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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Clybourne Park Study Guide
Clybourne Park Study Guide The Theatre/Dance Department’s production oF Clybourne Park can be seen December 2 – 7 at 7:30 pm in Barnett Theatre. Tickets 262-472-2222 Monday – Friday 9:30 am – 5:00 pm The Clybourne Park Study Guide was originally created by Studio 180 Theatre, Toronto, Canada, and is being used at UW-Whitewater with Studio 180 Theatre’s permission. www.studio180theatre.com Table of Contents A. Notes for Teachers ...................................................................................................................... 3 B. Introduction to the Company and the Play .................................................................................. 4 UW-Whitewater Theatre/Dance Department .......................................................................................................... 4 Clybourne Park by Bruce Norris ..................................................................................................................................... 5 Bruce Norris – Playwright ................................................................................................................................................. 6 C. Attending the Performance ......................................................................................................... 7 D. Background Information ............................................................................................................. 8 1. Source Material: A Raisin in the Sun by Lorraine Hansberry ....................................................................... -
Community in August Wilson and Tony Kushner
FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER By Copyright 2007 Richard Noggle Ph.D., University of Kansas 2007 Submitted to the Department of English and the Faculty of the Graduate School of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date defended ________________ 2 The Dissertation Committee for Richard Noggle certifies that this is the approved version of the following dissertation: FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER Committee: ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date approved _______________ 3 ABSTRACT My study examines the playwrights August Wilson and Tony Kushner as “political” artists whose work, while positing very different definitions of “community,” offers a similar critique of an American tendency toward a kind of misguided, dangerous individualism that precludes “interconnection.” I begin with a look at how “community” is defined by each author through interviews and personal statements. My approach to the plays which follow is thematic as opposed to chronological. The organization, in fact, mirrors a pattern often found in the plays themselves: I begin with individuals who are cut off from their respective communities, turn to individuals who “reconnect” through encounters with communal history and memory, and conclude by examining various “successful” visions of community and examples of communities in crisis and decay. -
Multiculturalism and Transnational Formations in Tony Kushner's
Multiculturalism and Transnational Formations in Tony Kushner’s Angels in America Yvonne Iden Ngwa Higher Teacher Training School. (ENS) Yaoundé [email protected] Resum Multiculturalisme i formacions transnacionals a Angels in America de Tony Kushner En aquest article es vol demostrar que la representació del multiculturalisme ambient a Amèrica vist per Tony Kushner és palesa a la seva obra Angels in America a través de formacions transnacionals. La seva especificitat rau en el fet de recórrer els diferents aspectes del multiculturalisme. Les teories postcolonials i postmodernes posen de relleu l’heterogeneïtat que caracteritza les cultures a l’obra i justifiquen el multiculturalisme i el transnacionalisme. Paraules clau Multiculturalisme, formacions transnacionals, Tony Kushner. Resumen Multiculturalismo y formaciones transnacionales en Angels in America de Tony Kushner En este artículo, se quiere demostrar que la representación del multiculturalismo ambiente en América por Tony Kushner desemboca en formaciones transnacionales en su obra Angels in America. Lo que hace su especificidad es que recorre los distintos aspectos del multiculturalismo. Las teorías postcoloniales y postmodernas ponen de relieve la heterogeneidad que caracteriza las culturas en la obra y justifican el multiculturalismo y el transnacionalismo. Palabras clave Multiculturalismo, formaciones transnacionales, Tony Kushner. Résumé Multiculturalisme et formations transnationales dans Angels in America de Tony Kushner Dans cet article, on veut montrer que la représentation du multiculturalisme ambiant de l’Amérique par Tony Kushner aboutit à des formations transnationales dans sa pièce Angels in America. Contrairement aux autres articles qui décrivent généralement le multiculturalisme dont regorge la pièce, celui-ci s’intéresse aux différents contours de ce multiculturalisme ainsi qu’aux formations transnationales qui en découlent. -
Joseph Riddle As Hugo Huebener and Blameinim Sundrud
joseph riddle as hugo huebener and blameblainebiame sundrud as the interroga- tor the BYU theatre production of thomas F Rogrogerssrogergserss huebener directed by ivan croslindcroslendCroslend 1992 whither mormon drama look first to a theatre we need drama that looks with clear eyes at the mormon world while occasionally seeing beyond to celestial glory but such a drama would require a subsidized theatre to nurture it eric samuelsen the history of latter day saint involvement in the fine and performing arts is long and distinguished while american puritanism was almost unanimous in its rejection of the stage particularly in new england bothjoseph smith and brigham young held remark- ably enlightened views of dramatic art nauvoo boasted a small hall called the fun house which was used for performances and the lower room ofnauvoosnauvoosof Nauvoos masonic hall was likewise used as a stage 1 brigham young often mentioned church opposition to pastimes and amusements as a distinguishing feature of the apostate protes- tant tradition of his youth 2 brother brigham was a great fan of the theatre even appearing in thomas A lynes nauvoo production of a popular melodrama of the day august von kotzebuesKotzebues pizzaro 1 president youngs support for the theatre led to the 1861 62 con- structionst of the salt lake theatre one of the most important the- aters of the period in the american west and of course church presidents ever since have strongly supported various kinds of youth theatre road shows pageants drama festivals and other slinsim-sirn -
Cuadernos De La Fundación Dr
CUADERNOS de la Fundación Dr. Antonio Esteve 35 La ficción televisiva desde el punto de vista La medicina en las series de los profesionales de la medicina de televisión House y el diagnóstico médico. Lisa Sanders The Knick y las técnicas quirúrgicas. Leire Losa Los Soprano y el psicoanálisis. Oriol Estrada Rangil Coordinador: Toni de la Torre The Big Bang Theory y el síndrome de Asperger. Ramon Cererols Breaking Bad y la adicción a la metanfetamina. Patricia Robledo Mad Men y el tabaquismo. Joan R. Villalbí The Walking Dead y el imaginario de la epidemia. Josep M. Comelles y Enrique Perdiguero Gil Angels in America, The Normal Heart y Positius: VIH y sida en las series de televisión. Aina Clotet y Marc Clotet, con el asesoramiento de Bonaventura Clotet Nip/Tuck, Anatomía de Grey y la cirugía plástica. María del Mar Vaquero Pérez Masters of Sex y la sexología. Helena Boadas CSI y la medicina forense. Adriana Farré, Marta Torrens, Josep-Eladi Baños y Magí Farré Homeland y el mundo de las emociones. Liana Vehil y Luis Lalucat Olive Kitteridge y la depresión. Oriol Estrada Rangil La medicina en las series de televisión True Detective y la atracción del mal. Luis Lalucat y Liana Vehil Polseres vermelles y el cáncer. Pere Gascón i Vilaplana ISBN: 978-84-942571-9-3 FUNDACIÓN DR. ANTONIO 9 788494 257193 ESTEVE 35 CUADERNOS DE LA FUNDACIÓN DR. ANTONIO ESTEVE Nº 35 La medicina en las series de televisión Coordinador: Toni de la Torre Ilustración de la portada realizada por Suxinsu (www.suxinsu.com). La presente edición recoge las opiniones de sus autores, por lo que la Fundación Dr. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
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Tony Kushner's Angels in America Or How American History Spins Forward
Tony Kushner’s Angels in America or How American History Spins Forward Alfonso Ceballos Muñoz Universidad de Cádiz [email protected] Abstract Angels in America’s roaring success represents a real turning point in mainstream American drama. This article explores both Kushner’s treatment of history— particularly American history—and the ingredients which compound the melting pot American society had become in the 1980s. Through the specific situations the characters undergo in both Millennium Approaches and Perestroika, the playwright exposes his own Brechtian and neo-Hegelian vision of current events. Kushner deliberately recycles traditional American myths and elements of American culture and pins them all on a reconstruction of identity—whether gender, racial, or political—as the real axes of his plays. By making gay characters lead the plays, and by including obvious religious elements from an apocalyptic literary style, political discussions on Reagan’s policy on AIDS, and reminiscent historical images, Angels in America becomes a revision of the new National Period America is living as the promised land which every single individual re-creates with her/his daily efforts and capabilities. “The people look skyward seeking aid from above, and the Angel of History appears on the horizon his eyes staring, mouth open and wings spread, while human catastrophes are hurled before his feet”. Walter Benjamin, “Theses on the Philosophy of History”. “History is a ribbon, always unfurling; history is a journey. And as we continue our journey, we think of those who travelled before us”. Ronald Reagan’s Second Inaugural Address. January 21, 1985 “We won’t die secret deaths anymore. -
Arts in Seattle
ARTS IN SEATTLE ARCHITECTURE AND DESIGN ................................................................................................................................2 EXPERIENCE MUSIC PROJECT..........................................................................................................................................2 SEATTLE PUBLIC LIBRARY , CENTRAL..............................................................................................................................4 SMITH TOWER ......................................................................................................................................................................5 CHAPEL OF ST. IGNATIUS ..................................................................................................................................................7 OLYMPIC SCULPTURE PARK ..............................................................................................................................................9 SEATTLE ART MUSEUM....................................................................................................................................................11 GAS WORKS PARK ............................................................................................................................................................12 SPACE NEEDLE..................................................................................................................................................................13 SEATTLE ARCHITECTURE FOUNDATION, -
Fall Forum 2005 Art in the Board Room November 11-13, 2005 New York, NY
Fall Forum 2005 Art in the Board Room November 11-13, 2005 New York, NY PARTICIPANT LIST Abigail Adams Colette Brooks Artistic Director Board Chair The People's Light and Theatre Company The Actors' Gang Eve Alvord Douglas Brown Trustee Board Chairman Seattle Children's Theatre Steppenwolf Theatre Company N. Christian Anderson III Cora Cahan Board President President South Coast Repertory The New 42nd Street Cynthia Barrette Stephen K. Cassidy Trustee Trustee Northern Stage Theater Berkeley Repertory Theatre Jennifer Bielstein Debbie Chinn Executive Director Managing Director Writers' Theatre California Shakespeare Theater André Bishop M. Kaye Christman Artistic Director Managing Director Lincoln Center Theater American Folklore Theatre Michael Bloom J. Dewayne Colquitt Artistic Director Trustee The Cleveland Play House Actor's Express Jeanne Ehrlichman Bluechel Les Coney Trustee Trustee Seattle Children's Theatre The Goodman Theatre Anne Bogart Constance Congdon Artistic Director Playwright SITI Company Mimi Conway Susan V. Booth Board Co-Chair Artistic Director Theater J Alliance Theatre Richard Corley Joshua Borenstein Artistic Director General Manager Madison Repertory Theatre Long Wharf Theatre Sophie Cripe John Borstel Board President Humanities Director Laguna Playhouse Liz Lerman Dance Exchange Mark Cuddy Artistic Director Geva Theatre Center 1 Jana Curtis Richard A. Ferguson General Manager Board Vice President Curious Theatre Company Long Wharf Theatre Donna Darroch Dave Fiedler Board Chair Board Chair Actor's Express Geva Theatre Center Don Daseke Gene Fouche Board President Associate Artistic Director WaterTower Theatre Maryland Ensemble Theatre Carol Dawley Ann Gilbert Trustee Trustee Writers' Theatre Round House Theatre Lynn Deering Dean Gladden Board President Managing Director CENTERSTAGE The Cleveland Play House Lee Devin Stephanie Goode Dramaturg Board President The People's Light and Theatre Company Boston Theatre Works Andrew Donchak Wayne G.