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Alfredo Jaar Hasselblad Award Winner 2020

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Alfredo Jaar Hasselblad Award Winner 2020 Hasselbladstiftelsen Hasselblad Foundation Press Release Alfredo Jaar Gothenburg, March 9, 2020 Hasselblad Award Winner 2020 The Hasselblad Foundation is pleased to announce that Alfredo Jaar is the recipient of the 2020 Hasselblad Foundation International Award in Photography for the sum of SEK 1,000,000 (approx. USD 100,000). Alfredo Jaar is the 40th winner of the Hasselblad Award. The award ceremony will take place in Gothen- burg, Sweden, on October 19, 2020. The following day, October 20, an exhibition of Alfredo Jaar’s work will open at the Hasselblad Center. A book about the artist will be published by Verlag der Buchhandlung Walther König, with an essay by Jacques Rancière. The Foundation’s citation regarding the Hasselblad Award Laureate 2020, Alfredo Jaar: »Alfredo Jaar explores complex socio-political issues, bringing to the fore the ethics of representation. Through quiet and meditative works, Jaar confronts issues of great magnitude, bearing witness to humanitarian disasters and attesting to the impact of military conflict, political corruption and economic inequality throughout the world. His photographs, films, elaborate installations and community-based projects provocatively disturb common perceptions of reality. At the heart of his practice is what Jaar refers to as the politics of images, questioning the way we use and consume images, while pointing to the limita- tions of photography and the media to represent significant events.« The Hasselblad Award Jury which submitted its proposal to the Hasselblad Foundation’s Board of Directors, consisted of: Joshua Chuang Anna-Kaisa Rastenberger Senior Curator of Photography, Professor of Exhibition Studies and New York Public Library, USA Spatiality, Academy of Fine Arts, Uniarts, Finland Thyago Nogueira, Jury Chair Head of the Contemporary Laura Serani Photography Department, Independent Curator, Italy/France Instituto Moreira Salles, Brazil Yiannis Toumazis Director NiMAC and Assistant Professor Frederick University, Cyprus Hasselbladstiftelsen Hasselblad Foundation »I feel extremely honoured and proud to receive this incredible acknowledgment. I would like to express my awe and deep gratitude to the Hasselblad Foundation and some of the former recipients of this award who have taught me so much, like Daido Moriyama, Bernd & Hilla Becher, Robert Frank, Susan Meiselas, William Klein and Henri Cartier-Bresson. I have focused the totality of my practice on the politics of images and this generous recognition gives me the support and strength to continue my journey in these dark times,« says Alfredo Jaar. »Alfredo Jaar’s poignant works and uncompromising research into the politics of images touch on aspects that are critical for photography. At the same time his art transcends media specificity, focusing our attention to burning matters of concern,« note Louise Wolthers and Dragana Vujanović Östlind, curators of the Hasselblad Award exhibition. »Alfredo Jaar has made significant contributions to the history of photography by addressing the politics that govern the production and circulation of images, showing us the economic and social implications embedded in the act of seeing, as well as our responsibilities as spectators of images,« notes Thyago Nogueira, Chair of the Hasselblad Award Jury 2020. Alfredo Jaar Biography Alfredo Jaar was born in Santiago, Chile, in 1956. He studied architecture and filmmaking, graduating from the Instituto Chileno Norteamericano de Cultura in 1979, and Universidad de Chile, Santiago, in 1981. Jaar emigrated from Chile in 1982, at the height of Pinochet’s military dictatorship. His exhibition at Fundación Telefónica in Chile, Santiago (2006), was his first in his native country in 25 years. Jaar lives and works in New York. Throughout his career, Jaar has addressed contentious themes. The Sound of Silence (1995) is a film installation based on the Pulitzer Prize-winning photo- graph of a starving boy and a vulture taken by South African photojournalist Kevin Carter during the famine in Sudan in 1993. Alfredo Jaar’s installation consists of a space with a wall of fluorescent lights on the outside that blinds the viewer. Inside a film is shown describing Kevin Carter’s photograph and the critical reactions it caused, which culminated in Carter’s suicide. The photograph and its reception pointed to the role and responsibilities of a spectator when faced with human suffering. Jaar’s work masterfully probes central journalistic issues concerning the politics and ethics of images, information and narratives. Searching for Africa in LIFE (1995) focuses on the absence of references to Africa in LIFE magazine. It is a collection of 2,128 chronologically sequenced covers of the magazine from the first issue in 1936 to the last in 1996. Jaar uses a similar strategy in the work titled From TIME to TIME (2006) which again brings to the surface the racism that governs the perception of the African continent in the Global North. Hasselbladstiftelsen Hasselblad Foundation Jaar’s best known long-term work, the seminal Rwanda Project (1994–2000), is a response to the silence, indifference and inaction of the Global North to the events in Rwanda that claimed over one million lives. Through a variety of means, including survivors’ testimonies and pictures, the works reveal the world’s silence in the face of genocide, testing the visitor’s desensitization to images of violence and probing the limited capacity of art to represent tragedy. Alfredo Jaar has made numerous public interventions, such as The Skoghall Konsthall (2000), a one-day art gallery made of paper in the small town of Skoghall, Sweden. The art gallery was set on fire as an attempt to visualize the absence of cultural institutions in the community. Other examples of public interventions are the electronic billboard A Logo for America (1987) and The Cloud (2000), a performance project on both sides of the Mexico-USA border. Alfredo Jaar’s work has been shown extensively around the world. He has partici- pated in the Biennales of Venice (1986, 2007, 2009, 2013), São Paulo (1987, 1989, 2010, 2020) as well as Documenta in Kassel (1987, 2002). Important individual exhibitions include The New Museum of Contemporary Art, New York (1992); Whitechapel, London (1992); The Museum of Contemporary Art, Chicago (1995); The Museum of Contemporary Art, Rome (2005) and Moderna Museet, Stock- holm (1994). Major recent surveys of his work have taken place at Musée des Beaux Arts, Lausanne (2007); Hangar Bicocca, Milan (2008); Alte Nationalgalerie, Berlinische Galerie and Neue Gesellschaft für bildende Kunst e.V., Berlin (2012); Rencontres d’Arles (2013); KIASMA, Helsinki (2014) and Yorkshire Sculpture Park, UK (2017). The artist has realized more than 70 public interventions around the world. Over 60 monographic publications have been published about his work. He became a Guggenheim Fellow in 1985 and a MacArthur Fellow in 2000. He received the Hiroshima Art Prize in 2018. His work can be found in the collec- tions of The Museum of Modern Art and Guggenheim Museum, New York; Art Institute of Chicago and Museum of Contemporary Art, Chicago; MOCA and LACMA, Los Angeles; MASP, Museu de Arte de São Paulo; TATE, London; Centre Georges Pompidou, Paris; Nationalgalerie, Berlin; Stedelijk Museum, Amsterdam; Museo Reina Sofia, Madrid; Moderna Museet, Stockholm; MAXXI and MACRO, Rome; Louisiana Museum of Modern Art, Humlebæk; Hiroshima City Museum of Contemporary Art and Tokushima Modern Art Museum, Japan; M+, Hong Kong, and dozens of institutions and private collections worldwide. Alfredo Jaar is represented by Galerie Lelong, New York; Lia Rumma, Milan and Naples; Kamel Mennour, Paris and London; Thomas Schulte, Berlin; Luisa Strina, Sao Paulo; Goodman Gallery, Johannesburg, Cape Town and London; Kenji Taki, Tokyo and Nagoya; SCAI The Bathhouse, Tokyo. Hasselbladstiftelsen Hasselblad Foundation Hasselblad Foundation About the Hasselblad Foundation Ekmansgatan 8 SE-412 56 Gothenburg, The Hasselblad Foundation was established in 1979 under the terms of the last Sweden T +46 (0) 31 778 21 50 will and testament of Erna and Victor Hasselblad. The purpose of the Foundation [email protected] is to promote scientific education and research in photography and the natural hasselbladfoundation.se sciences. The Foundation’s annual international award for outstanding achieve- Facebook: ments in photography is considered one of the most prestigious photography Hasselblad Foundation awards worldwide. Instagram: @hasselbladfoundation #hasselbladaward2020 The Foundation holds a photography collection focusing on Hasselblad Award #alfredojaar Winners and Nordic photographers. The Hasselblad Center is the Foundation’s exhibition space, situated in the Gothenburg Museum of Art. Further stipends for photographic advancement are awarded each year and the Foundation itself is engaged in the field of academic and artistic research through the publication of books, symposiums and collaborations with Swedish and international universities. Further information and Hasselblad Award Laureates press material: hasselbladfoundation.se 2020 Alfredo Jaar 1999 Cindy Sherman Password for Press Login: 2019 Daido Moriyama 1998 William Eggleston press Press Contact: 2018 Oscar Muñoz 1997 Christer Strömholm Jenny Blixt, 2017 Rineke Dijkstra 1996 Robert Frank Public Relations Officer 2016 Stan Douglas 1995 Robert Häusser Phone office +46 (0)31 778 21 54 2015 Wolfgang Tillmans 1994 Susan Meiselas Mobile 2014 Ishiuchi Miyako 1993 Sune Jonsson +46 (0)708 93 07 12 E-mail 2013 Joan Fontcuberta 1992 Josef Koudelka [email protected] 2012 Paul Graham 1991 Richard Avedon 2011 Walid Raad 1990 William Klein 2010 Sophie Calle 1989 Sebastião Salgado 2009 Robert Adams 1988 Edouard Boubat 2008 Graciela Iturbide 1987 Hiroshi Hamaya 2007 Nan Goldin 1986 Ernst Haas 2006 David Goldblatt 1985 Irving Penn 2005 Lee Friedlander 1984 Manuel Alvarez Bravo 2004 Bernd & Hilla Becher 1983 Inget pris delades ut 2003 Malick Sidibé 1982 Henri Cartier-Bresson 2002 Jeff Wall 1981 Ansel Adams 2001 Hiroshi Sugimoto 1980 Lennart Nilsson 2000 Boris Mikhailov.
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