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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Psaudio Copper
Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column. -
Of Producing Popular Music
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-26-2019 1:00 PM The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music Lydia Wilton The University of Western Ontario Supervisor Coates, Norma. The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Music © Lydia Wilton 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons Recommended Citation Wilton, Lydia, "The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music" (2019). Electronic Thesis and Dissertation Repository. 6350. https://ir.lib.uwo.ca/etd/6350 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Using Antoine Hennion’s “anti-musicology”, this research project proposes a methodology for studying music production that empowers production choices as the primary analytical tool. It employs this methodology to analyze Kesha’s Rainbow, Janelle Monáe’s Dirty Computer, and St. Vincent’s Masseduction according to four, encompassing groups of production elements: musical elements, lyrical elements, personal elements, and narrative elements. All three albums were critical and commercial successes, and analyzing their respective choices offers valuable insight into the practice of successful producers that could not necessarily be captured by methodologies traditionally used for studying production, such as the interview. -
Recorder: Facebook.Com/Recorder.Hu Front
front St. Vincent. nem féli a jövőt. Annie Clark vitán felül korunk egyik legfontosabb dalszerzője, aki alig egy évtized alatt indie-üdvöskéből artrock-szektavezérré lépett elő, mellesleg virtuóz és inno- vatív gitáros is. Övé az utóbbi évek egyik legkövetkezetesebben épített albumsoro- zata, miközben zeneileg nem hasonlítható senki máshoz. Ötödik, Masseduction című, októberi lemeze a kivételes karrier újabb meglepő fordulata. KOLLÁR BÁLINT. St. Vincent számára az elismerést a komplexen riban a legfőbb inspirációt a Pantera-gitáros, kalomadtán olyanokkal dzsemmelt, mint az egyéni, alaposan megcsavart dalstruktúrák Dimebag Darrell jelentette számára, ám hamar avantgárd gitáros Glenn Branca. Ekkoriban és a bámulatos gitárjáték mellett az agyas, túllépett rajta: megtanult mindkét kezével vette fel a St. Vincent nevet is, Nick Cave There sokrétű szövegek hozták meg. Lemezről-le- tapping-technikával játszani a hangszeren She Goes, My Beautiful World című dala után. mezre egyre több kritikus borult le innovatív (ez az, amikor a pengetős kéz is a fogólapon A név azt a kórházat jelöli, ahol a részeges tehetsége előtt, a szakmai tisztelet mellett matat), fingerpicking technikája (a húrok walesi költőfejedelem, Dylan Thomas meghalt népszerűsége is folyamatos emelkedésben ujjakkal való pengetése) pedig már egészen (tágabb értelemben pedig a „költészet halálára” van. Ma már olyanok versengenek a kegyeiért, fiatal korában sajátos volt. Ennek ellenére is utal). Marry Me című első, 2007-es leme- mint Beck vagy David Byrne, a Nirvana tagjai mereven elutasítja az akadémista szemléletet, zén még szinte minden hangszeren egyedül pedig többek közt őt kérték fel, hogy a zenekar hangsúlyozza, hogy nem tud kottát olvasni játszott, a végeredmény pedig tíz év távlatából Rock And Roll Hall Of Fame-es beiktatásakor vagy tudatosan komponálni. -
St. Vincent Leads Off New Season of Austin City Limits Season 44
St. Vincent Leads Off New Season of Austin City Limits Season 44 Premieres October 6 on PBS Austin, TX—October 4, 2018—Austin City Limits (ACL) launches a new season of must-see performances with an epic hour showcasing one of the most compelling figures in contemporary music: innovative art-rock performer St. Vincent. The season premiere airs Saturday, October 6 at 8pm CT/9pm ET opening ACL’s Season 44. The program airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. First appearing on ACL in 2009, the groundbreaking Texas native—born Annie Clark—delivers a thrilling, 13-song career-spanning set in a visually and sonically stunning hour. Dressed in a red vinyl bodysuit and matching thigh-high stiletto boots and set amidst the backdrop of a futuristic production, the singer-songwriter-guitarist is backed by a three-piece ensemble including two male musicians rendered as faceless mannequins on electronics and drums. St. Vincent’s mesmerizing set draws heavily from her critically-acclaimed fifth album MASSEDUCTION, with highlights including a segue from the guitar-shredding coda of “Pills,” into the vulnerable musical eulogy of “New York”. The album’s hypnotic title track opens with bassist/keyboardist Toko Yasuda chanting “power corrupts” in Japanese, while Clark unleashes furious guitar licks amidst a flurry of strobes. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 61st Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2017 through September 30, 2018 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. THE MIDDLE Record Of The Year Zedd, Maren Morris & Grey Award to the Artist and to the Producer(s), Recording Engineer(s) Grey, Monsters & Strangerz & Zedd, producers; Grey, Tom and/or Mixer(s) and mastering engineer(s), if other than the artist. Norris, Ryan Shanahan & Zedd, engineers/mixers; Mike Marsh, mastering engineer 1. I LIKE IT Cardi B, Bad Bunny & J Balvin Invincible, JWhiteDidIt, Craig Kallman & Tainy, producers; Leslie Brathwaite, Kuk Harrell & Evan LaRay, engineers/mixers; Colin Leonard, mastering engineer 2. THE JOKE Brandi Carlile Dave Cobb & Shooter Jennings, producers; Tom Elmhirst & Eddie Spear, engineers/mixers; Pete Lyman, mastering engineer 3. THIS IS AMERICA Childish Gambino Donald Glover & Ludwig Göransson, producers; Derek “MixedByAli” Ali, Riley Mackin & Shaan Singh, engineers/mixers; Mike Bozzi, mastering engineer 4. GOD'S PLAN Drake Boi-1Da, Cardo & Young Exclusive, producers; Noel Cadastre, Noel "Gadget" Campbell & Noah Shebib, engineers/mixers; Chris Athens, mastering engineer 5. SHALLOW Lady Gaga & Bradley Cooper Lady Gaga & Benjamin Rice, producers; Brandon Bost & Tom Elmhirst, engineers/mixers; Randy Merrill, mastering engineer 6. ALL THE STARS Kendrick Lamar & SZA Al Shux & Sounwave, producers; Sam Ricci & Matt Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer 7. ROCKSTAR Post Malone Featuring 21 Savage Louis Bell & Tank God, producers; Louis Bell, Lorenzo Cardona, Manny Marroquin & Ethan Stevens, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2018 - all rights reserved 1 Not for copy or distribution 61st Finals - Press List General Field Category 2 8. -
St. V Ncent Ga E
The album belongs to Letter from you now. Feel it, the editor.....02 listen to it, integrate it Lyrics.....03 however you wish. Crossword.....06 From my heart to yours. St. Vncent Gae Comics.....07 VOL. VI NEW YORK, FRIDAY, MAY 14 2021 Spotify X St. Vincent DADDY'S HOME! Annie Erin Clark Page 2 NEW YORK, FRIDAY, MAY 14 2021 NEW YORK, FRIDAY, MAY 14 2021 Page 3 WRITTEN BY ANNIE CLARK FLORRIE PALMER etter from PUBLISHED BY NAIL POLISH MANIFESTO MUSIC (Administered by Hipgnosis Notes/ASCAP) te edito PENDULUM MUSIC LTD (Administered by Warner Chappel Music/PRS) Dear readers, We’re all on our own journey as we ride this rock rocketing First, I want to thank through space. you all for your support. Whether you’ve been a fan We will all have our own MY for years or have just joined ways to relate to the songs recently, this album is for you. and themes in the album. I am grateful for each of you, And I look forward to the and I hope this publication day when we can all share will serve to enhance your those emotions together in ‘Daddy’s Home’ experience a dark, sweaty, beer-smelling BABY even further. room, screaming at the top of our lungs. It has been a wild year and My baby loves me like a saint my baby hates when I’m away my baby wants a I’ve spent a lot of that time Until that time, though, baby how can I go on? living in these songs. -
Watch That Man: Gender Representation and Queer Performance in Glam Rock
Watch That Man: Gender Representation and Queer Performance in Glam Rock Hannah Edmondson Honors Thesis Department of English Spring 2019 Thesis Adviser: Dr. Graig Uhlin Second Reader: Dr. Jeff Menne TABLE OF CONTENTS Abstract……………………………………………………………………………………..…… 3 I. Introduction………………………………………………………………………………….… 4 II. “Hang On To Yourself”: Glam Rock’s Persona Play…………………………………….…... 9 III. “Controversy” and Contradictions: Evaluating Prince, Past and Present……………….….. 16 IV. Cracked Actors: Homosexual Stints and Straight Realities………………………………... 23 V. “This Woman’s Work”: Female Foundations of Glam………………………………….….. 27 VI. Electric Ladies: Feminist Possibilities of Futurism and Science Fiction……………….….. 34 VII. Dirty Computer……………………………………………………………………………. 44 VIII. MASSEDUCTION………………………………………………………………………… 53 IX. Conclusion………………………………………………………………………………….. 60 2 Abstract Glam rock, though considered by many music critics chiefly as a historical movement, is a sensibility which is appropriated frequently in the present moment. Its original icons were overwhelmingly male—a pattern being subverted in both contemporary iterations of glam and the music industry as a whole. Fluid portrayals of gender, performative sexuality, camp, and vibrant, eye-catching visuals are among the most identifiable traits which signify the glam style, though science fiction also serves as a common thread between many glam stars, both past and present. The superficial linkages between artists like David Bowie, Prince, Janelle Monáe, and St. Vincent provide -
Issue No. 69 April 2021 Table of Contents
The Big NFT Bang: What It Means Your Monthly for Music Music Forecast! JP Saxe JVKE Andrew Jannakos Abhi the Nomad ...and more! ISSUE NO. 69 APRIL 2021 TABLE OF CONTENTS 4 EYE OF THE STORM The Big NFT Bang: What It Means for Music 6 STORM TRACKER Andra Day, H.E.R., and St. Vincent 7 STORM FORECAST NFL Draft Concert Series, Cannes Lions Goes 100% Virtual, Movie Theater Magic, and More! 8 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. ON THE COVER: KennyHoopla. Photo provided by management ©2021 ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It was inevitable. This month's issue of the memBrain STORM Report includes an article entitled "The Big NFT Bang," tackling the current The STORM Report is a compilation of up-and-coming bands and artists hype and possible applications for NFTs in who are worth watching. Only those showing the most promising the music industry. We've hosted numerous potential for future commercial success make it onto our monthly list. discussions about blockchain, fandom, and the future of music, but it is exciting to combine all How do we know? three into one topic. Since March, NFTs have been all over the news, with everyone from the NBA to Through correspondence with industry insiders and our own ravenous McDonald's joining the craze. With the pandemic media consumption, we spend our month gathering names of artists causing the shuttering of music venues and who are “bubbling under”. -
St. Vincent Bio (January 2021)
St. Vincent Bio (January 2021) Annie Clark made her recorded debut as St. Vincent in 2007 with Marry Me, and has since become one of the most innovative and enigmatic presences in modern music. St. Vincent’s subsequent albums would include Actor (2009), Strange Mercy (2011), and her self-titled fourth album and winner of the 2014 GRAMMY for Best Alternative Album, making her only the second female artist ever to win in that category. In addition to these solo works, St. Vincent joined with David Byrne to record and release the collaborative album Love This Giant in 2012, played with Dave Grohl, Krist Novoselic and Pat Smear of Nirvana at the band’s 2014 Rock and Roll Hall of Fame induction, and performed on the season finale of Saturday Night Live that same year. In 2017, working with co-producer Jack Antonoff, St. Vincent created a defining statement with MASSEDUCTION. As ambitious as it was accessible, the album broke St. Vincent into the U.S. and UK top 10s while landing at #1 on the Best of 2017 lists of Jon Pareles of The New York Times and The Guardian—and placing high in the year-end rankings of The AV Club, Billboard, Entertainment Weekly, Mashable, The New York Daily News, the NME, Noisey, Paste, Pitchfork, Q, Stereogum, USA Today, and more. In 2019, MASSEDUCTION's title track won the GRAMMY for Best Rock Song, while the album won Best Recording Package. St. Vincent’s 2018 album, MassEducation, revealed another dimension of 2017’s universally acclaimed MASSEDUCTION. Recorded live in the studio by Annie Clark on vocals and Thomas Bartlett on piano over two nights in August 2017, the album lays bare the exquisite songcraft of its other half, rendering songs like “Slow Disco” and “Savior” and their subjects in vivid, vulnerable new light.