Slas2013 Web.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Centre for the Study of Migration, Queen Mary, University of London
Centre for the Study of Migration, Queen Mary, University of London and United Nations University International Institute for the Alliance of Civilizations (UNU-IIAOC) CONFERENCE ANNOUNCEMENT JUNE 28th and 29th 2012 DISPLACEMENT, RESISTANCE, REPRESENTATION: Culture and Power in Contexts of Migrancy Landscapes of Desire John Halaka RESIST. 2009. Detail from drawing. Ink and Rubber Stamped Ink on Paper The Centre for the Study of Migration at Queen Mary, University of London is pleased to announce its annual conference to be held on June 28th and 29th 2012. Organizer: Professor Parvati Nair ([email protected]) Venue: David Sizer Lecture Theatre, Francis Bancroft Building, Queen Mary, Mile End Campus, Mile End Road, London E1 4NS Attendance at this conference is FREE and OPEN TO ALL Programme Thursday, June 28th 2012 10:00 – 10:30: Registration and Coffee 10:30 – 10:45: Welcome and Introduction 10:45 – 12:15: Panel 1: Fields of Resistance Chair: Federica Mazzara, University College London, UK Speakers: Elena Fiddian-Qasmiyeh (Centre for Refugee Studies, University of Oxford, UK): ‘Ideal and Unique Spaces: The Representation of Sahrawi Refugees in Algerian Camps’ Nayana Bibile (University of New South Wales, Sydney, Australia): ‘The Potentiality of the Archive: Dynamics of Resettlement amongst Bhutanese Refugees in Australia’ Pollyanna Rhee (Columbia University, New York, USA): ‘Public Image Limited: The Ramapo Mountain Indians’s Claims for Territory and Recognition’ 12:15 – 13:15: Keynote Lecture 1 Chair: Parvati Nair, Centre for the Study of Migration, QMUL, UK Speaker: Professor John Halaka (University of San Diego, California, USA): ‘Portraits of Desire and Denial’ 13:15 – 14:30: LUNCH (own arrangements) 14:30 – 16:00: Panel 2: The Power of the Visual Chair: Tendayi Bloom, QMUL, UK Speakers: Federica Mazzara (University College London, UK): ‘Bodies of Lampedusa. -
Contrastes (Pdf)
Contrastes Una evidencia queer: trabajo sexual y metodologías afectivas Juana María Rodríguez University of California, Berkeley [email protected] RESUMEN: Este artículo investiga dos libros que combinan fotografía con testimonios biográficos para documentar un albergue para trabajadoras sexuales de la tercera edad en Ciudad de México, Casa Xochiquetzal. La yuxtaposición de biografía y fotografía suscita nuevos interrogantes en nuestra investigación sobre la representación de la subjetividad sexual y las prácticas interpretativas que desplegamos para investigarlas. Este artículo se plantea los modos en que diferentes formas de documentación biográfica problematizan productivamente nuestros encuentros con las representaciones estéticas de la sexualidad; y cómo la presencia corporal del sujeto complica sus testimonios vitales. Este proyecto responde con la propuesta de una metodología queer que descompone las evidencias para valorar lo afectivo como un modo de enlazar con la alteridad. PALABRAS CLAVE: Trabajo sexual, Metodología, Queer, Fotografía, México. A Queer Evidence: Sex Work and Affective Methodologies ABSTRACT: This article considers two books that combine photography with biographical accounts to document a home for elderly sex workers in Mexico City, La Casa Xochiquetzal. Juxtaposing biographical narrative with visual forms raises new questions for our investiga- tions of sexual subjectivities and the interpretive practices we call upon to investigate them. This project asks, how do different forms of biographical documentation productively trouble our encounters with the aesthetic representations of sexuality? How does the corporeal presence of the subject complicate testimonies of their lives? This project responds by proposing a queer methodology that undoes what functions as evidence in order to valorize the affective as a mode of engaging alterity. -
Illuminating the Trauma of the Closet Among Sexual Minorities: a Cinematic-Phenomenological Study of Existential Rights Nisha Gupta
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 8-11-2018 Illuminating the Trauma of the Closet Among Sexual Minorities: A Cinematic-Phenomenological Study of Existential Rights Nisha Gupta Follow this and additional works at: https://dsc.duq.edu/etd Part of the Clinical Psychology Commons, Community Psychology Commons, and the Film and Media Studies Commons Recommended Citation Gupta, N. (2018). Illuminating the Trauma of the Closet Among Sexual Minorities: A Cinematic-Phenomenological Study of Existential Rights (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1476 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. ILLUMINATING THE TRAUMA OF THE CLOSET AMONG SEXUAL MINORITIES: A CINEMATIC-PHENOMENOLOGICAL STUDY OF EXISTENTIAL RIGHTS A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Nisha Gupta, M.A. August 2018 Copyright by Nisha Gupta 2018 ILLUMINATING THE TRAUMA OF THE CLOSET AMONG SEXUAL MINORITIES: A CINEMATIC-PHENOMENOLOGICAL STUDY OF EXISTENTIAL RIGHTS By Nisha Gupta Approved March 23, 2018 ________________________________ ________________________________ Dr. Will Adams -
Programa Macabro 2021.Pdf
CREDITORIO 3 Dirección general Producción audiovisual Fundadores Arte Edna Campos Tenorio Daniel Arreola Edna Campos Tenorio Juan Arturo García Dorantes Sharon Ordóñez Arturo Castelán Arturo García Dorantes Programación Jaime Rosales Arturo García González Edna Campos Tenorio Sharon Toribio Spot Macabro XX Perseo Gálvez João Fleck Idea, guion y dirección MIriam Flores Arenas Nicolas Tonsho Colaboración contenidos digitales Sharon Toribio Karla Flores Arenas Mario Valencia Casandra Vicario Mauro Babún Iván Contreras Diseño de vestuario Podcast sesiones del macabro Producción ejecutiva Mauro Babún Coordinación de alianzas Casandra Vicario Edna Campos Tenorio estratégicas y patrocinios Edna Campos Coordinación de vestuario Alan Huerta Juárez Dirección de fotografía Sahid Soto Desarrollo y diseño web Mario Valencia Asistencia a patrocinios Daniel Ballinas Núñez Maquillaje Laura Doménica Enríquez Luiz Méndez Asistente de fotografía Osvaldo Patlán Israel Aguirre Producción Fotografía Edición y Postproducción Sharon Ordóñez Tania González Protagonistas Sharon Toribio Giovanni Carbajal Laid Arisai Thania Luna Jocelyn Zoé Guzmán Octavio Mier Música y diseño sonoro Traducción de diálogos para subtitulaje Gerardo Martínez Apoyo a producción Arturo Rojas Rojas Alianzas estratégicas Israel Aguirre Mario Valencia Alan Huerta Extras Juan Rosales Diego Vilchis Ángel Fernández Casandra Vicario Mabel Tinajero Sharon Ordoñez Carolina Hernández Intérprete en salas Edna Campos Sasha Ochoa Arturo Rojas Mabel Tinajero Andrea García Jocelyn Guzmán Iraís Vilchis -
Fotomexico-Guia.Pdf
CONSEJO NACIONAL PARA LA CULTURA Y LAS ARTES Presidente / President Rafael Tovar y de Teresa Secretario Cultural y Artístico / Minister of Culture and the Arts Saúl Juárez Vega Secretario Técnico / Executive Assistant Francisco Cornejo Rodríguez CENTRO DE LA IMAGEN Directora / Director Itala Schmelz Subdirector Operativo / Assistant Director of Operations José Luis Coronado FOTOCIMÉXICO 2015 Directora Artística / Artistic Director Elena Navarro Directora Ejecutiva / Executive Director Marcela Chao Coordinador Artístico / Artistic Coodinator Javier Cano Coordinadora Ejecutiva / Executive Coordinator Anyi Valerdi Coordinadora de Patrocinios / Sponsorship Coordinator Carolina Gómez Coordinador de invitados y logística / Coordination & Logistics for Guests Adrián Martínez Levy RED DE LA IMAGEN Coordinador / Coordinator Valentín Castelán Registro y proceso de información / Registration and Information Processing Mariana Huerta Lledías, Axel Silva Mancilla Página web / Web Site Adrián Galindo GUÍA FOTOCIMÉXICO 2015 Coordinación y edición / Coordination and Editing Alejandra Pérez Zamudio Asistente de edición / Assistant Editor Mariana Huerta Lledías Diseño editorial / Design Krystal Mejía Méndez Traducción / Translation Richard Muszka, Sanam Esfahani Cuidado de producción / Print Production Supervisor Pablo Zepeda Martínez D.R. © 2015, Conaculta / Centro de la Imagen D.R. © 2015, Los fotógrafos / Photographers D.R. © 2015, Los textos / Texts D.R. © 2015, Las colecciones / Collections ISBN: 978-607-745-133-4 Esta publicación no puede ser reproducida, total ni parcialmente, sin la debida autorización de los titulares de los derechos. All rights reserved. No part of this book may be reproduced in any part by any means without prior written permission of the copyright holders. CENTRO DE LA IMAGEN Plaza de la Ciudadela 2, Centro Histórico, 06040, México, D.F. centrodelaimagen.conaculta.gob.mx PÁGS. -
UNIVERSITY of CALIFORNIA Los Angeles History, Locality, and Art Worlds: a Case Study of the Center for the Arts at San Agustín
UNIVERSITY OF CALIFORNIA Los Angeles History, Locality, and Art Worlds: A Case Study of the Center for the Arts at San Agustín Etla (CASA), Oaxaca, México A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by María del Carmen Cebreros Urzaiz 2019 © Copyright by María del Carmen Cebreros Urzaiz 2019 ABSTRACT OF THE DISSERTATION History, Locality, and Art Worlds: A Case Study of the Center for the Arts at San Agustín Etla (CASA), Oaxaca, México by María del Carmen Cebreros Urzaiz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2019 Professor David Delgado Shorter, Chair This interdisciplinary case study portrays the Center for the Arts at San Agustín Etla (CASA). CASA constitutes a micro-universe—a system in scale—dedicated to art production, art education and professionalization, art display, and development of audiences. Established in the restored building of a Porfirian textile industry, in a semi-rural municipality in the central valleys of Oaxaca in Southern México, the center inaugurated in 2006. CASA results from private and public efforts galvanized by the artist Francisco Toledo (1940-2019), who campaigned to recuperate and restore the mill for public uses. In this center, negotiations of cultural, symbolic, artistic, and aesthetic values happen regularly. Such deliberations engage national and international cultural producers, artistic forms, and traditions, as well as the local population, the environment, and the history of the site. ii This dissertation argues that the dynamism stimulated by the foundation of the Center for the Arts at San Agustín plays an active mediating function in the configuration of a heterogeneous culture in which divergent lifeways coincide and coalesce without attempting to resolve or be reduced to a singular one. -
Expert Declaration of Bruce D. Perry 1 2 I
Case 2:85-cv-04544-DMG-AGR Document 441-7 Filed 06/25/18 Page 1 of 99 Page ID #:17719 EXPERT DECLARATION OF BRUCE D. PERRY 1 2 I. Introduction 3 I, BRUCE D. PERRY, declare as follows: 4 1. I am the Senior Fellow of the ChildTrauma Academy, a nonprofit 5 organization based in Houston, Texas, working to improve the lives of maltreated and 6 traumatized children by establishing practices, programs, and policies. I am also 7 adjunct Professor in the Department of Psychiatry and Behavioral Sciences at the 8 Feinberg School of Medicine at Northwestern University in Chicago. 9 2. I was an undergraduate at Stanford University and Amherst College. I 10 attended medical and graduate school at Northwestern University, receiving M.D. and 11 Ph.D. degrees in 1984. I completed a residency in general psychiatry at Yale 12 University School of Medicine and a fellowship in Child and Adolescent Psychiatry 13 at the University of Chicago. My curriculum vitae is attached as Appendix A hereto. 14 3. I was on the faculty of the Departments of Pharmacology and Psychiatry 15 at the University of Chicago School of Medicine from 1988 to 1991. From 1992 to 16 2001, I served as the Trammell Research Professor of Child Psychiatry at Baylor 17 College of Medicine in Houston, Texas. During that time, I was also Chief of 18 Psychiatry for Texas’s Children’s Hospital and Vice-Chairman for Research within 19 the Department of Psychiatry. From 2001 to 2003, I served as the Medical Director 20 for Provincial Programs in Children’s Mental Health for the Alberta Mental Health 21 Board. -
The Keystone
THE KEYSTONE SOUTHWESTERN WRITERS COLLECTION | WITTLIFF GALLERY OF SOUTHWESTERN & MEXICAN PHOTOGRAPHY SPRING 2007 | SPECIAL COLLECTIONS AT THE ALKEK LIBRARY | WWW. LIBRARY. TXSTATE. EDU/ SPEC- COLL UNIVERSITY SAN MARCOS A member of The Texas State University System from the CURATOR ON THE COVER ¡Saludos! display our treasures. writing about place and personal history, entitled “A Land BILL WITTLIFF Perfección / In 2006 the Southwestern As fine as its surroundings and contents are, it is the Full of Stories,” which is being held by the Story Circle HONORED Perfection, 1968, Lázaro Blanco Writers Collection and staff of the SWWC and WG that comprise its most valu- WHAT Network. The program includes a free public reception on On April 3, William D. Wittliff—founding (right) Junior, 1992, Wittliff Gallery hosted, able asset. Professional and welcoming, we are the faces of June 8 and a keynote address by Kathleen Dean Moore, Keith Carter sponsored or produced the collections and we want to share them with our visi- Professor of Philosophy and founding director of the donor (with wife, Sally) 88 special events: exhibi- tors, both virtual and actual, and will go the extra mile to WILDNESS Spring Creek Project for Ideas, Nature, and the Written of the Southwestern tion openings, readings, do so. Word at Oregon State University, who wrote the introduc- Writers Collection and Wittliff Gallery of ARCHIVES FAIR lectures, panel disus- I don’t have enough space to describe the many ways tion to What Wildness Is This. The conference offers a vari- A SUCCESS Southwestern & sions, receptions, con- that the seventh floor staffers exceed their normal job IS THIS ety of workshops and panel discussions focused on writ- Mexican Photography Last October 20, certs, conferences, class duties; but I can say that Amy Cockreham, Steve Davis, ing about place. -
Against Ulro: on the Creation of Poetic Space in the Work of Delmira Agustini, Alejandra Pizarnik and Marosa Di Giorgio
Against Ulro: on the Creation of Poetic Space in the Work of Delmira Agustini, Alejandra Pizarnik and Marosa di Giorgio by Jeannine Marie Pitas A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Comparative Literature University of Toronto © Copyright by Jeannine Marie Pitas 2014 Against Ulro: on the Creation of Poetic Space in the Work of Delmira Agustini, Alejandra Pizarnik and Marosa di Giorgio Jeannine Marie Pitas Doctor of Philosophy Centre for Comparative Literature University of Toronto 2014 Abstract Poetry is the language of subversion. It is a linguistic mode where rules are broken and foundations are shaken, where reality twists and changes its shape, where metaphors startle and confound us. Looking at the work of Southern Cone writers Delmira Agustini (1886-1914), Alejandra Pizarnik (1936-1972) and Marosa di Giorgio (1932-2004), this dissertation explores the ways in which poetry becomes a discourse of resistance. I argue that these writers, though traditionally considered apolitical, have created a discourse that is actually politically charged. Drawing extensively on literary theorist Maurice Blanchot’s The Space of Literature, I argue that all three poets seek contact with a “space of knowledge” of an ultimate reality, refusing to abandon their quest even as it proves unrealizable. Through this search, all three poets subsequently create a “space of resistance” that subverts the epistemic structures of their social context. Whether or not these authors intended for their work to make a political statement lies ii beyond the scope of this investigation and, in my view, has little bearing on the outcome. -
Echoes of the Child in Latin American Literature and Film
Echoes of the Child in Latin American Literature and Film The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Buiting, Lotte Bernarda. 2015. Echoes of the Child in Latin American Literature and Film. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467313 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Echoes of the Child in Latin American Literature and Film A dissertation presented by Lotte Bernarda Buiting to The Department of Romance Languages and Literatures in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Romance Languages and Literatures Harvard University Cambridge, Massachusetts October 2014 © 2014 Lotte Bernarda Buiting All rights reserved. Professor Mariano Siskind Lotte Bernarda Buiting Abstract Echoes of the Child in Latin American Literature and Film This dissertation explores the rhetoric of childhood to comprehend how Latin American literature and film signify childhood. It furthermore analyzes the figure of the child as a rhetorical device in the construction of literary and cinematographic meaning in twentieth and twenty-first century poetry, narrative prose and film. I claim that, contrary to prevailing cultural notions of childhood innocence, the child often constitutes an unsettling presence, signaling textual as well as extradiegetic opacities and tensions. -
Prince Claus Awards 2018 2 Foreword: Under the Prince Claus Spotlight
PRINCE CLAUS AWARDS 2018 2 FOREWORD: UNDER THE PRINCE CLAUS SPOTLIGHT by HRH Prince Constantijn Honorary Chairman of the Prince Claus Fund Every year the Prince Claus Awards Committee comes up with another selection of outstanding artists and cultural organisations. It never fails: the range and diversity is always impressive. Each year we are filled with admi ration for all the creative people who come up with fresh ideas, different approaches, new combinations and forms of expression. Again, the Laureates this year are enriching lives and challenging fixed ideas in their own societies, from Adong Judith, whose plays energise theatre goers in East Africa, to Eka Kurniawan, whose literature mercilessly but with humour raises issues that Indonesia has long kept buried, to Marwa alSabouni, whose architectural perspectives open the possibility of building more peaceable communities, to Kidlat Tahimik, whose energetic creativity and promotion of indigenous people in the Philippines never fails to delight, and O Menelick Act 2 and Market Photo Workshop that – through their different mediums – have given expression to rarely seen realities of black life in South Africa and Brazil. One change in this year’s celebration is the addition of a Next Generation Award. The Prince Claus Fund has always been open to young and emerging artists but this new award reflects a more conscious emphasis, in all the Fund’s programmes, on developing the creative possibilities of young people. Dada Masilo, the Fund’s first Next Generation Laureate, started young and already has a remarkable career. She has broken through conventions and created her own melding of African dance and classical ballet that is relevant to modern life and speaks to audiences of all ages. -
Cultural Production and Ephemeral Art: Feminicide and the Geography of Memory in Ciudad Juárez, 1998-2008
University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2011 CULTURAL PRODUCTION AND EPHEMERAL ART: FEMINICIDE AND THE GEOGRAPHY OF MEMORY IN CIUDAD JUÁREZ, 1998-2008 Alice Laurel Driver University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Driver, Alice Laurel, "CULTURAL PRODUCTION AND EPHEMERAL ART: FEMINICIDE AND THE GEOGRAPHY OF MEMORY IN CIUDAD JUÁREZ, 1998-2008" (2011). Theses and Dissertations--Hispanic Studies. 2. https://uknowledge.uky.edu/hisp_etds/2 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies.