The Etymology of the Name <I>Hagen</I>
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Brunnhilde and Siegfried Declare Their Love
Brunnhilde And Siegfried Declare Their Love Olivier usually wonders matrimonially or de-ices presently when invertebrate Briggs depoliticize skeigh and inveterately. When Waldemar carbonises his Rimini disesteems not neatly enough, is Jamey mirthless? Moe whirls finically. What Siegfried learns from his encounters with nature is the centrality of companionship. All of this, harmony, igniting the bonfire to the joyful roar of the crowd. You can extinguish the flame! They demand that the treasure must fully cover Freya before they are satisfied. He awaits in anguish his downfall. Brunhild is Queen of Iceland, but one of the greatest cartoons ever. However, present, THE ODYSSEY and units on Egyptian and Germanic myths. Solstice Moon with the others. However, Queen Uote, and tears stung his eyes. Such was not the case with Chopper. Upon the fourth morning two and thirty men were seen to ride to court and the tale was brought to mighty Gunther that war had been declared. Killer Women decided to pick Shoreditch Town Hall as the venue for their festival. The dramatic structure of the Ring is based on Aeschylusà Oresteia. He also warns Siegfried about the evil intents of the one who lead him to Fafner. Due to his fame, plus Mage Knight, the drama remained entirely vocal. Am I a coward? Polcock and Hannah reassured him. He no longer remembers having claimed Brünnhilde for himself earlier. The remaining women scorn the Greeks as being too late to find the treasure, and swearing that Brünnhilde will be punished for her defiance, wishing to fight Tolomeo for killing his father. -
The Bridal-Quest Narratives in Þiðreks Saga and the German Waltharius
The Bridal-Quest Narratives in fii›reks saga and the German Waltharius Poem as an Extension of the Rhenish Bridal-Quest Tradition Claudia Bornholdt Indiana University Bloomington fii›reks saga contains six tales which are generally assigned to the bridal-quest genre. In the order of Bertelsen’s edition,1 these tales are: 1. “Samson and Hildisvi›” (I, 8-13) 2. “Ósantrix and Oda” (I, 49-56) 3. “Attila and Erka” (I, 57-73) 4. “Herburt and Hildr” (II, 47-60) 5. “Apollonius and Herborg” (II, 109-142). 6. “Íron and Bolfriana” (II, 147-157). Additionally, the saga contains four well-known tales which do not go beyond simple wooing stories and are therefore not included in the list above: A. “Sigmundr and Sisibe” (I, 282-286) 1 Henrik Bertelsen, fii›riks saga af Bern, 2 vols, Samfund til udgivelse af gammel nordisk litteratur, Vol. 34 (Copenhagen: 1905-11). 44 11th International Saga Conference 45 B. “Gunnar and Brynhildr” (II, 37-43) C. “fii›rekr, Fasold and fiéttleifr’s marriages with three of Drusian’s daughters” (II, 60- 63) D. “Attila and Grímhildr” (II, 275-279). In brief, the bridal-quest scheme consists of the introduction of the protagonists; the hero’s decision to woo for a princess, who has been recommended to him but is well-protected and difficult to obtain; the wooer’s journey to the girl’s country; his stay at the girl’s court until he has reached such a reputable position that he is able to meet secretly with the girl; the wooer’s proposal; elopement; pursuit by the girl’s father and/or his army; a fight, and, finally, the wedding in the wooer’s home country. -
2020 O'connor Patrick Morris 0431545 Ethesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The psychology of warrior culture in the post-Roman Frankish kingdoms Morris O'Connor, Patrick Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 The Psychology of Warrior Culture in the Post-Roman Frankish Kingdoms Patrick Morris O’Connor A thesis submitted for the degree of Doctor of Philosophy King’s College London 2019 0 Abstract Warfare and violence in the post-Roman West have attracted much interest, and historians have used the insights of social anthropology and literary theory to interpret the evidence. -
WAGNER and the VOLSUNGS None of Wagner’S Works Is More Closely Linked with Old Norse, and More Especially Old Icelandic, Culture
WAGNER AND THE VOLSUNGS None of Wagner’s works is more closely linked with Old Norse, and more especially Old Icelandic, culture. It would be carrying coals to Newcastle if I tried to go further into the significance of the incom- parable eddic poems. I will just mention that on my first visit to Iceland I was allowed to gaze on the actual manuscript, even to leaf through it . It is worth noting that Richard Wagner possessed in his library the same Icelandic–German dictionary that is still used today. His copy bears clear signs of use. This also bears witness to his search for the meaning and essence of the genuinely mythical, its very foundation. Wolfgang Wagner Introduction to the program of the production of the Ring in Reykjavik, 1994 Selma Gu›mundsdóttir, president of Richard-Wagner-Félagi› á Íslandi, pre- senting Wolfgang Wagner with a facsimile edition of the Codex Regius of the Poetic Edda on his eightieth birthday in Bayreuth, August 1999. Árni Björnsson Wagner and the Volsungs Icelandic Sources of Der Ring des Nibelungen Viking Society for Northern Research University College London 2003 © Árni Björnsson ISBN 978 0 903521 55 0 The cover illustration is of the eruption of Krafla, January 1981 (Photograph: Ómar Ragnarsson), and Wagner in 1871 (after an oil painting by Franz von Lenbach; cf. p. 51). Cover design by Augl‡singastofa Skaparans, Reykjavík. Printed by Short Run Press Limited, Exeter CONTENTS PREFACE ............................................................................................ 6 INTRODUCTION ............................................................................... 7 BRIEF BIOGRAPHY OF RICHARD WAGNER ............................ 17 CHRONOLOGY ............................................................................... 64 DEVELOPMENT OF GERMAN NATIONAL CONSCIOUSNESS ..68 ICELANDIC STUDIES IN GERMANY ......................................... -
Gunther's Head and Hagen's Heart. Royal Sacrifice In
Corpus Mundi. 2020. No 1 От литературного к кинематографическому дискурсу GUNTHER’S HEAD AND HAGEN’S HEART. ROYAL SACRIFICE IN THE LAY OF NIBELUNGS Asya A. Sarakaeva (a) (a) Hainan State University. Haikou, China. Email: asia-lin[at]mail.ru Abstract Thee article deals with the ficnal part of the German epic Nibelungenlied to learn the real significcance, cultural and ideological context of these episodes. Thee author analyzes literary and anthropological theories, as well as archaeological ficnds to conclude that royal deaths described in the epic refliect the ancient practice of human sacrificce. Keywords the Nibelungenlied; the Elder Edda; interpretative level; human sacrificce; intra- communal violence Theis work is licensed under a Creative Commons «Atteribution» ?.0 International License. 135 Corpus Mundi. 2020. No 1 From Literary to Cinematic Discourse ГОЛОВА ГУНТЕРА И СЕРДЦЕ ХАГЕНА. ЖЕРТВОПРИНОШЕНИЕ В «ПЕСНИ О НИБЕЛУНГАХ» Саракаева Ася Алиевна (a) (a) Хайнаньский университет. Хайкоу, Китай. Email: asia-lin[at]mail.ru Аннотация В статье подробному рассмотрению подвергается финальная часть немецкой эпической поэмы «Песнь о нибелунгах», автор ставит себе задачу выяснить подлинное значение, культурный и идеологический контекст этих эпизодов. На основании анализа литературоведческих и антропологических теорий и археологических находок автор приходит к выводу, что гибель королей, описанная в поэме, отражает древную практику человеческих жертвоприношений. Ключевые слова «Песнь о нибелунгах»; «Старшая Эдда»; уровни интерпретации; человеческое жертвоприношение; внутриобщинное насилие Это произведение доступно по лицензии Creative Commons « Atteribution » («Атрибуция») ?.0 Всемирная 136 Corpus Mundi. 2020. No 1 От литературного к кинематографическому дискурсу Thee German epic Nibelungenlied (Thee Lay of Nibelungs) is a unique work of European medieval literature. It can boast a long and elaborate plot, rich imagery and unprecedented for its time psychological insights into human nature, but that’s not what makes it unique. -
Chapter 1 Barbarian Agency and Imperial Withdrawal: the Causes And
Chapter 1 Barbarian agency and imperial withdrawal: the causes and consequences of political change in fourth- and fifth-century Trier and Cologne Introduction Snapshots from the years 310, 410, and 510 reveal that the political landscape of the Rhineland changed almost beyond recognition over the course of three centuries. In 310 AD, Trier was one of the foremost cities of the Roman Empire, acting as a main residence of the Emperor Constantine and the seat of the Gallic praetorian prefecture. In Cologne, meanwhile, the completion of the fortress of Divitia just across the Rhine reinforced the city’s significance in the context of imperial defensive strategy. By 410 AD, however, both the imperial residence and the praetorian prefecture had been removed from Trier, and many frontier troops who had been stationed near Cologne were gone. The Rhineland had suffered an apparently devastating barbarian invasion, that of the Vandals, Alans, and Sueves in 406, and was to face many more attacks in the coming half-century. After the invasion, the legitimate emperors were never to re- establish their firm control in the region, and the reign of the usurper Constantine III (407 - 411) marked the last period of effective imperial rule. Around 510 AD, the last vestiges of imperial political power had vanished, and both Trier and Cologne were part of the Frankish kingdom of Clovis. The speed and extent of this change must have dramatically affected many aspects of life within the cities, and, as such, it is crucial that we seek to understand what brought it about. In so doing, we must consider the fundamental question of whether responsibility for the collapse of imperial power in the Rhineland ultimately lies with the imperial authorities themselves, who withdrew from the region, or with the 11 various barbarian groups, who launched attacks on the frontier provinces and undermined the Empire’s control. -
The Last Horizons of Roman Gaul: Communication, Community, and Power at the End of Antiquity
The Last Horizons of Roman Gaul: Communication, Community, and Power at the End of Antiquity The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Wilkinson, Ryan Hayes. 2015. The Last Horizons of Roman Gaul: Communication, Community, and Power at the End of Antiquity. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467211 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Last Horizons of Roman Gaul: Communication, Community, and Power at the End of Antiquity A dissertation presented by Ryan Hayes Wilkinson to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts May 2015 © 2015 Ryan Hayes Wilkinson All rights reserved. Dissertation Advisor: Professor Michael McCormick Ryan Hayes Wilkinson The Last Horizons of Roman Gaul: Communication, Community, and Power at the End of Antiquity Abstract In the fifth and sixth centuries CE, the Roman Empire fragmented, along with its network of political, cultural, and socio-economic connections. How did that network’s collapse reshape the social and mental horizons of communities in one part of the Roman world, now eastern France? Did new political frontiers between barbarian kingdoms redirect those communities’ external connections, and if so, how? To address these questions, this dissertation focuses on the cities of two Gallo-Roman tribal groups. -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal . -
Paths of Western Law After Justinian
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law January 2006 Paths of Western Law After Justinian M. Stuart Madden Pace Law School Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Recommended Citation Madden, M. Stuart, "Paths of Western Law After Justinian" (2006). Pace Law Faculty Publications. 130. https://digitalcommons.pace.edu/lawfaculty/130 This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. M. Stuart add en^ Preparation of the Code of Justinian, one part of a three-part presentation of Roman law published over the three-year period from 533 -535 A.D, had not been stymied by the occupation of Rome by the Rugians and the Ostrogoths. In most ways these occupations worked no material hardship on the empire, either militarily or civilly. The occupying Goths and their Roman counterparts developed symbiotic legal and social relationships, and in several instances, the new Germanic rulers sought and received approval of their rule both from the Western Empire, seated in Constantinople, and the Pope. Rugian Odoacer and Ostrogoth Theodoric each, in fact, claimed respect for Roman law, and the latter ruler held the Roman title patricius et magister rnilitum. In sum, the Rugians and the Ostrogoths were content to absorb much of Roman law, and to work only such modifications as were propitious in the light of centuries of Gothic customary law. -
From Iron Age Myth to Idealized National Landscape: Human-Nature Relationships and Environmental Racism in Fritz Lang’S Die Nibelungen
FROM IRON AGE MYTH TO IDEALIZED NATIONAL LANDSCAPE: HUMAN-NATURE RELATIONSHIPS AND ENVIRONMENTAL RACISM IN FRITZ LANG’S DIE NIBELUNGEN Susan Power Bratton Whitworth College Abstract From the Iron Age to the modern period, authors have repeatedly restructured the ecomythology of the Siegfried saga. Fritz Lang’s Weimar lm production (released in 1924-1925) of Die Nibelungen presents an ascendant humanist Siegfried, who dom- inates over nature in his dragon slaying. Lang removes the strong family relation- ships typical of earlier versions, and portrays Siegfried as a son of the German landscape rather than of an aristocratic, human lineage. Unlike The Saga of the Volsungs, which casts the dwarf Andvari as a shape-shifting sh, and thereby indis- tinguishable from productive, living nature, both Richard Wagner and Lang create dwarves who live in subterranean or inorganic habitats, and use environmental ideals to convey anti-Semitic images, including negative contrasts between Jewish stereo- types and healthy or organic nature. Lang’s Siegfried is a technocrat, who, rather than receiving a magic sword from mystic sources, begins the lm by fashioning his own. Admired by Adolf Hitler, Die Nibelungen idealizes the material and the organic in a way that allows the modern “hero” to romanticize himself and, with- out the aid of deities, to become superhuman. Introduction As one of the great gures of Weimar German cinema, Fritz Lang directed an astonishing variety of lms, ranging from the thriller, M, to the urban critique, Metropolis. 1 Of all Lang’s silent lms, his two part interpretation of Das Nibelungenlied: Siegfried’s Tod, lmed in 1922, and Kriemhilds Rache, lmed in 1923,2 had the greatest impression on National Socialist leaders, including Adolf Hitler. -
"Deor" Legends
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1969 The "Deor" Legends: Their Dissemination in Germanic Literature Doris Larraine Mabry Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Mabry, Doris Larraine, "The "Deor" Legends: Their Dissemination in Germanic Literature" (1969). Masters Theses. 4078. https://thekeep.eiu.edu/theses/4078 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is rece1v1ng a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. ' \ Date Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author /LB1861.CS7XM1126>C2/ THE ".!BOB" 1 00-BHllS1 THBJ:B DJ:SSIHDATXOK IRG'IRMAUCIrrmATUR8 (TITLE) BY D9rla Larraine �bry THESIS SUBMlmD IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Kastertt Arta IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1969 YEAR I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE ADVISER DEPARTMENT HEAD "D•or" S.• an Old ln&llah P•. -
The Editing of Eddic Poetry Judy Quinn
A HANDBOOK TO EDDIC POETRY This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture, and society. Dramatically recreating the voices of the legendary past, eddic poems distil moments of high emotion as human heroes and supernatural beings alike grapple with betrayal, loyalty, mortality, and love. These poems relate the most famous deeds of gods such as Óðinn and Þórr with their adversaries the giants; they bring to life the often fraught interactions between kings, queens, and heroes as well as their encounters with valkyries, elves, dragons, and dwarfs. Written by leading international scholars, the chapters in this volume showcase the poetic riches of the eddic corpus and reveal its relevance to the history of poetics, gender studies, pre-Christian religions, art history, and archaeology. carolyne larrington is Official Fellow and Tutor at St John’s College, University of Oxford. judy quinn is Reader in Old Norse Literature in the Department of Anglo-Saxon, Norse and Celtic at the University of Cambridge. brittany schorn is a Research Associate in the Department of Anglo-Saxon, Norse and Celtic at the University of Cambridge. A HANDBOOK TO EDDIC POETRY Myths and Legends of Early Scandinavia CAROLYNE LARRINGTON University of Oxford JUDY QUINN University of Cambridge BRITTANY SCHORN University of Cambridge University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence.