its epic scope and serious Goodall nervously played some songs to Bragg in The next few years saw revivals in Bolton, tone - especially since it predated Les Misérables That was exactly the same impulse that fired a vast empty ballroom at the Edinburgh Festival. Colchester, Leicester and London, cementing the by two years. Howard Goodall to adapt the book in musical form. Bragg loved them, and so the show eventually show’s reputation as one of the country’s best He wanted to avoid the “superficial, artificial, unreal” came together. and most beloved home-grown musicals. In 2012 Melvyn Bragg had written the first part of his quality of so many other shows and to create “a The Hired Man had a homecoming of sorts, with Cumbrian Trilogy - an epic tale of love and loss, serious musical about ordinary people…, who are Anxious about putting The Hired Man straight into a run at the Old Laundry Theatre in Bowness-on- community and survival, hardship and pleasure - poor and whose lives have real ups and downs”. the West End, the duo decided to try it out first at Windermere, just a few miles down the road from more than 20 years earlier. He wanted to fill his Together, they created something that, today, is the Southampton Nuffield, which had a reputation where it’s set in Bragg’s home county of Cumbria. novel with ordinary, working people, recreating seen as a keystone in British musical theatre. for strong new work, and then in Leicester. Finally, the world of his grandfather: born into a family of on 31 October 1984, The Hired Man opened at the He and Goodall have remained deeply attached 16, a farm labourer at 14, a coal miner, a soldier in In 1983, Bragg was well known as the presenter Astoria in London. It set a new idiom for British to the show, too. Bragg played the role of the the First World War. of The South Bank Show, as head of arts musicals, completely unlike the pop and rock- narrator in a concert version in 2016, while programmes for LWT and as an acclaimed influenced Andrew Lloyd Webber megahits such Goodall attends most of the revivals, even amateur novelist. He even had a West End musical already as Starlight Express (which had opened just a few ones, or sends letters of goodwill like this to a high under his belt, Mardi Gras (1976). months earlier in the West End). school in America in 2014: Goodall was excited to write his first musical. Barely Ironically, while The Hired Man deliberately “If you had told me that this show, rather unusual in his 20s, he was already a successful composer, avoided the high concepts, lavish sets and big for the time, would one day be performed in a with music for Rowan Atkinson’s fringe shows and solo numbers of the Lloyd Webber world, it was high school in Westchester, New York, by young the theme tune for Not the Nine O’Clock News on he who produced the show’s West End run. After people as yet unborn I would have laughed in his CV. After these initial successes, Goodall’s agent he pulled out as producer, and despite efforts by disbelief. And yet this is where we are today, by suggested he change direction and write a musical, Bragg to save it with his own money, the show some strange and delightful miracle.” “but he was surprised,” Goodall recalled in 1993, closed after 164 performances at the Astoria. A “when instead of the glitzy money-spinner he had few days later, it won a prestigious Novello Award Nothing existed before that was quite like it, envisaged I came up with a musical based on a for the year’s Best Musical. and nothing really since. And so, sparked by the Melvyn Bragg novel”. humble life of a farmhand in Cumbria more than a Four years later, it made the journey to America, to century ago, The Hired Man is sure to remain one As Bragg remembers it: “This bloody stick-insect an off-Broadway theatre, where a glowing review of the most important markers in the history of came to me and said, ‘I want to do a musical from The New York Times kept it afloat for a few musical theatre in this country. and I want you to write it.’” Goodall wanted it to weeks despite its strongly British subject matter sound unlike any other musical. At the heart of and musical style. Tim Bano © John Good it there was to be choral music blended with an inheritance of the English folk tradition. From the And what about Bragg and Goodall’s creation all The Hired Man original West End production at the Astoria Theatre, 1984 ever-flowing piano line, as restless and pastoral those years ago? Well, it’s been regularly revived Conrad Blakemore/ArenaPAL as a Cumbrian brook, to the mixture of anthemic across the country, from a major version in CUMBRIA IS THE OLD REGIONAL NAME FOR THAT PART OUT OF THE OF NORTH-WEST ENGLAND WHICH INCLUDES THE HIGHLAND HEART OF THE LAKE DISTRICT AND ALSO THE SURROUNDING LOWLANDS WHICH BORDER THE SOLWAY FIRTH AND MORECAMBE BAY, AS WELL AS THE EDEN ROCK VALLEY AND THE CROSS FELL ESCARPMENT. ost of those who have lived here for As Melvyn Bragg himself observed in his 1983 the past 7000 years have been farmers, book, Land of the Lakes: despite the poor quality of the land “The miners and their descendants, then as now, Mitself. Although a few farmers were kept hound dogs and whippets, fished, shot, lucky enough to have rich soil passed down in the climbed, walked, went back into the place from family or to otherwise acquire such an advantage, which their families had stemmed.” for the great majority their working lives were spent on the fells, which need careful tending to Where he begins his drama is in the thick of these provide even decent grazing land. complementary lifestyles, at the turn of the 19th into the 20th century. The 1880s had seen a shift Perhaps less well-known outside Cumbria is the in policy in the miners’ unions. For many years, long history of mining in the area. Celtic tribes dug their wages had been tied to the price of coal but, there for copper, and the Romans were aware of when it fell heavily, the result was disastrous. In copper, lead, zinc, iron and silver deposits. Unlike 1888, a Yorkshire miner rallied unions in several the land, the mineral deposits were of high quality counties and achieved an amazing 10 per cent and, by the end of the 16th century, German miners wage increase, and this led to the foundation were well established at Keswick. And coal, too, of the Miners Federation of Great Britain the was found here - on the western edge of the Lakes following year. Twenty years later, in 1908, they ran rich seams, often running far out under the sea. finally got a statutory eight-hour working day, but it took another four years, and a strike which The opportunities for exporting this natural asset involved a million men, to get legislation assuring turned Whitehaven from a small fishing hamlet a minimum wage on the statute book in 1912. into the earliest post-medieval planned town in England and, at one time, it was ranked the third In 1908, too, the Liberal government - against most important port in Britain, after London bitter Tory opposition - introduced the Old and Liverpool. Age Pensions Act. The state was beginning to take responsibility for the welfare of its ordinary Although there were some immigrant workers people - a responsibility which had previously - from Ireland, and Cornishmen from the been carried by such organisations as the Friendly worked-out tin mines - most of the miners came Societies, voluntary workers’ cooperatives to from Cumbria’s own hinterland, from the hills which people paid a few pence a week to guard and farming communities. Norman Nicholson against sickness, accident or destitution. The described the strong connections between the introduction of the pension was literally a new two in his Portrait of the Lakes in 1972: lease of life for most of Britain’s population: in “For the furnaces used to smelt Lake District ore 1904, out of a population of about 44 million, a with Lake District limestone, and the town itself is mere 1.25 million were seriously wealthy, another built of Lake District slate and Lake District flags.
Recommended publications
  • Film Music: an Analytical Approach to GCSE Specifications
    With special guest speaker, Howard Goodall CBE Film music: An analytical approach to GCSE specifications A CPD day exploring approaches to analysing music designed to enhance the moving image Monday 2 March 2020 City, University of London > Examine how music paints a picture, from musical elements that provoke emotion to instrumentation that illustrates characters > Discover creative ways to approach composition briefs, including melodic and harmonic writing and writing for a stimulus > Delve into an inspiring film score: discuss and analyse Star Wars (GCSE Set Work) in depth All course Prices (subject to VAT at 20%) Price included materials £195 (PTI members) for PTI Unlimited and lunch £295 (non-members) schools! included £145 (second participant from dept.) Got a question? email us at [email protected] or call 020 3174 2403 This course is for you if: > You want to support your students in listening, analysing, composing and appraising film music from Key Stage 3 to GCSE > You’d like to be inspired by expert speakers and network with colleagues from around the country to share ideas > You want to take a closer look at a commonly used exam score Book now at www.ptieducation.org/events Speakers Putting you in touch with specialist subject knowedge Mr Howard Goodall CBE Howard Goodall is an award-winning composer of choral music, stage musicals, film and TV scores. He is also well known as a TV and radio broadcaster, and his musicals have been produced in the West End and all over the world. His best-known themes & scores include Blackadder, The Gathering Storm, The Borrowers, Red Dwarf, Q.I., Mr Bean, Johnny English and The Vicar of Dibley.
    [Show full text]
  • Breathtaking Stories of Extreme Filming. Read the Full Story on Page 6
    The newspaper for BBC pensioners - with highlights from Ariel Heights, Camera, Action Breathtaking stories of extreme filming. Read the full story on page 6. June 2011 • Issue 4 Yes, Prime Lord Patten Minister back takes the helm Sounds better? on stage Page 2 Page 7 Page 12 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 uPdatE froM thE bbC Patten takes helm at BBC Trust On 3 May, Lord Patten began his appointment as chairman of the BBC Trust – with an interesting first day spent taking questions from staff in a ringmain session. Quality First) should be all about and I hope we’ll be able to discuss options with the Executive during the summer.’ 2011 pay offer It is also apparent that the new chairman is ready and willing to deal with the – an update repercussions of the less popular decisions to be taken, and those which will not always Further to requests by the unions for all be accepted gladly by the licence fee payer. staff in bands 2-11 to be awarded a pay ‘I hope we won’t be talking about closing increase which is ‘substantially above services but, whatever we are talking about inflation’, the BBC has offered a 2% doing, if the Trust and the Executive are increase – which falls far short of the agreed it is the best way of using the money Retail Prices Index (RPI) figures on which then we have to stand by the consequences. If it is intended to be based (5.2% as at that involves answering thousands of emails, April 2011).
    [Show full text]
  • Barbican, Complicité and Sydney Russell School Collaborate on Innovative Youth Theatre Project
    For immediate release: Monday 25 June 2018 Barbican, Complicité and Sydney Russell School collaborate on innovative youth theatre project Students from Sydney Russell School present their first performance of Barking Nuns on Friday 29 June, crafted during a residency with artists from world-renowned theatre company Complicité as part of the Barbican’s Change Makers project. Thanks to a National Lottery grant of £48,200 received by the Barbican in January 2018, Change Makers brings artists to one of Britain’s largest secondary schools, Sydney Russell School in Dagenham, for a year-long residency with students and teaching staff. Marking 100 years since some women gained the vote and 50 years since the Ford worker strikes in Dagenham, Change Makers celebrates the rich feminist heritage of Barking and Dagenham with performances and events at Barking Broadway and an exhibition at Valence House in Dagenham. The performance on 29 June is the culmination of a research project led by the Barbican alongside volunteer researchers from Valence House Museum, Sydney Russell School students and artists from Complicité, exploring the powerful story of the first female Abbess of Barking Abbey and the subsequent intersecting histories of religion, suffrage and women’s lives in the borough. As well as looking back, the project boldly imagines how young people will go on to define the future and become the change makers of tomorrow. Ancient music specialist Belinda Sykes will also work with a choir made up of teachers, parents and others from the local community to explore the ancient choral music that would have been an important part of everyday life in Barking Abbey.
    [Show full text]
  • The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
    Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
    [Show full text]
  • Luke Cresswell and Steve Mcnicholas
    STOMP Sunday, November 24, 2019; 3 & 7 pm Monday, November 25, 2019; 7 pm Tuesday, November 26, 2019; 2 pm Wednesday, November 27, 2019; 2 & 7 pm Friday, November 29, 2019; 2 & 7 pm Harris Center for the Arts Columbia Artists Management Inc. Harriet Newman Leve James D. Stern Morton Wolkowitz Schuster/Maxwell Gallin/Sandler Markley/Manocherian present Created and Directed by Luke Cresswell and Steve McNicholas Jordan Brooks, Joshua Cruz, Jonathon Elkins, Jasmine Joyner, Alexis Juliano, Riley Korrell, Cary Lamb Jr., Serena Morgan, Artis Olds, Sean Perham, Ivan Salazar, Cade Slattery Lighting by Steve McNicholas and Neil Tiplady US Rehearsal Director Production Manager Fiona Wilkes Brian Claggett Casting Director Associate Producer Vince Liebhart Fred Bracken General Manager Joe R. Watson Executive Producers Richard Frankel Productions / Marc Routh / Alan Schuster / Aldo Scrofani STOMP IS PERFORMED WITHOUT INTERMISSION. THE USE OF ANY CAMERA, RECORDING DEVICES OR LASER POINTERS IS STRICTLY PROHIBITED. STOMP WEBSITE: http://www.stomponline.com www.harriscenter.net 2019-2020 PROGRAM GUIDE 27 STOMP continued STOMP, a unique combination of percussion, movement and to Germany, Holland and France. Another STOMP production visual comedy, was created in Brighton, UK, in the summer of opened in San Francisco in May 2000, running for two and a 1991. It was the result of a ten-year collaboration between its half years. creators, Luke Cresswell and Steve McNicholas. The original cast of STOMP has recorded music for the Tank They first worked together in 1981, as members of the street Girl movie soundtrack and appeared on the Quincy Jones band Pookiesnackenburger and the theatre group Cliff Hanger.
    [Show full text]
  • Newsletter 2.Indd
    RAVE FASHiON, DANCE, MTV, BALLET & SEXUAL iDENTiTY INTERNATIONAL Poorhouse Newsletter No 2 January - March 2004 ART:21 “...THE MOST iNTERESTiNG ART-MADE- ACCESSiBLE SHOW WE’VE SEEN SO FAR” lesfilmsd’ici2 rave art:21art:21art:213 RAVE iS A DANCE WHiCH BLURS THE BOUNDARiES of fashion, dance, MTV, ballet and sexual identity in a festive celebration of life. Running time: 26’ increased, she left the Cunningham Company ʻ to work regularly with Courtesy PaceWildenstein Wilson Photo © Ellen Page York New Collection Guggenheim of Museum, Solomon R. NY Photo Guggenheim © Museum, Solomon R. her own group of Rave began as the finale to an evening of dancers, performing in Kiki Smith My Blue Lake, 1994, photogravure & monoprint, 42.5” x 53.5” Kara Walker Insurrection! (Our Tools were Rudimentary, Yet We Pressed On), 2002 Installation view at the Solomon R. Guggenheim Museum, New York Karole Armitage choreography for her New York the U.S. and Europe as Projection, cut paper and adhesive on wall, 12’ x 74.5’ company, Armitage Gone! Dance, in 2000. It was Armitage Gone! Dance then expanded into a six-section piece for Ballet (1979-1984) and as The de Lorraine which premiered on November 28, Armitage Ballet (1985- 2001 at the Opéra de Lorraine in Nancy, France. 1990). Each of the sections lasts from 5-7 minutes and Armitage is currently Choreographer for the ...THE MOST iNTERESTiNG art-made- is set to music by composer, David Shea. The music Centre Chorégraphique Nationale- Ballet de Lorraine based in Nancy, France. She has also is an encyclopaedia of the techno-scene featuring © Laurent Philippe different styles: Latin, Jungle, Ambient, Electro, been named director of the Venice Biennale Trance, House and Tribal.
    [Show full text]
  • Ull History Centre: Papers of Alan Plater
    Hull History Centre: Papers of Alan Plater U DPR Papers of Alan Plater 1936-2012 Accession number: 1999/16, 2004/23, 2013/07, 2013/08, 2015/13 Biographical Background: Alan Frederick Plater was born in Jarrow in April 1935, the son of Herbert and Isabella Plater. He grew up in the Hull area, and was educated at Pickering Road Junior School and Kingston High School, Hull. He then studied architecture at King's College, Newcastle upon Tyne, becoming an Associate of the Royal Institute of British Architects in 1959 (since lapsed). He worked for a short time in the profession, before becoming a full-time writer in 1960. His subsequent career has been extremely wide-ranging and remarkably successful, both in terms of his own original work, and his adaptations of literary works. He has written extensively for radio, television, films and the theatre, and for the daily and weekly press, including The Guardian, Punch, Listener, and New Statesman. His writing credits exceed 250 in number, and include: - Theatre: 'A Smashing Day'; 'Close the Coalhouse Door'; 'Trinity Tales'; 'The Fosdyke Saga' - Film: 'The Virgin and the Gypsy'; 'It Shouldn't Happen to a Vet'; 'Priest of Love' - Television: 'Z Cars'; 'The Beiderbecke Affair'; 'Barchester Chronicles'; 'The Fortunes of War'; 'A Very British Coup'; and, 'Campion' - Radio: 'Ted's Cathedral'; 'Tolpuddle'; 'The Journal of Vasilije Bogdanovic' - Books: 'The Beiderbecke Trilogy'; 'Misterioso'; 'Doggin' Around' He received numerous awards, most notably the BAFTA Writer's Award in 1988. He was made an Honorary D.Litt. of the University of Hull in 1985, and was made a Fellow of the Royal Society of Literature in 1985.
    [Show full text]
  • Made on Merseyside
    Made on Merseyside Feature Films: 2010’s: Across the Universe (2006) Little Joe (2019) Beyond Friendship Ip Man 4 (2018) Yesterday (2018) (2005) Tolkien (2017) X (2005) Triple Word Score (2017) Dead Man’s Cards Pulang (2016) (2005) Fated (2004) Film Stars Don’t Die in Liverpool (2016) Alfie (2003) Fantastic Beasts and Where to Find Them Digital (2003) (2015) Millions (2003) Florence Foster Jenkins (2015) The Virgin of Liverpool Genius (2014) (2002) The Boy with a Thorn in His Side (2014) Shooters (2001) Big Society the Musical (2014) Boomtown (2001) 71 (2013) Revenger’s Tragedy Christina Noble (2013) (2001) Fast and Furious 6 John Lennon-In His Life (2012) (2000) Jack Ryan: Shadow Recruit Parole Officer (2000) (2012) The 51st State (2000) Blood (2012) My Kingdom Kelly and Victor (2011) (2000) Captain America: The First Avenger Al’s Lads (2010) (2000) Liam (2000) 2000’s: Route Irish (2009) Harry Potter and the Deathly Hallows (2009) Nowhere Fast (2009) Powder (2009) Nowhere Boy (2009) Sherlock Holmes (2008) Salvage (2008) Kicks (2008) Of Time in the City (2008) Act of Grace (2008) Charlie Noads RIP (2007) The Pool (2007) Three and Out (2007) Awaydays (2007) Mr. Bhatti on Holiday (2007) Outlaws (2007) Grow Your Own (2006) Under the Mud (2006) Sparkle (2006) Appuntamento a Liverpool (1987) No Surrender (1986) Letter to Brezhnev (1985) Dreamchild (1985) Yentl (1983) Champion (1983) Chariots of Fire (1981) 1990’s: 1970’s: Goin’ Off Big Time (1999) Yank (1979) Dockers (1999) Gumshoe (1971) Heart (1998) Life for a Life (1998) 1960’s: Everyone
    [Show full text]
  • Calamity Jane: What to Expect • Calamity Jane Is a Stage Musical
    Calamity Jane: What to Expect Calamity Jane is a stage musical adapted by Ronald Hanmer and Phil Park from the stage play by Charles K. Freeman after the Warner Bros. film written by James O’Hanlon. The lyrics are by Paul Francis Webster and the music by Sammy Fain. This production of Calamity Jane is presented in association with One Eyed Man Productions and opened at Belvoir on Saturday 25 August, 2018. The production is directed by Richard Carroll with musical direction by Nigel Ubrihien. The production runs for approximately 2 hours and 30 minutes including a 20 minute interval. The musical tells the story of Calamity Jane, a sharp shooter from the American Midwest. The character is based on the real life figure Martha Jane Cannary who lived in the second half of the 19th century. The action of the musical takes place in the Golden Garter Saloon in Deadwood, South Dakota; Chicago and Calamity Jane’s log cabin in the woods outside Deadwood. Calamity Jane, along with Wild Bill Hickock, comes to the rescue of the proprietor of the local saloon, Henry Miller, when the actress Frances Fryer (who Miller has been promoting as a headline act at the saloon) turns out to be Francis Fryer. To quell the patrons’ anger, Calamity Jane undertakes to travel to Chicago and bring back the actress Adelaide Adams to perform at the saloon. There are seven actors in Calamity Jane who play numerous characters. Some of the actors play multiple roles. Virginia Gay plays the role of Calamity Jane throughout the production.
    [Show full text]
  • Werner Herzog Interview with a Legend
    July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape.
    [Show full text]
  • A Taste of Honey by Shelagh Delaney in Autumn 2019
    Thursday 7 February 2019 THE NATIONAL THEATRE WILL TOUR A TASTE OF HONEY BY SHELAGH DELANEY IN AUTUMN 2019 A TASTE OF HONEY IS DIRECTED BY BIJAN SHEIBANI AND DESIGNED BY HILDEGARD BECHTLER JODIE PRENGER WILL PLAY HELEN A TASTE OF HONEY WILL TOUR TO NINE VENUES FROM SEPTEMBER, OPENING AT THE LOWRY, SALFORD The National Theatre today announced a UK tour of Bijan Sheibani’s production of A Taste of Honey, Shelagh Delaney’s remarkable taboo-breaking 1950s play, which was first produced in the Lyttelton Theatre in 2014, designed by Hildegard Bechtler and reconceived in an exciting new production, featuring a live on stage band, for the tour. Jodie Prenger (Oliver!, One Man, Two Guvnors, Abigail’s Party UK tour) plays Helen, with further casting to be announced. Written by Shelagh Delaney when she was nineteen, A Taste of Honey offers an explosive celebration of the vulnerabilities and strengths of the female spirit in a deprived and restless world. When her mother Helen runs off with a car salesman, feisty teenager Jo takes up with Jimmy, a sailor who promises to marry her, before he heads for the seas leaving her pregnant and alone. Art student Geoff moves in and assumes the role of surrogate parent until, misguidedly, he sends for Helen and their unconventional setup unravels. An exhilarating depiction of working-class life in post-war Salford, A Taste of Honey will open there at The Lowry from 13 – 21 September, with a press night on Friday 20 September. The tour will also visit the Kings Theatre, Edinburgh (24 – 28 September); the Marlowe Theatre, Canterbury (1 – 5 October); Richmond Theatre (7 – 12 October); Grand Opera House, Belfast (15 – 19 October); Leicester Curve (22 – 26 October); Theatre Royal, Bath (28 October – 2 November); Grand Theatre, Wolverhampton (5 – 9 November); and the Norwich Theatre Royal (12 – 16 November).
    [Show full text]
  • David Mamet in Conversation
    David Mamet in Conversation David Mamet in Conversation Leslie Kane, Editor Ann Arbor Copyright © by the University of Michigan 2001 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ∞ Printed on acid-free paper 2004 2003 2002 2001 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data David Mamet in conversation / Leslie Kane, editor. p. cm. — (Theater—theory/text/performance) Includes bibliographical references and index. ISBN 0-472-09764-4 (cloth : alk. paper) — ISBN 0-472-06764-8 (pbk. : alk. paper) 1. Mamet, David—Interviews. 2. Dramatists, American—20th century—Interviews. 3. Playwriting. I. Kane, Leslie, 1945– II. Series. PS3563.A4345 Z657 2001 812'.54—dc21 [B] 2001027531 Contents Chronology ix Introduction 1 David Mamet: Remember That Name 9 Ross Wetzsteon Solace of a Playwright’s Ideals 16 Mark Zweigler Buffalo on Broadway 22 Henry Hewes, David Mamet, John Simon, and Joe Beruh A Man of Few Words Moves On to Sentences 27 Ernest Leogrande I Just Kept Writing 31 Steven Dzielak The Postman’s Words 39 Dan Yakir Something Out of Nothing 46 Matthew C. Roudané A Matter of Perception 54 Hank Nuwer Celebrating the Capacity for Self-Knowledge 60 Henry I. Schvey Comics
    [Show full text]