Implications for the Igbo Cultural Heritage
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
History of Seventh-Day Adventist Church in Igboland (1923 – 2010 )
NJOKU, MOSES CHIDI PG/Ph.D/09/51692 A HISTORY OF SEVENTH-DAY ADVENTIST CHURCH IN IGBOLAND (1923 – 2010 ) FACULTY OF THE SOCIAL SCIENCES DEPARTMENT OF RELIGION Digitally Signed by : Content manager’s Name Fred Attah DN : CN = Webmaster’s name O= University of Nigeri a, Nsukka OU = Innovation Centre 1 A HISTORY OF SEVENTH-DAY ADVENTIST CHURCH IN IGBOLAND (1923 – 2010) A THESIS SUBMITTED TO THE DEPARTMENT OF RELIGION AND CULTURAL STUDIES, FACULTY OF THE SOCIAL SCIENCES UNIVERSITY OF NIGERIA, NSUKKA IN PARTIAL FULFILMENT FOR THE AWARD OF DOCTOR OF PHILOSOPHY (Ph.D) DEGREE IN RELIGION BY NJOKU, MOSES CHIDI PG/Ph.D/09/51692 SUPERVISOR: REV. FR. PROF. H. C. ACHUNIKE 2014 Approval Page 2 This thesis has been approved for the Department of Religion and Cultural Studies, University of Nigeria, Nsukka By --------------------------------------------- ------------------------------ Rev. Fr. Prof. H. C. Achunike Date Supervisor -------------------------------------------- ------------------------------ External Examiner Date Prof Musa Gaiya --------------------------------------------- ------------------------------ Internal Examiner Date Prof C.O.T. Ugwu -------------------------------------------- ------------------------------ Internal Examiner Date Prof Agha U. Agha -------------------------------------------- ------------------------------ Head of Department Date Rev. Fr. Prof H.C. Achunike --------------------------------------------- ------------------------------ Dean of Faculty Date Prof I.A. Madu Certification 3 We certify that this thesis -
Igbo Folktales and the Idea of Chukwu As Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston
University of Massachusetts Boston From the SelectedWorks of Chukwuma Azuonye April, 1987 Igbo Folktales and the Idea of Chukwu as Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston Available at: http://works.bepress.com/chukwuma_azuonye/76/ ISSN 0794·6961 NSUKKAJOURNAL OF LINGUISTICS AND AFRICAN LANGUAGES NUMBER 1, APRIL 1987 Published by the Department of Linguistics and Nigerian Languages, University of Nigeria, Nsukka NOTES ON THE CONTRIBUTORS All but one of the contributors to this maiden issue of The Nsukka Journal of Linguistics and African Languages are members of the Department of Linguistics and Nigerian Languages, Univerrsity of Nigeria, Nsukka Mr. B. N. Anasjudu is a Tutor in Applied Linguistics (specialized in Teaching English as a Second Language). Dr. Chukwuma Azyonye is a Senior Lecturer in Oral Literature and Stylistics and Acting Head of Department. Mrs. Clara Ikeke9nwy is a Lecturer in Phonetics and Phonology. Mr. Mataebere IwundV is a Senior Lecturer in Sociolinguistics and Psycholinguistics. Mrs. G. I. Nwaozuzu is a Graduate Assistant in Syntax and Semantics. She also teaches Igbo Literature. Dr. P. Akl,ljYQQbi Nwachukwu is a Senior Lecturer in Syntax and Semantics. Professor Benson Oluikpe is a Professor of Applied and Comparative Linguistics and Dean of the Faculty of Arts. Mr. Chibiko Okebalama is a Tutor in Literature and Stylistics. Dr. Sam VZ9chukwu is a Senior Lecturer in Oral Literature and Stylistics in the Department of African Languages and Literatures, University of Lagos. ISSN 0794-6961 Nsukka Journal of L,i.nguistics and African Languages Number 1, April 1987 IGBD FOLKTALES AND THE EVOLUTION OF THE IDEA OF CHUKWU AS THE SUPREME GOD OF IGBO RELIGION Chukwuma Azyonye This analysis of Igbo folktales reveals eight distinct phases in the evolution of the idea of Chukwu as the supreme God of Igbo religion. -
Igbo Man's Belief in Prayer for the Betterment of Life Ikechukwu
Igbo man’s Belief in Prayer for the Betterment of Life Ikechukwu Okodo African & Asian Studies Nnamdi Azikiwe University, Awka Abstract The Igbo man believes in Chukwu strongly. The Igbo man expects all he needs for the betterment of his life from Chukwu. He worships Chukwu traditionally. His religion, the African Traditional Religion, was existing before the white man came to the Igbo land of Nigeria with his Christianity. The Igbo man believes that he achieves a lot by praying to Chukwu. It is by prayer that he asks for the good things of life. He believes that prayer has enough efficacy to elicit mercy from Chukwu. This paper shows that the Igbo man, to a large extent, believes that his prayer contributes in making life better for him. It also makes it clear that he says different kinds of prayer that are spontaneous or planned, private or public. Introduction Since the Igbo man believes in Chukwu (God), he cannot help worshipping him because he has to relate with the great Being that made him. He has to sanctify himself in order to find favour in Chukwu. He has to obey the laws of his land. He keeps off from blood. He must not spill blood otherwise he cannot stand before Chukwu to ask for favour and succeed. In spite of that it can cause him some ill health as the Igbo people say that those whose hands are bloody are under curses which affect their destines. The Igboman purifies himself by avoiding sins that will bring about abominations on the land. -
Ikwerre Intergroup Relations and Its Impact on Their Culture
83 AFRREV VOL. 11 (2), S/NO 46, APRIL, 2017 AN INTERNATIONAL MULTI-DISCIPLINARY JOURNAL, ETHIOPIA AFRREV VOL. 11 (2), SERIAL NO. 46, APRIL, 2017: 83-98 ISSN 1994-9057 (Print) ISSN 2070-0083 (Online) DOI : http://dx.doi.org/10.4314/afrrev.v11i2.7 Ikwerre Intergroup Relations and its Impact on Their Culture Chinda, C. Izeoma Department of Foundation Studies Port Harcourt Polytechnic, Rumuola Phone No: +234 703 667 4797 E-mail: [email protected] --------------------------------------------------------------------------- Abstract This paper examined the intergroup relations between the Ikwerre of the Niger Delta, South-South geopolitical zone of Nigeria and its impact on their culture. It analyzed the Ikwerre relations with her Kalabari and Okrika coastal neighbours, as well as the Etche, Eleme, Ekpeye, Ogba Abua and the Igbo of Imo state hinterland neighbours. The paper concluded that the internal developments which were stimulated by their contacts impacted significantly on their culture. Key words: Ikwerre, Intergroup Relations, Developments, Culture, Neighbour. Introduction Geographical factors aided the movement of people from one ecological zone to another in migration or interdependent relationships of trade exchange. These exchanges and contacts occurred even in pre-colonial times. The historical roots of inter-group relations of the Ikwerre with her neighbours, dates back to pre-colonial times but became prevalent from the 1850 onward when the Atlantic trade became emphatic on agrarian products as raw materials to the industrial western world. This galvanized the hitherto existing inter-group contact between the Ikwerre and her neighbouring potentates. Copyright © International Association of African Researchers and Reviewers, 2006-2017: www.afrrevjo.net. -
Africa Report, Nr. 135: Nigeria
NIGERIA: ENDING UNREST IN THE NIGER DELTA Africa Report N°135 – 5 December 2007 TABLE OF CONTENTS EXECUTIVE SUMMARY AND RECOMMENDATIONS................................................. i I. INTRODUCTION .......................................................................................................... 1 II. FALTERING ATTEMPTS TO ADDRESS THE DELTA UNREST........................ 1 A. REACHING OUT TO THE MILITANTS?.....................................................................................1 B. PROBLEMATIC PEACE AND CONFLICT RESOLUTION COMMITTEES.........................................3 C. UNFULFILLED PROMISES.......................................................................................................4 III. THE RISING TOLL....................................................................................................... 7 A. CONTINUING VIOLENCE ........................................................................................................7 1. Attacks on expatriates and oil facilities .....................................................................7 2. Politicians, gangs and the Port Harcourt violence .....................................................7 3. The criminal hostage-taking industry ........................................................................8 B. REVENUE LOSS AND ECONOMIC DESTABILISATION ..............................................................9 C. EXPATRIATE AND INVESTMENT FLIGHT ..............................................................................10 IV. GOVERNMENT -
Saharan Africa: the Igbo Paradigm
Journal of International Education and Leadership Volume 5 Issue 1 Spring 2015 http://www.jielusa.org/ ISSN: 2161-7252 The Re-Birth of African Moral Traditions as Key to the Development of Sub- Saharan Africa: The Igbo Paradigm Chika J. B. Gabriel Okpalike Nnamdi Azikiwe University This work is set against the backdrop of the Sub-Saharan African environment observed to be morally degenerative. It judges that the level of decadence in the continent that could even amount to depravity could be blamed upon the disconnect between the present-day African and a moral tradition that has been swept under the carpet through history; this tradition being grounded upon a world view. World-view lies at the basis of the interpretation and operation of the world. It is the foundation of culture, religion, philosophy, morality and so forth; an attempt of humans to impose an order in which the human society works.1 Most times when the African world-view is discussed, the Africa often thought of and represented is the Africa as before in which it is very likely to see religion and community feature as two basic characters of Africa from which morality can be sifted. In his popular work Things Fall Apart, Chinua Achebe had above all things shown that this old Africa has been replaced by a new breed and things cannot be the same again. In the first instance, the former African communalism in which the community was the primary beneficiary of individual wealth has been wrestled down by capitalism in which the individual is defined by the extent in which he accumulates surplus value. -
L'aula D'idioma Com a Mitjà D'integració I D'enriquiment
L’AULA D’IDIOMA COM A MITJÀ D’INTEGRACIÓ I D’ENRIQUIMENT MULTICULCULTURAL José Luis Bartolomé Sánchez Curs 2004-2005 Centre de treball: IES Montsacopa (Olot, Garrotxa) Especialitat: Llengua anglesa Supervisió: Neus Serra (Servei Inspecció Delegació Territorial d’Educació de Girona) Llicència d’estudis retribuïda concedida pel Departament d’Educació de la Generalitat, Resolució del 16 de juliol de 2004 (DOGC núm. 4182 de 26.7. 2004) “The White Man Drew a Small Circle” The white man drew a small circle in the sand and told the red man, 'This is what the Indian knows,' and drawing a big circle around the small one, 'This is what the white man knows.' The Indian took the stick and swept an immense ring around both circles: 'This is where the white man and the red man know nothing.' Carl Sandburg « L'home blanc va dibuixar un cercle petit » L'home blanc va dibuixar un cerce petit a la sorra i va dir al pell roja: "Això és els que coneixeu els indis" i tot seguit va dibuixar un cercle gran al voltant del petit: "Això és el que coneixem els homes blancs." L'indi va agafar el pal i va escombrar un enorme cercle al voltant dels altres dos: "Això és on ni l'home blanc ni el pell roja no coneixen gens". 2 3 4 5 Índex Pàgina Introducció 7 Greencards for Cultural Integration 11 Readers 113 - Around the world in ten Tintin books 118 - Australia 129 - America 139 - Far and Middle East 155 - Africa 177 - Far East. China & India 217 Pop Songs 249 Movies 357 Conclusions 428 Bibliografia 433 6 INTRODUCCIÓ 7 L'experiència personal dels darrers anys com a docent d'institut en un municipi amb un augment espectacular de l'arribada de famílies i alumnes d'altres països m'ha fet veure que l'entrebanc principal de contacte amb aquestes persones -l'idioma- resulta de vegades paradoxal. -
Purple Hibiscus
1 A GLOSSARY OF IGBO WORDS, NAMES AND PHRASES Taken from the text: Purple Hibiscus by Chimamanda Ngozi Adichie Appendix A: Catholic Terms Appendix B: Pidgin English Compiled & Translated for the NW School by: Eze Anamelechi March 2009 A Abuja: Capital of Nigeria—Federal capital territory modeled after Washington, D.C. (p. 132) “Abumonye n'uwa, onyekambu n'uwa”: “Am I who in the world, who am I in this life?”‖ (p. 276) Adamu: Arabic/Islamic name for Adam, and thus very popular among Muslim Hausas of northern Nigeria. (p. 103) Ade Coker: Ade (ah-DEH) Yoruba male name meaning "crown" or "royal one." Lagosians are known to adopt foreign names (i.e. Coker) Agbogho: short for Agboghobia meaning young lady, maiden (p. 64) Agwonatumbe: "The snake that strikes the tortoise" (i.e. despite the shell/shield)—the name of a masquerade at Aro festival (p. 86) Aja: "sand" or the ritual of "appeasing an oracle" (p. 143) Akamu: Pap made from corn; like English custard made from corn starch; a common and standard accompaniment to Nigerian breakfasts (p. 41) Akara: Bean cake/Pea fritters made from fried ground black-eyed pea paste. A staple Nigerian veggie burger (p. 148) Aku na efe: Aku is flying (p. 218) Aku: Aku are winged termites most common during the rainy season when they swarm; also means "wealth." Akwam ozu: Funeral/grief ritual or send-off ceremonies for the dead. (p. 203) Amaka (f): Short form of female name Chiamaka meaning "God is beautiful" (p. 78) Amaka ka?: "Amaka say?" or guess? (p. -
Comparing Chinese and Nigerian Entrepreneurial Migrants' Cultures of Innovation
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kohnert, Dirk Working Paper Are the Chinese in Africa More Innovative than the Africans? Comparing Chinese and Nigerian Entrepreneurial Migrants' Cultures of Innovation GIGA Working Papers, No. 140 Provided in Cooperation with: GIGA German Institute of Global and Area Studies Suggested Citation: Kohnert, Dirk (2010) : Are the Chinese in Africa More Innovative than the Africans? Comparing Chinese and Nigerian Entrepreneurial Migrants' Cultures of Innovation, GIGA Working Papers, No. 140, German Institute of Global and Area Studies (GIGA), Hamburg This Version is available at: http://hdl.handle.net/10419/47844 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu Inclusion of a paper in the Working Papers series does not constitute publication and should not limit publication in any other venue. -
How Is Things Fall Apart a 1) Morality Tale 2) Tragedy 3) Historical Novel In
Penny for your thought: How is Things Fall Apart a 1) Morality tale 2) Tragedy 3) historical novel In Umuofia, time is measured by generations, seasons, lunar cycles, planting and harvest seasons. The past co-exists with the present in the form of the tales told by parents to children, egwugwu processions where ancestral spirits preside over domestic disputes. |Okonkwo is an allegorical everyman figure, embodying the existential paradoxes of the Igbo culture in transition.| Ezinma establishes and reinforces the primacy of female principle in the novel which serves a counterpoint to the masculine and patriarchal ethos of the Igbo clan. She also “functions as a symbol for the resilience of the Igbo traditions in the face of staggering changes during British colonialism.” “In cultural terms Ezinma's story allows Achebe to describe the ogbanje as a phenomenon of traditional Igbo life.” Considered a "living dead," the ogbanje cycles back and forth between the worlds of humans and spirits. Alive for only a few years, the troublesome child can continue the cycle indefinitely. This phenomenon mystifies the high infant mortality in Igbo society. Achebe does not present her as merely a cultural "artifact" but as a fleshed out character that evolves with successive interactions with other characters. “Ezinma is privy to the mysteries of both the human and the spirit realms.” “Ekwefi treats her daughter less as a child than as a creature that needs to be appeased. She grants her daughter an intimacy that is uncommon between the other mothers and children in Okonkwo's compound...The extent of Ekwefi's self-sacrificing love is most apparent when she disobeys social and spiritual customs and decides to follow Chielo, the priestess of Agbala, and her daughter during the night journey to the cave” Chielo, who leads a double existence as a widowed mother of two and as a priestess, is in a sense a second, spiritual mother to Ezinma. -
Yoruba Art Music: Fronting the Progenitors ______
African Musicology Online Vol. 8, No. 1, pp. 19-44, 2018 YORUBA ART MUSIC: FRONTING THE PROGENITORS __________________________ Ade Oluwa Okunade1; Onyee Nwankpa2 Department of Music, University of Port Harcourt, Port Harcourt, Nigeria *Corresponding Author Email: [email protected] ABSTRACT The bedrock of music genres in Africa today remains the traditional music. The western formal music education embraced by African schools during and after the scramble for Africa by the northern hemisphere has given ‘colorations’ to music genres both in the classroom and the larger society. Its legacies are found more in popular music. The most interesting thing is that essence of music remains undaunted in the faces of all new formalities in the educational system. Music still lives on stage and not on paper. This paper emerges as a derivative of the Yoruba Art Music (YAM) festival premiered in 2015 at the University of Ibadan, Nigeria. With bibliographical evidences and substantial interaction with a non-Yoruba speaking music scholar this paper sufficed that the YAM festival is worth doing and is capable of solving other attendant issues in music scholarship. Key Words: Yoruba art music, Traditional, Legacies, Music education, Popular music. INTRODUCTION The missionary who came to Nigeria in the 19th century came through the Yoruba land, in the Southwestern Nigeria. This gave early rise to western formal education in the area, of which music education was paramount. The Yoruba Art Music (YAM) festival emerged in 2015 with the concept of having discourse of what constitutes art music followed by stage production of Yoruba musical works. The authors involved non-Yoruba speaking scholars having in mind the conventional traits in African music, and only wanted to bring out the traits that point out identities from one region to another, to take part especially in the discourse. -
THE AESTHETICS of IGBO MASK THEATRE by VICTOR
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 1996 The composite scene: the aesthetics of Igbo mask theatre Ukaegbu, Victor Ikechukwu http://hdl.handle.net/10026.1/2811 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. THE COMPOSITE SCENE: THE AESTHETICS OF IGBO MASK THEATRE by VICTOR IKECHUKWU UKAEGBU A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY Exeter School of Arts and Design Faculty of Arts and Education University of Plymouth May 1996. 90 0190329 2 11111 COPYRIGHT STATEMENT. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior written consent. Date .. 3.... M.~~J. ... ~4:l~.:. VICTOR I. UKAEGBU. ii I 1 Unlversity ~of Plymouth .LibratY I I 'I JtemNo q jq . .. I I . · 00 . '()3''2,;lfi2. j I . •• - I '" Shelfmiul(: ' I' ~"'ro~iTHESIS ~2A)2;~ l)f(lr ' ' :1 ' I . I Thesis Abstract THE COMPOSITE SCENE: THE AESTHETICS OF IGBO MASK THEATRE by VICTOR IKECHUKWU UKAEGBU An observation of mask performances in Igboland in South-Eastern Nigeria reveals distinctions among displays from various communities.