The Direction of Arthur Miller's All My Sons an Honors Thesis
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295 INDEX © in This Web Service Cambridge
Cambridge University Press 978-0-521-74538-3 - The Cambridge Companion to Arthur Miller, Second Edition Edited by Christopher Bigsby Index More information INDEX Aarnes, William 281 Miller on 6, 152, 161 Abbott, Anthony S. 279 and No Villain/They Too Arise 6, 25, 28 “About Theatre Language” 76 productions xiii, 159, 161, 162 Ackroyd, Peter 166–67 revisions 160, 161 Actors’ Studio 220, 226 American Legion 215 Adding Machine, The 75 Anastasia, Albert 105 Adler, Thomas P. 84n, 280, 284 Anastasia, Tony 105, 108n Adorno, Theodor 201 Anderson, Maxwell 42 After the Fall xii, xiii, 4, 8, 38, 59–60, 61, Angel Face 209 118, 120–26, 133, 139, 178, 186, 262, Another Part of the Forest 285 265, 266 Anthony Adverse 216 changing critical reception 269–70 Antler, Joyce 290 The Last Yankee and 178 Archbishop’s Ceiling, The 5–6, 8, 141, Miller on 54–55, 121–22, 124, 126, 265 145–51, 167, 168 productions xii, xiii, 121, 123, 124–25, Miller on 147, 148, 152 156–57, 270, 283 productions xiii, 159, 161–62 The Ride Down Mount Morgan and 173 revisions 141, 159, 161, 162n structure 7, 128 Aristotle 13, 64, 234, 264 studies of 282, 284–85, 288, 290, 293 Aronson, Boris 129 viewed as autobiographical/concerned Art of the Novel, The 237n with Monroe 4, 121, 154, 157, 195, Arthur Miller Centre for American Studies 269, 275 (UEA) xiv, xv, 162 Ajax 13 Arthur Miller Theatre, University of Albee, Edward 154 Michigan xv Alexander, Jane 165 Aspects of the Novel 235 All My Sons xi, 2, 4, 36–37, 47, 51–62, 111, Asphalt Jungle, The 223 137, 209, 216, 240, 246, 265 Assistant, The 245 film versions xiv, 157–58, 206–12, 220, Atkinson, Brooks 293 232 Auden, W. -
The Intermediate Or Disembodied State
WILLIAM G.T. SHEDD DOGMATIC THEOLOGY Volume Two ESCHATOLOGY Chapter I THE INTERMEDIATE OR DISEMBODIED STATE Eschatology (εσχατων λογος) is that division in Dogmatics which treats of the Intermediate or Disembodied State, Christ's Second Advent, the Resurrection, the Final Judgment, Heaven, and Hell. Revelation does not give minute details upon these subjects, yet the principal features are strongly drawn, and salient. The doctrine of the Intermediate State has had considerable variety of construction, owing to the mixing of mythological elements with the biblical. The representations of Christ in the parable of Dives and Lazarus have furnished the basis of the doctrine. The most general statement is, that the penitent, represented by Lazarus, is happy, and the impenitent, represented by Dives, is miserable. The doctrine taught in Scripture that the body is not raised until the day of judgment, implies that the condition of all men between death and resurrection is a disembodied one. This doctrine has greatly misconceived, and the misconception has introduced grave errors into eschatology. Inasmuch as the body, though not necessary to personal consciousness, is yet necessary in order to the entire completeness of the person, it came to be supposed in the Patristic church, that the intermediate state is a dubious and unfixed state; that the resurrection adds very considerably both to the holiness and happiness of the redeemed, and to the sinfulness and misery of the lost. This made the intermediate, or disembodied state, to be imperfectly -
Alternative North Americas: What Canada and The
ALTERNATIVE NORTH AMERICAS What Canada and the United States Can Learn from Each Other David T. Jones ALTERNATIVE NORTH AMERICAS Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, D.C. 20004 Copyright © 2014 by David T. Jones All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of author’s rights. Published online. ISBN: 978-1-938027-36-9 DEDICATION Once more for Teresa The be and end of it all A Journey of Ten Thousand Years Begins with a Single Day (Forever Tandem) TABLE OF CONTENTS Introduction .................................................................................................................1 Chapter 1 Borders—Open Borders and Closing Threats .......................................... 12 Chapter 2 Unsettled Boundaries—That Not Yet Settled Border ................................ 24 Chapter 3 Arctic Sovereignty—Arctic Antics ............................................................. 45 Chapter 4 Immigrants and Refugees .........................................................................54 Chapter 5 Crime and (Lack of) Punishment .............................................................. 78 Chapter 6 Human Rights and Wrongs .................................................................... 102 Chapter 7 Language and Discord .......................................................................... -
Young Adult Realistic Fiction Book List
Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her. -
UMI Films the Original Text Directly from the Copy Submitted
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ■A ccessing U the World's M Information since I 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA permission of the copyright owner. Further reproduction prohibited without permission Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Order Number 8827903 Breaking down the neurotic-psychotic artifice: The subversive function of myth in Goethe, Nietzsche, Rilke and Walter Benjam in Lundgren, Neale Powell, Ph.D. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
Two Tendencies Beyond Realism in Arthur Miller's Dramatic Works
Inês Evangelista Marques 2º Ciclo de Estudos em Estudos Anglo-Americanos, variante de Literaturas e Culturas The Intimate and the Epic: Two Tendencies beyond Realism in Arthur Miller’s Dramatic Works A critical study of Death of a Salesman, A View from the Bridge, After the Fall and The American Clock 2013 Orientador: Professor Doutor Rui Carvalho Homem Coorientador: Professor Doutor Carlos Azevedo Classificação: Ciclo de estudos: Dissertação/relatório/Projeto/IPP: Versão definitiva 2 Abstract Almost 65 years after the successful Broadway run of Death of a Salesman, Arthur Miller is still deemed one of the most consistent and influential playwrights of the American dramatic canon. Even if his later plays proved less popular than the early classics, Miller’s dramatic output has received regular critical attention, while his long and eventful life keeps arousing the biographers’ curiosity. However, most of the academic works on Miller’s dramatic texts are much too anchored on a thematic perspective: they study the plays as deconstructions of the American Dream, as a rebuke of McCarthyism or any kind of political persecution, as reflections on the concepts of collective guilt and denial in relation to traumatizing events, such as the Great Depression or the Holocaust. Especially within the Anglo-American critical tradition, Miller’s plays are rarely studied as dramatic objects whose performative nature implies a certain range of formal specificities. Neither are they seen as part of the 20th century dramatic and theatrical attempts to overcome the canons of Realism. In this dissertation, I intend, first of all, to frame Miller’s dramatic output within the American dramatic tradition. -
Metropolitan Tabernacle Pulpit Vol. 05
Sermon #225 The New Park Street Pulpit 1 SATAN’S BANQUET NO. 225 A SERMON DELIVERED On SABBATH MORNING, NOVEMBER 28, 1858, BY THE REV. C. H. SPURGEON, AT THE MUSIC HALL, ROYAL SURREY GARDENS. “The governor of the feast called the bridegroom, and said unto him, every man at the beginning does set forth good wine; and when men have well drunk, then that which is worse: but you have kept the good wine until now.” John 2:9, 10. THE governor of the feast said more than he intended to say, or ra- ther, there is more truth in what he said than he himself imagined! This is the established rule all the world over—“The good wine first and when men have well drunk, then that which is worse.” It is the rule with men and have not hundreds of disappointed hearts bewailed it? Friendship first—the oily tongue, the words softer than butter and afterwards the drawn sword! Ahithophel first presents the lordly dish of love and kind- ness to David; then afterwards that which is worse, for he forsakes his master and becomes the counselor of his rebel son. Judas presents first of all the dish of fair speech and of kindness; the Savior partook thereof, he walked to the house of God in company with Him and took sweet counsel with Him. But afterwards, there came the dregs of the wine—“He that eats bread with Me has lifted up his heel against Me.” Judas, the thief, betrayed his Master, bringing forth afterwards “that which is worse.” You have found it so with many whom you thought your friends. -
TEACHER PREVIEW – the Who and the What Vienna Theatre Project, Marktgemeindegasse 63/C1, 1230 Wien Tel
INVITATION – TEACHER PREVIEW – The Who and The What vienna theatre project, marktgemeindegasse 63/C1, 1230 Wien tel.: 01/5131444 , [email protected] wwww.viennatheatreproject.com Dear Teacher! The U.S. Embassy Vienna and vienna theatre About the show: project in cooperation with Wien Kultur cordially invite you to participate in the Teacher’s Preview of From Ayad Akhtar, the Pulitzer Prize-winning writer of Disgraced the play; and The Invisible Hand, comes a thrillingly fierCe and funny new play about identity, religion and the ContradiCtions that make us „The Who & the What” by Ayad Akhtar who we are. Sunday 12th February 2017 8pm Play Duration: 1hr. Talk back: 30 mins.+ OnCe again, vienna theatre projeCt taCkles deep rooted Location: Theater Drachengasse Bar & Co, stereotypes head on in its production of this wonderful pieCe. Fleischmarkt 22, 1010 Vienna Lead CharaCter, Zarina, has written a manusCript and it’s about to set her Western life on fire. Meanwhile her father has assumed her identity on a Muslim dating website and is vetting potential Saman Giraud (Zarina), Best husbands, whilst her younger sister needs her to marry so she Can Actress Delhi Shorts too. International Film Festival 2016 in M4 – My Many Married Men Growing up Muslim with her Close knit family in Atlanta, Georgia, Harmage Singh Kalirai (Afzal), writer Zarina has led a very Western lifestyle, despite the Emmerdale (TV, Granada), The potential Constrains of her baCkground. She meets Eli who, as a Illusion (Old Vic), Little Britain Christian convert to Islam, and an Imam, is the crossover between (BBC) Dave Moskin (Eli): Jesus her two worlds. -
Exploring the Theme of Neo-Orientalism in Ayad Akhtar's
INTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, LITERATURE AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in (Impact Factor : 5.9745) (ICI) KY PUBLICATIONS RESEARCH ARTICLE ARTICLE Vol. 7. Issue.1. 2020 (Jan-Mar) EXPLORING THE THEME OF NEO-ORIENTALISM IN AYAD AKHTAR’S DISGRACED AS A REPRESENTATION OF THE ARAB-ISLAMIC WORLD MONA BAGATO E-mail: [email protected] ABSTRACT The goal of this study is to explore Ayad Mkhtar’s “Disgraced”, as a Neo-Orientalist account, portraying the injustice and prejudice of the American society towards Muslims and Arabs, and how it considers them as a threat that must be othered and excluded. The main objective of this study is to reflect on how Disgraced tackled Neo- Orientalist ideology, and consequently how this critical trend has widened the gap between East and West. Intentionally, the West had imposed a Stereotype figure on Article information Received:29/01/2020 Muslims throughout their myopic lens, and consequently created distorted image of Accepted: 27/02/2020 Islam and Muslims in their writings. Since 9/11, the situation has worsened. The Published online: 03/03/2020 classical orientalism has taken a new, and more negative approach. Neo-Orientalists doi: 10.33329/ijelr.7.1.122 now see Muslims as terrorists, lunatics, fundamentalists, and blood-thirsty beings. The stigmata September11th attached to Islam and Muslims drove many second generation immigrates playwrights to do something about it. They could not turn a blind eye to the injustice Muslim Americans are facing in the American society. -
At Play Spring-Summer 06.Indd
rating Seventy Y representing the american theatre by eleb ears publishing and licensing the works C of new and established playwrights 70th Anniversary Issue D ram 06 ati – 20 sts Play Service, Inc. 1936 Issue 12, Spring/Summer 2006 AN INTERVIEW WITH Austin Pendleton Director of Professional Rights Robert Lewis Vaughan and Director of Publications Michael Q. Fellmeth talk with Austin Pendleton about his New York hit, Orson’s Shadow, and his life as a consummate man of the theatre. ROBERT. Orson’s Shadow had an amazing run here in New York at The Barrow Street Theatre following Tracy Letts’ fantastic Bug (also represented by DPS). Tracy was in your play, in the role of Kenneth Tynan. Two hits in a row — two actor/playwrights in a row — one theatre. What do you have to say about that? AUSTIN. There’s more to it than that. Tracy Letts caused this to happen. He told our producers (Scott Morfee, Chip Meyrelles, Tom Wirtshafter) about Orson’s Shadow. He put together a reading with the Chicago cast, directed by the Chicago director, in Chicago, for Scott, Chip and Tom to come and see and hear … Continued on page 3 NEWPLAYS Serving the American Theatre Since 1936: A Brief History of Dramatists Play Service, Inc. Rob Ackerman DISCONNECT. Goaded by the women they love “The Dramatists Play Service came into being at exactly the right moment and haunted by memories they can no longer for the contemporary playwright and the American theatre at large.” suppress, two men at a dinner party confront the —Audrey Wood, renowned agent to Tennessee Williams lies of their lives.