a a o N 1i:l 1 o Z"" 5

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Professional NEW JERSEY CULTURAL CENTERS BOND ISSUE PROGRAM 3: CONSTRUCTION IN PROGESS Transitions JERSEY CITY MUSEUM

o Funded in part by a grant provided by CAA has been on the lookout for The flew Jersey State Council on the Arts/Department of State ...J our 1999 Fellows, many of In ~ccord~nce wllh P.1.1987. C.265, a law created by The New Jersey Legislature & approved by public referenClum whom recently relocated to ...J accept exciting, first professional Christine Todd Whitman. Gove,nor 01 New Jersey DeForest B. Soaries, Jr.. Secretary of State positions. Rocio Aranda­ Penelope F. Lattimer. Ph.D .. NJSCA Chairman o Alvarado, a recipient of the Barbara F. Russo. NJSCA Executive Director Geraliline R. Dodge Fellowship, has been spotted as the newly appointed Assistant Curator at Rocio Aranaa-AlVarado at the future site for the Jersey City Museum the Jersey City Museum. We later found The Business Card amount of entitlement. What could be Judith Huacuja-Pearson, a Nathan There it was, in elegant black-and-white better than simply presenting such a card Currunings Grant recipient, in the Visual lettering-was it Times? Garamond? for free admission to any museum in the Arts Department at University of s New Cenhrry Schoolbook?-with a world? It's like having a permanent Dayton, in Ohio, where she is a new refined, periwinkle-blue logo. The best invitation to see the creative production November 2000 Assistant Professor. part of all were the words ASSISTANT and thought processes of all kinds of CAA's Professional Development CURATOR, printed in italics under my institutions. More far-reaching than a College Art Association Program supports outstanding artists 275 Seventh Avenue name. This was my first real business credit card, it allows you entry into the and scholars through their transition New York, New York 10001 card. Of course, I had made my own biggest and the smallest, the most from study to professional practice. We cards previously, printed on thin card encyclopedic and the most specific, the asked Rocio and Judith to demystify this Board of Directors stock which I bought at Staples and fed most conservative and the most avant­ rite of passage for the rest of us. CAA Ellen T. Baird, President through the laser printer. But this was garde museums in existence. believes the most credible voices are John R. Clarke, Past President differeut. The slightly textured surface of In addition to these privileges, Michael Aurbach, Vice President, Committees those at the source. These two fellows this card, its weight and thickness, even however, I now have a large dose of Vanalyne Green, Vice President, External Affairs represent a sizable portion of our its color-somewhere between snow and responsibility. Gaining entry into these Bruce Robertson, Vice President, Annual Conference membership who seek positions every Joe Deal, Secretary off white-were elements to be cel­ kinds of places requires you not just to year through our Professional Develop­ John W. Hyland,Jr., Treasurer ebrated. While I had certainly done my look, but also to really see. It requires ment Fellowship Program, our Coruer­ Jeffrey P. Cunard, Counsel share of hard work at a variety of that you store this knowledge, dissect it, ence Placement Center, and our bi­ Susan Ball, Executive Director museums, I felt the recognition that went deconstruct it, search for its origins, ask monthly job listing publication, Careers. with a title was still missing somehow. many questions of it, and perhdPs Catherine Asher Michael Ann Holly Thank you, Rocio and Judith, for your Michael Aurbach Excited at the prospects this magical new rearticulate it in a different guise for your Linda C. Hults information from inside the working EBen T. Baird John W. Hyland,]r. title might hold, I was eager to begin my own institution, YOUl' own public. world. We can look forward to their Holly Block Dorothy Johnson new life as a "real" museum profes­ All these things, I feel, are embodied firsthand accounts each issue, beginning Marilyn R. Brown Ellen K. Levy sionaL Becoming official was the best in this little white card. Those of you who John R. Clarke with Professional Transitions. Valerie Mercer thing that happeued to me this year. have had business cards for years Nicola Courtright Yang Soon Min -Ellen Staller, Manager of Fellowships and This card and my attachment to an probably think I'm making something Jeffrey P. Cunard Andrea S. Norris Placement Joe Deal Archie Rand institution as Assistant Curator have out of nothing. But for those of us just Bailey Doogan Thomas F. Reese given me a title as well as a certain beginning to make our way, handing out Nancy Friese Bruce Robertson Joanna Frueh Joyce Hill Stoner CONTINUED ON PAGE 2 Vanalyne Green Edward Sullivan Alison Hilton

• past struggles and triumphs, while the new Institute for the Study of unpack your office and home. Again, Follow a Fellow: commanding a more comprehensive Professional Transitions International Human Rights. accept all invitations. Faculty members deliberation on the many unrealized CONTINUED .FROM PAGE 1 Lastly, write home often. In other here have been generous with their words, continue a dialogue with those introductions into the broader commu­ objectives that still remain. Volume 25, Number 6 His paintings (1994- these little pieces of our curriculum vitae who have mentored you, who have nity. I have met people at other univer­ Garden Project November 2000 95), in particular, mural-sized depictions is an incredibly potent feeling. collaborated with you, and who will sities, museums, galleries, and cultural of low-income urban housing environ­ ~Rocio Aranda~Alvarado assist you ill keeping an air of enthusi­ centers and am just beginning to ments reminiscent of his own experience Follow a Fellow: asm about your work. establish new friendships. Pursue far­ at Watts's Nickerson Gardens in Los 1 Professional Transitions That enthusiasm for research work reaching connections: renew or expand Some Advice Angeles, visualize what Marshall calls By way of illustrating the transition from has sustained me as I face my new professional subscriptions, including Kerry James Marshall "the contrast between the popular graduate school to newly appointed teaching load. I dedicate an incredible email newsgroups that circulate to Speak in Chicago notion of what a garden is supposed to 3 faculty member, I hope to communicate amount of time to preparing those first­ publishing and conference opportuni­ be with the popular notion of what we to doctoral students some of the year lecture notes. I heard it many times ties. Continue to finesse the dissertation From the Exer;utive Director: understand housing projects to be." challenges and opportunities faced in last year, "Be prepared, that first year is articles or book possibilities. One of the 4 Get the Vote Out! Ironic facsimiles of the Eden-like the first year of teaching in a tenure­ a doozy." And it is dizzying. I felt well most exciting aspects of moving is surroundings that the names of the track position. Right off the bat, realize prepared to begin teaching, having just expanding one's research purview, in Report from the SEPC my case, examining contemporary projects are supposed to invoke, these that the greatest benefit to the interview~ filed my dissertation and having led a 5 works elicit the unexpected pleasures ing process is the opportunity to discuss few of my own courses last year. Chicano and Latino art in the Midwest. many experience in project living. The your research, publications, and However, this year there never seems to -Judith Huacuja-Pearson Annual Conference Update carefree children, brilliant sunbeams, 6 teaching interests with everyone you be enough timei I am always struggling \ and soarillg bluebirds interspersed with meet. Last year's discussions allowed to manage the time I do have and quite Kerry James Marshall richly textured color patches belie most Advocacy Update, often feel I could have used a few more me to assess the kinds of possible Stories (1994), Recent Paintings and preconceptions of urban despair and 9 CAA News support and collaboration available at hours. This is the pitfall of the first year Drawings (1997), and Mementos (1998)­ testify to the contradictions and com­ the institutions I visited. Those discus­ of teaching. have cemented his reputation. In 1997, plexities of Marshall's endeavors. As Affiliated Soriett} News sions figured in my decision to accept a Again, I feel fortunate to be at a 10 Marshall was invited to participate in Marshall has noted of the series: "I think position at the University of Dayton, campus that encourages many opportu­ the Whitney Biennial and Documenta X one of the things that saves the pa:intings Ohio, and they led me to numerous nities to mentor and support new KERRY in Kassel, Germany. Critics have from glib irony is that these are subjects Solo Exhibitions introductions with people working on faculty. Take advantage of those remarked on Marshall's ability to create I care about, even as I want to point out 11 by Artist Members related issues. invitations for faculty development poignant and deeply personal narratives the futility in the kind of hopefulness Next, follow up on those introduc­ seminars. Through them, I have met JAMES with a political, thought-provoking and promise that many of us want to tions. Here, I am enjoying a tremendous other new faculty I could commiserate People in edge. "What is so radical and refreshing buy into, to sustain a certain level of climate of collegiality and enthusiasm, with, second-year educators who assure 13 the News MARSHAll about his work," declared Madeleine sanity." owing, in part, to having found a truly me I will pass through the fire success­ Grynsztejn, "is that it is emotionally Marshall's most recent installation, good fit between my interests and the fully, and more advanced professionals Grants, Awards, & Honors authentic" (ARTnews, March 1998). Home Theater (2000), is part of an 15 research concerns supported on this who share their lecture strategies. TO SPEAK Critic Danny Schulman agreed: "You international traveling exhibition titled campus. For me, the attraction was the Realize too, we bring new insights and & really take his paintings home with Illusions of Eden: Visions of the American Conferences Symposia numerous academic centers that ideas into' the mix and have much to 16 you," Heartland that opened in the Columbus recognized a link between my research contribute through our willingness to IN CHICAGO Born in Birmingham, Alabama, in Museum of Art, Ohio, and is currently in social activism in the arts and their experiment. Resources & Opportunities 1955 and raised in South Central Los on view at the Ludwig Museum in 17 departments, includillg The Center for One more point: allow six weeks for Angeles during the sixties, Marshall Budapest. . Social Concerns, Women's Studies, and transition to your new location to Miscellaneous culls the bulk of his material from the Convocation will be held Wednes­ 2t civil rights protesting that saturated his day, February 28, from 5:30 to 7:00 P.M., acArthur Prize winner (1997) formative years. His Mementos exhibi­ in the Grand Ballroom of the Chicago Institutional News, and noted Chicago-based artist tion, for example, commemorates a trio Hilton. CAA President Ellen T. Baird's Corrections, Classifieds, outreach program Kerry James Marshall will 22 sponsored by M he calls "The Holy Trinity of the Civil welcoming remarks and the annual Datebook deliver the Convocation address at Rights Movement"-John F. Kennedy, awards presentation will round out the p: 212.966.0300 NEW CAA's 89th Annual Conference in 200l. Robert F. Kennedy, and Martin Luther program. f: 212.966.3217 CORK Marshall was a featured artist in the 4th eM News is published six times per year by the King, Jr.- and pays tribute to artistic Following Convocation, a gala e: [email protected] Annual Artist Interviews at CAA's 88th College Art Association, 275 7th Ave., New York, www.nyaa.edu A pioneers Zora Neale Hurston, Langston reception will take place at the Art Annual Conference in New York; he has NY 10001; www.collegeart.org. Hughes, Otis Redding, and John Institute of Chicago, beginning at 7:30 111 Franklin Street, New York, NY 10013 been living and working in Chicago Editor-in-Chief Susan Ball Jar Jurther inf,'rml,tion. Coltrane, among others. The exhibition P.M. Convocation is free and open to the since 1988. Best known for his large­ Editor Rachel Ford ParticifJ.ating Schools: contact Nanr!. Lindberg at NYAA originated at the Renaissance Society at public; the reception requires advance scale, figurative paintings that com­ listings Editor Whitney Manger New York Botanical Garden University Neighborhood High School the University of Chicago in 1998 and ticket purchase, see details in the memorate African American life and Children's Museum af the East End (Long Island) Jacqueline Kennedy Onassis High School traveled throughout the U.s. to sites Preliminary Program, Material for inclusion should be sent via email to East Harlem School Martin Luther King, Jr. High School history, Marshall will speak on themes such as the Brooklyn Museum of Art, ~Margaret Wilkerson, Conference Whitney Manger at [email protected]. Washington Irving High School United Nations International School of "being" and "knowing," and will Photographs may be submitted to the above the San Francisco Museum of Modern Coordinator High School for Fashion Industries Environmental Sciences Secondary School explore the epistemological underpin­ address for consideration. They cannot be Art, and the Institute of Contemporary Talent Unlimited High School Thurgood Marshall Academy nings of art and art-making. returned. Art in Boston. His first major installation The Museum School High School for Environmental Studies Marshall has been exhibiting Park West High School George Washington High School piece, Mementos, is a versatile mix of for over fifteen years. Three important Seward Park High School High School of Graphic Arts Communications paillting, photography, sculpture, and Louis Brandeis School . School solo traveling exhibitions~Telling Printed on recycled paper video that evokes a kind of nostalgia for © 2000 College Art Association paid advertisement

CAA NEWS NOVEMBER 2000 3 2 CAA NEWS NOVE/'vffiER 2000 provided practical advice and an hotel for the visitor and fostered social opportunity for members of the audi­ networks among students. On CAA's ballots, candidates' statements, and brief ence to discuss career concerns with website, we posted The Student's bios. We will remind you again in a members of the panel. The discussion Survival Guide to the 2000 Conference that December mailing about the change in REPORT even questioned whether an education not only dealt with the logistics of dates and urge you to attend the one­ actually entitles a student to a career or transportation to and from the Confer­ Get the hour "Meet the Candidates" session at should be viewed as an end in itself-an ence but also provided information and the Annual Conference. We introduced FROM issue that was not resolved, of course. links to most of the major art museums Vote Out! "Meet the Candidates" at the Annual In addition to hosting sessions, the in New York. Based on the positive Conference in 2000 to good reviews, but THE SEPC committee has brought together its feedback from the NY guide, we plan to unforhmately it was scheduled at a time diverse constituencies through technol­ produce another one for the conference inconvenient for many; this year it will ogy. Our newly established email in Chicago. ~m delighted to report that the goals take place Friday, March 2, at 4:45 P.M., listserv-optional, since we all have too Professional standards are also a and we hope many of you will be able to much email to read these days even ill College Art Association's Strategic he Student Committee was concern of the committee, and we are attend. IPlan, presented to the membership in established in February 1998 to though we've already given up TV and looking into developing a student final form and approved by the Board in We urge you to bring your ballots Taddress the varied needs and the newspaper-provides a formn for questionnaire that will evaluate employ­ February 2000, are well under way to to the 2001 Annual Conference so that concerns of students, both graduate and students from around the country to ment issues for student Teaching being realized. One of the plan's goals is they can be submitte9- after you have TIME IS WASTING undergraduate, and to encourage new share information, including fellowship Assistants (T.A.s) and Graduate to make your association more transpar­ compared the candidates in person. student membership in CAA. This opportunities, calls for papers, calls for Assistants (G.A.s). Our eventual goal is March 19, 2DD!, is the deadline for ballot JOHN DELK spring, the committee renamed itself the submissions to exhibitions, advocacy to work with CAA's Professional ent and participatory, specifically, by ,. MFA c~ndldate, responding to your voice through your submission. At the April Board meet­ Schaal of the Art Institute of Chic alia Student and Emerging Professionals updates, national and regional art Practices Committee to publish "Stan­ ing, the six new directors will be ;l3eraldlne R. Dodge Fellowship. events, student concerns, and confer­ vote. This will facilitate your involve­ , 2000 ReCipient Committee (SEPC) in order to be more dards and Guidelines for Graduate inducted, and the Board will elect three desires to form a collective ence information. T.A.'s and G.A.'s." ment in CAA's activities and gover­ space for emerging artists inclusive of the needs of recently nance and help us respond to your directors to the Nominating Committee, to curate and exhibit ... graduated shtdents facing the chal­ Recognizing that students typicaily Any CAA student or emerging needs more quickly and effectively. To thereby starting the cycle again. lenges of entering the professional art have limited financial resources, the professional member who wishes to join this end, the Board of Directors has CAA's Board of Directors is a hard­ world. committee used the listserv and our listserv can send an email message enacted changes in the election process. working body, dedicated to represent­ One of the main goals of the committee webpage (http:// to STVOENTMEM-L-SUBSCRIBE For a more detailed description of the ing the entire membership. Directors committee has been to disseminate www.collegeart.org/caalaboutcaal REQUEST@!istserv.collegeart.org. Do logistics behlnd these changes, please meet three times per year and spend a information and to foster communica­ committees/pips/student! not type anything in the subject line or refer to the online version of CAA News great dealof time throughout the year tion between studio art, art history, and studentdescript.hbnl) to make atten­ message body. If anyone has questions at www.collegeart.org. communicating through listservs with art education students. Addressing the dance at the 2000 Annual Conference in or would like to suggest other projects In late spring 2000, as in previous one another and with committee needs of these different groups has also New York more feasible. The listserv to the committee, please send your ideas years, the NOminating Committee members drawn from the memberShip. been one of our greatest challenges; it featured a "Host a Shtdent in the to the Chair, Michele Greet at received the names of nominees They rely on your input to make has not been easy, for example, to Conference City" that allowed members [email protected]. submitted in response to a call in CAA member needs known. Board members determine conference session topics that visiting the Conference to contact New -Michele Greet, Chair, with Julie Levin News. Following the Strategic Plan's serve and represent you, taking stands engage the interests of both studio art Yorkers willing to host another student Caro and Karen K:urczynski, members of the recommendation, however, the commit­ on your behalf on issues such as federal and art history students on the under­ free of charge during the event. The Student and Emerging Professionals tee did not immediately winnow the funding for the arts and humanities, graduate and graduate levels. Indeed, process both eliminated the cost of a Committee candidates but rather interviewed all of copyright, and employment practices in COLLEGE our greatest challenge drives the topic them by telephone. When the commit­ art history. ART for this year's session at the 2001 Annual tee did meet, it was informed not only Members are urged to participate in Conference. "What Do We Mean Art, by nominees' statements and c.v.s, but CAA governance by responding to calls History?" will explore the relationships APPLICATIO 31, 2001 also, for the first time, by interview for nominees to CAA's Board and its between the theoretical and practical notes that were distributed in advance committees and by voting! As I have PROFESSIONAL . concerns of art and art history students bemoaned before, voter turnout for FOR COMPLETE of the meeting. In another new step, the DEVELOPMENT DETAILS AND and their faculty. The panel will try to Are you thinking about filling a position for your committee was chaired by the Vice CAA elections is woefully low-IS FEI..LOWSHP APPLICATIONS bridge disciplinary boundaries through institutution at the 2001 Annual Conference in Chicago? percent at best. Whenever members PLEASE VISIT President for Committees, one of three PROGRAMRlR www.coUegearl.orglcaaJ a series of short talks by students and new officer positions mandated by the complain about an action of the Board of ARllSTS& career/fellowshlp.hlml professionals. Practical issues such as Here are some things you should know: Directors, I ask if they voted; the answer OR CONTACT Strategic Plan. Members of the Nominat­ ARTHSTORIANS 2121691·1051 EXT. 206 collaborative work as well as conceptual *' CAA will now accept ads for the Conference Supplement as it does with Careers­ ing Committee who served under both all too often is "no." The most important ideas concerning the similarities and electronically. the old and new processes noted a action you can take to have a sense of differences between the two fields will mar ked improvement this year. control in governing your organization be discussed. '* CAA will be accepting ads on a rolling deadline. Please note that the slate of candi­ is to vote. Similarly, last year's session (our dates for the Nominating Committee rs it too much to hope for an first), entitled "Entering the Job Market: *' Across the street from the Chicago HiltonTowers at Columbia College, you will have will be mailed January 29,2001,not, as election turnout equal to that of our Tips for Visual Arts, Art History, and access to 120 email stations to submit your job listings. in previous years, in December. From national elections-roughly half of Art Education Students/' included six this slate of nine candidates, you, the eligible voters? That, at any rate, is Our short presentations by artists and art You can now submit your ads by email up to the moment you leave for the Conference and members, will elect six new Board goal. historians followed by a lively discus­ throughout your stay in Chicago. Conference Supplements will be issued up to three times members to serve a four-year term -Susan Ball, Executive Director sion that focused on the challenges of daily. For further information visit www.collegeart.oqifcaalpublications/careersfmdex.htmJ (2001-5). The mailing will include making the transition from student to oreal! 212/691-1051, ext. 519. working professional. The session We look forward to your attendance.

4 CAA NEWS NOVElVIDER 2000 CAANEWS NOVEMBER2000 5 .. in and is bestowed by an advocacy to the world of art. Since it has always Session to committee. been the mission of the Women's The longest-running feminist art Committee to be inclusive, this year for 2001 FREE MENTORING TICKET Focus on CAA's journal inhlstory, the WAf continues in the first time, a free Mentoring Ticket to International Efforts I would like to be included in the lottery for a free Mentoring Ticket. its mission to publish and review the breakfast will be made available to International involvement is an area of significant research on women and their those who would not otherwise be able growth for CAA as more of its members CAA Paid 2001 Member ID # (required) ______Annual representation internationally in visual to attend. To qualify, applicants must be come from countries from all over the culture. Within its covers have ap­ both paid Conference registrants and name'______world, as more U.S. institutions hire n peared more than 250 articles and 400 paid 2001 calendar-year CAA members, foreign scholars, and as more students, faculty, and artists work, study, and book reviews written by well-estab­ If you are interested in receiving a address______lished and up-and-coming scholars, Mentoring Ticket, please fill out the participate in overseas residencies and Update form on page 7 and send it by December research projects. Therefore, the female and male alike, Yet, as successful city/state/zip.______as the journal has been, Fine is best 29,2000, to CAA, Attn: Theresa Smyth, International Task Force of CAA will host a Roundtable Session at the 2001 known to many arts professionals, 275 7th Ave., New York, NY 10001. email______phone______Conference in Chicago on Thursday, Committee on educators, and the public at large for Tickets are made available through two ground-breaking books, The Afro­ the generosity of CAA member col­ March 1, from 12:30 to 2:00 P.M. The goal Selection will be by lottery, and ticket holders will be notified by January 19, 2001. Women in the Arts American Artist: A Search for Identity leagues who wish to support this of the session is to gather members' Return form btJ December 29, 2000, Honors Elsa Honig Fine (1973) and Women and Art: A History of endeavor by completing the Ticket ideas on how CAA should expand its The Committee on Women in the Arts Women Painters and Sculptors from the Donor Form on the opposite page and international efforts to meet its constitu­ will honor art historian and publisher Renaissance to the 20th Century (1978). returning it along with their payment by ents' needs. All members are invited Elsa Honig Fine at its Sixth Annual Written when the standard art history December 29, 2000, to CAA, Attn: 2001 TICKET DONOR FORM and encouraged to participate in these Recognition Award, to be presented on survey texts ignored the efforts of Theresa Smyth, 275 7th Ave., New York, discussions. Topics include: Friday, March 2, 2001, from 7:30 to African Americans and women, these NY 10001. I wish to donate number(s) of Mentoring Tickets for the Annual International Academic Standards 9:00 A.M. at CANs 89th Annual Confer­ volumes challenged the assumptions Selection of ticket recipients will be Recognition Awards Breakfast @$25 per ticket. Given the current interest in cultivating ence in Chicago. It is particularly underlying canon formation and by lottery, and the ticket holders will be more diverse, international faculties appropriate that the committee, charged provided countless readers with a new notified by January 19, 2001. The CAA Paid 2001 Member ID # (required) ______through hiring, exchanges, and fellow­ with promoting the scholarly study and number of mentoring tickets available ships, John Kissick, Dean of the Faculty lens on the past, one in which they narne------______recognition of the contributions of could find reflections of themselves, will depend on the number of donations of Arts, Ontario College of Art and women in the visual arts, acknowledges For these and other achievements received from our colleagues. address ______Design, will lead a discussion about the pioneering accomplishments of the and for her lifelong commitment to equivalence and professional standards founder and editor of the Woman's Art promoting and recording the accom­ across international borders. There are a city/state/zip ______Journal (WAf), which celebrated its plishments of those whom historians variety of educational and institutional twentieth anniversary this year with the tried to forget, the committee recognizes constituencies served by CAA whose email ______phone ______publication of its fortieth issue. the outstanding contributions of Elsa historical structures and academic Fine joins a distinguished list of Honig Fine, Join us in celebrating her requirements constitute very different honorees: Agnes Gund (1996), Louise remarkable career at the awards Payment Method formats for the granting of degrees and Bourgeois (1997), Linda Nochlin (1998), breakfast. Please note, preregistration diplomas (terminal and otherwise) from o Check o MasterCard Ll VISA Saroella Lewis (1999), and Carolee for the breakfast with advance confer­ those in the U.s. system. This situa­ Schneemann, Mary Garrard, and Norma ence registration is required. Checks must be drawn on a U.S. bank payable to College Art Association. Checks returned tion-particularly problematic in studio Broude (2000). The award itself is -Karen A. Bearor, Florida State University, for because of insufficient funds will be charged an additional $20. program areas where curriculum tmique within CAA in that it originates the Committee an Women in the Arls expectations vary greatly among art colleges, polytechnics, academies, and Women in Ushers and account # expo date universities-will be the focus of this the Arts Projectionists discussion. signature ______The Role of International Mem­ Annual Sought bership in CAA Brooke Anderson, Applications are being accepted for Recognition Please return fonn and donation by December 29,2000. Director and Curator of the Contempo­ Awards Breakfast usher and projectionist positions for the rary Center at the Museum of American Mentoring tickets are available for the 89th Annual Conference, to be held at Folk Art, and Tom Reese, Director of the the Chicago Hilton and Towers from Successful applicants will receive CAA Committee on Women in the Arts letter of interest to CAA U /P Coordina­ Roger Thayer Stone Center at Tulane Aruma! Recognition Awards Breakfast, February 28 to March 3, 2001. Success­ tor, c/o Conference Coordinator, CAA, $10.00 per hour and complimentary University, will focus on building to be held at the 89th Annual Confer­ ful applicants will be paid $10.00 per 275 7th Avenue, New York, NY 10001. conference registration, Room monitors bridges with international members. hour and will receive complimentary will be expected to work a minimum of ence on Friday, March 2, from 7:30 to Deadline extended: January 1, 2001. How can CAA locate and network with registration. Ushers and projectionists four hours checking in participants and 9:00 A.M. organizations in other countries that The CAA Committee on Women in are required to work a minimum of Room facilitating the work of the mentors. have similar purposes and goals? What four, 2.5-hour program sessions, from Send a brief letter of interest to CAA the Arts Arumal Recognition Award Monitors methods and tools can CAA implement Thursday, February 28, to Saturday, Breakfast is one of the highlights of the Room Monitors, c/o Conference Coordi­ to attract an international membership March 3, and to attend a training Sought nator, CM 275 7th Ave., New York, NY Annual Conference. In addition to the Room monitors are needed for two of and audience? Could future projects meeting at 7:30 A.M. on Thursday. 10001. Deadline extended: Januan; 1, 2001. convivial social abnosphere, the CAA's mentoring programs, the Artist's and partnerships include mini-confer­ breakfast is a venue for honoring women Projectionists must be able to operate a ences abroad, off-site sessions on 35-nun slide projector; familiarity with Portfolio Review and the Career who have made important contributions funding, politics, organizational video projectors is helpful. Send a brief Development Workshops, to be held during the 2001 Annual Conference. structures, and so on, in different nations?

6 CAA NEWS NOVEMBER 2000 CAA NEWS NOVEMBER 2000 7 ... leading scholars in the field, cover a The Role of the Artist in the projects we develop for CAA's role at MoMA Please check the Conference Preliminary wide range of subjects, from ancient art Digital Networked Society Since the the UN. Program and other program announce­ Strike to feminist art history to semiology. On late 1980s, computers and digital media Members in all areas-studio, ments closer to conference time for Ended the other end of the spectrum, Art technology have played an increasingly museum, art history, arts administra­ further details. On September 9, 2000, the Professional Journal is devoted to 20th- and 21st­ important role in generating projects tion, and others-are strongly encour­ For future conferences, we expect to and Administrative Staff Association century art. One of the most vital, that involve collaborations between the aged to participate in the International expand the programming of Art's Place (PASTA) at the Museum of Modern Art intellectually compelling, and visually arts and sciences. Though the goals and Task Force Session so that goals and to more than one day. As part of its in New York came to a settlement engaging periodicals in the field, Art sites of the work vary, the trend toward objectives that focus on the international mission, SAC is dedicated to exploring agreement with management, thereby Journal features scholarly articles, interdisciplinary collaboration and issues members feel are most significant and implementing new ways to enrich Update ending the labor strike that began April interviews, conversations, critical globalization seem to be a constant in can be developed. Please check the 2001 the Annual Conference experience for 28,2000. forums, portfolios, and other contribu­ many of these, efforts. What kinds of Conference Program for the location artists. If you have some ideas in this Both sides compromised in order to tions by contemporary art historians, opportunities and challenges do the of this important session. regard, participate in the Speak-Out reach an agreement. The union relented artists, curators, and critics. changes ushered in by the new digital from 12:15 to 1:45 P.M. on Thursday, -Submitted by the International Task Force NEA, NEH, and on its demand to control the museum's Unlike membership dues, which communication networks afford artists? March I, 2001, or email me at IMLS Budget Increases healthcare plan (though management is cover the basic production and mailing How can the work of artists using [email protected]. Check it out and get obligated, prior to making any changes expenses far both journals, "Subventions technologically derived media support Art's Place involved! Approved for FY-2001 to the health and welfare program, to are used to enhance each publication­ multiple meanings and enable future How often have I heard from conference -Yong Soon Min, Services to Artists On October 11, President Clinton signed negotiate in good faith with the union to assist in reaching our goals to communities that cut across traditional participants in the past, especially from Committee Chair HR4578, the Interior and Related over its proposed changes) and manage­ produce outstanding journals that serve boundaries? In this context, Lily Diaz, artists, that they wish there was a place Agencies appropriations bill for FY- ment has granted the union's request for all areas of our field, every quarter," Researcher at the Media Lab of the in the conference center where they 2001. Flanked at the Rose Garden an agency shop that would" grandfa­ notes Elaine Koss, CANs Deputy University of Art and Design, Helsinki, could relax and hang out as well as be NEA Session signing by National Endowment for the ther" all current employees. Also of Director for publications and Programs. will lead a discussion on technology stimulated and engaged. In other Seeks Artists' Input Arts's (NEA) Chairman, Bill Ivey, and note is the negotiated salary increase of After more than a forty-year history issues of particular relevance to CAA. words, a break from the fixed, run-of­ "Agency: Individual Artists and the National Endowment for the 17.5 percent over five years for an of subventions, the Art Bulletin currently The Importance of Foreign the-mill panel formats. Art's Place aims Humanities's (NEH) Bill Ferris, the NEA," a session chaired by Saralyn average of 3.5 percent each year. boasts 100 individual and institutional Exchanges Numerous members from all to fit the bill. The Services to Artists Reece Hardy, Director of Museums and President hailed the bill as "a truly subventors whose donations range from fields, including art history, studio art, Committee (SAC) is launching its pilot Visual Arts at the National Endowment historic achievement, acheived in a $250 (the minimum) to above $2,000. and arts administration have partici­ project for one day at the Annual for the Arts, is designed to create viable genuine, bipartisan spirit to create a Last year, the Art Bulletin raised $57,231 pated in a studies abroad or an artist/ Conference in Chicago to create a room and sustainable connections and permanent basis for preserving our in subventions. Our goal for 2000-2001 scholar-in-residence program abroad. that-will be multi-use, outfitted with all opportunities for artists. It is hoped that natural heritage and advancing our is $60,000. Caroline Boyle-Turner, Director of the kinds of media and with-yes-a this session will help the NEA generate common artistic and cultural values." Subvention dollars support new Pont-Aven School of Art and part-time lounge area furnished with comfy sofas new strategies, policies, and programs. This marks the first time in five features such as an exhibition review faculty at the Rhode Island School of and armchairs. The intent of Art's Place After brief descriptions of their artistic years that the NEA budget will be section and a series of essays that will Design, and Cheryl Goldsleger, Associ­ is to encourage the spirit of experimen­ practices and philosophies, three artists raised. The budget increases are as appear in the winter issue on the state of ate Professor at Piedmont College, will tation, celebration, change, diverSity, will be asked to provide several concrete follows: NEA $7 million, NEH $5 Japanese art that features contributions lead a roundtable discussion that will and flexibility in formats and program­ suggestions to guide policy and million, Institute for Museum and by Yale Art History Professor Mimi Hall focus on the possibility of setting up a ming to inject fresh energy into the program making for the field and the Library Sciences (JMLS) $600,000. As a News Yiengpruksawan on "Japanese Art resource where CAA members could Annual Conference. NEA. Following these artistic presenta­ cover for the House Republican leaders, History 2001: The State and Stakes of access information on the many pro­ On Thursday March 1, 2001, tions and an overview of current NEA the NEA is shown to be receiving $98 Research" and by Princeton University grams available throughout the world. conferees can drop by Art's Place all day thinking in this area, the floor will be million with a separate line carrying $7 Art History Professor Yoshiaki Shimizu Other issues relating to study and long, from 7:30 in the morning to 10:30 opened for comments and million for Challenge America, an NEA Your Support on "Japan in American Museums." residencies abroad, including standards at night, to socialize as well as to partake suggestions. These discussions will initiative focusing on rural areas and Expands Beginning its second year of and quality control, an area of acute in a mix of programming that includes become part of the documentation that underserved Americans. NEA will CAA Publications subventions, Art Journal currently has 55 concern for programs of this kind, will artists interviews, technical workshops, will gulde new NEA policies, programs, administer the additional funds ear­ sub v e n t i 0 n-n. money granted, as individual and institutional s-ubventors. also be addressed. a monitor to view the 2001 online and activities. marked for Challenge America. by a government, in support of a study, In 1999-2000, Art Journal raised $9,000 CANs Role at the United member's exhibition, SAC Speak-Out, a In addition, the NEA is encouraging institution, etc.; subSidy. (Webster's New in subvention monies. For 2000-2001, Nations James Rubin of SUNY Stony party featuring experimental perfor­ any artists wishing to provide input to World War II World College Dictionanj, 4th ed., IDG we hope to double the number of Brook and CAA's representative to the mances and displays of artwork in submit a brief idea statement to the Memorial Books Worldwide, inc.: Foster City, CA: subventors and raise $18,750. UN will review and discuss CAA's various formats such as slides, video, NEA. A group of artists will be selected On September 21, 2000, the National 2000, p. 1429.) Editorial initiatives for Art Journal status as a registered Non-Governmen­ and interactive digital projections. from this pool to expand their thoughts Capitol Planning Commission (NCPC) subvention monies involve a series of tal Organization (NGO) at the United Complimentary coffee, tea, and juices in this session and become part of an voted to approve the site and design of Over the years, CAA's members and in-depth conversations with curators Nations. Normally, the arts fall within will be offered in the morning as well as informal advisory group for the NEA's the World War II Memorial. The vote supporters have been working to about ground-breaking new exhibitions the purview of UNESCO, but the U.s. a CAA-hosted celebration of Art's Place visual arts program. was 7 to 5 in favor of the design. The enhance the quality and appearance of such as the upcoming conversation withdrew from UNESCO in 1984. CAA with nibbles and cash bar in the evening Please submit idea statements to NCPC will review the ancillary features our two scholarly journals, the Art between Laude Fierstein, Judy is the leading arts organization to have to liven up the day. Saralyn Reece Hardy, Director, Museums of the plan, which include roads, Bulletin and Art Journal, through Steinberg, and Joanna Frueh on Pictur­ NCO status at the UN; however, we Of special note will be the hosting and Visual Arts, National Endowment for parking, a ranger station, a comfort monetary donations, or "subventions." ing the Modern Amazon at the New have not clearly defined what issues we of the Fifth Annual Artists' Interviews the Arts, [email protected] by station, and a contemplative zone to the The Art Bulletin, which was Museum of Contemporary Art, New should be involved in, what positions with Ann Hamilton and Ed Paschke in January 19, 2001. north of the Rainbow Pool sometime in founded in 1913, is the preeminent York. Another expanded feature is a we should support, or what initiatives the morning. Also, a daylong demon­ the fall (the exact date has yet to be journal for art historians. Its primary series of forums about timely issues in we can undertake. Therefore, it is stration of their exciting and innovative published). Approval of the ancillary mission is the publication of scholarly contemporary art with texts by major hoped that participants in this discus­ new digital technology and an evening features is the last requirement to be met research in all areas of the history of art artists, critics, and art historians, sion will form a core of interested workshop for 3-D Rapid Prototyping before construction can begin on the and architecture. Articles, written by including for example, a forum on the members who can pursue whatever will be presented by Z Corporation. memorial.

CAA NEWS NOVEMBER 2000 9 8 CAA NEWS NOVEMBER 2000 .. November 11,2000. The Eye Evolves. Photomon­ body and technology orgaillzed by Richard Lewis. Gallery 1401, The University of tages, Amelia Jones of the University of the Arts, Philadelphia, August 18-September IS, California at Riverside. RICHMOND 2000. Photographic Sculptures. THEAMERICAN INTERNATIONAL UNlVERS1TY IN LONDON How to get involved: Your support SOLO MIDWEST Richard Beckman. Klein Art Works, Chicago, is crucial to the 2000-2001 subvention Intercultural MA in Art History Rick Malmgren. Fine Arts Center Gallery, campaign. Minimum annual contribu­ EXHIBITIONS College of Southern Maryland, La Plata, MD, October 20-November 25, 2000, Sculpture. Renaissance, Modernism Affiliated November 21, 200D-January 30,2001. Ceramic tions start at $250 (less than a dollar a & Post-Colonial Theory vessels, day). All subventions are tax-deduct­ BY Siena Benjamin. MacLennan Gallery of Asian ible. As with any donation, you may III Central Lolldon· location SOCiety Art, St. Louis University, St. Louis, September ARTIST 13-October 22, 2000. Spicy Girl. Mixed media. support either journal on behalf of a IIIi One year degree program Judith Barbour Osborne. The Shipley S<;hool, person's memory, your institution, or !II Optional semester in Florence Bryn Mawr, PA, October 10-November la, 2000, News MEMBERS Tables of Discoven;. Works on paper. yourself. Subventors are listed by II US accredited Scott Betz. Mount Senario College, Ladysmith, donation category at the front of each WI, October 16-November 10, 2000. Woodcuts. journal. For more information, contact Offic~ of Graduate Admissions Only artists who are CAA members are included Ellen Staller at 212/691-1051, ext. 206. 16 Yoqng St Box AB Cuba 2001 London W8 5EH UK Travel to Cuba with Community in this listing. When submitting information, include Bill Burk. Flanders Contemporary Art, Tel; +44 (0)20 7368 8475 College Professors of Art and Art name, membership number, venue, city, dates of Minneapolis, April 14-May 20, 2000. Sculpture. exhibition, and medium (or website addres$ of online Join CANs Fax: +44 (0)20 7376 0836 History (CCPAAH) in 20011 CCPAAH is exhibits). Omission of membership number on E-mail: [email protected] Nominating Committee sponsoring the second semiannual submission will prevent your listingjrom being Barbara Cooper. ruN Gallery for Contemporary CAA urges its membership to help www.richnwnd.ac.l1k1maarthis educational exchange travel program to published. Black and white photos are welcome hut Art, Indiana University Northwest, Gary, IN, shape its Board of Directors by serving pard (ldvertlsemrnt Cuba, January 4--15, 2001. The trip is will be used only if space allows. Plwtos cannot be August 28-September 29, 2000. Sculpture and on the Nominating Committee. Each open to all persons older than 18; returned. Please be advised that listings and images drawings. year, the committee nominates and however, space is limited so make plans may be reproduced on the CAA website. submit to: Describe in up to fifty words why you Solo Member Exhibitions, CAA News, 275 7th Ave., interviews candidates for the Board a,nd soon. There will be free time as well as like working at the organization. New York, NY, 10001; [email protected]. Charles Gniech. Oesterle Gallery, North Central selects the final slate of candidates for Winning entries will be featured on formal and informal interaction with College, Naperville, IL, September 12-October membership votes (see also "Prom the future covers of eM Careers (replacing Cuban artists, museum directors, and 10,2000, Photographs and paintings. Executive Director: Get Out the Vote" our current pencil logo). Applicants may educators. The itinerary includes stays ABROAD on page 4). submit images to [email protected] in several Cuban cities, including Carl Andre. Galerie Tschudi, Glarus, Switzer­ Mille Gulbeck. Columbus State Community The current Nominating Committee (TIFF format only, scanned at 600dpi in Havana, Cienfuegos, Trinidad, and land, September 19-November 12, 2000. Works College, Columbus, OR, June 1-31, 2000, and will select new members at its business grayscale), or mall your black-and-white Santa Clara, birthplace of the 1958 on paper. Artemisia Gallery, Chicago, October 5-28, 2000. From Silence: Recent Paintings and Works on Paper. meeting held at the Annual Conference. photograph and essay to Dull Pencil: Cuban Revolution. Each new committee member will be CAA Careers Cover Photo Contest, Legal U.s. ViSClS are included for Paula Braswell. gallery one20ne, Toronto, expected to nominate a minimum of five College Art Association, 275 7th Ave" this 10-day cultural and educational Ontario, April 1-29,2000. Michael Krueger. Anchor Graphics, Chicago, and a maximum of ten candidates for New Yark, NY 10001. excursion. Price (less than $2,000) September B-October 7, 2000. EvenJday Alchemy. the Board, Service on the committee includes roundtrip airfare from Miami, Please note that CAA reserves the Melissa Kretschmer. Galerie Tschudi, Glarus, will also involve conducting telephone airport transfers, in-country transporta­ right to alter photographs selected for Switzerland, September 19-November 12, ZOOO. Sharon Louden. Rhona Hoffman Gallery, interviews with candidates during the publication to accommodate design and tion, hotel and breakfast each day. For Works on paper. Chicago, September 8-October 13, 2000. Agents. summer months and meeting at CAA's printing requirements. Please also note detailed information contact Prof. Cast bronze sculpture. offices in New York in September 2001 that materials cannot be returned. Thomas Morrissey, President, to select the final slate of candidates. For further information, please CCPAAH, at 401/333-7270 or by email MlD-A TLANTIC How to get involved: Nominations at [email protected]. Check out Catherine Angel. Sol Mednick Gallery, The Judith Barbour Osborne. Dving Arts of Tulsa, contact Ellen Staller, Manager of University of the Arts, Philadelphia, August 18- OK, September 7-28, 2000. Chosen Silence, Text/ and self-nominations should include a the CCPAAH website at Fellowships and Placement, ph: 212/ September IS, 2000. To Embrace. Photographs, paintings. brief statement of interest and a c.v, 691-1051, ext. 206; estailer@collegearlorg, www.artznet.comiccpaah.htm or, for Please send all materials to Michael Deadline for the December 2000 issue; - photos and information about previous Aurbach, Vice President for Committees Cuba travel excursions, go to Andrew Borowiec. The Print Center, Philadel­ Kathryn Waters. Wood Street Gallery & November 12; February 20Gl issue: Jqnuary phia, September15-October Z8, 2000. Along the Sculpture Garden, Chicago, October 14- c/o Marta Teegen, Manager of Gover­ 10,200]. www.commondenominator.com. ";;;.ckn<". Blea,utv· (from the Arcana Ohio. Photographs. November II, 2000. Private Lives: Landscapes of nance and Advocacy, College Art Shuffle series), oil on canvas, 90 x 40" the Heart. Paintings and pastels. Association, 275 7th Ave., New York, NY 10001. Deadline: January], 2001. CAA Staff Changes Tracey Bowen. Zone VI Photography Gallery, Deborah Randall. Georgetown University Art Sinclair Community College, Dayton, OB, Deirdr~ Barrett joins eM as Assistant Gallery, Washington, DC, September 2000. NORTHEAST October 1-31, 2000. What a Rush! to the Executive Director. Deirdre comes Recent Paintings and Drawings. Suzanne Anker. Universal Concepts Unlimited, Dull Pencil: to CAA from the Heckscher Museum of New York, September 14-0ctober 21,2000, CAA Careers Art in Huntington, Long Islanq, where Diane Burko. Art Alliance, Philadelphia, Beverly Semmes. The Fabric Workshop and code.X:genome. Cover Photo Contest she worked closely with the curatorial! September 9-October I, 2000. Pictura Lucida. Museum, Philadelphia, September 14-­ http://www.diane.burko.com. CAA invites all member~ to j3nter Pull education, and gevelopment depart­ November 4, 2000. Watching Her Feat. Sculptural Barbara LaVerdiere Bachner. Attleboro Pencil: CM Cq.reers Cover Photo ments. She studieq museology and install&tion and video. Muse~, Center for tlw Arts., MA, August 13- Contest. Submit a black-anq-white painting in Florence and has <\ back­ Pamela Flynn. Space 126 Gallery, Baltimore, S~ptember 30, 2000. Dreamworlds: Neo-Surrealism in the Millem1ium. Open Studios, West Chelsea photograph of your place of employ­ ground in art and art history. Deirdre t ... September 8-29,2000. MemQry Circle, Perfor~ Elisabeth Stevens. Galerie Fransois et ses Freres, Artwalk, New York, October 14-15, 2000, Denise ment-college, university, museum, will be working closely with Marta mance/Installation, Lutherville, MD, September 7-October 4, ;WOO. Bibro Gallery, New York, December 12, 200D­ gallery! arts nonprofit. You may include Teegen, Mimager of Governance and Eranos, Etchings and books. 11';ege~rt.8;r January 13, 2001. Men, www.artliason.orgf Advocacy, and works qirectly with yourself in the image as long as the Carol Heft. DuBois Gallery at Maginnes Hall, bachner. CAA's Awards Committees. institution is prominent and identifiable. Lehigh University, Bethlehem, PA, September Carl Toth. Exhibit 231, Philadelphia, October 4- IS-December 2, 2000. Pushing the Line.

10 CAA NEWS NOVEMBER 2000 CAA NEWS NOVEMBER 2000 11 Sandra Bermudez. Gallery M, New York, WEST century art, sometimes for the delight of embarked on his journey as a professor and September 21-November 4, 2000. Self-portraits. Heidi Brueckner. Fetterly Gallery, Vallejo, CA, provoking modernist friends, his understanding taught for a year at the State University of Ohio. November II, 2000-January 6, 2001. The Arcalla of it was acute. Preceding a brief stint as a historian in the Shuffle. Paintings. Professor Feh! was born in Vienna on May Canadian army during World War II, Martin Caren Canier. String Room Gallery, Wells 9,1920, and immigrated to the United States in returned to Princeton as a Woodrow Wilson College, Aurora, NY, September 6-29, 2000. 1940. He served in the U.s. army from 1942 to Fellow and received his Ph.D. in 1947. He joined Paintings. Donnabelle Casis. Howard House, Seattle, 1946 and upon his discharge was asked to be an the faculty that year as an assistant professor. September 16-0ctober 21, 2000. Behemoth. interrogator for the Nuremberg War Crimes After being promoted in 1955 to associate Michael Chelminsld. Blue Mountain Gallery, Trials. He began his career as an artist, studying professor, he became a full professor in 1961. painting at the Art Institute of Chicago in 1940- As a teacher, Martin quickly became known New York, November 3-22,2000. Paintings. Aaron Crayne, Esvelt Gallery, Columbia Basin 42, and afterward at Stanford University, where for his dynamic speaking and his ability to College, Pasco, WA, November 7-December 7, he received a RA in romance languages and an captivate an audience. As many as 300 students 2000. Paintings. Robert Feinland. Synagogue for the Arts, New M.A in art history. For a brief time he taught signed up for his Baroque survey course. He York, October 26-December 10, 2000. The Lower photography and drawing, and he never "had a way of pausing, looking at a painting and East Side & Monhegan Island. Paintings. Tobi Kahn. de Saisset Museum, Santa Clara abandoned the practice of art. The witty and then turning to a class with a question like University, Santa Clara, CA, September 23- gently satirical capricci that were his respite 'There, do you see it?' as if something were December 1, 2000. AVODA: Objects of the Spirit. from schOlarly work have been exhibited both in being discovered for the first time and the whole Oriole H. Feshbach. Springfield Science the United States and abroad. class was sharing in the important moment," Museum, Springfield, MA, November 18, 2000- Professor Fehl received his doctorate from Charles Scribner m, one of Martin's former January 28, 2001. Cosmic Connection. Watercolors Dale Osterle. St. Lewis College, Durango, CO, the Committee on Social Thought of the and pastels. August 25-September 25,2000. University of Chicago in 1963. He taught at the Universities of Kansas, Nebraska, and North Carolina, and in 1969 joined the faculty of the Mary Frapk. Neuberger Museum of Art, Toni Matlock Taylor. Art Museum of Missoula, University of illinois, where he remained until Purchase College, State University of New York, MT, June 24-August 19, 2000. Navigating Clutter. his retirement in 1990. In recent years, Professor Septt:."mber 17, 2000-January 7, 2001. Encounters. Fehllived predominantly in Rome, where he continued his long-term project with his wife, Raina, to microfiche the Vatican collection of Janet Goldner. Islip Art Museum, East Islip, NY, literature on art from the library of the 18th­ September 20-November 17, 2000. century amateur Leopoldo Cicognara. All who knew Philipp Fehl will feel his Alison Knowles. Emily Harvey Gallery, New Sharon Louden. Dee/Glasoe Gallery, New Image. Sculphu'e. loss. He was, as one of his friends recently York, October 5-October 28, 2000. Footnotes. York, October 5-November 4, 2000. Swells & PEOPLE observed, a figure larger than life, with an Objects, prints, and illuminations. Extensions. inquiring intelligence that seized on everything Gina Werfel. Prince Street Gallery, New York, and everyone he encountered. Above all, February 2-21, 2001. IN perhaps, his generosity will be missed. Howard Lerner. Joan Whalen Fine Art, New Suzanne McCleUand. Paul Kasmin Gallery, Unstinting with his time and hospitality, he had York, October 4-November 25, 2000. Sideshow New York, Odober 12-November 11, 2000. THE a talent for friendship that extended to Wonders. Paintings and painted wood sculp­ Alexandra Wiesenfeld. Dactyl Foundation, New colleagues and students alike. Visitors to Rome tures. York, October 7-November 4,2000. The Look of NEWS eagerly accepted his offers to act as tour guide. Charles Alexander McGill. Harlem Week Love. Those who were fortunate enough to have heard Public Art Projects, August 5-12, 2000. Playing one of his extraordinary encyclopedic discourses Samella Lewis. UFA Gallery, New York, Tough. Performance. Julie Wosk. AIR. Gallery, New York, October In Memoriam on St. Peter's and the Vatican are not likely to September 8--October 14, 2000. Works on canvas forget them. 10-November 4, 2000. Photographs. Philipp Fehl, Professor Emeritus of Art History and paper. -Marcel Franciscono, Professor Emeritus of Art Henry I. Naar. Sussex County Community at the University of illinois at Urbana­ History, University of Illinois at Urbana-Champaign College, Newton, NI, October 20-November 29, Champaign, died in Rome, September II, 2000, John Rupert Martin 2000. Drawings. SOUTH at age 80. He was Book Review Editor of the Art Michael Aurbach. Radford University Art Bulletin from 1965 to 1968 and served on the Conrad Marca-Relli, an American painter and students, recalled. collagist, died on August 29, 2000, at age 87. Museum, Radford, VA, November 6-December Board of Directors of CAA from 1967 to 1971. John Rupert Martin's involvement with CAA Laura Newman. James W. Palmer III '90 Gallery, 15,2000. Sculpture. Under the auspices of CAA, he was also a First studying art as a child in Italy, followed by sparmed two decades. In 1972 he received the brief attendance at Cooper Union, Marca-Relli Vassar College, Poughkeepsie, August 24- founder of the International Survey of Jewish Charles Rufus Morey Book Award .for The eventually became known for making a Ocober 1, 2000. Paintings. Momunents, a project to photograph and Decorations for the Pompa Introitus Ferillandi. In Kay Byfield. Mountain View College, Dallas, document all existing Jewish structures. connection between collage and Abstract 1971, he became Editor-in-Chief of the Art August 2S-September 15, 2000. Paintings. Professor Fehl was one of the last of those Expressionism. He cut shapes freely, rather than Bulletin, a position he held until1974. Finally, he George R. Papas. Driscoll Gallery, Brockton scholars who, like Erwin Panofsky, Ernst methodically, creating work that was instinctive served as President of CAA from 1984 to 1986. Public Library, Brockton, MA, November 2000. and uninhibited by conscious planning. By the Gombrich, and H. W. Janson, embraced the Martin also lectured at the Philadelphia This and That, Then and Now. Mitch Eckert. Erin Devine Gallery, Louisville, 1960s, he was working with metal and vinyl and humanist tradition of Western art in all its Museum of Art and The Metropolitan Museum Odober IS-November 25, 2000. MontagelCollage. exploring sculptural form,. before returning to aspects. of Art. Other appoinbnents include Senior collage and painting. Marca-Relli is survived by Fellow of the Council of the Humanities, Christopher Porter. Molloy College, Rockville His remarkable list of publications ranged his wife, Anita Gibson. McCosh Faculty Fellow, Frederick Marquand Centre, NY, September 7-October 27, 2000. Gary Keown. The 621 Gallery, Tallahassee, I from the monuments of Greece and Rome, the November 17-December 30, 2000. Installation, subject of his dissertation, to the writings of Professor of Art and Archaeology, and Do Not Try This at Home. I Diderot, 19th-century art, the posters of the First John Rupert Martin, Professor Emeritus at Chairman of the Art and Archaeology Depart­ Deborah Randall. University Gallery at World War, and the expressionist painter Albert Princeton University, died at age 83 on July 26, ment at Princeton University. University of Massachusetts at Lowell, October Bloch. He published several articles on the 2000. Although he originally studied medieval Martin is survived by his wife, Barbara 2000. Hrdf-Truths and Fish Tales. Dqane Paxson. Sarratt Gallery, Vanderbilt modern Jewish experience, including essays on art history, Martin became a specialist in Martin, his daughter, Hilary Martin, and his University, Nashville, October 5-27, 2000. Richard Wagner's anti-Semitism and his own painters of the 17th and 18th centuries, namely grandchildren, Amanda and Trevor Foskett. Sculpture. experiences as a refugee. Gifted as a writer, he Peter Paul Rubens. Linda Stein. Firehouse Art Gallery, Nassau brought a moral and artistic sensitivity to his After earning his RA in 1938 from McMaster Community College, Garden City, NY, work that made his one of the most eloquent University in Hamilton, Ontario, he traveled to September &-October 8, 2000. Text: Word and and distinctive voices in art history. Although the States and received his M.F.A from he often expressed his deep skepticism of 20th- Princeton University in 1941. That year, he

12 eAA NEWS NOVEMBER 2000 CAA NEWS NOVEM:BER 2000 13 • Georgia Museum of Art, University of Georgia, Museum in Harlem. Jackson comes from the Fellowship in Archaeology for Cyprus. This tion," has been published by The New England Academe Athens. Whitney Museum of American Art, where she extension will allow Hitchcock to complete her Review, Summer 2000 (vol. 21, #3), a literary David Edgar was appointed Associate Professor served as Head of School, Family, and book, One Cannot Export a Palace on Board a Ship: journal published by Middlebury College. In the of the Sculpture and Art Deparhnent at Ashland David Butler has been appointed Director of the Intergenerational Programs. AegeanlnJluences in Cypriot Late Bronze Age essay, McMahon examines the place of text in University, Ashland, OR. Edwin A. Ulrich Museum of Art at Wichita State Architectlire. Hitchcock. is also the recipient of a the perception of visual art, focusing on the University, KS. Previously, BuUer served as Deborah Marrow, Getty Grant Program United States Information Agency Junior Brooklyn Museum of Art's recent Sensation Laura Hollengreen has been promoted to Director of the Sheldon Swope Art Museum in Director, has been given the additional title of Research FellOWShip, during which she will exhibition. Assistant Professor of Architectural History in Terre Haute, IN. Dean for External Relations. Marrow has served work at the W. F. Albright Institute of Archaeo­ the School of Architecture at the University of as Director of the Getty Grant Program since GRANTS, logical Research in Jerusalem. Richard Meyer, Assistant Professor in the Arizona, Tucson. Derrick Cartwright, currently Director of the 1990. Department of Art History at the University of Musee d'Art Americain in Giverny, has been AWARDS, Ruth E. Iskin, a Porter Prize Committee Southern California, has received the first Barbara Johns was appointed Executive appOinted Director of the Hood Museum of Art Bee; Nierengarten-Smith, Director and Chief member who has been a Postdoctoral Fellow at annual Passing-the-Torch award from the Director of the Pilchuck Glass School, Seattle. at Dartmouth College. He will begin his new Curator of Laumeier Sculpture Park and & HONORS the University of British Columbia, Department Center for Gay and Lesbian Studies (CLAGS) at position in January 2001. Museum, MO, announced her plans to retire in of Fine Arts during 1999-2000, has been the City University of New York. The award Gary Keown, CAA Professional Practices May 2001. awarded the Izaak Walton Killam Postdoctoral recognizes the achievement of an emerging Committee member, has been awarded tenure Jose A. Cisneros was named Director of New Only grants, awards, or honors received by indiv­ Fellowship for 2000--2001. scholar in the field of lesbian and gay studies. and promoted to Associate Professor of Visual Mexico State Monuments, a division of the Theodore E. Stebbins, Jr., has been named idual members are listed. Submit name, membership Arts at Southeastern Louisiana University, Museum of New Mexico, Santa Fe. Cisneros is a Distinguished Fellow and Consultative Curator number, institutional affiliation, and title of the Colleen Kiely is a recipient of a 2000--2001 Mary Dona1d Preziosi, Professor of Art History at Hammond, LA. past employee of the National Park Service. of American Art at Harvard University's Fogg grant, award; or honor, and use or purpose of grant Ingraham Bunting Institute Fellowship from UCLA and Director of the new UCLA Museum Art Museum. to: W. Manger, [email protected]. Radcliffe College. The award will fund a year of Studies Program, has been named Slade Jon Kessler, sculptor and professor of the visual Elizabeth Croog has been appointed Secretary independent studio work within a residency at Professor of Fine Arts at Oxford for 2000-2001, arts, was promoted to Chair of the Visual Arts and General Counsel at the National Gallery of Jeanette M. Toohey was appointed Curator of Radcliffe. Kiely also received a grant from the where he will deliver the arulUal Slade lectures Michael Aurbach, CAA Board member and Division of Columbia University's School of Painting and Sculpture at the Samuel P. Harn Sommerville (MA) Arts Council in 2000. during the winter term. Art. Vice-President for Committees, has been Arts. Museum of Art at the University of Florida, selected to exhibit The Administrator, a collection Gainesville. Donald Kuspit, Professor of Art History and Jason Tannen's new media project, Scissors, Joan Davidow, Founding Director of the of sculptural works, at the Frist Center for the Liz Katz has been appointed Assistant Professor Philosophy at State University of New York at Paper, Rock, has been selected for inclusion in the Arlington Museum of Art, TX, announced her Visual Arts' Contemporary Artists Project of Cultural Studies and Comparative Literature Teresa Veazey joined the Edwin A. illrich Stonybrook, gave the Getty Lectures at the VIPER 2000 International Festival of Film, departure from the museum that she has led for Gallery, Nashville. at the University of Minnesota, Twin Cities. the past 10 years. Museum of Art at Wichita State University as University of Southern California in April. The Video, and New Media. The festival will take Curator of Education. overall title of the 3 lectures was "Subjectivity in place in Basel, Switzerland, October 25-29, 2000. Katbarine Burnett, Assistant Professor of Art Bonnie Laing-Malcolmson has been selected Modern and Postmodern Art." Tannen is a curator at California State Tom L. Freudenheim has been named Director History and East Asian Languages and Cultures, Executive Director for the Oregon College of Art The Board of Trustees for the Contemporary University's Chico University Art Gallery and a of the Gilbert Collection, London. Until recently, University of California, Davis, was awarded a & Craft, Portland. Freudenheim was Deputy Director and Chief Arts Museum, Houston, has elected its 2000- Lisa Learner, Assistant Professor of Fine Arts at lecturer for the Department of Art and Art Operating Officer of the Jiidisches Museum in 2001 members: Toni Beauchamp, Fran Berg, History. Paul Lee was named Chair of the Fine Arts Berlin. Deborah Brochstein, Brad Bucher, Jeffrey Daly, Department at Washington State University. Sara Paschall Dodd, WilliamJ. Goldberg, Mark Tbistlethwaite, holder of the Kay and Josef Helfenstein was named Director of the Isabell Smith Herztein, Leonard Jones, Isabel Velma Kimbell Chair of Art History at Texas Jeff Rosen, Professor of Art History at Columbia Krannert Art Museum at the University of Lummis, Angela Myres, and Jeff Shankman. Christian University, is serving as the Cardin College, Chicago, is now Associate Dean for Illinois at Urbana-Champaign. Chair in the Humanities at Loyola College, MO, Degree Programs and Summer Session at the The Frist Center for the Visual Arts, Nashville, for fall 2000. School of Continuing Studies, Northwestern Betti-Sue Hertz joins the San Diego Museum of armounces the following new staff appoint­ University. Art as the new Curator of Contemporary Art. ments: Lisa Davis, Educator for Teacher and Sigrid Wortmann Weltge, Professor of the Hertz comes from New York, where she worked School Programs; Janice Dockery, Registrar; History of Art and Design at Philadelphia Lisa Learner, Leaving Merion, oil on canvas, 18 x 72" Saul Zalesch has been awarded tenure and as an independent curator and consultant. Susie Elder, Assistant Educator for Outreach; University, was awarded a grant by the National promoted to Associate Professor of Art History Kecia Ray, Educator for Technology; Ramsey Endowment for the Humanities for a 6-week National Endowment for the Humanities Cabrini College, Radnor, PA, recently sold one at Louisiana Tech University. Sandra D. Jackson was appointed Director of Stringham, Receptionist; and Opal Wilson, seminar entitled "Berlin 2000: From Zero Hour Summer Stipend, 2000, to work on a chapter of of her oil paintings, Leaving Merion, to the Education and Public Programs at the studio Manager for Grants and Sponsorship. to Republic." The seminar was held in Berlin in The Department of Art and Art History at her book, The Strange and the Wonderful: A American Council on Education for their new June-July, 2000. Vanderbilt University, TN,announces the The Jewish Museum inNewYork recently Discourse of Originality in Sevenfeenth-Centunj offices in Washington, DC. Learner was also 1 of following appointments in art history: elected 6 new members to its Board of Trustees: Chinese Visual Arf. Burnett will also be a Fellow 11 artists chosen to do a proposal for a train­ Amelia BiewaldwLow and Jason Brown were Annabeth Headrick, Assistant Professor in Richard L. Barovick, Robert S. Kaplan, Paul S. at the University of California, Davis, Humani­ related theme in tile or mosaic for a new train the recipients of the 1999-2000 Minneapolis Mesoamerican Art; Tracy Miller, Assistant Levy, John Ross, Karen Winnick, !lnd ties Institute in 2000--2001. station in central New Jersey. College of Art and Design/Jerome Foundation Professor in Asian Art; and Kristin O'Rourke, Benjamin Winter. Fellowships, which support emerging artists Assistant Professor in 19th-Century European Jay A. Clarke, of the Art Institute of Chicago, Sharon Louden is a recipient of the Elizabeth who are in the early stages of their professional Art. Yale University Art Gallery has appointed 3 has been awarded a grant from the Deutscher Foundation for the Arts Grant. careers by providing them with financial Senior Curators: Suzanne Boorsch, Jennifer Akademischer Austausch Dienst (DAAD) for assistance, professional criticism, and an Gross, and Jean Cadogan. research in Germany. His project focuses on art Christin Mamiya, Professor of Art History at exhibition at MCAD Gallery. criticism and print culture in Berlin ca. 1900. the University of Nebraska-Lincoln, has co­ Museums authored the 11th edition of Gardner's Art The Leeway Foundation has awarded grants in Carlos Basualdo was appointed Chief Curator Anna Fariello, a member of the faculty of the through the Ages, recently published by Harcourt painting to women artists in the Philadelphia of Exhibitions at the Wexner Center for the Arts Organizations Center for InterdiSciplinary Studies at Virginia College Publishers. area including the following CAA members: at Ohio State University. Julia Brown, formerly Curator of Special Polytechnic Institute & State UniverSity, has Diane Burko, Anda Dubinskis, Carrie Exhibitions at the Solomon R. Guggenheim been awarded a Fulbright to teach museum Lyle Massey, Assistant Professor of Art History Patterson, Mary Sweeney, and Lisa Sylvester. Ian Berry has been named Curator of the Tang Museum, has been appointed Director of the studies at the University of Panama. Fariello will at Northwestern University, has been awarded a Teaching Museum and Art Gallery, which American Federation of Arts. teach seminars in institutional assessment and National Endowment for the Humanities The following CAA members have been named opened this fall at Skidmore College, Saratoga collections management and will also assist the Fellowship for the academic year 2000-2001 at Metropolitan Museum of Art 2000-2001 Fellows: Springs, NY. Kim Konikow has been selected by the Board of university in setting up a graduate-level the Newberry Library in Chicago. During this Jennifer Ball, Sheramy Bundrick, Louis Trustees of The Red Rock Mesa, an artists' and internship program with the Contemporary Art time, she will be completing her book manu­ Cellauro, Dora C. Y. Ching, Thomas Dale, Leah Cis Bierinckx was apPointed Film/Video writers' residency center to be located in Museum and the Panama Canal Museum. script, entitled "The Gamble of the Gaze: Dickerman, Jean Evans, Elizabeth Fleming, Curator at the Walker Art Center, Minneapolis. Springdale, UT, as its new Executive Director. Renaissance Perspective Treatisies, Anamorpho­ Dennis Geronimus, Sarah larmer, Jaclynne Louise A. Hitchcock, of the Cotsen Institute of sis, and the Cartesian Subject." Kerner, Claudia GerschwKryza, Anne-Marie Ashley Brown was appointed Curator of the Marc Payol has joined Galerie Hauser & Wirth, Archaeology, UCLA, has been awarded a 2- Logan, Ellen McBreen, Christina Nielsen, and Henry D. Center for the Decorative Arts, Kecia Ray, Educator for Technology at the ZUrich, as a Director. month extension of a Fulbright Postdoctoral Jeff McMahon's essay, "The Script of Sensa- Aysin Yoltar. Frist Center for the Visual Arts, Nashville

CAA NEWS NOVEMBER 2000 14 CAA NEWs NOVEMBER 2000 15 • table decor; class and gender issues; ethnicity for the Fall 2001 issue of Bulletin: Museums of Art Margaret Iacono, Symposium Coordinator, at and dining culhtre; and regional dining and Archaeology. Articles normally discuss works [email protected]. traditions. Please sUbmit a 2-page abstract for a in the collections of the Kelsey Museum of 20-minute presentation, bibliography, and Archaeology or the University of Michigan Roman Bodies, Metamorphoses, Mutilation, resume to Cynthia Williams, Masters Program in Museum of Art. Articles should be about 4,000 and Martyrdon, a conference examining such the History of Decorative Arts, The Smithsonian words in length, not counting bibliography. topics as mutilation and ptmislunent in the ASSOciates, Ripley Center 3077, MRC 701, 1100 Please contact 1 of the 2 co-editors to discuss Roman anny, gladiation games, alastrae, and CONFERENCES Jefferson Dr., SW, Washington, DC 20560. potential contributions: Elaine Gazda, 734/647- practices such as depilation and slavery, will be Deadline: JanuanJ 16, 2001. 0438, [email protected];AnnetteDixon, 734/ held at the British School at Rome, March 30-31, & SYMPOSIA 647-0524; [email protected]:March1, 2001. Contact Dr. Andrew Hopkins at 2001. The Cleveland Symposium, sponsored by the [email protected]. CAA welcomes calls for papers and conference or 5 graduate students of the Cleveland Museum of symposia announcements. Please keep submission The author of an anthology on the construction Art/Case Western Reserve University joint between 75 and 100 words. Send your listing to W. of artistic canons seeks an array of studies of program in art history and museum studies, v-rill Munger at [email protected]. widely know artworks (e.g. the Venus de Milo, be held at the Cleveland Museum of Art, April 7, Warhol's soup cans, Hokusai's Great Wave) that 2001. Candidates should be graduate students in show how the works became popularly accepted As a CAA Member, you are a part of one of the largest membership art history. Papers may deal with any chrono~ as "masterpieces." Contributors should adopt Calls for Papers organizations of visual arts academics and professionals world logical period and geographical area and may any congenial theoretical position, write in Belief Made Visible: Artistry & the Religious News be based on traditional methodologies or exhibit wide. Did you know that eAA is one of the most effective ways of English rather than Artspeak, and assess their Imagination, the 3rd Annual Undergraduate Art postmodern and other recent theoretical reachlng 13,000 other people like yourself-artists, art historians, curators, subjects against the historical dynamics of History Colloquium of the University of approaches. Please send a I-page, single-spaced patronage, social psychology, and popular Washington, Seattle, will be held at the Henry critics, independent scholars, and students? abstract of fewer than 400 words for a 20-minute culture. Please submit an abstract of 1-2 pages to Art Gallery Auditorium on February 15, 200l. presentation; a detachable cover sheet with Tad Tuleja, Art Dept., Colby College, 5630 RESOURCES & This colloquium will examine how the arts help Learn more about advertising opportunities in CAA News by contacting Whitney student's name, email address, and title of Mayflower Hill, Waterville, ME 04901; 207/872- us understand why the sacred has always been Manger, Listings Editor, at 212/691-105t ext. 220, or visiting our website at paper; a c.v.; and a self-addressed postcard to made visible, and how the holy has been 3231; [email protected]. OPPORTUNITIES www.collegeart.org/caalnews/adinfo.html. Membership discounts available for Cleveland Symposium, c/o Dept. of Art History generated, constructed, and represented classified advertisements. and Art, Case Western University, Cleveland, throughout history. Submissions of all periods, OH 44106-7110; 216/368-4118. Deadline: February For the most up-to-date and expanded list of cultures, and media related to the theme are 1. 2001. resources and opportunities, consult welcome. All liberal arts undergraduates in To Attend www.collegeart.org. related fields are encouraged to apply. Please Ritual Practices in Gardens and Landscapes, West by Nonwest, a conference celebrating the send a l-page typed abstract, cover letter The Ties that Bind: Constructions of Family, number, and email address should appear on held by Dumbarton Oaks's Studies in Landscape 50th anniversary of Pre-Columbian art history, (induding background and interests), and Childhood, and Home in the Visual Arts, an art only 1 copy of the proposal. Proposers should Architecture program, will take place May lO- will be held at The Metropolitan Museum of Art, Awards S.A.S.E. to Undergraduate Colloquium history graduate student symposium given by also include special needs, such as audio-visual 11,2001. Proposals may concern lay or sacred November 10-12, 2000. This will be the first The Arts Council of the African Studies Committee, School of Art, University of the University of Arizona, Tucson, which was equipment, and all submissions must include 2 gardens or landscapes, either designed for ritual conference in which art historians in the Association seeks nominations for the Arnold Washington, Box 353440, Seattle, WA 98195- listed in the September 2000 issue of CAA News, S.A.5.E.s. Submissions should be sent to Jennifer performances such as labyrinths, meditation discipline of Pre-Columbian art history will be Rubin Outstanding Publication Award, which 3440. Deadline: November 20, 2000. has been given a new date. The symposium will Cable, Associate Professor of Music, Baroque gardens, scenic views along parkways, or where able to reassess a half-century of scholarship honors publications for excellence in scholarship now occur on February 23, 2001. Deadline for Festival 2001, University of Richmond, unplanned-for, rihtalized practices have while mapping out problems that may arise in on the arts of Africa and the Africa diaspora. The The City Evoked: Representations of Urban papers is still December 1, 2000. IUchmond, VA 23173; 804/289-8284; developed over time (such as wedding trips to the new century, Its speCific theme is the award is given to works of ol;ginal scholarship Space, the 17th Annual Graduate Students of [email protected]. Deadline: January 5, 2001 Niagara Falls). Abstracts of no more than 3 con1llldrum of being trained in Western and excellence in visual presentation that make Art History Colloquium, presented by the Art and the British Empire ca. 1600-2000, a pages describing the scope and content of the methodology while studying non-Western significant contributions to our understanding of University of Washington, Seattle, will be held conference that proposes that the concept of New Scholars/New Ideas, the 10th annual work as well as its significance to the theme of cultures_ For more information, visit http:// Africa and Africa diasporic arts and material on February 10, 2001. The department invites "Empire" belongs at the center, rather than in symposium held by Virginia Commonwealth the symposium may be sent to Michel Conan, www.mcah.columbia.edulwestnon. culture. Nominations may be made directly by papers from graduate students that explore the the margins, of the history of British art, will be University, School of the Arts, Dept. of Art Director of Studies in Landscape Architecture, publishers. Send inquiries and nominations (1 to representations of urban space. Submissions held at the Tate Britain, Millbank, London, July History, will take place March 23-24,2001. Dumbarton Oaks, 1703 32nd St. NW, Washing­ The Colonial Revival in America, a conference each corrunittee member) to Dr. Victoria Rovine, from all fields relevant to this theme, induding 5-7,2001. Papers may include the following Current graduate and recent postgraduate ton, DC 20007; 202/339-6460; fax: 202/625-0432; organized by the National Park Service and the University of Iowa Museum, 112 MA, 150 N. all periods, cultures, and media, are welcome. topics: colonial portraihrre and geme painting; students are invited to submit papers. All topics [email protected]. Deadline: February 1, 2001. University of Virginia Depts. of Architectural Riverside Dr., Iowa City, IA 52242-1789; Dr. Please send a 1-page typed and double-spaced history painting; sculpture; landscape, will be considered. Abstracts should conform to History and Landscape Architecture, will take Elizabeth Cameron, Nelson-Atkins Museum of abstract for a 20-minute paper, a c.v., and a photography, and film; panoramas; and CAA guidelines for 20-minute presentations. A Special Issue of Hypatia: A Journal of place November 16--18, 2000. Topics to be Art, 4525 Oak St., Kansas City, MO 64111; Dr. S.A.S.B. to GSAH Symposium Coordinator, Art mUSeum exhibition and display. Please submit a Please submit a 1-page abstract to New Feminist Philosopby on Feminist Aesthetics addressed include architecture, landscape Babatunde Lawal, Art History Dept., Virginia History, University of Washington, Box 353440, I-page abstract to Prof. Tim Barringer, Dept. of Scholars/New Ideas Symposium, Virginia welcomes paper submissions concerning the architecture, historic preservation, decorative Commonwealth University, 922 Franklin St., Seattle, WA 98195-3440. Inquiries may be sent to the History of Art, Yale University, p.o. Box Commonwealth University, School of the Arts, interconnections between work in aesthetics and arts, painting and sculpture, and the intellectual P.O. Box 843046, Richmond, VA 23284-3046. Eun-Boo Kim at [email protected]. 208272, New Haven, CT 06520-8272; Dept. of Art History, 922 W. Franklin St., P.o. feminist philosophy. Sample topics include and cultural background of the "Colonial Deadline: December 1, 2000. Deadline: November 24, 2000. [email protected];orto Dr. Geoff Box 843046, Richmond, VA 23284-3046. 804/828- feminist perspectives on beauty and the pleasure Revival." The conference v-rill be held at the Quilley, Dept. of History of Art, University of 2784; fax: 804/828-7468; [email protected]. we find in the beautiful; the use of the female Omni Hotel in Charlottesville, VA. 800/346- The Ohioana Library Association requests The History of Art and Architecture, a Leicester, University Rd., Leicester LE1 7RH, Deadline: Janual1J 8, 2001. body (body parts, fluids, etc.) in contemporary 3886; faJe 804/982-5297; nominations for the 2001 Ohioana Awards, symposium organized by Boston University in UK; [email protected]. Deadline: December 11, 2000. art; and the relationship of creative and political htlp:www.arch.virginia.edufcolonial. which provide recognition to Ohioans for their conj1lllction with the Museum of Fine Arts, Power Dining: Taste and Tradition at the Table activism in the novels of Woolf, Beauvoir, creative accomplishments. For more informa­ Boston, will provide Y01lllger scholars an 17th~Century Baroque: Music and Art in the is a symposium organized by the Masters Morrison, and other women's literature. Papers Human Rights in the Twenty-First Century, a tion, contact Ohioana Library Association, 65 S. opporhmity to share their recent research in a World of Stefano della Bella (1610-1664), an Program in the History of 19th- and 20th­ should not be longer than 30 pages double­ symposium that will explore the meaning and Front St.-Rm. 1105, Columbus, OH 43215-4163; professional forum. The symposium will take interdisciplinary conference on 17th-century Century American Decorative Arts of the spaced and should be submitted in quintuplet (5 understanding of human rights in the new 614/466-3831; fax: 614/728-6974; place at the Museum of Fine Arts, March 17, Italian and French music and art organized by Parsons School of Design, the Smithsonian copies). Contributors are asked to follow the century, will be held at the Graduate Center, [email protected];http:// 2001. Papers in all areas of the discipline are the University of Richmond, will be held on Associates, and the Cooper-Hewitt, National Hypatia style guidelines, found on the Hypatia City University of New York, on November 17- www.oplin.Iib.oh.us/OHIOANAl.Deadline: encouraged. Please submit a I-page abstract Apri116-17, 2001, as part of the Baroque Festival Design Museum. Scheduled to take place on website at bttp:l/www.is.csupomona.edul 18,2000. htlp:/lweb.gc.cuny.edulhumanrights/ December 31, 2000. noting how you learned about the symposium, 2001. Submissions for papers should consist of 5 March 9, 2001, at the SmithsomanInstitution in -ljshrage/bypatialindex.htm. Submissions may 21STCENTURY.htm. as well as a phone number or email address. copies of a proposal not exceeding 500 words Washington, DC, the symposium will investi­ be sent to Hypatia, Dept. of Philosophy, The Newberry Library invites applications for Inquiries may be directed to the Symposium and 1 copy of a 250-word abstract suitable for gate the rules, rituals, and taboos of dining. Permsylvania State University, 240 Sparks Symposium on the History of Art, organized by the Weiss/Brown Publication Subvention Director, Dept. of Art History, Boston Univer­ publication in the festival/conference program, Possible topics for discussion include general Building, University Park, PA, 16802~5201. the Frick Collection and the Institute of Fine Award to subsidize the publication of a sity, 725 Commonwealth Ave., Boston, MA Art historians may include one set of visual dining history; the social conventions of dining; Deadline: Milrch 1, 2001. Arts, New York UniverSity, will occur on March scholarly book or books on European civiliza­ 02215; 617/353-2520; fax: 617/353-3243. Deadline: materials. Proposer's name, address, phone political and historical dining; dining room and 30-31,2001. Inquiries may be forwarded to tion before 1700 in the areas of music, theater, December 1, 2000. The University of Michigan seeks contributions cultural shtdies, or French or Italian literature.

16 CAA NEWS NOVEMBER 2000 CAA NEWS NOVEMBER 2000 17 Authors must document that their projects have whose work encompasses a variety of media, different international manifestations of post­ been accepted for publication and provide including video and computer art. The WWII artists who have referenced blood or who detailed information regarding the publication statement should also describe how the works of have used actual blood in their work. Informa­ and the subvention request. For more informa­ these artis~s are related. Also include current tion is sought about works (video, photography, tion or to obtain an application, email resumes, 10-12 labeled slides per person, and an performance, painting, sculpture, and multime­ [email protected]/255-3666;http:// email address for the contact person for the dia) or artists dealing with themes or imagery www.newberry.org.Deadline:JanuanJ20,2001. group. An exhibition of the chosen entries will pertaining to animal blood sports, blood be held October 2001-January 2002. Send relations, blood disorders, organic circulatory The Surface Design Association is pleased to materials to Nevin Mercede, Antioch College, metaphors, heartbeats, transubstantiation, w w w.c a are VIe w S. 0 r g annOllllce its 13th annual critical writing 795 Livermore St., Yellow Springs, OH 45387. vampirism, torture, etc. Works by Asian, Middle competition for the Betty Park Award. The Inquiries may be forwarded to Eastern, and Indian artists confronting such competition is intended to promote outstanding [email protected]: March issues over the past 15 years are especially critical writing in the field of textile/fiber art. To 1,2001. desired. Please email your suggestions ("cc" obtain guidelines, send an S.A.S.E. to Betty Clark both curators) to Dominique Nahas; [email protected]; and to Koan Award, Surface Design Journal, 93 Ivy Lane, The House of Humour and Satire seeks entries Englewood, NJ 07631. Deadline: March 15, 2001. Jeff Baysa, M.D., [email protected]. far the 15th International Exhibition of Humour Mailed material may be sent to Dominique and Satire in the Arts in the categories of Nahas, ATTN: Thicker than Water, P'.O.B. 1491 Log on to cartoons, graphics, paintings, sculpture, and Stuyvesant Station, New York, NY 10009; or to The Royal Institute of British Architects seeks entries for the first World Architecture Awards. photographs. Artists may submit up to 5 entries Koan Jeff Baysa, M.D., AnN: Thicker than Water, The aim of the competition is to identify the 50 for each category, with artist's name, title of P.O.B. 995 Canal St. Station, New York, NY best buildings completed around the world work, value, and category type printed on back. 10013-0865. CAA.Reviews! Entries must be accompanied by: entry fonn (in during 1999 and 2000, and 1 overall winner. Any English or Bulgarian), a copy of receipt of architect is welcome to submit a project­ payment, and color photos to be used in the • reViews irrespective of its size or value. For further Calls for Manuscripts House of Humour and Satire's Catalogue, and details, contact Drena Cox, Camargue, $20 entry fee (bank transfer, money order, or Syracuse University is soliciting articles for a 3- Camargue House, Wellington Rd., Cheltenham, volume publication on the Italian city: Vol. 1: Glos GL52 2AG, UK; 44/0-1242-577277; fax: 44/ cash only). Please send entries to the House of Humour and Satire, P.O. Box 104, 5300 Gabrovo, The City as Artistic Form; Vol. 2: The Cin; as Ritual 0-1242-527277; [email protected]. Bulgaria; 359/66-27229; fax: 359/66-26989; Space; Vol. 3: The City as the Common Good. The CAA.Reviews, launched in 1998 by the College ArtAssociation, is an [email protected]. Deadline: March 1, volumes will comprise periods from antiquity to 2001. the present. I-page abstracts-may be sent to online publication devoted to the peer review of newb()oks relevant to Calls for Entries Barbara Deimling and Alick McLean, Syracuse the fields of art and architectural history. The journm,made possible by Columbia College requests entries for its 22nd University in Florence, Piazza Savonarola 15, Annual Paper ill Particular National Exhibition. The Northern Arizona University (NAU) 50132 Florence, Italy; fax: 011/39-055-5000531; a&er.:J:(Jl.lsgrantfrom The Andrew W. Mellon Foundatipn, is published Work must be on or constructed of paper, by Center for Community Culture and Environ­ [email protected] [email protected]. artists living in the U.S. The entry fee is $15, for a ment invites works that reinterrogate, explore, Deadline: December 1, 2000. ,Qll'a§o;ntb;U.lClll;lasm, reviewing museum and gallery catalogues and submission of no more than 3 35-mm slides. For or celebrate the ideal of public art in the context of 1/ ArtCultureNature." All media, including :~biti()Il~iele,ctronic media, as well as books on art"historical criti~m, more details, contact Ed Collings, Paper in The Dept. of Art History at Tulane University Particular, Columbia College, 1001 Rogers St., video and installation works, are welcome. seeks essays on widowhood and visual culture E:l(;{u~'atiJ.m'!11(i··ppli~fi1m, curatorial studies, and morE:), li Cohunbia, MO 65216; 573/875-7521; http:" Chosen entries will be exhibited June 25-July 28, in early modem Europe. Desirable submissions www.colmo.com. Deadline: Postmarked by 2001. Request a prospectus from NAU Center will engage some or all of the following November 14, 2000. for Community Culture and Environment, questions: How has widowhood, both during .·~~.R~Jii!~s~tfr~cts top scholars(0)i'i~%:;; 2001, at Parchman Stremmel Galleries, San well as for possible inclusion in the Slide disparate state of existing scholarship on queer Antonio. All prints must be original in design Registry and a Selections exhibition or Drawing comics, invites submissions of original art, and hand printed by the artist; photographs, Room project. Artists interested in submitting interviews, or critical essays on the cultures of computer-generated prints, and Xeroxed or their work for the Viewing Program should send gay, lesbian, bisexual, transgendered, and queer offset reproductions are ineligible. Entries are an S.A.S.E. no larger than 9"x12"; 10-20 slides, comics, and related media. Submit a 1-2- page $10 per slide. For prospectus, send S.AS.E. to each labeled with artist's name, title, date, size of abstract and short c.v. to both Anne N. w w w.c a are VIe w S. 0 r g Stonemetal Press, 1420 S. Alamo #104, San work, and media used; and a resume to the Thalheimer, Dept. of English, 212 Memorial Antonio, TX 78210. Deadline: December 18, 2000. Viewing Program Coordinator, The Drawing Hall, University of Delaware, Newark, DE Center, 35 Wooster St., New York, NY 10013. 19716; [email protected]. Murphy, The Herndon Gallery at Antioch College Dept. of Art History/Archaeology, Steinberg announces its 3rd annual exhibition for recent Dominique Nahas, art critic and CAA member, Hall, Campus Box 1189, Washington University, M.F.A recipients. Submit a written proposal for and Koan Baysa, independent curator, are St. Louis, MO 63130; [email protected]. groups of 4-5 artists from the same institution organizing a contemporary art exhibition, Deadline for abstracts: December 1, 2000; Deadline Thicker than Water, that will document the

CAA NEWS NOVEMBER 2{lOO 19 • for manuscripts: fune 1, 2001. fellOWShips will explore the ongoing saturation Center's holdings of paintings, drawings, prints, art exhibition about ideas and expression where online study center which features a searchable cultural sectors-performing and visual arts, of culture by technologies of imaging, infonna­ and rare books and to utilize its research artistic freedom is unconstrained by dimension. database of American painting and sculpture. literature, film and broadcasting, heritage, arts tion, and computation and are open to scholars facilities. Applications should include a c.v, brief All computer graphics, associated artworks, and http://www.AmericanArt.sLedu\study. festivals, cultural information centers, and arts from all diSciplines. Recipients may not hold a outline of proposed research, the preferred essays are considered for publication on the training and research. For further information, Grants and Fellowships tenured position in an American college or month of tenure, and 2 confidential letters of website. http://www.siggraph.org/s2001la.hhn. contact Visiting Arts, 11 Portland Pl., London Judith Wolfe's work may now be viewed on The American Academy in Rome, a center for university. For applications, contact Elizabeth recommendation. Applications for fellOWShips WIN 4EJ, UK; 0171/389-3019; fax: 0171/389- her website: http://www.judithwolfe.com. independent study, advanced research, and Barboza, 401/863--2643; between July 2001 and July 2002 may be sent to The Art Room, The Fine Arts Center for East 3016. creative work in the fine arts and humanities, [email protected]. Deadline: the Deputy Director, Yale Center for British Art, Africa, provides exhibition space and curatorial invites applications for the Rome Prize December 11, 2000. P.O. Box 20820, New Haven, CT 06520. Deadline: focus for leading members of East Africa's fellowships, that are offered in periods ranging fa/wan; 15, 2001. Modern Art Movement. http:// Publications from 6 months to 2 years. For more information, Residencies The Henry Moore Institute invites applications www.theartroom-sf.com. Barbara Hoffman has recently published including fields in which fellowships are from artists, academics, curators, and educators The Mid-Atlantic Arts Foundation invites The Camargo Foundation Fellowship Program Exploiting Images al1d Image Collections in the New offered, contact the Programs Dept.; 212/751- who are interested in working on historic and The Art Dept presents the 2000 International Art applications for Artist as Catalyst 2001,1- to 6- is accepting applications for a residential grant Media: Coldmine or Legal Minefield? This book 7200; fax: 212/751-7220; infor®aarome.org; contemporary sculpture for the institute's Contest, featuring works of more than 250 artists month residency projects for artists and critics. for 1 semester in Cassis, France. Applicants may focuses on the copyright and other intellectual http://www.aarome.org; Deadline: November 15, annual research fellowships. Up to 4 fellows will from around the world in 4 major categories. Art Projects may include the creation of new works include university and college faculty who property issues that arise out of the commercial 2000. be selected. Please send a letter of application Dept invites viewers to visit the contest's of art, participatory arts programming focused intend to pursue special studies while on leave; exploitation and digitization of images. and c.v. to the Henry Moore Institute, 74 The website, where they can view artists' pages and on commentary issues, and public dialogue independent scholars working on specific The Georgia O'Keeffe Museum Research Headrow, Leeds, LSI 3AH, UK. Deadline: then vote for their favorite entries. The prize about current art practices. For more informa­ projects; secondary school teachers benefiting Center, a component of the Georgia Q'Keeffe December 31, 2000. winners of the contest wiU be decided by both The University of Cincinnati Digital Press tion, contact Mid-Atlantic Arts Foundation, 22 from a leave of absence in order to work on Museum, Santa Fe, awards grants for American the public Internet vote and the vote of the (UCDP) is devoted to the electronic publication Light St., Ste. 300, Baltimore, MD 21202; 410/539- some pedagogical or scholarly project; graduate Modernism (1890-present) to historians in the The National Endowment for the Arts artists entered, with the results published online of original documentation of the 6656; http://www.midatlanticarts.org. Deadline: students whose academic residence and general fields of art history, architectural history and announces the second year of "New Public by January 7, 2001. htlp:/Iwww.arldepLcom.au. Transmississippi West for use in research and November 15, 2000. examination requirements have been met and design, literature, music, and photography, and Works," an initiative that sponsors design instruction. Its objective is to publish collections for whom a stay in France would be beneficial in to museum or other professionals who wish to competitions for diverse projects, including Bowdoin College Museum of Art announces of primary documentation in electronic form, Dieu Donne Papermill seeks applications for its completing the dissertation; and writers, have or extend curatorial experience. For architecture, planning, landscape, and graphic the launch of its official website, feahrring the using several formats, includirig original and Workspace Program, which offers a 7-day photographers, visual artists, and composers application materials, procedures, and other and industrial design. This year, the Endowment museum's collections, exhibitions, calendar of printed images, printed and manuscript texts, residency in the papennaking studio to 3 New with specific projects to complete. For a information, contact the Georgia O'Keeffe is particularly interested in competitions that events, and news. http://www.bowdoin.edul maps, and artifacts. For a closer look at the York State emerging artists each year. To obtain brochure or application form write to the Museum Research Center, 217 Johnson St., Santa have a significant impact on public landscape artmuseum. publications, visit http://www.ucdp.uc.edu. an applicVenice International University is offering a The Constance Saltonstall Foundation Visiting Research Fellowships are offered perspectives include transmitting values, the academic year 2001-2. Applicants must hold a Summer Institute in the Humanities on "The announces the 5th annual grant awards, open to for 2002. Holders of a doctorate who are need for challenge, defying stereotypes, regular appoinbnent at a U.S. institution' to Private and the Public in Venice: Absorption, artists and writers in central and western New undertaking research for publication in the field problems of aging, various fonns of metissage, which they plan to return after the fellOWShip Integration, and Reinvention, 700-1450" for York State. Applications are now being accepted of the arts of Africa, Oceana, and the Americas and the survival of the planet. http:// year. For more details, visit http://www.nd.edul advanced graduate European and American for 2001. For more information, please send a are eligible to apply. See above for contact www.mumi.orgletranger/enl ~medinstJ; or contact Dianne Phillips, Medieval students and recent Ph.D.s in the history and business-sized S.A.S.E. to the Saltonstall information. Deadline: April 10, 2001. res_defying_stereotypes.htm. Foundation, p.o. Box 6607, Ithica, NY 14850; Institute, 715 Hesburgh Library, University of culture of Venice. The program will involve 2- Notre Dame, Notre Dame, IN 46556; week study sessions in the srnnmers of 2001-2. hUp://www.saltonstall.org. Deadline: December 1, The Fulbright Scholar Program for faculty and Maureen Mullarkey, CAA member, announces [email protected]. Deadline: Januan; 15, 2001. During the intervening year, students will 2000. professionals is offering more than 46 grants in her website: http://www.maureenmu11arkey.com. undertake a research project that will connect the arts for lecturing and/or doing research The Winterthur Museum, Garden & Library some aspect of Venetian history or culture with The International Research & Exchanges abroad during the 2001-2 academic year. For The National Gallery of Art launches NGAkids, welcomes applications for 2001-2 residential their own research; they will present their results Board, in collaboration with the Kennen more information on types of awards and the a children's website that features stories, research fellowships in American art, material at the second 2-week session in 2002. For further Institute/East European Studies Program of the application process, contact the Council for activities, and information on the Gallery's BahCorli EJiposed:Michael 1~6 culture and deSign, and American history. For --",,,.,~,~,,,,,,,,,,,, ...... ,,,,,, .. «,,,",, ..... ,",,,"~,,",, details and an application, please contact Venice Woodrow Wilson Center, invites applications International Exchange of Scholars, 3007 Tilden collections. The site also links to family-oriented more details, contact the Research Fellowship International University, Summer Institute in the for grants for junior scholars to participate in the St., NW, Ste. 5L, Washington, DC 20008-3009; resources, events, and pUblications for children. Program, Advanced Studies Office, Winterthur DAY wrrn(OUT} MIT DoC"",BEA 1. 2000 Humanities, Isola di San Servol0, 30100 Venezia, Black Sea Regional Symposium, which will 202/686-7877; fa" 202/362-3442; http'" http://www.nga.gov/kids. I ..~ I Museum, Garden & Library, Winterthur, DE Italy; 0039/041-2719-530; fax: 0039/041-2719-510; bring together scholars to discuss a variety of www.cies.org. political, economic, historical, and cultural 19735; 302/888-4649; [email protected]; VISUAL AIDS [email protected]://www.viu.unive.it. Deadline: Fo""~," I" 19se ., "col'abo",I'"o am"09 a~'," "nd p,ofosslooals, topics related to the Black Sea region. Grants http://www.winterthur.org. Deadlil1e: fa/wan; 15, PART: A Jotlmal of Art Histories and Visuality Visual AIDS "","' <0 I"","a,o pub'" 'wa,,,nes, 01 AIOS th""'g" "'. Januan; 31,2001. vl,u"l Ms. 1". VJsual A,Ds A,d.,. P,ojoct docLN1lon!S , ... work 01 will be awarded to 15-20 junior scholars. The 2001. is an online art publication produced by the art a~;s's ""h HlVlAIDS 10 .'lS",e tl1.III1';, anl,I" "g'G)' ""I b. pro· 'OM"!. 'h,mby safogLNl,d~ "'.1, ptaeo "lUll" an hislOfj'. The AmlW" history students of the City University of New f'~lect .,"" 1"",01.. '11. " ••1"'" .... p""ettla"on of "OW work.nd symposium will take place March 29-April2, Online provides practical ,o,,"ce, (0 O""j, IMng _ IlIVIAIDS 2001. For more information, visit http:// The Yale Center for British Art offers several York Graduate School and University Center. The 10th Annual Jersey City Art Tour is a self­ All anls's ""h IlIVIAIDS .'" we~om. (0 1,"0 ,~. A,q,ivo monthlong resident fellowships to scholars in PI ...econ/ae,u,'o,mDJeW"",,""on. www.irex.orglprogramslblack-sealindez.htm. guided walking tour of artist studios, museums, http://www.web.gsuc.cuny.eduldsclPART6. postdoctoral or equivalent research related to _ ...... ~.w .. 1D'''''''>~h ... W...... """'ff'"..".,.,.".""'.,..,.".. Deadline: December 1, 2000. and galleries in downtown Jersey City that took ... _",.,,,,,,,,..., .. '"~IA''' IF"""", ... ~\_._ ...... "~.~",,,,~ British art and to museum profeSSionals whose place October 21-22, 2000. Visitors can view the The Smithsonian American Art Museum's Miscellaneous research interests include British art. The "Save Outdoor Sculpture!" project, which is VI.UA~ AIDS W 26111 SfflEEr, N" 51f1, NYC 10flO1 Friends without a Border, a nonprofit organiza­ The Pembroke Center requests applications for tour at http://www.jcat2000.org. PHONE 212 527 965~ ~"'AJL V"AIDS@,""'H"HKHET its postdoctoral fellowships for 2001-2. The fellowships allow scholars of literature, history, committed to documenting and preserving WWWTH,(IoovcoM!V,s".i:AIDS tion that founded and operates the Angkor the history of art, or related fields to study the ACM Siggraph Art Gallery: N-Space is a digital America's outdoor sculpture, has launched an Hospital for Children, Cambodia, is holding its

20 CAA NEWS NOVEMBER 2000 CAA NEWS NOVEMBER 2000 21

• annual photography auction, whose proceeds go recently been elected to the Board of Directors of Webster University's Art Department is now to the maintenance of the hospital. This year's the American Council of Learned Societies, was reviewing students for an invitational drawing auction, co~sponsored by the Howard Greenberg erroneously printed as John R. Roake. exhibition entitled "Drawing the Body," Gallery, will take place December 6, 2000, at the exhibited March 2-30,2001, in the Hunt Gallery. Swann Galleries, New York For more informa­ Artists who work with the figure in traditional tion, contact Akiko Arai or Jeanne Simon at 212/ drawing media may submit 4-6 slides by 691-0909. Classifieds November 30, 2000. Drawings over 3 feet in any dimension cannot be considered. Mail slide Do you want fo guarantee that your event or listing submissions (include dimensions and media), Macalaster College senior is seeking sugges­ will be published by CAA News? We accept classified S.A.S.E., and resume to Brad Loudenback, Art tions from emerging artists working with food ads of a professional or semiprofessional nature. Deparhnent, Webster University, 470 East as a subject or medium for her honors thesis, $1.50jword for members ($15 minimum); $2.50/word Lockwood, St. Louis, MO 63119. "Food in Art." Contact Betsy Head at 612/872- for nonmembers ($25 minimum). Classified ads 7486; [email protected]. must be paid in advance of publication. CAA News also accepts boxed display advertising. Contact The Nancy H. Gray Foundation for Art in the Whitney Manger, Listings Editor, at Datebook Environment traditionally gives out grants to [email protected]/691-1051,ext. December I, 2000 artists who work outdoors on environment­ 220, jor details. Deadline for receipt of Ph.D. dissertation related projects. This year and for several years fLYING COLORS listings for 2001 JlUle issue of the Art Bulletin to follow, the grants will not be available. Please Los Angeles: House to rent March I-Jtme 1, do not write the foundation for infonnation 2001. Fully furnished, 3 bedrooms (or 2 relating to grants. December 15, 2000 bedrooms and study), kitchen, breakfast room, Notifications sent to applicants of Career is pleased to serve as the official dining room, living room, laundry room, patio, Development Workshops and Artist Portfolio large garden. Centrally located in West LA, Review Registration at the 2001 Annual Institutional News quiet neighborhood, near to freeways, shopping. Conference travel agency for the College Art The Brooklyn Museum of Art has received a $1500/month plus utilities. Contact Steven substantial grant from the Andrew W. Mellon Ostrow; 310/838-7644; [email protected]. December 22,2000 th Foundation in support of an initiative to Deadline for paying 2001 calendar year Association's 89 Annual Conference, enhance access to the archival documents held Art History Slides: Introducing membership dues to guarantee receipt of the by the musewn. The grant will provide hmding canyonlights.com, CanyonLights World Art January 2001 issue of CAA News and the for the transcription of these materials and will Slides, offering slides from distinguished February 2001 issue of Careers February 28-March 3, 2001, Chicago, II also provide the technical support to make these museums and sites of art historical interest. Lists collections accessible for the first time to the available online. For brochure, contact December 29, 2000 larger international scholarly community. [email protected]/823-5913. Deadline for February issue of Careers

The Frick Reference Library announces the The Bowery Gallery is accepting applications December 29, 2000 completion of a 2-year project to enter records from artists outside the New York City area for Deadline for early bird registration for 2001 for its collection of auction sale catalogues into an invitational exhibition in Spring 2001 at its Annual Conference in Chicago FLYING COLORS is offering special discounts with SCIPO: Art and Rare Book Sale Catalogs. This new Chelsea location. For infonnation send searchable database provides bibliographic S.A.S.E. to Hearne Pardee, 1595 Storrs Road, December 29,2000 American for all CAA travelers. access to information on the provenance of Storrs, CT 06268. Deadline: JanuanJ 2, 2001. Deadline for receipt of mentoring ticket or donor works of art and the history of patronage, taste, form for 2001 Women in the Arts Annual and market trends. "Expanding the Visual Field: Different Recognition Award Breakfast Histories, History of Difference" is the title of The Ministry of National Heritage of the the 5th annual graduate student symposium January 1,2001 Republic of Hungary announces the opening of sponsored by the Dept. of Art History at the Deadline to apply for Room Monitor and the Ernst Museum, which held its first University of Southern California, Saturday, Usher/PrOjectionist positions available at the exhibition, The Second Sex, in September 2000. March 24, 2001. Graduate Students from all 2001 Annual Conference in Chicago disciplines are invited to submit papers from all AmericanAirlines~ areas and periods of art history and related January 26, 2001 Corrections fields. InterdiSciplinary papers are encouraged. Deadline for advance registration for 2001 This year's theme examines how art history and Annual Conference in Chicago In the September issue of CAA News the visual culture have been shaped by questions of description of the Education Committee was identity and difference. Please submit a 500- January 31, 2001 listed incorrectly. The correct description of the word abstract of a 20-minute presentation and Deadline for application to the Professional SAVE: 5%, 10%, corrunittee follows: c.v. to: Symposium Corrunittee, Deparhnent of Development Fellowship Program The Education Committee promotes the Art History, University of Southern California, visual arts as an essential aspect of human or utilize special zone fares! VKC 351-MC 0047, Los Angeles, CA 90089-0293. February 1, 2001 activity, both as a creative endeavor and as the For more information, please contact Linda Deadline for the March issue of CAA News subject of historical inquiry and criticism. It Nolan at [email protected] the department For superior service and to take advantage of these focuses on pedagogy at the higher education website http://www.usc.eduldeptiLAS/ February 28-March 3, 2001 level in art history, studio, aesthetics, and art Art_History/. Deadline: JanuanJ 19, 2001. 89th Annual Conference in Chicago criticism and the interface between teaching and offers, call FLYING COLORS at 1-800-477-4402 learning research and practice. Call for Entries: Accepting slides/proposals for March 19, 2001 For further information on the Education 2001-2002 exhibition year. Works in all media Deadline to vote for new Board members. and mention that you are traveling to the College Committee, or if you are interested in serving on considered (paintings, sculpture, installation, the corrunittee, please contact Marta Teegen, photo, ceramics, video, performance, etc.). Send April 2,2001 Manager of Governance and Advocacy, at 20 slides, c.v., artist's statement, & any other Deadline for the May issue of CAA News Art Association's Annual Conference. [email protected]. supporting materials to: Krista Hoefle, Moreau Center Art Galleries, Saint Mary's College, Notre February 20-24, 2002 Also, in the September issue of CAA News, John Dame, IN 46556, by March 1, 2001. 90th Annual Conference in Philadelphia R. Clarke (former CAA President), who has

22 eAA NEWS NOVEMBER 2000 •