Frankfurt Book Fair 2019
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The Literary Studies Convention @ Wollongong University 7 – 11 July 2015
1 The Literary Studies Convention @ Wollongong University 7 – 11 July 2015 with the support of AAL, the Australasian Association of Literature ASAL, the Association for the Study of Australian Literature AULLA, the Australasian Universities Language and Literature Association The Faculty of Law, Humanities and the Arts School of the Arts, English and Media English and Writing Program University of Wollongong and Cengage Learning Maney Publishing The convention venues are Buildings 19, 20 and 24 of the University of Wollongong. The Barry Andrews Memorial Lecture and Prize-Giving will be in the Hope Lecture Theatre (Building 43) ** Please note that some books by delegates and keynote speakers will be for sale in the University of Wollongong’s Unishop in Building 11. Look for the special display for the Literary Networks Convention. 2 3 Barry Andrews Memorial Address: Tony Birch .......................................................................... 10 Keynote Address: Carolyn Dinshaw ............................................................................................. 11 Keynote Address: Rita Felski ......................................................................................................... 12 Dorothy Green Memorial Lecture: Susan K. Martin .................................................................. 13 Plenary Panel: Australia’s Literary Culture and the Australian Book Industry ....................... 14 Plenary Panel: Literary Studies in Australian Universities – Structures and Futures ........... 16 Stephen -
London Book Fair 2019
London Book Fair 2019 Rights Catalogue: Frontlist Fiction FOR RIGHTS QUERIES CONTACT Nerrilee Weir, Senior Rights Manager TEL +61 2 8923 9892 FAX +61 2 9956 6487 EMAIL [email protected] penguin.com.au/rights Awards and Nominations 2019 & 2018 The Second Cure by Margaret Morgan Finalist: Aurealis Awards 2018 The Cage by Lloyd Jones Longlisted: Ockham New Zealand Book Awards 2019 The Man Who Would Not See by Rajorshi Chakraborti Longlisted: Ockham New Zealand Book Awards 2019 This Mortal Boy by FIona Kidman Longlisted: Ockham New Zealand Book Awards 2019 The Tea Gardens by Fiona McIntosh Longlisted: Australian Book Industry Awards 2018 The Girl in Kellers Way by Megan Goldin Shortlisted: Ned Kelly Awards 2018 Shortlisted: Davitt Awards 2018 Shortlisted: Australian Book Designers Awards 2018 All Day at the Movies by Fiona Kidman Longlisted: IMPAC International Dublin Literary Award 2018 Billy Bird by Emma Neale Longlisted: IMPAC International Dublin Literary Award 2018 2 LONDON 2019 FRONTLIST RIGHTS CATALOGUE RIGHTS SOLD 2018 & 2019 The Pearl Thief The Escape Room Fiona McIntosh Megan Goldin United Kingdom (Penguin North America (St Martin’s) Random House – Ebury) United Kingdom (Hachette) Italy (DeA Planeta) The Netherlands (Ambo Anthos) Audio (Penguin Random Germany (Piper Verlag) House Australia) Spain (Penguin Random House Groupo Editorial) Poland (Wydawnictwo Bukowy Las) Greenlight Benjamin Stevenson North America (Sourcebooks) This Mortal Boy United Kingdom (Hachette) Fiona Kidman United Kingdom (Gallic Books) Audio (Audible) Film Option (South Pacific Pictures) Audio (Bolinda) Potiki The Mannequin Makers Patrica Grace Craig Cliff United Kingdom (Penguin United Kingdom (Melville Random House – Penguin House) Press) Also licenced to: North America (Milkweed Editions) Romania (Editura Univers) The Yellow Villa Sixty Summers Amanda Hampson Amanda Hampson Italy (Newton Compton Editori) Audio (W. -
What I Read from 2002 to 2020
Tracy Chevalier – Books I’ve read since 2002 2020 January The Unfinished Palazzo: Life, Love and Art In Venice Judith Mackrell Once Upon a River Diane Setterfield What It Is: Race, Family, and One Thinking Black Man’s Blues Clifford Thompson February Pachinko Min Jin Lee Long Bright River Liz Moore Girl, Woman, Other Bernardine Evaristo March Djinn Patrol on the Purple Line Deepa Anappara Brixton Hill Lottie Moggach Adults Emma Jane Unsworth Weather Jenni Offill April I Capture the Castle Dodie Smith (reread) The Wheelwright's Daughter Eleanor Porter Red at the Bone Jacqueline Woodson Redhead by the Side of the Road Anne Tyler Girl with Green Eyes Edna O’Brien May The Great Godden Meg Rosoff The Seduction Joanna Briscoe Lost Children Archive Valeria Luiselli June 1234: The Beatles in Time Craig Brown The Golden Rule Amanda Craig An American Marriage Tayari Jones The Courage to Care Christie Watson Writers & Lovers Lily King July Queenie Candice Carty-Williams The Confessions of Frannie Langton Sara Collins Girl A Abigail Dean Cassandra at the Wedding Dorothy Baker* Rodham Curtis Sittenfeld August Silence Is a Sense Layla AlAmmar Patch Work Claire Wilcox Corrigedora Gayl Jones The Enchanted April Elizabeth von Arnim Mexican Gothic Silvia Moreno-Garcia Some Kids I Taught and What They Taught Me Kate Clanchy* September Small Pleasures Clare Chambers The Girl with the Louding Voice Abi Dare How Much of These Hills Is Gold C Pam Zhang Love After Love Ingrid Persaud October The Emperor's Babe Bernardine Evaristo Clean: A Story of Addiction Michele -
Frankfurt Book Fair 2018
2018 Rights Catalogue: Fiction FRANKFURT BOOK FAIR 2018 FOR RIGHTS QUERIES CONTACT: Nerrilee Weir, Senior Rights Manager Tel: +61 2 8923 9892 Email: [email protected] www.penguin.com.au/rights Awards and Nominations 2018 & 2017 The Tea Gardens by Fiona McIntosh Longlisted: Australian Book Industry Awards 2018 The Girl in Kellers Way by Megan Goldin Shortlisted: Ned Kelly Awards 2018 Shortlisted: Davitt Awards 2018 Shortlisted: Australian Book Designers Awards 2018 All Day at the Movies by Fiona Kidman Longlisted: IMPAC International Dublin Literary Award 2018 Billy Bird by Emma Neale Longlisted: Longlisted: IMPAC International Dublin Literary Award 2018 Shortlisted: Ockham Awards 2017 Year of the Orphan by Daniel Findlay Shortlisted: Aurelis Awards 2017 Witi Ihimaera Awarded the prestigious New Zealand Prime Minister’s Award for Literary Achievement 2017 Appointed French Knight of the Order of Arts and Letters (Chevalier de l’ordre des Arts et des Lettres) 2017 Escaping Mr Right by Avril Tremayne Winner: The Ultimate Ruby – Best Romance of the Year, Romance Writers of Australia Awards 2017 The Grazier’s Wife by Barbara Hannay Shortlisted: Romance Writers of Australia Ruby Awards 2017 2 FRANKFURT 2018 RIGHTS CATALOGUE RIGHTS SOLD 2018 The Pearl Thief The Escape Room Fiona McIntosh Megan Goldin United Kingdom (Penguin North America (St. Martin’s) Random House - Ebury) The Netherlands (Ambo Anthos) Germany (Piper Verlag) Spain (Penguin Random House Groupo Editorial) Greenlight Benjamin Stevenson This Mortal Boy North America -
Frankfurt Book Fair 2019
Frankfurt Book Fair 2019 Rights Catalogue: Frontlist Fiction FOR RIGHTS QUERIES CONTACT FOR RIGHTS QUERIES CONTACT Nerrilee Weir, Senior Rights Manager Alice Richardson, Rights Executive TEL +61 2 8923 9892 TEL +61 2 8923 9815 EMAIL [email protected] EMAIL [email protected] penguin.com.au/rights penguin.com.au/rights Awards and Nominations 2019 & 2018 Greenlight by Benjamin Stevenson Shortlisted: Ned Kelly Award 2019 Under Your Wings by Tiffany Tsao Longlisted: Ned Kelly Award 2019 The Second Cure by Margaret Morgan Finalist: Aurealis Awards 2018 The Man Who Would Not See by Rajorshi Chakraborti Longlisted: Ockham New Zealand Book Awards 2019 This Mortal Boy by Fiona Kidman Winner: Ockham New Zealand Book Awards 2019 Winner: New Zealand Booklovers Award 2019 Shortlisted: Ngaio Marsh Award for Best Crime Novel 2019 Winner: New Zealand Heritage Book Awards 2018 The Tea Gardens by Fiona McIntosh Longlisted: Australian Book Industry Awards 2018 The Girl in Kellers Way by Megan Goldin Shortlisted: Ned Kelly Awards 2018 Shortlisted: Davitt Awards 2018 Shortlisted: Australian Book Designers Awards 2018 All Day at the Movies by Fiona Kidman Longlisted: International Dublin Literary Award 2018 Billy Bird by Emma Neale Longlisted: International Dublin Literary Award 2018 2 FRANKFURT FRONTLIST RIGHTS CATALOGUE 2019 RIGHTS SOLD - Recent Highlights The Yield Jane in Love Tara June WInch Rachel Givney North America North America (HarperCollins) (HarperCollins) France (Actes Sud) Under Your Wings The Pearl Thief Tiffany -
Literar Y a W Ard S
Media Release Shortlists announced for 2021 NSW Premier’s Literary Awards 24/3/2021 Contemporary works by leading and emerging Australian writers have been shortlisted for the 2021 NSW Premier’s Literary Awards, the State Library of NSW announced today. Thirty judges considered a record of 633 entries across 10 prize categories, with the winners to be announced online on the eve of the Sydney Writers’ Festival on Monday 26 April 2021. 2021 Up to $305,000 in prize money will be awarded including sponsored awards, making them the richest state-funded literary awards in the country. NSW Premier, The Hon. Gladys Berejiklian MP, said: “For more than four decades, the Premier’s Literary Awards in NSW have given vital support and encouragement to our literary culture. After more than a year of COVID-19, we could all use an added dose of inspiration during these challenging times. I congratulate every writer who entered and particularly those who have been named on the shortlist.” According to State Librarian John Vallance: “You can’t guarantee good writing just by giving generous prizes, but there’s no doubt that it helps a lot. The NSW Premier’s Awards continue to attract and encourage the best writing in Australia. I encourage you all to buy these books and read them before the judges announce their final decisions.” 2021 Senior Judge, Jane McCredie, commented: “This year’s shortlists reflect the diversity and complexity of contemporary Australia, exploring themes of violence and catastrophe, but also of tenderness and hope. The new and established writers on the shortlists show a mastery of form, bringing skill and insight to the examination of our fraught histories, contested present and uncertain future. -
Silence in Contemporary Australian War Fiction
Silence in contemporary Australian war fiction Tessa Kathleen Wynn Lunney A thesis submitted for the fulfillment of the degree of Doctor of Creative Arts The Writing and Society Research Group School of Humanities and Communication Arts University of Western Sydney 2013 ii Acknowledgements First and foremost, I wish to thank Professor Ivor Indyk and Associate Professor Sara Knox for their supervision of this thesis. I particularly wish to thank the people who spoke to me in the course of my research: photographers David Dare Parker, Stephen Dupont, Kate Geraghty, Ed Giles and Tim Page; tuberculosis specialist Dr Vitali Sintchenko; author Evie Wyld, and the men and women who wish to remain anonymous but without whom I could not have written the novel. Lastly I wish to thank my family for their unstinting emotional and financial support since the project began in my Masters. iii Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. Signed: ____________________ On: __23_/_08_/_2013_ iv Abstract Novel: Home Leave Exegesis: Silence in contemporary Australian war fiction This dissertation consists of a creative component, a novel Home Leave, and an exegesis exploring silence within three contemporary Australian works of war fiction, The Great World by David Malouf, The Wing of Night by Brenda Walker and After the Fire, a Still Small Voice by Evie Wyld. -
Belly of the Beast
Belly of the Beast Volume One: The Major Work Elizabeth Allan Thesis submitted for the degree of Doctor of Philosophy Department of English and Creative Writing School of Humanities Faculty of Arts The University of Adelaide July 2018 i ii Table of Contents Volume 1: “Belly of the Beast” Table of Contents ..................................................................................................................... iii Abstract ...................................................................................................................................... v Declaration of Originality ....................................................................................................... vii Acknowledgments ...................................................................................................................... 0 Prologue ..................................................................................................................................... 1 Chapter 1 .................................................................................................................................... 2 Chapter 2 .................................................................................................................................... 6 May 1990 ................................................................................................................................. 11 Chapter 3 ................................................................................................................................. -
Bernardine Evaristo
a Aitken Alexander Associates London Book Fair 2020 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] LAURA OTAL Brazil, China, Czech Republic, Denmark, Finland, Greece, Iceland, Japan, Korea, Norway, Portugal, Poland, Romania, Russia, Slovakia, Spain, Taiwan ANNA HALL Arabic, Bulgaria, Cambodia, Croatia, Estonia, Hungary, Indian Languages, Indonesia, Israel, Latvia, Lithuania, Macedonia, Mongolia, Thailand, Turkey, Serbia, Slovenia, Vietnam Email: [email protected] Literary Agents Centre Tables: Monica – 33F, Anna – 33E, Lisa Baker – 34F For Film and Television Rights please contact: LESLEY THORNE Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander Contents Page Fiction: Girl, Woman, Other by Bernardine Evaristo p.1 Backlist titles by Bernardine Evaristo p.2-3 The High House by Jessie Greengrass p.4 The Harpy by Megan Hunter p.5 How We Are Translated by Jess Johannesson p.6 Sisters by Daisy Johnson p.7 Nightingale by Marina Kemp p.8 Isabelle in the Afternoon by Douglas Kennedy p.9 Highway Blue by Ailsa McFarlane p.10 Castles from Cobwebs by Juliana Mensah p.11 The Anthill by Julianne Pachico p.12 English Monsters by James Scudamore p.13 The Sandpit by Nicholas Shakespeare p.14 Honeybee by Craig Silvey p.15 Viral by Matthew Sperling p.16 Pine by Francine Toon p.17 Permission by -
•Œthe Distance Between Them╊: Sheep, Women, and Violence In
Antipodes Volume 30 | Issue 1 Article 9 2016 “The Distance between Them”: Sheep, Women, and Violence in Evie Wyld’s All the Birds, Singing and Barbara Baynton’s Bush Studies Lucy Neave Australian National University, [email protected] Follow this and additional works at: http://digitalcommons.wayne.edu/antipodes Recommended Citation Neave, Lucy (2016) "“The Distance between Them”: Sheep, Women, and Violence in Evie Wyld’s All the Birds, Singing and Barbara Baynton’s Bush Studies," Antipodes: Vol. 30 : Iss. 1 , Article 9. Available at: http://digitalcommons.wayne.edu/antipodes/vol30/iss1/9 “The Distance between Them”: Sheep, Women, and Violence in Evie Wyld’s All the Birds, Singing and Barbara Baynton’s Bush Studies LUCY NEAVE Australian National University n recent years, animals in contemporary Australian writing and culture have been Iof considerable interest to scholars and writers. Anna Krien and Delia Falconer have raised questions about their ethical treatment and the preponderance of ani- mal metaphors in Australian fiction and poetry in essays for general readers, while J. M. Coetzee’s representation of dogs has been a significant area of recent inquiry in academic scholarship. Dogs’ salience as metaphors in Disgrace (1999) has been noted by James Ley, as has the relationship between human and animal rights, embodiment and belief in Elizabeth Costello (2003) in essays by Elizabeth Anker and Fiona Jenkins. The recent interest in animals in the Australian context has also become manifest in a series of novels, many of them by women, such as Michelle de Kretser’s The Lost Dog (2007), Eva Hornung’s Dog Boy (2009), Gillian Mears’s Foal’s Bread (2012), Carrie Tiffany’s Mateship with Birds (2012), and Charlotte Wood’s Animal People (2011). -
Reading the Stella Prize
TEACHING NOTES Reading the Stella Prize ‘I am living proof that a women-only prize can be career changing … Yes, a prize for women’s writing wouldn’t be necessary in an ideal world, but that isn’t the world we live in.’ Kate Grenville his section is a basic resource that can be used across all secondary-school levels. TIt provides information about the Stella Prize and other literary prizes, as well as a set of general reading questions that can be applied to any text. The appendix includes: financial independence and thus time to focus ✦ The Stella Prize on their writing ✦ ✦ Core values of the Stella Prize combat unconscious bias and generate cultural change so that women’s writing, stories and ✦ The Stella Prize books voices are valued as highly as those of men ✦ Relevant statistics The Stella Prize runs events and lectures at ✦ Women in time bookshops, festivals and universities around Australia, ✦ References and compiles the annual Stella Count, tracking the THE STELLA PRIZE number of books by men and women reviewed in our major newspapers and literary magazines. About The Stella Prize is a major literary award celebrating Why have a prize just for women? Australian women’s writing. Women-only literary prizes can be seen as part and The prize is named after one of Australia’s iconic parcel of broader efforts to promote greater equality female authors, Stella Maria Sarah ‘Miles’ Franklin, between men and women. It was not much more than and was awarded for the first time in 2013. Both 100 years ago, in 1902, that women received the right nonfiction and fiction books by Australian women are to vote in Australia. -
Humans, Animals and Biopolitics in Contemporary Australian Fiction
Volume One: Dissertation The Imagined Border: Humans, Animals and Biopolitics in Contemporary Australian Fiction Lucy Neave Candidate for a Doctorate of Creative Arts (DCA) Western Sydney University, 2017 1 Acknowledgements I wish to express my sincere thanks to Professor Gail Jones. Her insights into the novel and dissertation, and her generosity in reading and rereading sections of the thesis went far beyond my expectations. I am sincerely grateful for her support throughout my candidature. Thanks are also due to my colleagues at the Australian National University for their feedback on sections of exegesis, especially to Dr Shameem Black, Dr Kate Mitchell and Dr Julieanne Lamond. Anonymous reviewers and Dr Lou Jillett provided useful comments on articles and a chapter that ultimately became chapters of the exegesis. Amanda Lohrey, Michelle Wildgen and Alistair Ong read and commented on the novel manuscript. At different points in the novel’s composition, their responses were revelatory. Thanks to Professor Ivor Indyk for his feedback on early drafts, and to Associate Professor Paul Magee for lending me a bible. I am grateful to James, Grace and Tom for helping me to focus on the world beyond the thesis. 2 Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution Sections from the Introduction have appeared in draft form in: Neave, Lucy. ‘Creatureliness and Justice in Cormac McCarthy's All the Pretty Horses.’ In Cormac McCarthy's Borders and Landscapes.