Dj Snake Magenta Riddim Sample
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Treble Culture
OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Jul 09 2007, NEWGEN P A R T I FREQUENCY-RANGE AESTHETICS ooxfordhb-9780199913657-part-1.inddxfordhb-9780199913657-part-1.indd 4411 77/9/2007/9/2007 88:21:53:21:53 AAMM OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Jul 09 2007, NEWGEN ooxfordhb-9780199913657-part-1.inddxfordhb-9780199913657-part-1.indd 4422 77/9/2007/9/2007 88:21:54:21:54 AAMM OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Jul 09 2007, NEWGEN CHAPTER 2 TREBLE CULTURE WAYNE MARSHALL We’ve all had those times where we’re stuck on the bus with some insuf- ferable little shit blaring out the freshest off erings from Da Urban Classix Colleckshun Volyoom: 53 (or whatevs) on a tinny set of Walkman phone speakers. I don’t really fi nd that kind of music off ensive, I’m just indiff er- ent towards it but every time I hear something like this it just winds me up how shit it sounds. Does audio quality matter to these kids? I mean, isn’t it nice to actually be able to hear all the diff erent parts of the track going on at a decent level of sound quality rather than it sounding like it was recorded in a pair of socks? —A commenter called “cassette” 1 . do the missing data matter when you’re listening on the train? —Jonathan Sterne (2006a:339) At the end of the fi rst decade of the twenty-fi rst century, with the possibilities for high-fi delity recording at a democratized high and “bass culture” more globally present than ever, we face the irony that people are listening to music, with increasing frequency if not ubiquity, primarily through small plastic -
Musical Imaginary, Identity and Representation: the Case of Gentleman the German Reggae Luminary
Ali 1 Musical Imaginary, Identity and Representation: The Case of Gentleman the German Reggae Luminary A Senior Honors Thesis Presented in partial fulfillment of the requirements for graduation with distinction in Comparative Studies in the undergraduate colleges of The Ohio State University By Raghe Ali April 2013 The Ohio State University Project Advisors Professor Barry Shank, Department of Comparative Studies Professor Theresa Delgadillo, Department of Comparative Studies Ali 2 In 2003 a German reggae artist named Gentleman was scheduled to perform at the Jamworld Entertainment Center in the south eastern parish of St Catherine, Jamaica. The performance was held at the Sting Festival an annual reggae event that dates back some twenty years. Considered the world’s largest one day reggae festival, the event annually boasts an electric atmosphere full of star studded lineups and throngs of hardcore fans. The concert is also notorious for the aggressive DJ clashes1 and violent incidents that occur. The event was Gentleman’s debut performance before a Jamaican audience. Considered a relatively new artist, Gentleman was not the headlining act and was slotted to perform after a number of familiar artists who had already “hyped” the audience with popular dancehall2 reggae hits. When his turn came he performed a classical roots 3reggae song “Dem Gone” from his 2002 Journey to Jah album. Unhappy with his performance the crowd booed and jeered at him. He did not respond to the heckling and continued performing despite the audience vocal objections. Empty beer bottles and trash were thrown onstage. Finally, unable to withstand the wrath and hostility of the audience he left the stage. -
Lila Iké | Biography Lila Ike (Pronounced Lee-Lah Eye-Kay) Is on the Brink of Stardom. the 26-Year-Old Jamaican Songbird
Lila Iké | Biography Lila Ike (pronounced Lee-lah Eye-kay) is on the brink of stardom. The 26-year-old Jamaican songbird has an edge and ease in her voice that creates an immediate gravitational pull with her listener, fusing contemporary reggae with elements of soul, hip-hop and dancehall. The free-spirited, easy-going singer has already released a handful of velvety smooth songs through In.Digg.Nation Collective, a record label and talent pool for Jamaican creatives, founded by reggae star Protoje. The ExPerience will be Lila Iké’s debut EP for Six Course/RCA Records in a new partnership with In.Digg.Nation Collective. She breathes a delicate testimony of love, infatuation, and spiritual guidance in the 7-track release out this Spring. The EP is padded with previously-released songs such as “Where I’m Coming From” and “Second Chance.” Pivoting from the singles that earned her international acclaim in 2018 and 2019, Lila Iké unveils playful seduction on “I Spy,” her first release of 2020 produced by Izy Beats (the hitmaker behind Koffee’s “Toast”). Beckoning with innocent flirtation over soft guitar licks, Lila in a sweet falsetto sings, “I spy I spy, that you see something you might like. Won’t you come over if you really mean it.” The layers to Lila are in full bloom as she opens up about the daily pressures she faces through her interaction with people and wanting peace of mind in “Solitude” — . On “Stars Align,” Lila flips the instrumental from Protoje’s “Bout Noon” into an anthem about falling in love through the metaphor of making music. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Phil Mcminn and Lashings of Festive Gigs, Previews, Reviews and Releases
[email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 209 December Oxford’s Music Magazine 2012 All aboard for photo: Jamie Beeden Raving, not drowning, with Oxford’s brightest electro-pop stars plus The Top 25 Oxford songs of the year Introducing Phil McMinn and lashings of festive gigs, previews, reviews and releases. NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 DHP Concerts Presents TUE 27 NOV JUAN ZELADA £8 ADV | 18+ WED 06 FEB NEWS THE JERICHO LEDDRA CHAPMAN Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] TUE 29 NOV £7 ADV | 18+ O2 Academy2 MICHELE STODART THE JERICHO Oxford Online: nightshift.oxfordmusic.net £8 ADV | 18+ THU 14 (AVAILABLE) & FRI 15 FEB (SOLD OUT) SPRING OFFENSIVE were ALCOPOP! RECORDS release a THE JERICHO Friday 22nd named BBC Oxford’s Band Of new compilation album this month. STORNOWAY The Year for 2012 last month. `Alcopopular 5: A Hit Hiker’s Guide February Previous winners of the award To The UK’ is out on December FRI 30 NOV £15 ADV | ALL AGES th OXFORD TOWN HALL include Stornoway, Fixers and Little 10 and features 20 acts, including Fish. The award was announced Oxford’s Cellar Family. In typically THE MILK on the same night the band played inventive style the local label ALL AGES • £10 ADV £10 ADV | ALL AGES THU 21 FEB a sold-out show at East Oxford releases the album as a CD with an O 2 ACADEMY2 OXFORD ALT-TICKETS.CO.UK • 0844 871 8819 Conservative Club on James Street, ordnance survey map of Britain, so the location of the show having JAKE BUGG 'ALL OUR FAVOURITE STORIES' Debut album out now on iTunes & in all good record shops listeners can follow the tracklisting been made known to ticket-holders geographically, from Glasgow to FRI 30 NOV SOLD OUT | ALL AGES the day before. -
ENERGY MASTERMIX - Playlists Vom 07.05.2021
ENERGY MASTERMIX - Playlists vom 07.05.2021 MORGAN NAGOYA Keine Playlist vorhanden FLIP CAPELLA 1. Sound Of Legend - Dream On 2. Afrojack & David Guetta – Hero 3. Sophie Francis - Drop That Ass 4. Lil Nas X - MONTERO (Renzyx VIP Slap Remix) 5. David Guetta ft Sia X Kaaze - Floating Through Space X Midnight Runners (Flip Capella Smash) 6. Cheyenne Giles - Jump Around 7. Laidback Luke & Tribbs Ft. Bertie Scott – Whistle 8. Masked Wolf - Astronaut In The Ocean (Boehm Remix) 9. KYANU & H3ARTACHE - Sleepwalking (Bass Prototype Remix) 10. Klaas & Harris & Ford – Running 11. Narcotic Thrust - I Like It (Carlos Rivera Remix) 12. Rene Rodrigezz, Martin Van Lectro & Patrick Metzker - Like This 13. Los Padres & MARE – Heaven 14. Bausa & Apache 207 - Madonna (Maxtreme Hardstyle Remix) 15. Flip Capella & Axxik – Fools 16. Fools X Why Boy (Flip Capella VIP Smash) 17. BYOR - Keep On Dancin' 18. Paul Schulze x Adaptiv Ft. Aisha – Leave 19. Jason Derulo X Knock2 - Talk Dirty X Dashstar (Flip Capella Smash) 20. Cascada X Rave Republic - Evacuate The Dancefloor X City Life (Flip Capella Smash) 21. Flip Capella & NEOH - Crockett's Theme 22. Dimitri Vegas & Like Mike X Crossnaders - Hands Up X Bonzai Channel One (Flip Capella X DJ Selecta DJ Tool) 23. Ran D X Gammer - Zombie (Flip Capella "Old School 4 in 1 Meeeega Edit) 24. Ryvn, Like Lions – Rude 25. Micha Moor x gotlucky x Mikimoto - Techno Cat 26. Justin Prime & Onderkoffer – WTF 27. DJ Antoine & Deep Vice - When You Want Some Love (Jerome Edit) 28. W&W x AXMO feat. Giin - Skydance ROBIN SCHULZ 1. I Don’t Think I Can Stay – Spada 2. -
Introduction 1
Notes Introduction 1. For a more in- depth discussion of patriarchy and nationalism, see Kim’s analysis of the argument of Gates (2005, 16) and Garcia (1997). 2. Omi and Winant (1986) trace the historical development of privilege tied to white- ness but also foreground discussions of race to contest claims that only those in power— that is, those considered white— can be racist. Omi and Winant argue that whenever the construct of race is used to establish in and out groups and hierarchies of power, irrespective of who perpetrates it, racism has occurred. In “Latino Racial Formation,” De Genova and Ramos-Zayas (2003b) further develop the ideas of history and context in terms of US Latinos in their argument that US imperialism and discrimination, more than any other factors, have influenced Latino racializa- tion and thus contributed to the creation of a third pseudoracial group along the black/white continuum that has historically marked US race relations. The research of Omi and Winant and De Genova and Ramos- Zayas coincides with the study of gender, particularly masculinity, in its emphasis on the shifting nature of constructs such as race and gender as well as its recognition of the different experiences of gendered history predicated upon male and female bodies of people of color. 3. In terms of the experience of sexuality through the body, Rodríguez’s memoir (1981) underscores the fact that perceptions of one’s body by the self and others depend heavily on the physical context in which an individual body is found as well as on one’s own perceptions of pride and shame based on notions of race and desire. -
Disco Inferno
Section 2 Stay in touch: Looking for monocle.com a smart podcast to give you monocle.com/radio the low-down on all cultural Edition 4 happenings worldwide? Tune in 07/06—13/06 to the freshly relaunched weekly Culture Show on Monocle 24. but that had no standing at Studio whatsoever. If you’re talking about something from 40 years ago that’s still compelling today then there’s got to be some underlying social reason. Section Section Section M: What about the door policy, the line – it was infamous. Was that something that you and Steve planned or did it just happen and you decided it worked for you? IS: It was definitely part of the idea. To me we were trying to do in the public domain what everyone else does in their private domain: to get an alchemy and an energy; we were trying to curate the crowd and we wanted it to Adam Schull be a mixture that had nothing to do with wealth or social Iamge: standing, it had to do with creating this combustible energy every night. When you are doing a door policy I wasn’t in New York then but I remember the tail-end that doesn’t have a rational objective criteria other than of that before it was cleaned up; it was very distinctive. instinct, then mistakes get made and people get infuri- TELEVISION / AUSTRIA Here, a rundown of the ladies: It’s a lost analogue world too – if you notice in the film, ated by it but we didn’t understand that because it was the telephones on Ian’s desk are rotary dial and that was really quite honest. -
Jahrescharts 2019
JAHRESCHARTS 2019 TOP 200 TRACKS PEAK ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 DJ Khaled Ft. SZA Just Us We The Best/Epic/Sony 01 02 Chris Brown Undecided RCA/Sony 01 03 Blueface Ft. Cardi B. & YG Thotiana (Remix) Fifth Amendment/eOne 01 04 DJ ClimeX Ft. Nantaniel & Nolay Baila ClimeX Entertainment 01 05 Gang Starr Ft. J. Cole Family And Loyalty Gang Starr Enterprises 01 06 Tyga Ft. G-Eazy & Rich The Kid Girls Have Fun Last Kings/Empire 01 07 Major Lazer Ft. J Balvin & El Alfa Que Calor Mad Decent/Because/Caroline/Universal 01 08 Marshmello Ft. Tyga & Chris Brown Light It Up Joytime Collective/RCA/Sony 02 09 Ed Sheeran & Travis Scott Antisocial Asylum/Atlantic UK/WMI/Warner 02 10 DJ Spanish Fly Ft. Señorita Bailemos Major Promo Music 03 11 Chris Brown Ft. Nicki Minaj & G-Eazy Wobble Up RCA/Sony 01 12 Cardi B Ft. Bruno Mars Please Me Atlantic/WMI/Warner 01 13 Chris Brown Ft. Drake No Guidance RCA/Sony 03 14 DJ ClimeX Ft. Michael Rankiao & Öz Fuego ClimeX Entertainment 01 15 Snoop Dogg Ft. Chris Brown Turn Me On Doggystyle/Empire 01 16 Culcha Candela Ballern Culcha Sound/The Orchard 03 17 Seeed G€LD Seeed/BMG Rights/ADA 03 18 French Montana Ft. City Girls Wiggle It Epic/Sony 01 19 DJ Mustard & Migos Pure Water 10 Summers/UMI/Universal 03 20 Apache 207 Roller TwoSides/Four Music/Sony 04 21 Lil Pump Ft. Lil Wayne Be Like Me Warner Bros./WMI/Warner 04 22 Nicki Minaj Megatron Young Money/Cash Money/UMI/Universal 01 23 Travis Scott Highest In The Room Epic/Sony 03 24 Gesaffelstein & The Weeknd Lost In The Fire Columbia/Sony 03 25 Ardian Bujupi & Farruko Ft. -
Outsiders' Music: Progressive Country, Reggae
CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s Chapter Outline I. The Outlaws: Progressive Country Music A. During the late 1960s and early 1970s, mainstream country music was dominated by: 1. the slick Nashville sound, 2. hardcore country (Merle Haggard), and 3. blends of country and pop promoted on AM radio. B. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture; this movement was called progressive country. 1. Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) 2. Progressive country performers wrote songs that were more intellectual and liberal in outlook than their contemporaries’ songs. 3. Artists were more concerned with testing the limits of the country music tradition than with scoring hits. 4. The movement’s key artists included CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s a) Willie Nelson, b) Kris Kristopherson, c) Tom T. Hall, and d) Townes Van Zandt. 5. These artists were not polished singers by conventional standards, but they wrote distinctive, individualist songs and had compelling voices. 6. They developed a cult following, and progressive country began to inch its way into the mainstream (usually in the form of cover versions). a) “Harper Valley PTA” (1) Original by Tom T. Hall (2) Cover version by Jeannie C. Riley; Number One pop and country (1968) b) “Help Me Make It through the Night” (1) Original by Kris Kristofferson (2) Cover version by Sammi Smith (1971) C. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC).