The Rules of Money
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British Fiction Today
Birkbeck ePrints: an open access repository of the research output of Birkbeck College http://eprints.bbk.ac.uk Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. This is an author-produced version of a paper published in British Fiction Today (ISBN 0826487319). This version has been peer-reviewed but does not include the final publisher proof corrections, published layout or pagination. All articles available through Birkbeck ePrints are protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Citation for this version: Brooker, Joseph (2006). The middle years of Martin Amis. London: Birkbeck ePrints. Available at: http://eprints.bbk.ac.uk/archive/00000437 Citation for the publisher’s version: Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. http://eprints.bbk.ac.uk Contact Birkbeck ePrints at [email protected] The Middle Years of Martin Amis Joseph Brooker Martin Amis (b.1949) was a fancied newcomer in the 1970s and a defining voice in the 1980s. He entered the 1990s as a leading player in British fiction; by his early forties, the young talent had grown into a dominant force. Following his debut The Rachel Papers (1973), he subsidised his fictional output through the 1970s with journalistic work, notably as literary editor at the New Statesman. -
The Limits of Irony: the Chronillogical World Of
THELIMITS OF IRONY The Chronillogical World of Martin Arnis' Time's Arrow s a work of Holocaust fiction, Martin Arnis' Time'sArrm is as A, oving and disturbing as it is ingenious; indeed, it is Amis' narrative ingenuity that is responsible for the work's moral and emotional impact. What moves and disturbs the reader is the multitude of ironies that result from the reversal of time- the "narrative conceitn (Diedrick 164) that structures and drives the novel.' In Time'sArrow the normal present-to-future progression becomes the movement from present to past and the normative convention of realistic fiction-the inability to foresee the future- becomes the inability to recall the past. A narrator in Amis' Einstein's Monsters describes the 20th-century as "the age when irony really came into its own" (37) and Time'sAwow is an ironic tour-de-force if ever there was one. The minor and major ironies generated by the time- reversal all follow from the most important effect of the trope- the reversal of all normal cause-effect relations. (The minor become major as the reverse becomes increasinglypmerse.) The irony is structural-formal when the reader recognizes that the novel is an inverted Bihhngsromn- detailing the devolution of the protagonist- and an autobiography told by an amnesiac; but as might be expected, the trope results in an array of more locally comic, and then, grimly dark ironies. Indeed, the work's most disturbing effects are the epistemological and, ultimately, onto- logical uncertainties which are the cumulative impact of the narrative method. -
Martin Amis: Postmodernism and Beyond, Edited by Gavin Keulks 102 Martin Amis: Postmodernism and Beyond a Lethal Hostility to Deviation Or Resistance
7 Martin Amis’s Time’s Arrow and the Postmodern Sublime Brian Finney California State University, Long Beach Time’s Arrow (1991) confronts a question that has consumed Amis from an early stage in his career: is modernity leading civilization to self-destruction? While his main concern remains the world’s develop- ment of nuclear weapons, he sees the origins of the West’s drive to implode not just in Hiroshima and Nagasaki but in the Holocaust (Time’s Arrow) and the Soviet gulags (Koba the Dread). The Holocaust is, he has said, “the central event of the twentieth century” (Bellante, 16). As Dermot McCarthy observes: Amis’s “generation suffers from an event it did not experience, and will expire from one it seems power- less to prevent” (301). James Diedrick has called Einstein’s Monsters (1987), London Fields (1989), and Time’s Arrow an “informal trilogy” (104). The first two focus on a nuclear holocaust that threatens postwar civilization, whereas Time’s Arrow returns to the Holocaust, which cast its shadow over the rest of the century. London Fields and Time’s Arrow complement one another in particular. In a prefatory note to London Fields Amis mentions that he even considered calling the novel by the latter’s title. Indeed, Hitler remains at the heart of Amis’s belief that we are living in the aftermath of disaster. In London Fields Nicola Six remarks that “it seemed possible to argue that Hitler was still running the century” (395), and in 2002 Amis confessed, “I feel I have unfinished business with Hitler” (Heawood, 18). -
Identity: Your Passport to Success
Praise for Identity: Your Passport to Success “I wish someone like him [Stedman Graham] had been around to enlighten me at an age when finding myself and a career change or decision was within easy reach…all I needed, as he formulated, was a ‘process.’” —Janice Jones, Junior Achievement of Chicago “Stedman Graham learned years ago that the secret to a successful life was to not let other people define him, but rather to define himself. As his thought-provoking book shows, finding your true identity is not as easy as it seems. Filled with inspiring real-life stories and life- changing insights, this page-turner of a book will snap you out of your complacency and make you think: Who are you, deep-down? What do you value, seriously? And what do you really want to do with your life? Don’t miss this outstanding book.” —Ken Blanchard, coauthor of The One Minute Manager® and Leading at a Higher Level “Get clear on who you are and live according to your own definition of success. Stedman Graham’s Identity offers thought-provoking questions, strategies, and stories to expedite your journey to success. This is a must-read!” —Stuart Johnson, Founder & CEO, VideoPlus and SUCCESS Partners “Stedman Graham is a man who stands tall and speaks from the heart. His insights and advice have provided a road map for success, which I have found invaluable.” —Chas Edelstein, Co-CEO, Apollo Group, Inc. (owner of University of Phoenix) “Identity is an inspirational, honest, and clearly written book about how you can understand and make choices in your life where you matter and fit in a world full of personal challenges. -
The Power of Money in Contemporary Life As Seen Through John Self in Martin Amis' Money a Suicide Note
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347–4564; ISSN (E): 2321–8878 Vol. 7, Issue 10, Oct 2019, 23–26 © Impact Journals THE POWER OF MONEY IN CONTEMPORARY LIFE AS SEEN THROUGH JOHN SELF IN MARTIN AMIS’ MONEY: A SUICIDE NOTE Bossoun Koumabe, Adissa Mikael & Gnonlonfoun Jean-Marc Research Scholar, Benin Public University, Benin, Edo State, Nigeria Received : 26 Aug 201 9 Accepted: 22 Oct 201 9 Published: 31 Oct 201 9 ABSTRACT This article explored the effects of money in our lives in today’s world through the lenses of John Self, the protagonist in Martin Amis’ Money A Suicide Note. Based on extracts from the novel, it has been shown that money has led to the rise and fall of the protagonist. Indeed, with money gained from immoral sources, he was used to smoking, drinking, eating junk food, and enjoying nude magazines. Disillusioned later on, he has learnt how to use money to give meaning to his own life. This clearly depicts how, through the power of money, contemporary man has indulged in addiction, overdrinking, and pornography. It is hoped that the warning of Amis will be understood worldwide so that money will no more be considered a predominant factor of power's homogenization of the individual. KEYWORDS: Martin Amis, Money, Immorality, Modern World, Money a Suicide Note INTRODUCTION Today, the role of money in people’s life is of paramount importance. Indeed, with money, a much more effective and harmonious life can be lived. As such, property and/or wealth are so valued that people are ready to get money at any cost. -
Immortality in Ravelstein
[Expositions 6.1 (2012) 81–89] Expositions (online) ISSN: 1747–5376 Immortality in Ravelstein STEPHEN BLOCK Baylor University This essay takes up the issue of “return” in Saul Bellow’s Ravelstein, a theme related to the alternatives of faith and philosophy or Jerusalem and Athens. Although the “return” is usually associated with faith, Bellow portrays Abe Ravelstein as initiating a return to the great texts of philosophy. Thus, the great question at the end of the novel which Bellow asks us is, Which provides a path towards immortality: faith or philosophy, Jerusalem or Athens? In the novel, Chick, who is the narrator, provides an absurd picture of Ravelstein as a Moses- like lawgiver creating a religion for his students and friends based on the Platonic dialogues. On Ravelstein’s account, modernity has perverted the human soul, making it neither faithful nor philosophic. And yet this same critique undercuts the idea that the question of philosophy or faith is a permanent question, as on his account moderns evade these alternatives. Ravelstein’s return to the ancients is thus paradoxical: it accepts the impermanence of the question of philosophy or faith, such that a call to return to these alternatives cannot be understood as philosophic. While Ravelstein is certainly about the relationship between faith and reason, it is also about whether we should understand human choices either as modern versus ancient or as philosophy versus faith. It is Chick’s less critical stance towards modern life that preserves Athens and Jerusalem as fundamentally human alternatives. Chick’s, and ultimately Bellow’s, manner of “seeing” and writing is aimed at showing the persistence and continuance of the old in the new, of the ancient in the modern, and thus of the persistence of the alternatives between faith and philosophy. -
A Study of Jake Barnes Self - Awareness of His Weakness and His Relationship with the Woman
A Study of Jake Barnes Self - Awareness of His Weakness and His Relationship with the Woman In Hemingway’s Novel A Thesis Submitted in Fulfillment of the Requirement For the Sarjana Sastra Degree at Faculty of Letters Hasanuddin University ANDINI SARI MAKKA F21107102 ENGLISH DEPARTMENT, FACULTY OF LETTER HASANUDDIN UNIVERSITY MAKASSAR 2011 ACKNOWLEDGMENT Praise and gratitude the writer prayed as much as possible to Jesus Christ for all his inclusion and protection, so this paper can be resolved as such. During the process of writing, there are many challenges, trials, and problems that writers face. But with perseverance, patience and hard work of the writer, as well as encouragement and guidance from faculty mentors, eventually everything can be resolved. The writer awares of her ability in writing this thesis, therefore this thesis is still far from perfection, both the content and composition. Thus the writer with all the limitations expecting suggestions from any readers, for discussion in this paper is more perfect. In preparation of this thesis from begin to end, many people are involved. Therefore, with humility the writers say many thanks and highest appreciation to Drs. Hussain Hasyim,M.Hum as the head of English Department, Drs.R.S.M.Assagaf,M.Ed as her first consultant and Drs.M.Amir P.M.Hum as her second consultant. who gave her the time in motivating , helping, correcting, and guiding during the preparation of this thesis. And also the writers thanks to Drs. M Syafri Badaruddin, M.Hum as her first examiner and Karmila Mokoginta,SS,M.Hum as her second examiner who gave many correction.The writers also thanks to all the lectures and staffs of English department who helping and educated the writer during her study. -
Holding House Meetings
Organizing Toolbox Articles from Kentuckians for the Commonwealth and the Southern Empowerment Project Holding House Meetings One method that local groups have found effective in strengthening an organization is to hold a series of house meetings. House meetings help an organization to get basic information out quickly and efficiently to a wider range of people. It can also be an efficient approach to get a broader group of people to define a particular issue and to be more specific about what they want to see changed in their community. For example, in one county, a group of people interested in forming a VOP chapter had one-to-one conversations with members of the community for over nine months. They heard in many of these conversations that education was a problem, so they decided to hold a series of house meetings to find out more specifically what people wanted to see changed about the educational system in the county. The group had to develop a plan for the house meetings. At a planning meeting, the coordinating committee set a goal of having 20 house meeting in two months, assigned tasks that are described below and set a date to come together to discuss the comments they received at each house meeting. Besides refining the focus of the issue work, the group was hoping to get more people active and to build support and momentum for a public action (or actions). The group also used the house meeting approach to increase the diversity of their group, to get new ideas about possible strategies and to help members learn new leadership skills. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
The Science of Getting Rich” Written by Wallace D
“The Science of Getting Rich” written by Wallace D. Wattles was first published in 1910 by Elizabeth Towne Publishing New York. The original text is now in public domain. However, this free e-book edition is not in public domain. It cannot be shared, distributed or reproduced in whole or in part. If you would like to share this e-book with others please direct them to our website www.thesecret.tv where a legitimate copy can be downloaded for free. Copy as preface page for e-book of “The Science of Getting Rich” A note from Rhonda Byrne, creator and executive producer of ‘The Secret’. Less than two years ago, at a time in my life when I was facing challenges from every direction – business, relationships, family, you name it – I stumbled across this book. Or, to be more accurate, IT stumbled across me! I can honestly say that, since that first night when a tattered printed transcript found its way to me (thanks to one of my daughters), my life has never been the same. Once you read it yourself, you will understand why. And “why” was the question I had been asking myself. Why are there people who seem to attract unlimited wealth into their lives, while others, equally as capable or talented or worthy, suffer from poverty and lack? As you’ll discover when you work your way through this wonderful little book, it has nothing to do with education, status, talent, environment, intellectual ability, physical prowess, or geography. Wallace Wattles explains, in simple, straightforward language, how ANYONE, regardless of their background or circumstances, can attract wealth into their lives. -
Satire Bust: the Wagers of Money
Satire Bust: The Wagers of Money Joseph Brooker Birkbeck College, University of London * Abstract. According to critical tradition, satire relies on a normative background to do its work of correction and moral retribution. What happens when those norms are fraying, or absent altogether? Martin Amis’s Money (1984), a key text of the Reagan- Thatcher years, stages this aesthetic and political aporia with coruscating wit and an apocalyptic atmosphere. The relations between satire and value, text and norm, enter a crisis that is morally alarming but artistically productive. * Unfortunately, it has a dehumanized look. But that is not the satirist’s fault. Walter Benjamin All of us are excited by what we most deplore. Martin Amis SUPERACTIVE, JOHN Satire, like many cultural categories, blurs and wavers when you try to look straight at it. To reflect on the concept and review the critical literature lately dedicated to it is to find uncertainty about its boundaries and definition; its function and effect; its major instances; and, as we shall see, its historical conditions of possibility. But if satire is a diffuse concept it also remains a widely diffused practice. Modern satire has occupied diverse genres and locations: theatre, cinema, television, cartoons and text in the press. But it is to a prose fiction that this essay will dedicate its attention.1 In any attempt to theorize the fate of satire in contemporary fiction, Martin Amis’s 1984 novel 1 Money is essential evidence. One of the most influential English novels of the last few decades, it appears to show a modern satirist at the height of his powers. -
Martin Amis's Nuclear Fiction
UNLV Retrospective Theses & Dissertations 1-1-1995 Living the bomb: Martin Amis's nuclear fiction Rebecca L Bostick University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Bostick, Rebecca L, "Living the bomb: Martin Amis's nuclear fiction" (1995). UNLV Retrospective Theses & Dissertations. 571. http://dx.doi.org/10.25669/1fxy-go1t This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.