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FAIR PROGRAM THE ARMORY SHOW ( 03 – 06 MARCH 2011 ) TABLE OF CONTENTS I ERIK BULATOV P03 II SOPHIE CALLE P15 II WILLIAM CORDOVA P20 III WIM DELVOYE P28 IV THOMAS HIRSCHHORN P34 V ILYA KABAKOV P42 VI JITISH KALLAT P45 VII JON KESSLER P49 VIII ENRIQUE MARTINEZ CELAYA P54 IX VIK MUNIZ P58 X NEDKO SOLAKOV P65 XI ENA SWANSEA P70 ERIK BULATOV with sales price Dans le train, 2006 Oil on canvas 33 x 46 cm | 12.99 x 18.11 in # BULA0047 ERIK BULATOV with sales price Mon bus s’en va, 2003 Crayon on paper, image size 20 x 20 cm 29,7 x 30 cm | 11.69 x 11.81 in # BULA0048 ERIK BULATOV with sales price La voûte - La pente, 2001 Crayon on paper, image size 20 x 20 cm 29 x 28 cm | 11.42 x 11.02 in # BULA0049 ERIK BULATOV with sales price Quoi? Où? Quand?, 2005 Crayon on paper, image size 20 x 20 cm 29 x 28 cm | 11.42 x 11.02 in # BULA0050 ERIK BULATOV with sales price Au aéroport, 2008 Crayon on paper, image size 21,7 x 15 cm 28,2 x 21 cm | 11.1 x 8.27 in # BULA0051 ERIK BULATOV with sales price Paradis, 1994 Crayon on paper, image size 22 x 18 cm 34 x 28 cm | 13.39 x 11.02 in # BULA0052 ERIK BULATOV with sales price Notre temps est venu, 2008 Crayon on paper, image size 19 x 22 cm 28 x 30 cm | 11.02 x 11.81 in # BULA0055 ERIK BULATOV with sales price Notre temps est venu, 2009 Crayon on paper, image size 20 x 22 cm 27 x 29,5 cm | 10.63 x 11.61 in # BULA0056 ERIK BULATOV with sales price D’ici - là-bas, là-bas, de là - ici, 1999/ 2001 Crayon on paper, image size 12 x 56 cm 20 x 58 cm | 7.87 x 22.83 in # BULA0057 ERIK BULATOV with sales price Là-bas, la ,ici; ici-là-bas; celui-ci, celui-la; là-bas, de là, 2001 Crayon on paper, image sizes 18 x 20 cm, 16 x 30 cm, 18 x 18 cm, 19 x 19 cm 42 x 58 cm | 16.54 x 22.83 in # BULA0058 Erik Bulatov - Available Works Erik Bulatov Horizontale III, 1966-2005 Oil on canvas 140 x 140 cm | 55.12 x 55.12 in # BULA0016 Erik Bulatov Automne, Boulevard Sebastopol, 2010 Oil on canvas 120 x 80 cm | 47.24 x 31.5 in # BULA0059 Erik Bulatov O, 2008 Crayon on paper framed 26 x 35,5 x 4 cm | 10.24 x 13.98 x 1.57 in # BULA0038 POTSDAMER STRASSE 96 D - 1 0 8 7 5 BERLIN T E L + 4 9 3 0 2 0 6 1 3 8 7 0 FAX + 4 9 3 0 2 0 6 1 3 8 7 2 0 WWW.ARNDTBERLIN.COM [email protected] THE ARMORARMORYARMORYY SHOW PIERPIERPIER 94 BOOTH 1103 ERIK BULATOVBULATOV born in 1933 in Sverdlovsk, Russia, lives and works in Paris Erik Bulatov numbers, along with Ilya Kabakov, among a small but significant group of Russian artists who, at a remove from the governmental regulations of the Soviet art system, attained completely independent forms of artistic expression. Erik Bulatov’s drawings and paintings have an extraordinary coherence. His unique, stringent pictorial system was first expressed in his word pictures of the 1970s, where he analyzed the interplay of contrasting symbolic systems, such as language and images or abstraction and illusion – a theme he is still concerned with today. The meaning of his work and the symbolic codes he uses are products of his cultural background. Bulatov lived most of his life in Russia, only moving to Paris in 1991, and the emblems and typography of socialist glorification are unmistakable themes throughout his oeuvre. He attended the Moscow School of Painting, Sculpture and Architecture and then the Surikov Art Institute between 1947 and 1958, but only fully developed his visual repertoire within the sphere of unofficial art and was almost entirely unexposed to new international artistic trends. Despite difficult working conditions, Bulatov did not emigrate, but continued to develop his work in Russia until the collapse of the Soviet Union, when he moved to France. Bulatov’s paintings can be situated in the realm of political art, despite their lack of unequivocal political or ideological messages. His particular modes of artistic expression are bound to a particular time and place, while also giving rise to multiple visual associations. It is characteristic of Bulatov’s manner of political commentary that he subversively unites opposing impulses. His paintings leave the viewer undecided as to whether this is a relieved or a yearning look into the past and the defunct communist system. Bulatov can therefore be seen as one of the most important living artists from Russia and Eastern Europe. CVCVCV Erik Bulatov is a Russian artist born in Sverdlovsk in 1933 and raised in Moscow. He studied painting at the Surikov Art Institute in Moscow, graduating in 1958. He began working as a children’s book illustrator with friend and collaborator, Oleg Vassiliev for which he won numerous awards. His works have appeared in nearly every important exhibition on 20th century Russian art, including “RUSSIA!” at the Guggenheim Museums in New York (2005) and Bilbao (2006), and “Berlin- Moscow / Moscow-Berlin 1950–2000”, Tretyakow-Galerie, Moskau (2003), and Martin-Gropius- Bau, Berlin (2004), or „Traumfabrik Kommunismus. Die visuelle Kultur der Stalinzeit“, Schirn Kunsthalle, Frankfurt / Main (2003). He was also featured at the 43rd Venice Biennale (1988) and the Third Moscow Biennale (2009). His solo exhibitions have appeared at mamco – Musee d’art moderne et contemporain in Geneva (2009/2010) and at the Musée d’Art Moderne de la Ville de Paris (2007), at the kestnergesellschaft, Hannover (2006), and the Tretyakow-Galerie, Moskau (2003 and 2006). SOPHIE CALLE with sales price Wait For Me, 2010 from the series: Les Autobiographies Digital print, aluminium, text, frames (x2) 170 x 100 cm | 66.93 x 39.37 in + 50 x 50 cm | 19.69 x 19.69 in # CALL0335 SOPHIE CALLE with sales price Wait For Me, 2010 from the series: Les Autobiographies Digital print, aluminium, text, frames (x2) 170 x 100 cm | 66.93 x 39.37 in + 50 x 50 cm | 19.69 x 19.69 in # CALL0335 Sophie Calle - Available Works Sophie Calle North Pole / Pôle nord variable from 7 1/4 feet x 16 1/4 feet to 26 1/4 feet, 2009 1 Light box, 3 sandblasted porcelain plaques, 1 video screen, 7 colour photographs, framed edition Edition 1/5 englisch + 1AP # CALL0310 Sophie Calle Chromatic Diet - Installation view, 1997 7 digital prints (6: 30x30cm, 1 50x73,5 cm, all framed), 7 menus holders, 7 menu cards, wooden board (max 500cm when installed), 1 book (Leviathan by Paul Auster) each 0 x 0 cm | 0 x 0 in edition 2/5 engl Sophie Calle Ecrivain public / Public letter writer, Rafaèle Decarpigny, 2007 from the series: Prenez soin de vous 1/2: Photo 113 x 140 cm, Text 53 x 53 cm edition 1/3 + 1AP English # CALL0319 Sophie Calle To Victor Hasselblad, 2010 from the series: Les Autobiographies Digital print, aluminium, text, frames (x2) 170 x 100 cm | 66.93 x 39.37 in + 50 x 50 cm | 19.69 x 19.69 in # CALL0336 Sophie Calle Historienne du XVIIIème / Historian of the eighteenth century, Arlette Farge, 2007 from the series: Prenez soin de vous 1/2: Photo: 83 x 103 cm, Text: 70 x 103 cm edition 2/3 English; edition of 3 + 1 AP # CALL0246 Sophie Calle Juge / Judge, X , 2007 from the series: Prenez soin de vous 1/2: Photo: 123,3 x 83 x 4 cm / 48,54 x 32,68 x 1,57 in, Text: 103,3 x 143 x 4 cm / 40,67 x 53,3 x 1,27 in 103,3 x 143 x 4 cm | 40.67 x 56.3 x 1.57 in edition 2/3 English; edition of 3 + 1 AP Sophie Calle Officier traitant de la DGSE / French intelligence officier, Louise, 2007 from the series: Prenez Soin de Vous Photo 53 x 65,5 cm / 20.87 x 25.78 in Text 31,1 x 32,8 cm / 12.24 x 13 in edition edition of 3 +1AP # CALL0321 Sophie Calle Universitaire, 2007 from the series: Prenez soin de vous Photo 99x123cm Text 40x123cm edition 1/3 English # CALL0327 POTSDAMER STRASSE 96 D-10875 BERLIN TEL +49 30 206 138 70 FAX +49 30 206 138 720 WWW.ARNDTBERLIN.COM [email protected] THE ARMORY SHOW PIER 94 BOOTH 1103 SOPHIE CALLE born in 1963 in Paris; lives and works in Malakoff, France Each “Autobiography” consists of two elements, combining a text with a black/white or colour photography. Sophie Calle takes us through various phases of her life and work: her childhood and youth in Paris; the stories about her husband, the arguments and rituals they share and continue to share even after their break up and divorce; the famous “Sleepless Night” Sophie Calle spent on top of the Eiffel Tower, asking visitors to tell her stories that would prevent her from falling asleep… More than any other series, the “Autobiographies” reveal how Sophie Calle’s life and work form a unified whole, an uncommon congruity which both fascinates and irritates her public. The French artist’s work inhabits a peculiar space between fact and fiction. She crosses private boundaries to explore the hidden codes which shape our interaction; meanwhile, she exploits public spaces by investing them with a sense of intimacy, such Paris-Roissy airport, where she solemnly stages her own wedding dream, wearing a beautiful red dress (“Dream Wedding“, 2001).
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