The Millionaire and the Bard: the United States emerged as the dominant Henry Folger’s Obsessive Hunt world power, it was no longer desirable that American culture take second place to any other. for Shakespeare’s That said, the earlier way of thinking had a long BY ANDREA MAYS afterlife, especially in more provincial centres. (SIMON & SCHUSTER, 2015, $34.99) So the Folgers were typical collectors of their time, in that they revered English literature as superior. But what happened next in their life This title, Andrea Mays’s first book, is a as collectors showed an extraordinary level of capable telling of the extraordinary book monomania as well as a comprehensive approach collecting of Henry Clay Folger (1857–1930) and to author collecting. Most collectors would have his wife Emily. Folger was a close confidant of been happy to have one copy each of the first, America’s richest tycoon, John D. Rockefeller second and third folios of Shakespeare. Not the Sr., and a top executive of the Co. Folgers. They collected 134 first folios, or about a By living a very frugal life—he rented a home in third of the known copies: many incomplete and when his contemporaries lived in New cheap, some exceptional and very expensive. In York mansions, for example—Folger was able to addition, they collected the earlier Shakespeare accumulate substantial wealth. Most of this was quartos plus later editions and secondary invested in books or Standard Oil stock. Folger’s publications to amass a truly comprehensive working life was marked by the expansion of the Shakespeare library. But unlike many collectors, oil industry from its initial success providing they stored most of their treasures in various lamp oil in the form of kerosene to supplying a warehouses where they could not be seen. huge market for many products, including fuel to Author Andrea Mays teaches economics heat buildings, power ships and propel vehicles. at California State University in Long Beach. Although this book’s title emphasizes Henry While her book is well researched, her insist- as being the collector, its 350 pages make clear ence on the goodness of the Standard Oil Co. that his wife Emily was an indispensable partner is an unfortunate and an inaccurate bias. For in his collecting activities. Henry and Emily example, she objects to the wording of a Folger were both university graduates and lovers of Shakespeare Library publication which states good literature. The book charts their collecting, that Folger made his money “on the backs of from early modest pursuits to their obsessive oil workers.” The phrase is a euphemism for the quest for Shakespeare’s first folios and their harsh reality that the oil industry was a very final superb accomplishment, the creation of dangerous one in which to work and that the the Folger Shakespeare Library in Washington, Rockefellers had a reputation for being brutal DC. What makes the story particularly fas- employers. It would have been interesting if the cinating is the character of the collectors. author had written more about the psychology The Folgers were among the great collectors of her subjects. One theory of collecting is that and library creators of the age, who included J. it is a mechanism to control anxiety. Was the Pierpont Morgan and Henry Huntington. Their anxiety in the life of Folger or his employer? collections mostly concentrated on European All in all this is an insightful book and a books, artifacts, manuscripts and the like. While rewarding one that should be of particular a few lesser collectors looked to their own interest to collectors, since it includes examples nation’s artistic productions, European culture of successful and unsuccessful strategies in was regarded as superior and had higher status. acquiring rare books. It will also be of interest The establishment of the Museum of Modern to rare book librarians for insights into the book Art in New York by Abby Rockefeller—John trade, book pricing and the nature of collecting. D.’s wife—in 1929 marked a change in attitude, emphasizing the importance of American artistic • REVIEWED BY RALPH STANTON production. After the Second World War, when

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