Delegates 2018 MUNDIAL MONTREAL
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Calypso Rose
Calypso Rose Forget the thorns, because she has them, and without delay pick this (Calypso) Rose who, at 75 years old, looks fresher than ever. Far From Home has to be the 20th album at least of her crowded discography and the latest chapter of an eventful career started in 1964. But you’ll never hear her sound in the least bit tired; quite the opposite. Petulant, energetic, vehement, jovial, gregarious… there aren’t enough words to describe her performance on these 12 tracks on which she generously dispenses her joie de vivre with the voice of a young girl. Yet, life hasn’t been a bed of roses for McCartha Linda Lewis, born in 1940 in Bethel, a small village on the island of Tobago which, with Trinidad, is one of the many insular republics of the Caribbean, and the land of one of the most popular music in the world: calypso. Born at the end of the 19th Century from a mix of African and European musical ingredients, calypso really grew in the first half of the 20th Century into a refined art and a medium in its own right to address everyday problems as well as important social issues. It became universal in the 1950’s, notably through Harry Belafonte, and was exclusively delivered by males until a troublemaker entered the scene and blew-up the conventions. In 1972, Calypso Rose was the first artist to be awarded the title of Calypso Queen and, six years later, the gender-neutral title of Calypso Monarch. One of the songs from the new album titled ‘Calypso Queen’ evokes the pride she still feels today at having been the one to overthrow the established order of things. -
Festival Guide
FESTIVAL GUIDE DU GUÍA DEL GUIDE FESTIVAL FESTIVAL July 10–August 15, 2015 10 juillet au 15 août 2015 10 julio – 15 agosto 2015 LEAD PARTNER PARTENAIRE PRINCIPAL SOCIO PRINCIPAL PREMIER PARTNERS GRANDS PARTENAIRES SOCIOS PREMIERES OPENING CEREMONY CREATIVE PARTNER OFFICIAL BROADCASTER PARTENAIRE CRÉATIF POUR LA CÉRÉMONIE D’OUVERTURE DIFFUSEUR OFFICIEL SOCIO CREATIVO PARA LA CEREMONIA DE INAUGURACIÓN EMISORA OFICIAL OFFICIAL SUPPLIERS FOURNISSEURS OFFICIELS PROVEEDORES OFICIALES PROUD SUPPORTERS FIERS PARRAINEURS COLABORADORES PRINCIPALES Acklands-Grainger ATCO Structures & Logistics Ltd. Bochner Eye Institute BT/A Advertising Burnbrae Farms The Canadian Press Carbon60 Networks The Carpenters’ Union CGC Inc. Division Sports-Rep Inc. ELEIKO EllisDon-Ledcor Esri Canada eSSENTIAL Accessibility Freeman Audio Visual Canada Gateman-Milloy Inc. George Brown College Gerflor Gold Medal Systems La Presse LifeLabs Medical Laboratory Services MAC Cosmetics Minavox Modu-loc Fence Rentals Morningstar Hospitality Services Inc. Nautique Boats ONRoute Highway Service Centres Ontario Power Generation PortsToronto Riedel Communications Roots Rosetta Stone SpiderTech Sportsnet 590 The Fan S4OPTIK Starwood Hotels and Resorts TBM Service Group TLN Telelatino Toronto Port Lands Company UP Express VIA Rail Canada VOIT Vision Critical Waste Management Yonex YouAchieve ZOLL 407 ETR FUNDING PARTIES HOST CITY HOST FIRST NATION BAILLEURS DE FONDS VILLE HÔTE PREMIÈRE NATION HÔTE PROVEEDORES DE FINANCIAMIENTO CIUDAD ANFITRIONA PRIMERA NACIÓN ANFITRIONA Live Sites/Sites -
Cumbancha Announces New Album from Kobo Town
CUMBANCHA ANNOUNCES NEW ALBUM FROM KOBO TOWN JUMBIE IN THE JUKEBOX Cat nr : CMB-CD-25 release dates: 6 May 2013 (Europe) 23 April 2013 (USA) “Kobo Town brings Neil Young's angst and Jerry Dammers' instincts to traditional calypso themes.” -- The Village Voice Merging calypso, roots reggae, acoustic performance, dub studio techniques and Trinidadian / Jamaican cultures, Kobo Town is a unique, stylistic, trans-national composite of rhythm, poetry and activist journalism. Kobo Town resurrects, reinvigorates and redefines calypso for the new millennium. Founded by emigré Trinidadian songwriter Drew Gonsalves, Kobo Town takes the intricate wordplay of classic Caribbean music and runs it through a 21st Century filter. In the world of Kobo Town calypso, roots reggae, and acoustic instrumentation meet innovative production techniques, social commentary and indie rock attitude. Stonetree and Cumbancha will release Kobo Town’s second album Jumbie in the Jukebox in Spring. Gonsalves was raised in a middle class suburban town outside Port-of-Spain but his family relocated to Canada when he was 13 years old. Even though he was exposed to a lot of music growing up on the island, the local folklore tradition of calypso music wasn’t his main interest back then. Like most of his peers, he was mostly influenced by American and British rock music...and even admits to a passion for heavy metal in his early teens. It wasn’t until he relocated to Canada that the prism of nostalgia and a deepening interest in his country’s history led him to explore the rich traditions of calypso music, mostly by digging through bins of old records in second-hand stores. -
Ontario Scene Schedule Week 1
ONTARIO SCENE SCHEDULE WEEK 1 PRE-SCENE LOCATION TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY April 28 April 29 April 30 May 1 May 2 May 3 National Arts Centre, 53 Elgin Street Jason Collett’s Do I Have To Do Everything Kobo Town / Afiara Quartet Basement Revue My Fucking Self? Quique Escamilla Fourth Stage 7:30 P.M. (M) Doors 8:30 P.M. (M) 7:30 P.M. (T) 2:00 P.M. (M) Declaration Declaration Declaration Declaration Declaration Le Salon 12:00 P.M.-8:00 P.M. (VA) 12:00 P.M.-8:00 P.M. (VA) 12:00 P.M.-8:00 P.M. (VA) 12:00 P.M.-8:00 P.M. (VA) 12:00 P.M.-4:00 P.M. (VA) Gallery Crawl Main Lobby 1:00 P.M.-4:00 P.M. (VA) Powwow Boot Camp Panorama Room 12:00 P.M. (D) Daniel Lanois & Basia Bulat Southam Hall with NAC Orchestra 8:00 P.M. (M) The Double The Double The Double The Double The Double Studio 8:00 P.M. (T) 8:00 P.M. (T) 8:00 P.M. (T) 8:00 P.M. (T) 2:00 P.M. & 8:00 P.M. (T) Kitchener-Waterloo Intermezzi Molly Johnson Symphony Theatre 7:30 P.M. (D) 7:30 P.M. (M) 2:00 P.M. (M) Arts Court, 2 Daly Avenue Gallery Crawl Ottawa Art Gallery 1:00 P.M.-4:00 P.M. (VA) Compagnie ODD Compagnie ODD Theatre 8:00 P.M. (D) 8:00 P.M. (D) Other / Site-Specific Bronson Centre Shad 211 Bronson Avenue 8:00 P.M. -
Links and Content Included in This Performing Arts Global Exchange Document Are Exclusively Intended for Presenter/Programmer/Cu
Links and content included in this Performing Arts Global Exchange document are exclusively intended for presenter/programmer/curator viewing for the explicit use of curation and should not be made available to the public. Out of respect for artists and their work, please do not repost links or share this document for purposes beyond booking considerations. “[The Mush Hole is] a stunning and powerful production about a difficult truth we are all still grappling with.” – Kevin Loring, Director of Indigenous Theatre, National Arts Centre Kaha:wi Dance Theatre (KDT) is one of Canada’s leading performing arts companies, renowned for creating and touring performances that share and educate audiences about Indigenous narratives. KDT is an Onkwehon:we artist-founded and run organization whose performances question, re-story and transform while adhering to Indigenous process, connection to land, story and spirit of place. Founded in 2005 by Six Nations based Artistic Director Santee Smith, Kaha:wi means “to carry” in Kahnyen’kehàka. This award-winning company has extensive touring history, including performances at the National Museum of the American Indian and, most recently, Auckland Arts Festival 2019. “The Mush Hole” is a dance performance about Canada’s Mohawk Institute Residential School. The history of forcibly taking Indigenous children away from parents and sending them to boarding schools is a dark part of history in both Canada and the U.S. Opening a window into the atrocities inflicted upon thousands of Indigenous children by government and church-run schools, it attempts to close the door on historical amnesia. The haunting portrayal weaves through memories of survivors, their traumas, school life, loss of culture and remembrance. -
A History of the CKCU Ottawa Folk Festival
A History of the Ottawa Folk Festival by Joyce MacPhee and Ottawa Folk Festival Volunteers INTRODUCTION ............................................................................................................................................... 2 OTTAWA FOLK FESTIVAL TIMELINE ............................................................................................................. 3 YEAR 1 – 1994 ................................................................................................................................................... 6 YEAR 2 – 1995 ................................................................................................................................................... 8 YEAR 3 – 1996 ................................................................................................................................................. 10 YEAR 4 – 1997 ................................................................................................................................................. 13 YEAR 5 – 1998 ................................................................................................................................................. 16 YEAR 6 – 1999 ................................................................................................................................................. 20 YEAR 7 – 2000 ................................................................................................................................................. 25 YEAR 8 – 2001 ................................................................................................................................................ -
Musicology) 2
The Sonorous Spectacle World Music Performance Practice as Discourse zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Charissa Arlette Granger aus Oranjestad, Aruba Göttingen 2018 1. Prof. Dr. Birgit Abels (Musicology) 2. Prof. Dr. Regina Bendix (Cultural Anthropology) Tag der mündlichen Prüfung: 08.12.2016, Göttingen For C. A. G. & Sarah Bartmann Contents Introduction ................................................................................................................................ 1 1 World music framing practices: roots and mapping music to place ................................... 35 2 Musical performance and the negotiation of difference ...................................................... 63 3 Notes on a sonorous spectacle: How the Other is created through framing ....................... 88 4 Disrupting the sonorous spectacle: Musically moving the self and Other together .......... 112 5 Power relations and world music: Understanding the discursive dimensions of music ... 127 6 Comprehending discourse musically: A challenge to the textual emphasis ..................... 163 Epilogue: On a world of music: Another way of knowing (in) world music ......................... 212 Bibliography ........................................................................................................................... 238 Acknowledgement This work, together with my previous education and performances, could not have been possible without the support -
Program Fiscal Year Applicant Artist/Project Applicant Province Artist Province Offer Artist Development 2020-2021 Aaron Dolman
Program Fiscal Year Applicant Artist/Project Applicant Province Artist Province Offer Artist Development 2020-2021 Aaron Dolman Aaron Dolman Québec Québec $ 2,000.00 Artist Development 2020-2021 Abdullah Nazim No Tourists Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Adam Basterfield Spaceport Union British Columbia British Columbia $ 2,000.00 Artist Development 2020-2021 Adam Beer-Colacino Adam Beer-Colacino Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Adam Lutz Cowbo Morsche Manitoba Manitoba $ 2,000.00 Artist Development 2020-2021 Adrian Cernea IN Veil Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Adrian Underhill Adrian Underhill Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Ajay Parikh-Friese Ajay Friese British Columbia British Columbia $ 2,000.00 Artist Development 2020-2021 Alan Laskow Every Hour Kills Alberta Alberta $ 2,000.00 Artist Development 2020-2021 Aleks Schürmer Aleks Schürmer Québec Québec $ 2,000.00 Artist Development 2020-2021 Alex Fecioru Passport Radio Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Alex Mundy Alex Mundy Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Alexander Betancur Osorio Ramon Chicharron Québec Québec $ 2,000.00 Artist Development 2020-2021 Alexander Lioubimenko Algorhythm Québec Québec $ 2,000.00 Artist Development 2020-2021 Alexandra Overing The Leanover Québec Québec $ 2,000.00 Artist Development 2020-2021 Allysha Bureyko Ajaye Jardine British Columbia British Columbia $ 2,000.00 Artist Development 2020-2021 alyssa holmes The Drifts Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Amanda Gibeau Amanda Gibeau Québec Québec $ 2,000.00 Artist Development 2020-2021 Amanda Keesmaat Amanda Keesmaat Québec Québec $ 2,000.00 Artist Development 2020-2021 Amanda Lowe Amanda Lowe W. -
Pretty Mas': Visuality and Performance in Trinidad and Tobago's
Pretty Mas’: Visuality and Performance in Trinidad and Tobago’s contemporary carnival, West Indies. Maica Gugolati To cite this version: Maica Gugolati. Pretty Mas’: Visuality and Performance in Trinidad and Tobago’s contemporary carnival, West Indies.. Social Anthropology and ethnology. EHESS, 2018. English. tel-02390189 HAL Id: tel-02390189 https://hal.archives-ouvertes.fr/tel-02390189 Submitted on 2 Dec 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. “For my mother, citizen of one world and many” Kwame Anthony Appiah. 2006, Cosmopolitanism. Ethics in a World of Strangers. God planted a rice field one year. “One day a message came to God saying, ‘God, the pintards are eating up all of your rice. If you don’t do something about it, there won’t be any rice to reap”. So God called the Angel Michael and told him “Here Michael, you take this gun and go down to my rice fields and kill those pintards. They are eating up all my rice and I did not plant rice for them”. Then Michael took the gun to shoot the pintards but when the pintards saw him they flew up into a tree and began to sing and clap their wings together in rhythm. -
Hottest ANDROID Michael Fassbender TALKS Prometheus Inside Malin Akerman Sarah Silverman Charlize Theron
June 2012 | VOLUME 13 | NUMBER 6 hollyWood’s hottest ANDROID Michael Fassbender TALKS proMetheus Inside Malin akerMan sarah silverMan charlize theron take the quiz, PUBLICATIONS MAIL AGREEMENT NO. 41619533 Page 22! Red Carpet: Michelle WilliaMs, chris heMsWorth, scarlett Johansson CJ26819_Savages_CineplexAd.indd 1 5/1/12 10:51 AM Untitled-2 1 12-04-25 11:41 AM CJ26730_Ted_TributeAd.indd 1 12-04-25 10:01 AM COntents JuNE 2012 | Vol 13 | Nº6 COVer STOrY 38 I, rObOt Michael Fassbender plays android David in the must- see sci-fiPrometheus . Here, the critically acclaimed actor talks about finding the right tone, even the right walk, for director Ridley Scott’s latest robot. Plus, Charlize Theron on the art of playing a baddie By BoB StRauss reGuLars 6 EDitoR’S NotE 8 SNaPS 10 In BRiEf 14 SPotligHt 16 All Dressed uP 18 In tHEatRES 44 CaStiNg Call 46 REtuRN ENgagEmENt 48 At HomE 50 FiNally... features 26 rOCk star 32 sarah On sarah 36 braVe COnCept Rock of Ages’ Malin Akerman Sarah Silverman raves about See how Pixar artists brought explains how her real-life her Take This Waltz director the Scottish Highlands and a experience singing in a rock Sarah Polley, who gave the feisty princess named merida band came in handy for her comedian a chance to show to life for their stunning new role in the ’80s-set musical off her acting chops movie, Brave By AshlEy JuDE ColliE By maRNi WEiSz By maRNi WEiSz Page 22 To celebrate our 150th issue, we’ve devised a quiz featuring tidbits from the biggest stars who’ve appeared in the pages of our magazine 4 | CINEPLEX MAGAZINE | JUNE 2012 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA ART DIRECTOR TREVOR STEWART ASSISTANT ART DIRECTOR STEVIE SHIPMAN DIRECTOR, PRODUCTION SHEILA GREGORY CONTRIBUTORS ASHLEY JUDE COLLIE, BOB STRAUSS ADVERTISING SALES FOR CINEPLEX MAGAZINE AND LE MAGAZINE CINEPLEX IS HANDLED BY CINEPLEX MEDIA.