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PORTER Burger Battle Nearly Back on Burner Mcdonald's Submits to City Completed Application, Releases Drawing
'"1 '•:'.' r.i'i f:;"*f;".:'v Police watch Groh retires Weavings page11A pageiB pageiC DECEMBERS 1995 VOLUME 24 NUMBER 48 (-, 1 3 SECTIONS, 40 PAGES \ ~ PORTER Burger battle nearly back on burner McDonald's submits to city completed application, releases drawing By Mark S. Krzos News Editor Like burgers on the griddle and fries in oil, the debate over whether to build a Sanibel McDonald's is heating up again. Sanibel architect Ray Fenton sub- mitted his revised rendering and revised floor plan of the proposed McDonald's to the city last week for review. McDonald's released this artist's rendering of the proposed restaurant this week. The company also sub- Fenton said the new design is within mitted a completed application for the required permits. the character of the island and has design was attractive. the island." McDonald's Corp. Bonnie Bonomo eliminated the drive-thru drawn in the "The issue that we started with is McDonald's franchise owner Fred agreed. original plan. that [the restaurant] doesn't bring utili- Frederic said the complete application "We're in the waiting game right Tom Gilhooley, co-chairman of the ty to the island," Gilhooley said. "The has been submitted to the city. now," Bonomo said. "I don't have a opposition group McDonald's;— fact that the rendition is attractive is not "Right now we're waiting for the crystal ball so I really ean't tell you Sanibellians Protecting Our Island the issue; it doesn't bring anything to Planning Commission to give us a what they're going to do. -
Vol.10, No.3 / Spring 2004
The Journal of the Alabama Writers’ Forum STORY TITLE 1 A PARTNERSHIP PROGRAM OF THE ALABAMA STATE COUNCIL ON THE ARTSIRST RAFT F D Vol. 10, No. 2 Spring 2004 VALERIE GRIBBEN Alabama Young Writer 2 STORYFY 04 TITLE STORY TITLE 3 BOARD OF DIRECTORS Editor’s Note President BETTYE FORBUS Dothan Immediate Past President PETER HUGGINS Auburn Dear Readers, Vice-President LINDA HENRY DEAN This issue inaugurates a new year of First Auburn Jay Lamar Secretary Draft. Now in its tenth year of publication, First LEE TAYLOR Monroeville Draft has changed and changed again over the years, often in response to your Treasurer interests and input. From a one-color slightly-larger-than a-newsletter format to J. FAIRLEY MCDONALD III Montgomery its current four-color forty-eight page form, First Draft has expanded its content Writers’ Representative and its readership. DARYL BROWN Florence Some changes are dictated by forces outside our control, and this year Writers’ Representative budget issues loom large. In responding to this force, First Draft will be, for the PHILIP SHIRLEY Jackson, MS foreseeable future, a twice annual publication. Losing two issues a year is not a JAMES DUPREE, JR. decision we would make, left to our own devices, and we hope that the reduc- Montgomery STUART FLYNN tion in issues is a temporary state. Birmingham But in the meantime, we will continue to do the best job we can of covering JULIE FRIEDMAN Fairhope news, publications, and events. Since the publication schedule limits the time- EDWARD M. GEORGE sensitive announcements we can include, we hope you will check the Forum’s Montgomery JOHN HAFNER website—www.writersforum.org--for information on readings, conferences, Mobile and book signings. -
A Statistical Survey of Sequels, Series Films, Prequels
SEQUEL OR TITLE YEAR STUDIO ORIGINAL TV/DTV RELATED TO DIRECTOR SERIES? STARRING BASED ON RUN TIME ON DVD? VIEWED? NOTES 1918 1985 GUADALUPE YES KEN HARRISON WILLIAM CONVERSE-ROBERTS,HALLIE FOOTE PLAY 94 N ROY SCHEIDER, HELEN 2010 1984 MGM NO 2001: A SPACE ODYSSEY PETER HYAMS SEQUEL MIRREN, JOHN LITHGOW ORIGINAL 116 N JONATHAN TUCKER, JAMES DEBELLO, 100 GIRLS 2001 DREAM ENT YES DTV MICHAEL DAVIS EMANUELLE CHRIQUI, KATHERINE HEIGL ORIGINAL 94 N 100 WOMEN 2002 DREAM ENT NO DTV 100 GIRLS MICHAEL DAVIS SEQUEL CHAD DONELLA, JENNIFER MORRISON ORIGINAL 98 N AKA - GIRL FEVER GLENN CLOSE, JEFF DANIELS, 101 DALMATIANS 1996 WALT DISNEY YES STEPHEN HEREK JOELY RICHARDSON NOVEL 103 Y WILFRED JACKSON, CLYDE GERONIMI, WOLFGANG ROD TAYLOR, BETTY LOU GERSON, 101 DALMATIANS (Animated) 1951 WALT DISNEY YES REITHERMAN MARTHA WENTWORTH, CATE BAUER NOVEL 79 Y 101 DALMATIANS II: PATCH'S LONDON BOBBY LOCKWOOD, SUSAN BLAKESLEE, ADVENTURE 2002 WALT DISNEY NO DTV 101 DALMATIANS (Animated) SEQUEL SAMUEL WEST, KATH SOUCIE ORIGINAL 70 N GLENN CLOSE, GERARD DEPARDIEU, 102 DALMATIANS 2000 WALT DISNEY NO 101 DALMATIANS KEVIN LIMA SEQUEL IOAN GRUFFUDD, ALICE EVANS ORIGINAL 100 N PAUL WALKER, TYRESE GIBSON, 2 FAST, 2 FURIOUS 2003 UNIVERSAL NO FAST AND THE FURIOUS, THE JOHN SINGLETON SEQUEL EVA MENDES, COLE HAUSER ORIGINAL 107 Y KEIR DULLEA, DOUGLAS 2001: A SPACE ODYSSEY 1968 MGM YES STANLEY KUBRICK RAIN NOVEL 141 Y MICHAEL TREANOR, MAX ELLIOT 3 NINJAS 1992 TRI-STAR YES JON TURTLETAUB SLADE, CHAD POWER, VICTOR WONG ORIGINAL 84 N MAX ELLIOT SLADE, VICTOR WONG, 3 NINJAS KICK BACK 1994 TRI-STAR NO 3 NINJAS CHARLES KANGANIS SEQUEL SEAN FOX, J. -
The General Cinema Northpark I & Ii: a Case
THE GENERAL CINEMA NORTHPARK I & II: A CASE STUDY OF A THIRD GENERATION MOVIE THEATER by JEREMY FLOYD SPRACKLEN Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY THE UNIVERSITY OF TEXAS AT ARLINGTON MAY 2015 Copyright © by Jeremy Floyd Spracklen 2015 All Rights Reserved ii Acknowledgements I would like to express my appreciation for all of the friends and family who encouraged and assisted me throughout my academic career and the writing of this thesis. Specifically, Bob and Diana Cunningham, Cindy and Gary Sharp, and Jessica Tedder. I am humbled by the amount of support that I have been given. I am thankful to my committee, Bart Weiss, Dr. Gerald Saxon, and chair Dr. Robert Fairbanks. Their suggestions and guidance throughout the research and writing of this work cannot be understated. Additionally, I am thankful to Adam Martin for his encyclopedic knowledge of theater buildings. But most of all, I would like to thank Ron Beardmore. His infectious love for the art of projecting film, and the theaters that show them, was the primary factor in choosing this subject for study. April 14, 2015 iii Abstract THE GENERAL CINEMA NORTHPARK I & II: A CASE STUDY OF A THIRD GENERATION MOVIE THEATER Jeremy Spracklen, MA The University of Texas at Arlington, 2015 Supervising Professor: Robert Fairbanks The purpose of this thesis is to present a typology of movie exhibition eras and then explore one of those eras in greater detail by studying a specific market and theater within that market. -
Official Ballot
OFFICIAL BALLOT AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. AFI’s 100 Years…100 CHEERS America's Most Inspiring Movies AFI has compiled this ballot of 300 inspiring movies to aid your selection process. Due to the extraordinarily subjective nature of this process, you will no doubt find that AFI's scholars and historians have been unable to include some of your favorite movies in this ballot, so AFI encourages you to utilize the spaces it has included for write-in votes. AFI asks jurors to consider the following in their selection process: CRITERIA FEATURE-LENGTH FICTION FILM Narrative format, typically over 60 minutes in length. AMERICAN FILM English language film with significant creative and/or production elements from the United States. Additionally, only feature-length American films released before January 1, 2005 will be considered. CHEERS Movies that inspire with characters of vision and conviction who face adversity and often make a personal sacrifice for the greater good. Whether these movies end happily or not, they are ultimately triumphant – both filling audiences with hope and empowering them with the spirit of human potential. LEGACY Films whose "cheers" continue to echo across a century of American cinema. 1 ABE LINCOLN IN ILLINOIS RKO, 1940 PRINCIPAL CAST Raymond Massey, Gene Lockhart, Ruth Gordon DIRECTOR John Cromwell PRODUCER Max Gordon SCREENWRITER Robert E. Sherwood Young Abe Lincoln, on a mission for his father, meets Ann Rutledge and finds himself in New Salem, Illinois, where he becomes a member of the legislature. Ann’s death nearly destroys the young man, but he meets the ambitious Mary Todd, who makes him take a stand on slavery. -
Collection of Motion Picture Press Kits, 1939-Ongoing (Bulk 1970S-1990S)
http://oac.cdlib.org/findaid/ark:/13030/c8wq05wj No online items Collection of Motion Picture Press Kits, 1939-ongoing (bulk 1970s-1990s) Processed by Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Collection of Motion Picture Press PASC 42 1 Kits, 1939-ongoing (bulk 1970s-1990s) Title: Collection of Motion Picture Press Kits Collection number: PASC 42 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 90 linear ft.(187 boxes) Date: 1939-[ongoing] Abstract: The collection consists of press kits for primarily American released films and includes 3,700 plus film titles and represent a variety of film genres which were produced by studios such as Columbia Pictures, 20th Century Fox, MGM, Paramount, United Artists, Universal, and Warner Bros. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Note: boxes 181 and 187 are stored with the Accessioning Archivist and advance notice is required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Sendfilmstories Compiled by Stefan Chiarantano November 1, 2006
sendfilmstories compiled by Stefan Chiarantano November 1, 2006 Introduction By Stefan Chiarantano Several months ago, I put out an open call asking filmmakers and industry people to send in stories about their filmmaking experience to be compiled in e-book for all to enjoy and aimed specifically at assisting aspiring and emerging filmmakers. I had hoped to receive many submissions but just a smattering of submissions was received. Nevertheless, I’ve compiled them together in sendfilmstories e-book. The guidelines were very general and individuals were encouraged to write about anything they wanted using any style of writing. Here are the submissions. Please enjoy them. They are an enjoyable read and hint at the complexity, creativity and dedication involved in the filmmaking process. If you have any comments or queries or would like to post a piece, please email me at: [email protected] I hope you enjoy these pieces as much as I have! • Table of Contents • Shot of Solitude- Hand (and Heart) Processing at Film Camp, by Ken Paul Rosenthal 4 • Welcome to Vancouver, you F#&*ing C*%#!!, By Corey Lee 9 • The Dead Brothers - Death is not the end: an interview with writer/filmmaker M.A. Littler 12 • Der verbotene Film / Forbidden Film 20 • Reminiscences by Pete (no last name given) 23 • How I Learned to Stop Fooling Around and Became a Glamorous Award-Winning Festivalized Filmmaker Instead, by James W. Harris 27 • Sound editing, By Bob Kessler 33 Shot of Solitude- Hand (and Heart) Processing at Film Camp, by Ken Paul Rosenthal I am flying on Air Canada to Phil Hoffman’s Independent Imaging/Filmmaking Retreat on a farm northwest of Toronto, where I will spend five days shooting, processing and editing 16mm film, learning tinting and toning, and viewing contemporary experimental films.