SIRIUS XM Radio Celebrates Halloween with Frightfully Festive Programming
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												  Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKSCast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult.
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												  Tese De Charles PonteUNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro
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												  Tv Pg 4B 01-04.Indd4b The Goodland Star-News / Friday, January 4, 2008 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle FUN BY THE NUM B ERS will have you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, column and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO TUESD A Y ’S SATURDAY EVENING DECEMBER 29, 2007 SUNDAY EVENING DECEMBER 30, 2007 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 ES E = Eagle Cable S = S&T Telephone ES E = Eagle Cable S = S&T Telephone aaac The First 48: Houdini; Inno- The First 48: Blood Trail; “Jesus Camp” (‘07, Documentary) Religious sum- The First 48: Houdini; Inno- “GoodFellas” (‘90, Drama) Robert De Niro, Ray Liotta. A young man Flip This House: Little “GoodFellas” (‘90) 36 47 A&E 36 47 A&E confronts suspicion and violence within the New York Mafia. (R) House of Horrors (R) aaac Man in the Mafia. cence Lost (R) 50G Murder (R) mer camp for children.
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											Summer Classic Film Series, Now in Its 43Rd YearAustin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
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												  Siriusxm and Pandora Present Halloween at Home with Music, Talk, Comedy and Entertainment Treats for AllNEWS RELEASE SiriusXM and Pandora Present Halloween at Home with Music, Talk, Comedy and Entertainment Treats For All 10/13/2020 The world is scary enough, so have some spooky fun by streaming Halloween programming on home devices & mobile apps NEW YORK, Oct. 13, 2020 /PRNewswire/ -- SiriusXM and Pandora announced today they will feature a wide variety of exclusive Halloween-themed programming on both platforms. With traditional Halloween activities aected by the Covid-19 pandemic, SiriusXM and Pandora plan to help families and listeners nd creative and safe ways to keep the spirit alive with endless hours of music and entertainment for the whole family. Beginning on October 15, SiriusXM will air extensive programming including everything from scary stories, to haunted house-inspired sounds, to Halloween-themed playlists across SiriusXM's music, talk, comedy and entertainment channels. Pandora oers a lineup of Halloween stations and playlists for the whole family, including the newly updated Halloween Party station with Modes, and a hosted playlist by Halloween-obsessed music trio LVCRFT. All programming from SiriusXM and Pandora is available to stream online on the SiriusXM and Pandora mobile apps, and at home on a wide variety of connected devices. SiriusXM's Scream Radio channel is an annual tradition for Halloween enthusiasts, providing the ultimate bone- chilling soundtrack of creepy sound eects, traditional Halloween favorite tunes, ghost stories, spooky music from classic horror lms, and more. The limited run channel will also feature a top 50 Halloween song countdown, "The Freaky 50" and will play scary score music, sound eects, spoken word stories 24 hours a day, and will set the tone for a spooktacular haunted house vibe.
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												  A Dark New World : Anatomy of Australian Horror FilmsA dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream.
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												  John Carpenters Tales for a Halloween Night KindleJOHN CARPENTERS TALES FOR A HALLOWEEN NIGHT PDF, EPUB, EBOOK John Carpenter | 96 pages | 17 Nov 2015 | Storm King Productions | 9780985325893 | English | CA, United States John Carpenters Tales For A Halloween Night PDF Book John Laughlin marked it as to-read Oct 31, Kealan Patrick Burke ,. Ana-Maria marked it as to-read Oct 18, Twists, turns, red herrings, the usual suspects: These books have it all No ratings or reviews yet No ratings or reviews yet. John Steinbeck Paperback Books. Return to Book Page. Did enjoy the one where if you killed someone you had to take over their life, like you were them. View all Our Sites. Want to Read Currently Reading Read. James rated it really liked it Jan 15, This collection of six stories has a distinct Tales from the Crypt and Creepshow vibe to it, in that we are introduced to a narrator of sorts, who is going to tell us some tales. There are three victims, two women, and one man. Average rating 3. Related Articles. Rating details. Heath , Hardcover 4. Error rating book. Make sure this is what you intended. If you get too scared, remember, it's only a comic. Brad rated it really liked it Sep 21, From John Carpenter, the man who brought you the cult classic horror film Halloween and all of the scares beyond comes the ultimate graphic novel anthology of tales to warm your toes by on a dark and stormy October night! Meg rated it really liked it Nov 07, What size image should we insert? About John Carpenter.
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												  THE ASMSU October 25, 2007 • VolTHE ASMSU October 25, 2007 • Vol. 102, Issue 10 BLACK BOX THE ELLEN 5 MUSIC VENUE? MSU COUNSELING NEW TO MSU v1u mav •• ellglllle fer a cllnlcal researeh studV sp1ns1red 11v • •h1rm1ceut1cal cem11anv. HEY YOU! Qualified participants must: Have a 6 month history of pusistent asthma YEAH YOU ... • Be 12 years or older. • Use ~ inhaled steroid medication at least -' weeks More than ants love prior to first visit. a discarded popsicle • Be a non-smoker at least twelve months prior to first visit. on a sidewalk, the ASMSU Exponent Qualified participants will receive: LOVES feedback! Investigational inhaler with study medication or placebo (an inactive substance) Study related medical exams and lab tests Please send your • Compensation for their participation rants, raves, To foul out ifyou 11uzy qualifY, please call and heartfelt expressions of your 406-585-2444 undying love to ALAN A WANDERER M.D. letters@exponent. ALLERGY &ASTHMA CONSULTANTS OF MONTANA. PLLC montana.edu 2015 Charlotte Street, Suite 1 • Bozeman, l\IT 59718 $ $ masthead THIS ISSUE BROUGHT TO YOU BY: $ ...!l_ $~UDENT ADVOCATES ·rFOR FINANCIAL EDUCATION FINANCIAL TIP OF THE WEEK MANAGEMENT EDITORIAL . ONLINE SHOPPING ADVISOR NEWS EDITOR Bill Wilke Lacey Gray Shop Wisely Know Your Big.ht:s s Comp.m· Pncn 011/mc .ind Loe.ii EDITOR-IN-CHIEF STATIC EDITOR $ Amanda Larrinaga $ R cad rhc Fmc Re.id rb,• Produa Dc.,cnpnon C1rdul/1· Scott Obemesser Pnnr $ C71eck !Jcltl'cn· lJ.uc.> • $ MANAGING EDITOR DISTRACTIONS EDITOR $ RtTICW JU Protecr } our Pn1 •l<T Kelsey Dzintars Emma Lynn rI '.i1T:J11r1e> ercr l:-m.:u! personal or financial mformation $ PL1ei' Order.• on .J 5ixurc Sc·l1"cr.
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												  Gerard K. MarinoGERARD K. MARINO AWARDS & NOMINATIONS INTERACTIVE: HOLLYWOOD MUSIC IN MEDIA WINNER SPIDERMAN: EDGE OF TIME (2011) Best Original Score for Video Game GAME AUDIO NETWORK GUILD GOD OF WAR III NOMINATION (2011) Audio of the Year Best Interactive Score Best Cinematic/Cut-Scene Audio Best Original Vocal - Choral “Overture” GAME AUDIO NETWORK GUILD GOD OF WAR: GHOST OF SRARTA NOMINATION (2011) Best Handheld Audio SPIKE TV VIDEO GAME AWARD GOD OF WAR III NOMINATION (2010) Best Original Score BRITISH ACADEMY OF FILM AND GOD OF WAR II TELEVISION ARTS (BAFTA) NOMINATION (2007) Best Original Score * ACADEMY OF INTERACTIVE ARTS GOD OF WAR II AND SCIENCES NOMINATION (2007) Outstanding Achievement in Music Composi- tion * GAME AUDIO NETWORK GUILD GOD OF WAR II AWARD (2007) Best Original Vocal/Choral GAME AUDIO NETWORK GUILD GOD OF WAR II NOMINATION (2007) Music of the Year * SPIKE TV VIDEO GAME AWARD GOD OF WAR II NOMINATION (2007) Best Original Soundtrack G-PHORIA NOMINATION (2007) GOD OF WAR II Best Original Soundtrack * The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GERARD K. MARINO ACADEMY OF INTERACTIVE ARTS GOD OF WAR AND SCIENCES (2005) Outstanding Achievement in Music Composition * GAME AUDIO NETWORK GUILD (2005) GOD OF WAR Music of the Year * GAMESPOT AWARD (2005) GOD OF WAR Best Music * IGN PS2 AWARD (2005) GOD OF WAR Best Original Score * GAMEZONE AWARD (2005) GOD OF WAR Best Original Score of the Year * G-PHORIA NOMINATION (2005) GOD OF WAR Best Original Soundtrack * SPIKE TV NOMINATION (2005) GOD OF WAR Best Original Soundtrack * * shared award / nomination MOTION PICTURES NINJA II Boaz Davidson, Frank DeMartini, Tom Waller, prods.
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												  Part A– Standard Prize Draw Terms – Spiral: from the Book of Saw Entrants Who Find All Four (4) Letters with Each Letter HiPart A– Standard Prize Draw Terms – Spiral: From The Book of Saw Entrants who find all four (4) letters with each letter hidden within the four (4) Spiral: From The Book of Saw images on the Lionsgate UK Instagram main feed and comment the correct word these four (4) letters spell out on the competition post with the caption: ‘We want to play a game. The rules are simple: we’ve hidden 4 letters across our #Spiral Instagram feed posts. Find them all and comment below the word they create to be in with the chance of winning a Saw Blu-ray boxset and Saw 4K on Blu-ray. Win or lose, make your choice. T&Cs at link in bio, 18+ UK only’ could win (A) one (1) Saw: Legacy Collection 2021 edition, a Blu-ray boxset that contains eight (8) discs (Saw, Saw II, Saw III, Saw IV, Saw V, Saw VI, Saw: The Final Chapter and Jigsaw), and (B) one (1) Saw 4K on Blu-ray (the “Prize”). There are five (5) Prizes to be won by five (5) Entrants who follow the Entry Mechanics and are selected at random per clause 13 (the “Winners”). Each Winner will receive one (1) Prize. 1. Promoter: The Promoter is Lions Gate International (UK) Limited of registered office address 5th Floor 45 Mortimer Street, London, W1W 8HJ 2. Eligibility (a) To enter this Prize Draw you must be aged 18 years old or over with a registered Instagram account during the Opening and Closing Date; (b) By entering the Prize Draw, you confirm that you are 18 years old or over.
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												  Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year HiatusOriginally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009).
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												  Video Deo Arrow Video Arrow Row Arrow Video Rrow Video Arrow Arrow Video Arrow Video Arrow Video Arrow Video Arrow Video Arrow VVIDEO VIDEO Film historians David Bordwell and Kristin Thompson from the yellow jackets of the plethora of detective ARROW state VIDEOthat “a genre is easier to recognise than to novels that began to saturate the Italian market in the BLOOD AND BLACK GLOVES define”define”.. Rarely has this seemed more relevant than late 1920s, among them translations of the works of when referring to the giallo – a sensual, stylish and authors as diverse as Arthur Conan Doyle, Raymond Michael Mackenzie on the Giallo luridly violent body of Italian murder-mystery films Chandler and Agatha Christie. The giallo film is ARROW which, like the AmericanVIDEO films noir which preceded something altogether different and more narrowly them by a few decades, responded to a unique defined, emerging in the early 1960s and enjoying set of sociocultural upheavals and were therefore a brief spell of immense popularity in the early-to- influenced as much by the period in which they were mid 1970s. The conventions of these films have been VIDEO ARROWproduced as by generic conventions.VIDEO The Italians well-established elsewhere and are iconic enough have a specific term to describe this phenomenon: that even those without an intimate knowledge of filone , meaning ‘vein’ or ‘streamlet’. These faddish, the genre can recognise them: the black gloves, hat often highly derivative genres each tended to enjoy and trench coat that disguise the killer’s identity and VIDEO ARROWa brief spell of immense popularity andVIDEO prolificacy gender; the modern urban locales which provide a beforeore fading into obscurity as quickly as they backbackdrop to the carnage that unfolds; the ‘whodunit’ firstt appeared, their creative potential (and their investigative narratives with their high body counts audience’sience’sARROW appetite for more of the same) exhausted.