Smash Hits Volume 40

Total Page:16

File Type:pdf, Size:1020Kb

Smash Hits Volume 40 ROXY MUSIC FLESH + BLOOD Phone 01-200 0200 To find out the nearest shop where you can obtain "Flesh & Blood" at a minimum of £1.00 off the album's R.R.P. ALBUM & CASSETTE te^oj P^ jj I J» NEW AMSTERDAM June 12-25 1980 Vol 2 No 12 Elvis Costello 4 It's tough at the top. Jerry TIN SOLDIERS Dammers just popped in to Stiff Little Fingers 4 borrow a picture of himself. Seems he was trying to cash a CHRISTINE cheque at the bank and the Siouxsie & The Banshees 5 people didn't recognise him . CRYING Our apologies next to the folks who were disappointed by the Don McLean 8 absence of the promised Dexy's CHINATOWN colour poster in the last issue. See, the cover had already been Thin Lizzir 14 rattled off to the printers before THEME FROM M*A*S*H the actual shot arrived and we decided we needed to do better The Mash 14 So have patience and we'll bring LITTLE JEANNIE you one soon. This time around we've definitely got a fantastic Elton John 16 video game for our new IF LOVING YOU IS WRONG crossword prize, our irresistible T-shirt offer on page 26 plus a Rod Stewart 16 Features Editor Suzi Quatro competition on page David Hepworth EVERYBODY'S GOT TO LEARN 28. So just think yourself lucky — we used to live in a rolled up SOMETIME Design Editor wspaper in the middle of the Steve Bush The Korgis 19 d . BACK TOGETHER AGAIN Editorial Assistants BevHillier Roberta Flack & Donny Hathaway 22 Linda Duff THE MAN WHO DIES EVERYDAY Contributors Ultravox 29 Robin Katz TO BE OR NOT TO BE Red Starr B. A. Fred Dellar Robertson 34 Mike Stand DA-A-ANCE Kelly Pike The Lambrettas Jill Furmanovsky 35 Mark Casto FUNKY TOWN Steve Taylor Lipps Inc 39 Advertisement Manager TWILIGHT ZONE Rod Sopp Manhattan Transfer 39 (Tel: 01-439 8801) Assistant ROXY MUSIC: Feature 6/7 Adie Harper SQUEEZE: Colour Photo/Feature 12/13 Managing Editor ORCHESTRAL MANOEUVRES: Nick Logan Colour Centrespread 20/21 Publi JERMAINE JACKSON: Mini-Feature 26 Peter St MATCHBOX: Feature 32/33 NEXT ISSUE Editorial and Advertising B. A. ROBERTSON: Colour Poster 40 address: Smash Hits, Lisa ON SALE House, 52-55 Carnaby Street, London W1V 1PF. BITZ 9/10/11 LETTERS 36/37 This magazine is published PRIZE CROSSWORD 18 GIGZ 38 by EMAP National Publications DISCO 22 SMASH HITS SUBSCRIPTIONS Ltd, Peterborough, and is INDEPENDENT printed by East Midland Litho Home and Overseas (Surface Printers, Peterborough. LABELS 24 mail): £10 application). Copyright exists on all songs STAR TEASER 28 (Airmail rates on £14.40 appearing in Smash Hits. They COMPETITION 28 Europe (airmail): Write to: Park House, 117 Park must not be reproduced REVIEWS 30/31 without the consent ot the Road, Peterborough PE1 2DS. copyright holders. SMAS & on F Beat Records for lilies You're sending me tulips mistaken »l me silly You give me your lip after punching the brain drain You turn my head till H roll down If I had any sense now it back again I wouldn't want Chorus much too much New Amsterdam, it's become possession of everything she touches Till I have the to get out of her clutches I on the brake Till step Double Duchess speak Double Dutch to a real Till I H Down on the mainspring Listen to the tick tock ^^ ^& Clock all the faces Who move in on your block Twice shy and dog tired Because you've been bitten Everything you say now ghost-written Sounds like it was Repeat chorus you to heart after a little Back in London they'll take while at home Though I look right exile I still feel like an down at the dockside Somehow I found myself Thinking 'bout the old days of Liverpool and Rotherhithe The transparent people who live on the other side like suicide Living a life that is almost Repeat chorus Words and music by Bvis Costello Visions M Reproduced by permission Plangent By Siouxsie & The Banshees on Polydor Records She tries not to shatter kaleidoscope style Personality changes behind her red smile Every new problem brings a stranger inside Helplessly forcing one more new disguise Chorus Christine, the strawberry girl Christine, banana split lady Christine, the strawberry girl Christine, banana split lady (sees her faces unfurl) Singing sweet savages lost in our world This big eyed girl sees the faces unfurl Now she's in purple, now she's a turtle Disintegrating Repeat chorus Now she's in purple, now she's a turtle Disintegrating Christine, Christine Repeat chorus Christine, Christine, Christine, Christine Twenty two faces, disintegrating Christine, Christine, disintegrating Words and music by Sioux/Severin Reproduced by permission Pure Noise/Chappell MacKay had JUST OVER a year ago, a brief surprisingly warm and open too. the place. Not in a bad way, saxophonist who saying to myself 'How do I been moderately successful in history of Roxy Music might have Although it was always the with the ended by wondering whether insisted that Roxy's break was a become commercial? Ah, I'll meantime music for listen to radio all day'; TV's "Rock Follies"; plus original changes in musical fashion might deliberately temporary one to American Paul not have overtaken those allow them to pursue their you don't do a thing like that. drummer Thompson and bass player Alan Spenner, a very pace-setters of the glitter era. individual projects, there was a "I thought it would just accomplished musician indeed. Well, cast your mind back to feeling at the time that the happen. And it did to a certain Subconsciously." "I could watch him all night — the first post-reunion hits of band's time was up. Now that extent. he's a real master." "Dance Away" and "Angel Eyes" Roxy Music are once again a In fact Bryan wrote just two or to the way "Over You" major feature on the rock songs there, "This Island Earth" On tour, however, the bass steamed up the charts and landscape, how does Bryan see and "Can't Let Go", which player's slot had been filled of late by ex-Vibrator Tibbs there's your answer. their "trial separation"? reflected his very depressed Gary personal state of the time (who's also about to make his And if you've copped a good "I had this very successful solo screen in "Breaking earful of "Flesh + Blood", the career at the time," he replies, especially after his girlfriend, debut Texan model Jerry Hall, had left Glass".) Gary also played on the new Roxy album, then any "but I'd never toured as myself. I him for Mick Jagger. occasional track on "Manifesto" doubts ought to be well and truly just felt I wasn't being fair to that "A hundred sleepless nights and "Flesh -f Blood' but Bryan's knocked on the head; Roxy are particular career, seeing as I was preference for back with a vengeance. two people, Roxy Music and have left me wasted and so cold, Spenner shows it, the old conflict between Like the title track from Bryan Ferry. but lean take I'm hangin' on "is its "session" players "Manifesto" said: "Stronger "I'd done a tour every year one lyric which made way and "band" his still continues. through the years". with the band, but I'd also had onto next solo album "The Most noticeable of all in this more success in a lot of coutries Bride Stripped Bare", which he respect is BUT ROXY Music's position as Bryan Ferry." recorded in the depths of the that original Roxy drummer Paul Thompson is hasn't always been quite so In fact Bryan Ferry the solo Swiss winter. completely absent from "Flesh assured. After their initial artist had had platinum records Bryan still stands by his music + Blood". Bryan is very coy about storming success in the early in countries like Holland and on "The Bride". this and won't really say why. seventies when they dreamt up Australia, where his version of "At least I got something good What say the such an original mixture of Bob Dylan's "A Hard Rain's out of that strange winter, I got he does about new album is that it's more musical styles and such a striking Gonna Fall" was a huge hit. on with the music. If bad things image, things haven't always run That was typical of the kind of happen to you, you should at controlled. smoothly. outrageous gamble Ferry was least channel it into something "Some songs escaped on 'Manifesto'," he admits. "They First Eno, their weirdo able to pull off. "Hard Rain" was ROXY: else." electronics and synthesiser an angry and anguished But "The Bride" failed to sell, weren't fully realised, 'Cry Cry first "failure". Cry' being the major offender. To wizard, left — supposedly anti-nuclear war song; to sing it Bryan's He blames that out because of tussles for the in a highly artificial and stylised the change in his fortunes on the me song shouted rise of the image of Bryan Ferry, 'single' and we never really got it limelight between him and manner and make a pop hit of it STRONGER THRCUGH THE YEARS right. It's a bit Roxy's founder and vocalist required a special sort of talent. playboy and darling of the gossip wooden." columnists — the rock star Well, there's nothing wooden Bryan Ferry. Then Ferry himself Even if it was only the ability to who finds he's than just a gigolo or the began pursuing a solo career imagine what might just work.
Recommended publications
  • WEB KARAOKE EN-NL.Xlsx
    ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS
    [Show full text]
  • Bustersimpson-Surveyor.Pdf
    BUSTER SIMPSON // SURVEYOR BUSTER SIMPSON // SURVEYOR FRYE ART MUSEUM 2013 EDITED BY SCOTT LAWRIMORE 6 Foreword 8 Acknowledgments Carol Yinghua Lu 10 A Letter to Buster Simpson Charles Mudede 14 Buster Simpson and a Philosophy of Urban Consciousness Scott Lawrimore 20 The Sky's the Limit 30 Selected Projects 86 Selected Art Master Plans and Proposals Buster Simpson and Scott Lawrimore 88 Rearview Mirror: A Conversation 100 Buster Simpson // Surveyor: Installation Views 118 List of Works 122 Artist Biography 132 Maps and Legends FOREWORD WOODMAN 1974 Seattle 6 In a letter to Buster Simpson published in this volume, renowned Chinese curator and critic Carol Yinghua Lu asks to what extent his practice is dependent on the ideological and social infrastructure of the city and the society in which he works. Her question from afar ruminates on a lack of similar practice in her own country: Is it because China lacks utopian visions associated with the hippie ethos of mid-twentieth-century America? Is it because a utilitarian mentality pervades the social and political context in China? Lu’s meditations on the nature of Buster Simpson’s artistic practice go to the heart of our understanding of his work. Is it utopian? Simpson would suggest it is not: his experience at Woodstock “made me realize that working in a more urban context might be more interesting than this utopian, return-to-nature idea” (p. 91). To understand the nature of Buster Simpson’s practice, we need to accompany him to the underbelly of the city where he has lived and worked for forty years.
    [Show full text]
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Edition 1 | 2019-2020
    2019 SSPA OFFICERS, DIRECTORS, TRUSTEES AND MEMBERS PRESIDENT DIRECTORS TRUSTEES Bruce T. Cameron Jason R. Cameron & MEMBERS Kurt DeVries * Roger Good VICE PRESIDENT John J. Hayes, III Kevin Leddy & CLERK N. Frank Neer Joy P. Schiffmann Richard L. Evans Meg Nelson Thomas D. Shipp Tina Watson TREASURER Brian S. Noble Susan Weisenfluh Robert C. Jordan, Jr. Jeffrey C. Pratt * Elizabeth A. Sullivan Rebecca J. Synnestvedt *Chairmen of Community Trust SOUTH SHORE MUSIC CIRCUS 3 CAPE COD MELODY TENT From The EXECUTIVE PRODUCER… Welcome It’s been almost 70 years of transformation in the live music and recording industries. Technology continues to advance at record speed and we appreciate you taking the time to slow down and smell the roses with us. Thank you for making your memories with us here at the Cape Cod Melody Tent and South Shore Music Circus. It’s because of your loyalty that we continue to do what we do. It is our pleasure to welcome back many performers who consider our venues more than just a stop on tour but a home away from home. They appreciate just as well as we do, the intimate concert setting experience our venues bring with our patrons. Artists like Lee Brice, Brett Eldredge, Chris Botti, and Jim Gaffigan are just a few of the many returning performers under the tents this summer. At the same time, the summer is a time to try new experiences and we invite you to do so by seeing our newcomers at the venue, artist like Brothers Osborne, Foreigner, and Squeeze. We’d like to thank our patrons for keeping their money where their heart is.
    [Show full text]
  • Smash Hits Volume 34
    \ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5.
    [Show full text]
  • Smash Hits Volume 33
    FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN'
    [Show full text]
  • PATTO – the JOHN HALSEY INTERVIEW
    PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier.
    [Show full text]
  • “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
    “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof.
    [Show full text]
  • Smash-Hits-1980-12-J
    TLY ...,., man League lbums lncolour be won ROXY MUSIC FLESH+BLOOD Phone 01-200 0200 To find out the nearest shop where you can obtain "Flesh & Blood" at a minimwn of £1.00 off tlte album's R.R.P. ALBUM & CASSETTE 1.,.,~.1EiJ NEW AMSTERDAM June 12-25 1980 Elvis Costello ...........................................4 It's tough atthe top. Jerry TIN SOLDIERS Dammers just popped in to Stiff Little Fingers ....................................4 borrow a picture of himself. Seems he was trying to cash a CHRISTINE cheque at the bank and the Siouxsie & The Banshees ....................... 5 people didn't recognise him . .. Our apologies next to the folks CRYING who were disappointed by the Don Mclean .............................................8 absence of the promised Dexy's colour poster in the lastjssue. CHINATOWN r----...:S~ee, thei:O• haef'already been 4 rattled off to the prlntws before THT:~EL~.1oivi. M·~A~s·~·H ........................ ·1 the actual shot arrived and we decided we needed to~ bett.er. The Mash ............................................... 14 have atlence ,and we1t bring LITTLE JEANNIE one soon. This time around eve definitely got a fantastic Elton John .............................................. 16 vid,c> game for our new IF LOVING YOU IS WRONG d prize, our Irresistible lffer OD page 26 plus a Rod Stewart ........................................... 16 S etro"c:ompetition on page • EVERYBODY'S GOTTO LEARN 28. So'-Juat think yourself lucky - we UNd_"to'"1ive7n a _rolled u SOMETIME -~e'.lnidHle ofthe"' The Korgis .............................................. 19 BACK TOGETHER AGAIN Roberta Flack & Donny Hathaway ........22 THE MAN WHO DIES EVERYDAY ntributon Ultravox .................................................29 qb' K'-atz TO BE OR NOT TO BE R~ttrr Fr,cl Deller B.
    [Show full text]
  • IPG Spring 2020 Rock Pop and Jazz Titles
    Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian .
    [Show full text]
  • Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
    Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture.
    [Show full text]