IRIE RECORDS New Release Catalogue 06-07 #2
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O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
Six Students Face Marijuana Possession Accusations
» * r »•» the Rice Thresher Vol. LXXXVIII, Issue No. 5 SINCE 1916 Friday, September 1 5, 2000 Six students face marijuana possession accusations by Eiora Danan Matusow determined that he would handle the cases directly also seized. IHklSHI k 1-1)1 loklAI STAI'I instead of referring them to University Court. Officer Pete Martinez, who was at the scene, said all but one Matusow said he expected to have the cases resolved by of the students present had been using marijuana, but not all Six students have been charged with possession of a con- yesterday. the students were in possession of marijuana. trolled substance after Campus Police investigated a strong Because the students are being charged with a Class I "Marijuana was found in commons areas, which could lead marijuana odor coming from the public third-floor balcony of violation of the Code of Student Conduct — manufacture, one to believe that they were all in possession," Martinez said. Baker College early Sunday morning. distribution, sale, offer for sale, possession, or use of con- Two students were transported to the Campus Police sta- The Campus Police referred the students' cases to the trolled substances—the cases could have either been brought tion, while the other six were turned over to Baker Resident student judicial program instead of arresting and charging the before U. Court or undertaken by Matusow. Associate Greg Marshall, Taylor said. students with a criminal offense. Police Chief Bill Taylor said police confiscated a total of 4.3 Taylor said that although some of the officers considered In discussions with interim Baker Master Arthur Few, ounces of marijuana from the subjects. -
Wir Machen Betriebsferien Vom 22.07.2001 Bis Zum 29.07.2001 Sind Unser Mailorder Departement Und Shop Wegen Betriebsferien Geschlossen
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 99 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 04.06.2001 BIS 30.06.2001) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 2,- DM (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTER EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ WIR MACHEN BETRIEBSFERIEN VOM 22.07.2001 BIS ZUM 29.07.2001 SIND UNSER MAILORDER DEPARTEMENT UND SHOP WEGEN BETRIEBSFERIEN GESCHLOSSEN. PLEASE NOTE: OUR MAILORDER DEPARTEMENT AND SHOP WILL BE CLOSED FROM 22.07.2001 TO 29.07.2001 AS WE TAKE OUR BUSINESS HOLIDAY. WIR BITTEN UM BEACHTUNG: SEIT 01.07.2001 HABEN SICH DIE VERSANDPREISE GEÄNDERT. (SIEHE VERSAND/ZAHLUNGSBEDINGUNGEN) PLEASE NOTE: WE HAD TO ADJUST THE SHIPPING COSTS TAKING EFFECT FROM THE 01.07.2001 (CHECK VERSAND/ZAHLUNGSBEDINGUNGEN AT THE BOTTOM OF THE CATALOGUE) IRIE RECORDS GMBH NEUHEITEN-KATALOG 07/2001 SEITE 2 *** CDs *** ADMIRAL TIBBET....(AB 20.07.01)... TRY TO REACH THE TOP.......... BRICKWALL...... (USA) (01/01). 39.95 DM ANTHONY B......................... THAT'S LIFE (+ 4 BONUS)....... VP............. (USA) (01/01). 39.95 DM EVERTON BLENDER (feat. ANTHONY B /TONY REBEL/BEENIE MAN).......... VISIONARY (16 NEW TRACKS!).... HEARTBEAT EUROP (NED) (01/01). -
Media and Advertising Information Why Advertise on Bigup Radio? Ranked in the Top 50,000 of All Sites According to Amazon’S Alexa Service
Media and Advertising Information Why Advertise on BigUp Radio? Ranked in the top 50,000 of all sites according to Amazon’s Alexa service Audience 16-34 year-old trend-setters and early adopters of new products. Our visitors purchase an average of $40–$50 each time they buy music on bigupradio.com and more than 30% of those consumers are repeat customers. Typical Traffic More than 1,000,000 unique page views per month Audience & Traffic 1.5 million tune-ins to the BigUp Radio stations Site Quick Facts Over 75,000 pod-cast downloads each month of BigUp Radio shows Our Stations Exclusive DJ Shows A Strong Image in the Industry Our Media Player BigUp Radio is in touch with the biggest artists on the scene as well as the Advertising Opportunities hottest upcoming new artists. Our A/R Dept listens to every CD that comes in selecting the very best tracks for airplay on our 7 stations. Among artists that Supporting Artists’ Rights have been on BigUp Radio for interviews and special guest appearances are: Rate Card Beenie Man Tanya Stephens Anthony B Contact Information: Lil Jon I Wayne TOK Kyle Russell Buju Banton Gyptian Luciano (617) 771.5119 Bushman Collie Buddz Tami Chynn [email protected] Cutty Ranks Mr. Vegas Delly Ranx Damian Marley Kevin Lyttle Gentleman Richie Spice Yami Bolo Sasha Da’Ville Twinkle Brothers Matisyahu Ziggi Freddie McGregor Jr. Reid Worldwide Reggae Music Available to anyone with an Internet connection. 7 Reggae Internet Radio Stations Dancehall, Roots, Dub, Ska, Lovers Rock, Soca and Reggaeton. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magnificent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Griffith 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station -
Reggae / Dancehall / Hip
forment le fondement de sa vision artistique. Il s'est produit avec des légendes du dancehall tels que Capleton, Kiprich, De Marco ou Antony B, sans oublier de mentionner de nombreux prix remportés comme le 1er prix du meilleur singjay de Genève en 2002, 1er prix du meilleur singjay de Suisse en 2006, et 1er prix de la meilleure chanson reggae européenne en 2009. Créateur et porte-parole de la jeunesse actuelle, Charly B est unique en son genre. Non seulement côté et reconnu, il est aussi l'esclave de sa muse, cette passion créatrice qui l'habite, et qui est à l'origine de ce son neuf. Ce chef-d’œuvre de la musique franco-jamaïcaine est sans doute l’album le plus abouti de sa carrière. Le flow de Charly B est dynamique et entrainant. Son timbre de voix bien particulier est addictif. On trouve différents tempos dans cet opus, allant du très lent et doux aux rapides et motivant CHARLY B – Forever (French Edition) pour les soirées endiablées. Charly B chante et parfois rape, toujours avec un bon message. Que ce www.iwelcom.tv/charlyb soit une musique pour club ou plus relaxante, l’album Forever propose toutes sortes de vibes. http://www.charlyb.com Sachant s'adapter à différents styles (reggae, dancehall, hip hop, fusion Afrique, Caraïbes) l'artiste http://www.charlybmusic.com + Myspace + Reverbnation + Sonicbids.com = /charlyb propose avec "FOREVER" 15 titres de qualité grâce auxquels il nous emmène dans son univers. Son Facebook + Twitter + Soundcloud.com = /charlybmusic inspiration y a été débordante, si l’on considère les différents flows, styles, rimes et lyrics choisis. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
Cd Cd Cd 2Cd Cd Cd
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 153 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 22.08.2004 BIS 03.09.2004) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD 2CD CD CD 2CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 09/2004 #1 SEITE 2 *** CDs *** ANN & SONIA....................... RISE AGAIN MILLENNIUM......... WORLD SOUNDS... (GBR) (99/99). 20.49EUR LLOYD BROWN......(back in stock).. STRAIGHT NO CHASER............ GROOVE & A QUAR (GBR) (96/96). 19.79EUR BUSH CHEMISTS....(back in stock).. DUB OUTERNATIONAL............. ROIR........... (USA) (95/96). 18.99EUR DON CAMPBELL.....(back in stock).. REGGAE MAX.................... JET STAR....... (GBR) (--/01). 11.99EUR ETERNALS......................... -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Postcolonial Metaphors, Symbolic Binarism, and the Caribbean Terrain
IOSR Journal of Humanities And Social Science (IOSR-JHSS) Volume 26, Issue 4, Series 6 (April. 2021) 58-64 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Postcolonial Metaphors, Symbolic Binarism, and the Caribbean Terrain Dr. Chris Egharevba & Kufre Egharevba University of Uyo, Uyo, Nigeria Abstract It is hard to peg postcolonialism by a particular definition. As a matter of fact, there are differing views as to the classification of certain works as postcolonial or not. One of the generally acceptable thoughts about postcolonialism is that the works of Frantz Fanon laid a good foundation and eventual structure for postcolonial studies. Clearly, however, the postcolonial ideals have been further developed by scholars like Edward Said, Gayatri Spivak and even Homi Bhabha through their various contributions. This paper does not intend to spotlight the works of these great scholars but to apply some of their thoughts to the postcoloniality in contemporary reggae music that springs from the Caribbean. Although with a solid foundation in roots reggae, contemporary reggae has advancing beyond the temporal restrictions of roots reggae, its antecedent, to heighten emphasis on social issue, spiritual longings and the personal in arresting postcolonial realities. The state of contemporary reggae as a socially conscious au/oral art thus begs sustained scholarship in examining how it rests on an established heritage to engage and reflect on topical 21st century postcolonial conditions in the Caribbean. With its theoretical approach grounded in postcolonialism and its selection of Jah Cure’s and Natty King’s reggae songs—two contemporary reggae artists—the paper examines conception of unity, love, and equality as envisioned by the selected contemporary reggae artists. -
ARTIST Various TITLE Sly & Robbie Present Taxi
IM VERTRIEB VON BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 FAX +49(0)4748 - 82 16 20 A DIVISION OF BEAR FAMILY PRODUCTIONS E-MAIL [email protected] ARTIST Various TITLE Sly & Robbie Present Taxi Gang In Discomix Style 1978 - 1987 LABEL Cree Records / Bear Family Productions CATALOG # CCD 1207 PRICE-CODE AH EAN-CODE ÇxDTRBAMy120725z FORMAT 1 CD digipac with 24-page booklet GENRE Reggae / Soul TRACKS 8 PLAYING TIME 58:16 G The most famous rhythm section in the history of reggae music. G Sly & Robbie are the only reggae musicians whose names are internationally known. G They have worked with Joan Armatrading, Joe Cocker, Ian Dury, Bob Dylan, Serge Gainsborough, Herbie Hancock, Mick Jagger, a.o. G Unique recordings, a special blend of reggae, American rhythm & blues and soul. G Fantastic reggae covers of soul songs by Little Willie John, Al Wilson, Tony Joe White, The Delfonics, The Impressions, and Marvin Gaye. G Extensive liner notes by reggae expert, Noel Hawks. The selections on this compilation demonstrate exactly how much Lowell 'Sly’ Dunbar & Robert 'Robbie' Shakespeare have le- arned from the roots of reggae, American rhythm & blues and soul, and these versions of contemporary and vintage soul songs show Sly and Robbie at their very best on covers of Little Willie John's Fever, Al Wilson's Show & Tell, Tony Joe White's Rainy Night In Georgia (as covered in soul by Brook Benton), The Delfonics' Don't Break Your Promise, The Impressions' You Must Believe Me, The Spinners' Could It Be I'm Falling In Love and a brace of Marvin Gaye covers in Sexual Healing and Inner City Blues.