UNIVERSAL LOVE Project Bios & Credits
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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Enrique Iglesias' “Duele El Corazon” Reaches Over 1 Billion Cumulative Streams and Over 2 Million Downloads Sold Worldwide
ENRIQUE IGLESIAS’ “DUELE EL CORAZON” REACHES OVER 1 BILLION CUMULATIVE STREAMS AND OVER 2 MILLION DOWNLOADS SOLD WORLDWIDE RECEIVES AMERICAN MUSIC AWARD FOR BEST LATIN ARTIST (New York, New York) – This past Sunday, global superstar Enrique Iglesias wins the American Music Award for Favorite Latin Artist – the eighth in his career and the most by any artist in this category. The award comes on the heels of a whirlwind year for Enrique. His latest single, “DUELE EL CORAZON” has shattered records across the globe. The track (click here to listen) spent 14 weeks at #1 on the Hot Latin Songs chart, held the #1 spot on the Latin Pop Songs chart for 10 weeks and has over 1 billion cumulative streams and over 2 million tracks sold worldwide. The track also marks Enrique’s 14th #1 on the Dance Club Play chart, the most by any male artist. He also holds the record for the most #1 debuts on Billboard’s Latin Airplay chart. In addition to his recent AMA win, Enrique also took home 5 awards at this year’s Latin American Music Awards for Artist of the Year, Favorite Male Pop/Rock Artist and Favorite Song of the Year, Favorite Song Pop/Rock and Favorite Collaboration for “DUELE EL CORAZON” ft. Wisin. Earlier this month, Enrique went to France to receive the NRJ Award of Honor. For the past two years, Enrique has been touring the world on his SEX AND LOVE Tour which will culminate in Prague, Czech Republic on December 18th. Remaining 2016 Tour Dates Nov. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Read Ebook {PDF EPUB} Rocking My Life Away Writing About Music and Other Matters by Anthony Decurtis Rock Critic Lectures on Music
Read Ebook {PDF EPUB} Rocking My Life Away Writing about Music and Other Matters by Anthony DeCurtis Rock critic lectures on music. 'Rolling Stone' editor Anthony DeCurtis visited Kelly Writers House, but got mixed reviews. By Rebecca Blatt The Daily Pennsylvanian February 22, 2002. Another acclaimed writer visited the Kelly Writers House this week. But this one was not there to discuss poetry or prose -- he was there for rock and roll. On Tuesday afternoon, music critic Anthony DeCurtis spoke to about 25 people in the front room of the Writers House. The crowd included Penn students, professors and local music lovers. DeCurtis is an editor of Rolling Stone magazine, host of an internet music show and the author of Rocking My Life Away: Writing About Music and Other Matters. He won a Grammy Award for his essay accompanying Eric Clapton's Crossroads box set and contributes to many other publications as well. DeCurtis appeared very prepared for the lecture. He took the podium armed with a pad of notes and a pitcher of water. However, some felt that DeCurtis's speech lacked focus. College sophomore Daniel Kaplan was so disappointed with DeCurtis that he left the event early. "He was a writer so pleased with himself and his accomplishments that he seemed to forget that speeches are supposed to be coherent," Kaplan said. Philadelphia resident Hop Wechsler, however, was a little bit more forgiving. "I guess I was expecting more about how he got where he is," Wechsler said. "But what I got was fun for what it was." English Department Chairman David Wallace introduced DeCurtis. -
Russian Red in San Francisco SAN FRANCISCO
MUSIC Russian Red in San Francisco SAN FRANCISCO Thu, October 16, 2014 8:00 pm Venue The Independent, 628 Divisadero St, San Francisco, CA 94117 View map Phone: 415-771-1421 Admission Buy tickets. Doors open at 7:30 pm- More information Russian Red Credits The Spanish singer tours the U.S. and Canada to present her U.S. tour organized by The Windish third album ‘Agent Cooper.’ Agency, Charco and Sony Music Entertainment España S.L. Image courtesy of the artist. During the last few years Russian Red has become one of the most renowned artists in the Spanish music scene. Russian Red’s singer, Lourdes Hernández, has an exceptional voice and an innate ability to communicate and captivate a variety of audiences. She broke through the music scene in 2008 and became THE indie phenomenon with her debut album I Love Your Glasses (achieving a Gold record in Spain) and soon began performing on the main Spanish stages (Primavera Sound Festival, FIB, Jazzaldia, among many others), and reaching audiences in the USA, Mexico, Colombia, Venezuela, Argentina, Costa Rica, Germany, Holland, Belgium, etc. In 2011 she released her second LP, Fuerteventura (with Sony Music) thus taking a big leap forward in her career. Produced by Tony Doogan (Belle & Sebastian, Mogwai, David Byrne, etc.) and recorded with Stevie Jackson, Bob Kildea and Richard Colburn from Belle & Sebastian, Fuerteventura debuted at #2 on the topselling albums charts in Spain, where it stood for over 39 weeks, consolidating her position as one of the most outstanding and international Spanish artists. Russian Red rounded the year off taking home the MTV EMA Award as “Best Spanish Artist.” Fuerteventura was not only a great success in Spain, but it also launched Russian Red onto the international scene, placing her in the international bands spectrum. -
STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
Venues & Series
Ticket Megadeth, fueled by Dave Mustaine’s 7:30 p.m. Saturday, May 2. The concert is a return to the stage following throat cancer, is Venues & series GCRMC Benefit for the building of the new Cont’d from Page 9 on their first North American tour since Cancer Center, and features Las Cruces trib- 2017. Lamb of God released their first new Lowbrow Palace — 111 E. Robinson. Juanes — The Latin rock icon and multiple ute artist Chris Waggoner, backed by his 10- music in five years recently with the single Doors usually open one hour prior to show Grammy award-winning artist’s “Mas Futuro piece “Play Me” Band. Concert tickets: $45. “Checkmate,” to be released from the time. All concerts listed are all ages. Que Pasado” Tour is 8 p.m. Friday, Oct. 2, A private reception with hors d’oeuvres, band’s self-titled eighth studio album. Surcharge for ages under 21. Available in at the Plaza Theatre. The performance is a cash bar, and live auction begins at 5:30 p.m. advance at The Headstand or journey through all the greatest hits of his — The Mexican come- Combo reception/concert tickets are $65. Franco Escamilla past, combined with the guitar interpreta- eventbrite.com. Information: lowbrow- dian, musician and radio announcer returns Inn of the Mountain Gods Resort tions of Latin America’s most beloved to El Paso for his brand new “Payaso” Tour palace.com. See separate listing for outdoor and Casino — Mescalero, N.M. Most rhythms found on his new album. Tickets: at 7 p.m. -
Music Rights Specialists
Live Festival Recordings Promotional & Commercial Opportunities 1. Live Webcast Performances will be streamed through the at&t blue room (blueroom.att.com) with a prominent link directly from the festival website (www.lollapalooza.com - 3.3 million unique visitors / 16.1 million page views in 2006) ! 117,000 unique viewers of last year’s Lollaplaooza webcast ! During the performance, a link to your band’s website will be prominently featured in the blue room media player ! Past blue room participants include Dave Matthews Band, The Killers, Bjork, Depeche Mode, Tom Petty, Oasis, Yeah Yeah Yeahs, Trey Anastasio, Bloc Party, Jack Johnson, The Pixies, Widespread Panic, My Morning Jacket, Franz Ferdinand, The Arcade Fire, Arctic Monkeys and many more ! at&t provides major online & radio promotion for the webcast – over 43 million impressions o Extensive online media buys on sites such as Real Networks, MP3.com, Jam Base, Pandora, Billboard, and more o Radio promo in major markets throughout the country Online feedback from fans who watched performances from previous Lollapalooza and Austin City Limits Music Festivals on the at&t blue room: “This is the best idea I have seen for a live music festival ever! I have already bought several CDs and songs based on the performances.” “Keep up the great work! It is amazing because you can hear SOOOO clearly and no noise, wind, screams, etc....It is the best streaming presentation I have ever seen. Upclose, clear and very very easy to use. It is perfect and plays no matter what other apps are running on the computer! I LOVE it! I'm looking forward to more, especially more performances next year at ACL music festival. -
Roots-Stjerneskuddet Valerie June Betager I VEGA
2013-11-05 13:27 CET Roots-stjerneskuddet Valerie June betager i VEGA VEGA og ICO præsenterer Roots-stjerneskuddet Valerie June betager i VEGA Valerie June har med sin blændende stemme og sit særegne mix af alle stilarter, roots-genren har at byde på, imponeret anmeldere og The Black Keys' forsanger, Dan Auerbach, der har produceret hendes debutalbum. Oplev hende tirsdag den 15. april i Lille VEGA. Valerie June formår at smelte blues, folk, gospel, soul og bluegrass sammen til en indtagende form for fusions-roots, som hun selv kalder “organic moonshine roots music”. Beskrivelsen passer meget godt på den autencitet, hendes musik gennemstrømmes af. Som den største naturlighed formår hun at favne størstedelen af den amerikanske musikhistorie, hvor der både er strejf af Dolly Parton, Billie Holiday og lidt Wanda Jackson. Den selvlærte sangerinde har en fortryllende evne til at række ind og ruske lytterens musikalske hukommelse rundt, så følelser og minder flagrer rundt i nye konstellationer. Da hun tidligere i år spillede shows til branchefestivalen SXSW, strømmede anmelderroserne ind, og pladeselskaberne stod i kø for at signe hende. Dan Auerbachs aftryk Efter at have arbejdet sig frem mod et større gennembrud de sidste ti år, fik Valerie June uventet hjælp fra MTV-serien $5 Cover, som handler om Memphis-musikere, der kæmper for at starte en karriere. Hendes uafrystelige stemme fangede opmærksomheden hos producer Kevin Augunas (Edward Sharpe & The Magnetic Zeros, Florence & The Machine). Sammen med The Black Keys-forsangeren Dan Auerbach indspillede de debutalbummet Pushin’ Against a Stone. Sydstatssumpe og ikoner Førstesinglen fra albummet er den standhaftige blues-pop-hymne ”Workin’ Woman Blues”. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Bloc Party Gets Intimate on New LP
---~~A~~F~S:~-~ -, --- PAGE6 .&.. · _ ___:--t_ · SEPTEMBER 2- 8 2008 The Expmdalb>les bring SFI showcases singing Sita reggae grooves to SS·U R<;>sEMCMACKIN 1930's. Her jazz and blues recordings StaffWriter give vibrant life and voice to Sita. Paley's animation style is wildly A'1ANDA CRAVER Prairie Sun Studios right here in Cotati. imaginative: the animated Sita resembles StaffWriter This versatile band combines punk rock, The colorfully animated "Sita Sings Betty Boop, the Sri Lankan king sports reggae, and 80's style guitar flare to cre the Blues," is the first feature-length of multiple heads, and Rama's skin is the ate a sound that fans just can't seem to fering from independent filmmaker Nina color of blue bells. Start the semester out with a bang get enough of. Paley, and it's making its Northern Cali Paley uses an abundance of vary and see what kind of entertainment No longer the rookies on the tour, fornia debut this week. ing visual styles, including several sty Sonoma State University is bringing The Expendables have accumulated a The Sonoma Film Institute will be listically rotoscoped sequences. The your way! rather large fan base of their own. Some screening Paley's unique vision of the psychedelic animation features a cast On Sept. 13, the Back to School of their most popular songs include "No "Ramayana" at Warren Auditorium in of hundreds, including flying monkeys, Concert in the Commons will feature Time to Worry," "One Night Stand," and Ives Hall. Screenings will be held on evil monsters, gods, goddesses, warriors, "24/7". -
Anexo:Premios Y Nominaciones De Madonna 1 Anexo:Premios Y Nominaciones De Madonna
Anexo:Premios y nominaciones de Madonna 1 Anexo:Premios y nominaciones de Madonna Premios y nominaciones de Madonna interpretando «Ray of Light» durante la gira Sticky & Sweet en 2008. La canción ganó un MTV Video Music Awards por Video del año y un Grammy a mejor grabación dance. Premios y nominaciones Premio Ganados Nominaciones Total Premios 215 Nominaciones 407 Pendientes Las referencias y notas al pie Madonna es una cantante, compositora y actriz. Nació en Bay City, Michigan, el 16 de agosto de 1958, y creció en Rochester Hills, Michigan, se mudó a Nueva York en 1977 para lanzar su carrera en la danza moderna.[1] Después haber sido miembro de los grupos musicales pop Breakfast Club y Emmy, lanzó su auto-titulado álbum debut, Madonna en 1983 por Sire Records.[2] Recibió la nominación a Mejor artista nuevo en el MTV Video Music Awards (VMA) de 1984 por la canción «Borderline». Madonna fue seguido por una serie de éxitosos sencillos, de sus álbumes de estudio Like a Virgin de 1984 y True Blue en 1986, que le dieron reconocimiento mundial.[3] Madonna, se convirtió en un icono pop, empujando los límites de contenido lírico de la música popular y las imágenes de sus videos musicales, que se convirtió en un fijo en MTV.[4] En 1985, recibió una serie de nominaciones VMA por sus videos musicales y dos nominaciones en a la mejor interpretación vocal pop femenina de los premios Grammy. La revista Billboard la clasificó en lista Top Pop Artist para 1985, así como en el Top Pop Singles Artist en los próximos dos años.