Thailand Misconstrued:
Tracing the Secular Western Discourse on Sexuality, Modernity, and Secularism to an
Unexpected Place
Aryeh Cohen
Abstract
This paper uses examples from media, personal experience, academic research, and theory to examine Western perceptions of Thai sexuality and Thai Buddhism, and how they are informed by a Western discourse on sexuality, modernity, and secularism.
The relationship between sexuality and religion in Muslim communities, around which this Western discourse is so often focused, provides a context for me to gain scholarly insight into this discourse, and for me to analyze its presence in a deep common Western misrepresentation of Thai sexuality and religion, revealing some of its basic inconsistencies and inaccuracies. Cohen 2
Introduction
In the weeks before I left for a semester in Thailand, many of my send-offs included a jovial comment or anecdote about lady-boys or happy endings. I had no intention of exploring the sex tourism industry, but naturally I grew curious about the significance of these features that seemed to define every expectation of the Thai experience. Indeed, I encountered kathoeys (transgender or transsexual individuals) on a daily basis, but the aggressive sexuality of which I was warned only occurred in tourist districts. Over time, I began to realize how apparently non-sexual the society around me was through local Thai friends, Thai film, Thai television and advertising, and Thai music. In my last week there, nonetheless, I received a shocking and embarrassing reminder of the Western perception of Thai sexuality as I sat in a theater full of Thais, watching Hollywood depict their city as a hub of sex and sin in The Hangover II.
With a worldwide gross of over $581 million, The Hangover II offers what is easily the most widely viewed media representation of Thailand. The majority of the film takes place in Bangkok, the location chosen for the premise of an unintended bachelor party in the craziest setting possible. Throughout the film, the audience follows a hung- over, amnesic group of friends in their search for evidence of their drunken night-prior.
But what made Bangkok the choice city for the creators of The Hangover II? The answer is shamelessly revealed halfway through the film when a kathoey prostitute, baring her sexually ambiguous body, calmly informs groom-to-be Stu of their ‘magical’ sex the night before. And, in case the audience has somehow forgotten this crucial scene, the closing credits roll beside photos of the wild night, many of which feature prostitutes, strippers, and sexual performers. It is this shocking and exotic sexual world that earns