1 OLIVIER MOSSET Born 1944 in Bern, Switzerland Lives and Works

Total Page:16

File Type:pdf, Size:1020Kb

1 OLIVIER MOSSET Born 1944 in Bern, Switzerland Lives and Works OLIVIER MOSSET Born 1944 in Bern, Switzerland Lives and works in New York and Tucson, AZ SOLO EXHIBITIONS 2019 TUTU, Museum Haus Konstruktiv, Zürich, Switzerland 2018 Olivier Mosset: Graphic Works, Laure Genillard Gallery, London, United Kingdom Massimo De Carlo, Milan Italy Untitled, Marseille Modulor, Marseille, France 2017 Abstraction, Jean-Paul Najar Foundation, Dubai, United Arab Emirates 2016 Galerie Andrea Caratsch, Moritz, Switzerland Leubsdorf Gallery, New York, NY 2015 Plan B, Power Station, Dallas, TX Koenig & Clinton, New York, NY 2014 Olivier Mosset: The Kitchen Paintings, Galerie Andrea Caratsch, Zürich, Switzerland TU M’, MUTT, TUTU., Yvon Lambert, Paris, France Galerie Les Filles du Calvaire, Paris, France Galerie Guy Ledune, Brussels, Belgium A Moveable Feast Part VII–Olivier Mosset, Campoli Presti, Paris, France Shoot the Lobster, Luxembourg City, Luxembourg 2013 Exposition de groupe, The Kitchen, co-presented with the Cultural Services of the French Embassy, New York, NY Galerie Lange + Pult, Auvernier, Switzerland Mosset, La Capelleta, Mosset, France Martos Gallery, New York, NY Olivier Mosset: Fakes, Failures and Walls, Musée Régional d’Art Contemporain Languedoc Roussillon, Sérignan, France Olivier Mosset: Circles and Stripes, Galerie Andrea Caratsch, Zürich, Switzerland Campoli Presti, London, United Kingdom 2012 Sous apparence (ballet de Marie-Agnès Gillot), Opéra National de Paris, Palais Garnier, Paris, France Leaving the Museum, Kunsthalle Zürich, Switzerland Indipendenza Studio, Rome, Italy Bibliothèque municipale de Lyon, France 2011 BRMC, Galerie Andrea Caratsch, Zürich, Switzerland Born in Bern, Kunsthalle Bern, Switzerland Mary Boone Gallery, New York, NY Leo Koenig Inc., New York, NY Christopher Grimes Gallery, Santa Monica, CA 1 2010 Morellet | Mosset, Courtyard of the Louvre Gallery, Galerie Martine et Thibault de la Châtre, Paris, France A step backwards, Musée d’art contemporain de Lyon, France Untitled, Museum of Contemporary Art, Tucson, AZ Galerie Sollertis, Toulouse, France Xtra Content, Carlson Gallery, London, United Kingdom The Artist as Collector: Olivier Mosset, Museum of Contemporary Art, Tucson, AZ Gala MoCA, Museum of Contemporary Art, Tucson, AZ 2009 Galerie Une, Auvernier, Switzerland Museo d'Arte, Mendrisio, Ticino, Switzerland New Paintings, Galerie Andrea Caratsch, Zürich, Switzerland Patrick De Brock Gallery, Knokke, Belgium Olivier Mosset Painting, Galerie les Filles du Calvaire, Brussels, Belgium Yellow Wall #3, Mandrake, Los Angeles, CA Sequence 2: One or Two Works, One Week, Miguel Abreu Gallery, New York, NY ZZ, Triple V, Dijon, France Galleria Massimo de Carlo, Milan, Italy 2008 DoArt gallery, Beijing, China Zane Bennett Contemporary Art, Santa Fe, NM Olivier Mosset with John Armleder, Contemporary Art Museum, St. Louis, MO Paintings and Dots, Galerie van Gelder, Amsterdam, the Netherlands Olivier Mosset, Patrick De Brock Gallery, Knokke, Belgium 2007 Chapelle du Caramel, Chalon-sur Saone, France Villa Tamaris Centre d'Art, La Seine sur Mer, France Ecole des Beaux-Arts, Rennes, France Galerie Art & Essai, Rennes, France Espace d'Art Contemporain Fernet Branca, Saint Louis, France Espace d'Art Contemporain, Saint Restitut, France Spencer Brownstone Gallery, New York, NY Angstrom Gallery, Los Angeles, CA Ten Monochromes, Galerie Andrea Caratsch, Zürich, Switzerland 2006 Spencer Brownstone Gallery, New York, NY Saint Vincent Square, National Theatre Contemporary Arts Center, Orleans, France Galerie Les filles du Calvaire, Paris, France Windows, Palais de Tokyo, Paris, France La Salle de Bains, Lyon, France Galerie de Multiples, Paris, France Kyle Jenkins - Olivier Mosset, PS Project Space, Amsterdam, the Netherlands 2005 Gallery One, Auvernier, Switzerland Galerie Caratsch, de Pury & Luxembourg, Zürich, Switzerland Last Run, Montriond 14, Circuit, passage Montriond 14, Lausanne, Switzerland Les Halles, Porrentruy, Switzerland Odeon 5, Paris, France Incognito Gallery, Paris, France Incognito artclub 24h/24, Paris, France 2 PS - Project Space, Amsterdam, the Netherlands 2004 Galleria Palladio, Lugano, Switzerland Skopia Art Contemporain, Geneva, Switzerland Carre d'Art, Nîmes, France Galerie Susanna Kulli, Zürich, Switzerland Austellungsraum Ursula Werz, Tabingen, Germany House of Art, Ceske Budovice, Czech Republic 2003 Galerie Guy Ledune, Brussels, Belgium Gallery One, Neuchatel-Auvernier, Switzerland Kunstverein Kunstmuseum St. Gallen, Switzerland Musée Cantonal des Beaux-Arts, Lausanne, Switzerland University of Arizona Museum of Art, Tucson, AZ 2002 Steven Perrino, Galerie Les Filles du Calvaire, Paris, France Sarah Cottier Gallery, Sydney, Australia 300 Türen portes porte portas, Schweizerische Landesbibliothek, Bern, Switzerland The University of Arizona Museum of Art, Tucson, AZ Spencer Brownstone Gallery, New York, NY CCNOA, Art & Architecture, Brussels, Belgium (with Sol Le Witt, Dan Walsh) 2001 Gasser & Grunert, New York, NY Blaine Fine Art, London, United Kingdom Anselm dregs, Berlin, Germany 2000 The Spot, Studio of Contemporary Art, Le Havre, France Skopia Art Contemporain, Geneva, Switzerland The Eden Cinema, Space Oskar Niemeyer, Le Havre, France Charlotte Jackson Fine Art, Santa Fe, NM 1999 Galerie Susanna Kulli, St. Gallen, Switzerland Centro D'Arte Contemporanea Ticino, Bellinzona, Switzerland Galerie Rolf Ricke, Cologne, Germany Spencer Brownstone Gallery, New York, NY 24 Small Paintings, Galerie Bruno Bischofberger, Zürich, Switzerland Migros Museum für Gegenwartskunst, Zürich, Switzerland Exit, Lausanne, Switzerland Galerie Susanna Kulli, St. Gallen, Switzerland Salon, San Miguel de Allende, Mexico Galerie Gaxotte, Porrentruy, Switzerland 1998 Field, San Francisco, CA Galerie Eric Linard, Guard Adhemar, France Galerie Martine & Thibault de la Chatre, Paris, France 1997 Gilbert Brownstone & Cie, Paris, France Galerie Guy Ledune, Brussels, Belgium 1996 Galerie Van Gelder, Amsterdam, the Netherlands Art Centre Neuchâtel, Neuchâtel, Switzerland Museum of Modern and Contemporary Art, Geneva, Switzerland 3 Galerie Tanja Grunert & Klemens Gesser, Cologne, Germany Galerie Susanna Kulli, St. Gallen, Switzerland Musée d’Art Moderne et Contemporain, Geneva, Switzerland Galleria Massimo de Carlo, Milan, Italy 1995 FRAC Auvergne, Clermont-Ferrand, France MFA 3, MAMCO, Geneva, Switzerland Galerie de l’Ecole des beaux-arts, Quimper, France Ecole Regionale des Beaux-Arts, Dunkerque, France 1994 John Gibson Gallery, New York, NY Galerie Friebe, Lüdenscheid, Germany Arsenal Pratifiori, Cantonal Museum of Fine Arts, Sion, Switzerland Galerie Guy Ledune, Brussels, Belgium Centre Genevois de Gravure Contemporaine, Geneva, Switzerland CBD Gallery, Sydney, Australia Gallery Art & Public, Geneva, Switzerland Galerie Susanna Kulli, St. Gallen, Switzerland La Box, Ecole Nationale Superieure d’art de Bourges, France Galerie Guy Ledune, Brussels, Belgium Musée Cantonal des Beaux-Arts, Sion, Switzerland 1993 L'Usine, Dijon, France CCC, Tours, France Gilbert Brownstone & Cie, Paris, France The Consortium, Dijon, France Château de Fraisse, Fraisse-des-Corbieres, France Galerie Susanna Kulli, St. Gallen, Switzerland 1992 Galerie Mark Müller, Zürich, Switzerland Chateau Grand Jardin, Joinville, France Ecole Regionale d’Art, Dunkerque, France Galerie Massimo de Carlo, Milan, Italy 1991 Galerie Jean-François Dumont, Bordeaux, France Sollertis Gallery, Toulouse, France Vrej Baghoomian Gallery, New York, NY Tony Shafrazi Gallery, New York, NY Galerie Anselm Dreher, Berlin, Germany Gilbert Brownstone & Cie, Paris, France 1990 John Gibson Gallery, New York, NY Galerie Jean-François Dumont, Bordeaux, France Galerie Pierre Huber, Geneva, Switzerland Dart Gallery, Chicago, IL Galerie Tanit, Cologne, Germany Marika Malacorda Gallery, Geneva, Switzerland Galerie Catherine Issert, Saint-Paul-de-Vence, France La Biennale di Venezia, 44th International Art Festival, Swiss Pavilion, Venice, Italy Galerie Van Gelder, Amsterdam, the Netherlands Paolo Vitolo Cotemporanea Arte, Rome, Italy 4 1989 Galerie Massimo de Carlo, Milan, Italy Julian Pretto Gallery, New York, NY Galerie Sollertis, Toulouse, France 1988 Galerie Susanna Kulli, St. Gallen, Switzerland John Gibson Gallery, New York, NY Julian Pretto Gallery, New York, NY Gilbert Brownstone & Cie, Paris, France 1987 John Gibson Gallery, New York, NY Museum St. Pierre, Lyon, France Galerie Daniel Buchholz, Cologne, Germany Julian Pretto Gallery, New York, NY Gilbert Brownstone & Cie, Paris, France Galerie Massimo de Carlo, Milan, Italy Galerie Emmerich-Baumann, Zürich, Switzerland Galerie Rivolta, Lausanne, Switzerland Galerie Zero, Stockholm, Sweden Collection Patriculière, Galerie l’Aire du Verseau, Paris, France 1986 Centre d'art contemporain, Geneva, Switzerland Aargauer Kunsthaus, Aarau, Switzerland Tony Shafrazi Gallery, New York, NY Gilbert Brownstone & Cie, Paris, France Marik Malacorda Gallery, Geneva, Switzerland Galerie Susanna Kulli, St. Gallen, Switzerland Villa Arson, Nice, France 1985 Museum St. Croix, Poitiers, France Museum of Fine Arts, La Chaux-de-Fonds, Switzerland Centre d’Art Contemporain, Chateauroux, France 1984 Galerie Susanna Kulli, St. Gallen, Switzerland 1983 Deep in the Court to Right, Chagny, France Marika Malacorda Gallery, Geneva Egg 7, Strengelbach, Switzerland Raum Fur Malerei, Cologne Galerie Marika Malacorda, Geneva 1982 Olson Gallery, New York, NY 1981 Patrick Verelst Gallery, Antwerp, Belgium 1980 C. Space, New York, NY Marika Malacorda Gallery, Geneva, Switzerland Galerie Claude Givaudan, Geneva, Switzerland
Recommended publications
  • Olivier Mosset Art Basel 2018 Olivier Mosset
    Olivier Mosset Art Basel 2018 Olivier Mosset Untitled "Blue / purple / blue", 2 0 0 8 acrylic on canvas 197 1.773 4,5 cm Unlimited, hall 1.1., U48 Olivier Mosset, Untitled (blue / purple / blue), 2008 197 x 1773 x 4.5 cm, acrylic on canvas « Une fourmi de dix-huit mètres […] ça n'existe pas » – Robert Desnos (engl. « An eighteen-metre ant […] doesn't exist ») Olivier Mosset, born in 1944 in Bern, once a member of the famous BMPT group with Daniel Buren, Niele Toroni and Michel Parmentier, who sought to democratize art through radical procedures of deskilling, implying that the art object was more important than its authorship, is nowadays widely recognized for his conducting of research into the future of painting through geometrical abstraction and monochromes. Living between two continents since 1977, Mosset remains one of the few artists in Europe that is involved in the French, Swiss and American artistic and critical contexts. Dating from 2008, the extremely large format acrylic canvas Untitled (blue / purple / blue), measuring 197 x 1773 cm and consisting of a group of three panels, each 2 x 6 meters and covered with blue and purple colour, does not represent a break with his early work, but should be regarded as a re-start, a re-presentation or even a re-production that continues his quest for blurring the margins of art. When we asked Olivier Mosset about the story behind this large format canvas he answered: “There is no story, but it was made and shown in China. Then Mosset reveals: “In fact, the story of China was that I met this gentlemen and they had this gallery that was pretty big and someone said: ‘Olivier, you have done 6 meter high monochromes in blue / yellow and pink / purple, you should do something like that’.
    [Show full text]
  • Daniel Aeberli, Massimiliano Baldassarri, Barbezat-Villetard
    SNACK: salon neuchâtelois d'art contemporain daniel aeberli, massimiliano baldassarri, barbezat-villetard, fabian boschung, caroline bourrit, ivan liovik ebel, rosalie evard, lionel ferchaud, fred fischer, pierre gattoni, sir güdel, soren gunzinger, martin jakob, françois jaques, benoît jeannet, monika jornod, renaud loda, francisco da mata, jon merz, olivier mosset, sebastian muniz, camille pellaux, alex rabus, léopold rabus, renate rabus, till rabus, colin raynal, kyung roh bannwart, denis roueche, prune simon-vermot, tenko, jean-thomas vannotti, sebastien verdon, ange violent. exposition: du 9 novembre au 19 décembre 2019 snack poem c’est une famille étrange qui mérite mon texte en retard elle compte 34 membres et une ivresse en tube transparent y a y a y a tellement de strates des sparadraps ensauvagés sur des résilles frottées au papier de verre que finalement il n’y a plus personne mais de l’éclat comme si tous ces avortons du canton qui bèquètent au sein des anciens s’évertuent à suer sans conception qu’ils agitent lumières lacustres soupe primordiale ou visage émotion tout ça pue transcende les déclinaison des couleurs d’automne écrite par un crocodile brodé sur une casquette ou un serpent de foire en acrylique du divertissement monstre de la consommation les rejetons de la famille s’en emparent remparts à la monochromie qui elle aussi ouvre grand ses pupilles un bloc de mots châssis peint boucles néons câbles verres fixations métalliques et transformateur 30x57 rosalie travaille sur une peinture faisant partie de cette série
    [Show full text]
  • John M Armleder / Morgane Tschiember 01.12.2017 – 20.01
    6, rue Jacques Callot t +33 1 53 10 85 68 [email protected] 75006 Paris f +33 1 53 10 89 72 www.loevenbruck.com JOHN M ARMLEDER / MORGANE TSCHIEMBER 01.12.2017 – 20.01.2018 "Species" When the bill came after a meeting between Morgane Tschiember and John M Armleder in a tearoom, it was adorned with tiny stars. Those stars have now reappeared in the white cube of the gallery, which has been transformed with glittery pink wallpaper (neither artist is worried about art playing a decorative role). The bubble-gum-pink wallpaper is adorned with a constellation of silver patterns, each one a sort of target – although it’s not easy to hit the bull’s-eye – and a cross resulting from the enlargement, deformation and pixelation of the stars on the bill. Wallpaper is sometimes the backdrop only for itself, but that is not the case here. In the gallery, it provides the setting for ceramics placed on a podium shaped like the steps of a pool, with the pink walls in the background. The painting here is not on the walls but on these “Species,” on which the drips are not intended to express inner depths but just to adorn the vases, different ones for each artist. They are presented in pairs and were produced in pairs using the mold stamping technique. The molds were also fired in pairs, and the ties that bound the two pieces disintegrated in the heat, leaving behind strange traces. Something happened in the kiln causing the two objects to come out in different states: one is impeccably fired, while the other is partially broken.
    [Show full text]
  • Olivier Mosset Exposition Du 17 Juin Au 30 Juillet 2006
    La Salle de bains 56 rue saint-Jean 69005 LYON téléphone : 04 78 38 32 33 email : [email protected] www.lasalledebains.net Olivier Mosset Exposition du 17 juin au 30 juillet 2006 On a souvent parlé à l’endroit des premières peintures d'Olivier Mosset de ce qui serait un « degré zéro » de la peinture au moins comme horizon. Leur motif se prête, à vrai dire, très bien à cet emprunt aux théories littéraires de Barthes : en 1966-1967, Mosset peint une série de toiles blanches où figure, en rouge, la seule lettre « A » majuscule. Il faut bien commencer quelque part, et le début de l'alphabet semble tout indiqué. Faux départ, toutefois, puisque presque simultanément, il fait une autre peinture avec les mots « RIP » et une autre avec les mots « THE END », comme pour boucler le parcours au moment-même où il l'entamait. La suite de son travail sera empreinte de cette circularité : Mosset revient souvent sur des chantiers laissés un moment à l'abandon, recommençant par exemple aujourdhui la peinture monochrome, qu'il avait délaissée pendant un temps. En un sens (rétrospectif), cette circularité devient même en 1967 le motif de ses peintures, toutes identiques : un cercle noir au milieu d’une toile blanche de format carré. Mosset envisage alors de refaire cette même peinture indéfiniment, encore et encore. Aussi abrupts que puissent apparaître ces débuts, Mosset ne cherche pas à atteindre une hypothétique « table rase ». Les « manifestations » communes de 1967-1968, avec Daniel Buren, Michel Parmentier et Niele Toroni prennent soin de bannir, entre autres illusions, la possibilité de faire abstraction de tout contexte historique, politique ou socio- économique.
    [Show full text]
  • Steven Parrino Armleder, Barré, Buren, Hantaï, Mosset, Parmentier, Toroni
    G A G O S I A N G A L L E R Y 19 March 2013 PRESS RELEASE GAGOSIAN GALLERY 4 RUE DE PONTHIEU T. +33.1.75.00.05.92 75008 PARIS F. +33.1.70.24.87.10 HOURS: Tue–Sat 11:00am–7:00pm STEVEN PARRINO ARMLEDER, BARRÉ, BUREN, HANTAÏ, MOSSET, PARMENTIER, TORONI Thursday, 21 March–Saturday, 25 May 2013 Opening reception: Thursday, March 21st, from 6:00 to 8:00pm When I started making paintings, the word on painting was "PAINTING IS DEAD." I saw this as an interesting place for painting […] Death can be refreshing, so I started engaging in necrophilia… —Steven Parrino We are not painters. —BMPT Gagosian Gallery is pleased to present an exhibition that for the first time juxtaposes key works by American artist Steven Parrino with European counterparts spanning two generations: John Armleder, Martin Barré, Daniel Buren, Simon Hantaï, Olivier Mosset, Michel Parmentier, and Niele Toroni. Bringing an extreme punk sensibility to bear on the history of abstraction, from the late seventies Parrino began to literally attack the canvas, piercing and tearing its surface, or twisting it off the stretcher to disrupt the conventional rectangular plane. These “misshaped” canvases painted in viscous enamel or lacquer, such as Spin-Out Vortex (Black Hole) (2000) and Skeletal Implosion (Thick Stripes) (2001), were in part muscular, performative responses to the refined aesthetics of abstract precedents. 13 Shattered Panels (for Joey Ramone) (2001) is a wall-size installation of plasterboard painted shiny black, a spontaneous and emotive abstract composition born out of destructive action and Parrino’s shrine to the punk legend whose rock band, The Ramones, forever changed the American music scene of the late seventies with driving reductive guitar rhythms and a minimalist visual style of black leather and torn jeans.
    [Show full text]
  • Pressionism—And Artists Like Pollock, Newman, Still, And, Closer to Home, Stella
    P�P�P�P�P�§ P�P�P�P�P�P�§ P�P�P�P�P�P�P� P�P�P�P�P�P�§ P�P�P�P�P�P�P�P�P�P�P�P�P�P�P�P�§ P�P�P�P�P� P�P�P�§ MAMCO | Musée d’art moderne et contemporain [email protected] T + 41 22 320 61 22 10, rue des Vieux-Grenadiers | CH–1205 Genève www.mamco.ch F + 41 22 781 56 81 P�P�P�P�P�P� P�P�P�P�P�P�P�P�P�§ Olivier Mosset (b. 1944) set his sights on a career as an artist after attend- ing an exhibition of works by Jasper Johns and Robert Rauschenberg in Bern, in his native Switzerland, in 1962. Early the following year, Mosset headed to Paris to work as an assistant to Jean Tinguely, who introduced him to other members of the Nouveau Réalisme movement—Mosset would later spend brief spells working under Niki de Saint Phalle and Daniel Spoerri—as well as to Otto Hahn, Alain Jouffroy, and other influ- ential critics. Tinguely also arranged for Mosset to meet Andy Warhol in New York. After mixing in these circles, Mosset soon formed his own opin- ions about the artistic debates of the time: wary of lyrical abstraction (the School of Paris), nonplussed by kinetic art, and a keen follower of the emerging Pop art movement. These opinions were reflected in the series of monochrome paintings, each featuring a circle, that he began producing in 1966. And they were views he shared with Daniel Buren, Michel Parmentier, and Niele Toroni.
    [Show full text]
  • Affinities #5 John M Armleder / Morgane Tschiember
    6, rue Jacques Callot t +33 1 53 10 85 68 [email protected] 75006 Paris f +33 1 53 10 89 72 www.loevenbruck.com AFFINITIES #5 JOHN M ARMLEDER / MORGANE TSCHIEMBER 01.12.2017 – 20.01.2018 "JOHN M ARMLEDER/MORGANE TSCHIEMBER" is part of a series of exhibitions called "AFFINITIES" being held in 2017-2018* at the Loevenbruck gallery, beginning in April 2017. Each exhibition features the work of two contemporary or historical artists. In 2018, Loevenbruck, Paris, will publish a work covering each exhibition. *2017-2018 "AFFINITIES" EXHIBITION PROGRAM #1. MARCEL DUCHAMP/JEAN DUPUY (APRIL 28–MAY 27, 2017) #2. TETSUMI KUDO/KEY HIRAGA (JUNE 2–JULY 29, 2017) #3. PHILIPPE MAYAUX/PIERRE MOLINIER (SEPTEMBER 22–OCTOBER 14, 2017) #4. ALLAN KAPROW/ARNAUD LABELLE-ROJOUX (OCTOBER 20–NOVEMBER 25, 2017) #5. JOHN M ARMLEDER/MORGANE TSCHIEMBER (DECEMBER 1–JANUARY 20, 2018) 6, rue Jacques Callot t +33 1 53 10 85 68 [email protected] 75006 Paris f +33 1 53 10 89 72 www.loevenbruck.com JOHN M ARMLEDER / MORGANE TSCHIEMBER 01.12.2017 – 20.01.2018 "Species" When the bill came after a meeting between Morgane Tschiember and John M Armleder in a tearoom, it was adorned with tiny stars. Those stars have now reappeared in the white cube of the gallery, which has been transformed with glittery pink wallpaper (neither artist is worried about art playing a decorative role). The bubble-gum-pink wallpaper is adorned with a constellation of silver patterns, each one a sort of target – although it’s not easy to hit the bull’s-eye – and a cross resulting from the enlargement, deformation and pixelation of the stars on the bill.
    [Show full text]
  • Olivier Mosset
    L A L E H J U N E G A L E R I E OLIVIER MOSSET 1944, bron in Bern, Switzerland Lives and works in Tucson and New York, USA SELECTED SOLO EXHIBITIONS 2014 „Olivier Mosset“, Shoot the Lobster, Luxembourg „Olivier Mosset“ - TU M`, MUTT, TUTU, Galerie Yvon Lambert, Paris, France 2013 „Olivier Mosset“, Galerie Lange + Pult, Auvernier, Switzerland „Live in Your Head - Electric Fields“, Spencer Brownstone Gallery, New York, USA „Olivier Mosset“, Campoli Presti, London, UK „Olivier Mosset“, Sutton Lane, Brussels, Belgium „Fakes, Failures and Walls“, Musée Régional d’Art Contemporain, Languedoc-Roussillon, France „Circles and Stripes“, Galerie Andrea Caratsch, Zurich, Switzerland 2012 „Sous Apparence“, Opéra de Paris, Paris, France „Olivier Mosset“, Indipendendenza Studio, Rome, Italy „Olivier Mosset“, Bibliothèque municipale de Lyon, Lyon, France „Leaving the Museum“, Kunsthalle Zürich, Zurich, Switzerland „Olivier Mosset - Vincent Szarek“, Galerie Ruzicska, Salzburg, Austria 2011 „BRMC“, Galerie Andrea Caratsch, Zurich, Switzerland „Olivier Mosset“, MAC, Lyon, France „Olivier Mosset: Paintings and Prints“, Zane Bennett Contemporary Art, Santa Fe, NM, USA „Haley Mellin / Olivier Mosset”, Untitled, New York, USA „Born in Bern“, Kunsthalle Bern, Bern, Switzerland „Olivier Mosset“, Mary Boone Gallery, New York, USA „Olivier Mosset“, Leo Koenig, New York, USA „Olivier Mosset“, Christopher Grimes Gallery, Santa Monica, USA 2010 „Olivier Mosset“, Galerie Sollertis, Toulouse, France „The Artist as Collector: Olivier Mosset“, Museum of Contemporary Art, Tucson, USA „Gala Moca 2010“, Museum of Contemporary Art, Tucson, USA 2009 “Yellow Wall #3“, Mandrake, Los Angeles, USA “Olivier Mosset and Thom Merrick“, Christopher Grimes Gallery, Los Angeles, USA. “Sequence 2: One or Two Works, One Week“, Miguel Abreu Gallery, New York, USA “ZZ“, Triple V, Dijon, France “Olivier Mosset“, Galleria Massimo de Carlo, Milan, Italy “Olivier Mosset and Amy Granat“, Swiss Institute Contemporary Art, New York, NY, USA.
    [Show full text]
  • Catalog Vernissagetv Episodes & Artists 2005-2013
    Catalog VernissageTV Episodes & Artists 2005-2013 Episodes http://vernissage.tv/blog/archive/ -- December 2013 30: Nicholas Hlobo: Intethe at Locust Projects Miami 26: Guilherme Torres: Mangue Groove at Design Miami 2013 / Interview 25: Gabriel Sierra: ggaabbrriieell ssiieerrrraa / Solo show at Galería Kurimanzutto, Mexico City 23: Jan De Vliegher: New Works at Mike Weiss Gallery, New York 20: Piston Head: Artists Engage the Automobile / Venus Over Manhattan in Miami Beach 19: VernissageTV’s Best Of 2013 (YouTube) 18: Héctor Zamora: Protogeometries, Essay on the Anexact / Galería Labor, Mexico City 17: VernissageTV’s Top Ten Videos of 2013 (on Blip, iTunes, VTV) 13: Thomas Zipp at SVIT Gallery, Prague 11: Tabor Robak: Next-Gen Open Beta at Team Gallery, New York 09: NADA Miami Beach 2013 Art Fair 07: Art Basel Miami Beach Public 2013 / Opening Night 06: Pérez Art Museum Miami (PAMM) Preview 05: Art Basel Miami Beach 2013 04: Design Miami 2013 03: Untitled Art Fair Miami Beach 2013 VIP Preview 02: Kris Kuksi: Revival. Solo exhibition at Joshua Liner Gallery, New York November 2013 29: LoVid: Roots No Shoots / Smack Mellon, New York 27: Riusuke Fukahori: The Painted Breath at Joshua Liner Gallery, New York 25: VTV Classics (r3): VernissageTV Drawing Project, Scope Miami (2006) 22: VTV Classics (r3): Bruce Nauman: Elusive Signs at MOCA North Miami (2006) 20: Cologne Fine Art 2013 20: Art Residency – The East of Culture / Another Dimension 15: Dana Schutz: God Paintings / Contemporary Fine Arts, CFA, Berlin 13: Anselm Reyle and Marianna Uutinen: Last Supper / Salon Dahlmann, Berlin 11: César at Luxembourg & Dayan, New York 08: Artists Anonymous: System of a Dawn / Berloni Gallery, London 06: Places.
    [Show full text]
  • Morgane Tschiember Born in 1976, Brest, France Lives and Works in Paris, France Solo Shows
    Morgane Tschiember Born in 1976, Brest, France Lives and works in Paris, France Solo Shows 2018 Under the Carpet, curated by Julija Cistiakov, Galerie – Espace d’art contemporain du théâtre de Privas, Privas, France 00:00, curated by Anissa Touati, MACO – Museo de Arte contemporanea de Oaxaca, Oaxaca, Mexico 2017 L’heure rose, curated by Bettie Nin, Cédric Taling, CAC La Traverse, Alfortville, France 2016 Exoteric, Dilecta, Paris, France Six soleils, MAC VAL, Musée d’Art Contemporain du Val de Marne, Vitry-sur-Seine, France Nuove // Residency, Fondazione Museo Montelupo - Project Room, Montelupo Fiorentino, Italy (∂ + m) ψ = 0, Marsèlleria, Milan, Italy Musique pour plante verte, Le Quartier, Centre d’Art Contemporain / Projet Room, Quimper, France 2015 Almost a Kiss, Tracy Williams Ltd, New York, US TABOO, Musée des Beaux-Arts de Dole, Dole, France 2013 Polystyrene, Shibari & Co. Galerie Loevenbruck, Paris, France NUOVE // Residency, Fêlure Manifacture Terramica, Nove, Italy 2012 Rolls & Bubbles, Galerie Loevenbruck, Paris, France Seuils, Fondation d’entreprise Ricard, Paris, France Swing’nd Roll & Bubbles, Centre Régional d’Art Contemporain Languedoc-Roussilon, Sète, France Wall Painting, Maison du Barreau, Paris, France Space Oddity, Passages - Centre d’Art Contemporain, Troyes, France 2011 How Small A Thought It Takes To Fill A Whole Life, Le Pavé Dans La Mare, Besançon, France Morgane Tschiember 2010 Morgane Tschiember, Super Window Project, Kyoto, Japan The Shortest Way to Sleepness, AVA Gallery, New York, US 2009 The Sound of Paradise,
    [Show full text]
  • Indipendenza Studio Is Pleased to Present a Solo Exhibition by Olivier Mosset
    Indipendenza Studio is pleased to present a solo exhibition by Olivier Mosset. Mosset has been instrumental in raising questions about painting as an historic object. In the Sixties when he was part of the Parisian BMPT group (the acronym represents the initials of the surnames of the founding members: Daniel Buren, Olivier Mosset, Niele Toroni and Michel Parmentier) his interests were already geared towards resetting pictorial practice and its minimum conditions of existence. His canvases were covered with geometric and elementary shapes. The aim was to give maximum value to the act of painting, not as a representative tool but as an object in its own right capable of modifying the context in which painting is operating. In the course of his practice Mosset has radicalised thinking about the medium in its most purely material aspect: canvas, frame, paint, surface, format, light. For the exhibition at Indipendenza Studio, Mosset presents a series of monochrome black and white canvases painted using a rubber polymer paint more commonly used for industrial purposes. With this series of works he continues to blur the concept of authorship working on the surface and its texture. Mosset's artistic practice and his questioning of painting's status have become an influential point of reference. Olivier Mosset was born in Bern in 1944 and lives and works in Tucson, Arizona. His work forms part of the permanent collections of MoMA, New York; the Pompidou Centre, Paris; the Migros Museum, Zurich; the Musée Cantonal des Beaux-Arts, Lausanne; the Musée des Beaux Arts, La Chaux-De-Fonds, Switzerland; and the MAC, Lyon.
    [Show full text]
  • Olivier Mosset Est Né À Berne, Suisse, En 1944
    OLIVIER MOSSET OLIVIER MOSSET Born in Bern, in 1944, in Switzerland. He lives and works in Tucson, Arizona, USA. MAIN SOLO SHOWS 2018 Abstraction, Jean-Paul Najar Foundation, Dubai, United Arab Emirates 2017 Répliques : l'original à l'épreuve de l'art, Musée des Beaux-Arts, La-Chaux-de-Fond, Switzerland 2016 Installation, Bertha and Karl Leubsdorf Art Gallery, New York, US 2014 Olivier Mosset, Galerie Les filles du calvaire, Paris, France Collaborations, Centre Culturel Cuisse, Paris, France A Moveable Feast - Part VII, Campoli Presti, Paris, France TU M', MUTT, TUTU, Galerie Yvon Lambet, Paris, France Galerie Guy Ledune, Brussels, Belgium 2013 Henry Codax, Shoot the Lobster, Gavin Brown’s enterprise, New York, USA Martos Gallery, New York, USA Musée Régional d’Art Contemporain Languedoc Roussillon, Sérignan, France Circles and Stripes , Galerie Andrea Caratsch, Zürich, Switzerland The Kitchen, New York, USA Campoli Presti, London, UK Campoli Presti, London, UK 2012 Artiste invité du Salon de Montrouge, France 2011 Born in Bern, Kunsthalle Bern, Switzerland Leo Koenig Gallery, New York, USA Mary Boone Gallery, New York, USA Galerie Les filles du calvaire, Paris, France 2010 A step backwards / Bob’s kitchen…, Musée d’art contemporain de Lyon, France 2009 Portrait de l’artiste en motocycliste, Magasin Grenoble, France Galerie Une, Auvernier-Neuchâtel, Switzerland Eric Linard, La Garde Adhémar, France Museo d'Arte, Mendrisio, Tessin, Switzerland New paintings, Galerie Andrea Caratsch, Zurich, Switzerland Galerie Patrick Debrock, Knokke-le-Zoute,
    [Show full text]