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1920S Modernism and Twenty-First-Century Modern Angst: AGH Winter Exhibitions Explore the Work of Visionary Artists
1920s Modernism and Twenty-First-Century Modern Angst: AGH Winter exhibitions explore the work of visionary artists Hamilton, February 10, 2016 -- Two upcoming exhibitions at the Art Gallery of Hamilton highlight the works of artists who dared to offer a new vision. 1920s Modernism in Montreal: The Beaver Hall Group – on view from February 20 to May 8, 2016 -- explores the works of some of Canada’s most avant-garde artists of the time, and stresses its unique role in developing women artists. Fearful Symmetry: The Art of John Scott – on view from February 6 to May 15, 2016 – showcases three decades of powerful work by an artist who championed the plight of the worker as a human tool in the face of global industry. [From left: Adrien Hébert (1890-1967) Saint Catherine Street, 1926, oil on canvas, 81.5 x 102.2 cm, Archambault family, Photo MMFA, Christine Guest | Lilias Torrance Newton (1896-1980), Nude in the Studio, 1933, oil on canvas, 203.2 x 91.5 cm, Collection A. K. Prakash, Estate of Lilias Torrance Newton © NGC Photo Thomas Moore | Prudence Heward (Canadian 1896-1947) At the Theatre 1928, oil on canvas, 101.6 x 101.6 cm, Montreal Museum of Fine Arts, purchase, Horsley and Annie Townsend Bequest Photo: MMFA, Christine Guest “1920s Modernism in Montreal: The Beaver Hall Group is the first comprehensive exhibition to examine the impact and complexity of one of Canada and Quebec’s most significant group of artists,” says AGH President and CEO Shelley Falconer. “A counterpart to Ontario’s Group of Seven, the more than 130 works by many of Canada’s leading artists represent a multiplicity of perspectives on Montreal modernism including portraits and urban landscapes. -
Newsletter Template 2015
nouvelles news January-February 2016 janvier-fevrier Events this Month All Sunday services start at 10:30 am unless otherwise specified. We have an active children's program during our Sunday service, at which all children are warmly welcome January 8, 5:30 p.m. Friday, January 22, 7:00 p.m. “Welcome Families! Potluck supper and Saturday, January 23, 7:00 pm discussion” “Coffee House & Play Reading: The Cruellest Month” Potluck supper and discussion for young families (and Coffee House & theatrical reading of a radio play those who enjoy being with them), with child care based on The Cruellest Month,a novel by mystery offered for children. Coffee, tea and juice are offered. writer Louise Penny and adapted by Eric Alexandre. Bring a dish to share. RSVP to Amanda.hillenburg @ Directed by Phyllis Baxter, with a cast of 14 characters gmail.com, [email protected], or and sound effects, in a coffee house ambiance. Repeat wildflowergrowing @ hotmail.com . *Downstairs in performances Friday and Saturday. Doors open at 6:30 Stoddard Hall. p.m.; refreshments available at reasonable cost. January 10 Tickets: $15/performance. Benefit for UUEstrie and Rev. Carole Martignacco Syrian refugees. To buy tickets: 819-842-4146 or [email protected]. “Beyond Protest ~ A New Era of Activism” From the decades of anti-this and anti-that, a deeper January 24 wisdom is welling up. It is not enough to protest Prof. Bruce Gilbert injustice, as our resistance too often is dominated by “Excess Is the Pathway to Wisdom” the very shape of what we protest. Instead, we are British romantic poet William Blake (1757-1827) called to be innovators, shape-changers in a world that believed that the if the doorways of perception could longs to be reinvented. -
Difficulty in the Origins of the Canadian Avant-Garde Film
CODES OF THE NORTH: DIFFICULTY IN THE ORIGINS OF THE CANADIAN AVANT-GARDE FILM by Stephen Broomer Master of Arts, York University, Toronto, Canada, 2008 Bachelor of Fine Arts, York University, Toronto, Canada, 2006 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program in Communication and Culture Toronto, Ontario, Canada, 2015 © Stephen Broomer, 2015 Author’s Declaration I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Codes of the North: Difficulty in the Origins of the Canadian Avant-Garde Film Stephen Broomer Doctor of Philosophy in Communication and Culture, 2015 Ryerson University and York University Abstract This dissertation chronicles the formation of a Canadian avant-garde cinema and its relation to the tradition of art of purposeful difficulty. It is informed by the writings of George Steiner, who advanced a typology of difficult forms in poetry. The major works of Jack Chambers (The Hart of London), Michael Snow (La Region Centrale), and Joyce Wieland (Reason Over Passion) illustrate the ways in which a poetic vanguard in cinema is anchored in an aesthetic of difficulty. -
Rive Suc 1977
JEUDI 1er SEPTEMBRE rive suc 1977 & ^ B# ri: im v;>i Saint-Basile Les chapelles de Varennes f seront classées Référendum 1 % Le ministère des Affaires cul- P sur le projet iureiies vient de faire connaî tre son intention de procéder :<!îj m w : : , au classement des chapelles Saint-Joachim et Sainte- » d’aréna, le Anne, à Varennes. La plus récente, celle de Sainte- m Anne, que I on aperçoit ci- 1 er octobre contre, a 114 ans. 'c: M — page 4 & — page 14 photo Réal Si-Jean, LA PRESSE ' -'"«A-;-»? : Hausse îz .i « i des ':1 E v? HI repas à la * Découvertes $ I m g I au fort régionale V ? V; il de Chambly de Chambly $ | a — page 10 Le ministère des Affaires in F diennes a accordé des cré Êâ dits supplémentaires pour la W poursuite, en septembre, des recherches archéologiques ••1 -j- -v' Les Jeux entreprises au fort de Cham- ' bly. C'est après avoir décou vert de nouvelles fondations Nécessité m d'une bâtisse datant du régi me français, et qu'on ne re d’une f trouve pas dans les plans OB existants du fort, que les «a.' :'jj chercheurs ont demandé et remise obtenu la permission de con m en m tinuer leurs travaux. fms Wi# N ■ 1? ' . question y#. % 9Sr ->- ^ ; \ ■fx Sïî % • • . -,y 'M 3 e „ — page 15 — page 2 photo Réal St-Jean, LA PRESSE m CHRYSLER PLYMOUTH VOLARÉ Vlymoiitfi %- A -• k UIMM I K LI CAMIONS DODGE m Wiïh . ▲ < I NI ERE . I (SCIEE SmviCF I i] « war $ K ...............m . -
26727 Consignor Auction Catalogue Template
Auction of Important Canadian & International Art September 24, 2020 AUCTION OF IMPORTANT CANADIAN & INTERNATIONAL ART LIVE AUCTION THURSDAY, SEPTEMBER 24TH AT 7:00 PM ROYAL ONTARIO MUSEUM 100 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario ON VIEW Please note: Viewings will be by appointment. Please contact our team or visit our website to arrange a viewing. COWLEY ABBOTT GALLERY 326 Dundas Street West, Toronto, Ontario JULY 8TH - SEPTEMBER 4TH Monday to Friday: 9:00 am to 5:00 pm SEPTEMBER 8TH - 24TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm Sunday, September 20th: 11:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 2 COWLEY ABBOTT | September Auction 2020 Cowley Abbott Fine Art was founded as Consignor Canadian Fine Art in August 2013 as an innovative partnership within the Canadian Art industry between Rob Cowley, Lydia Abbott and Ryan Mayberry. In response to the changing landscape of the Canadian art market and art collecting practices, the frm acts to bridge the services of a retail gallery and auction business, specializing in consultation, valuation and professional presentation of Canadian art. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, holding semi-annual live auctions, as well as monthly online Canadian and International art auctions. Our frm also ofers services for private sales, charity auctions and formal appraisal services, including insurance, probate and donation. -
African American Heritage Trail
Robinson family home 1 Rokeby Museum Described as “unrivaled” by the National Park Service, Rokeby Museum is a National Historic Landmark and preeminent Underground Railroad site. “Free and Safe: One of many farm buildings The Underground Railroad in Vermont,” introduces visitors to Simon and Jesse – two historically documented fugitives from slavery who were sheltered at Rokeby in the 1830’s. The exhibit traces their stories from slavery to freedom, introduces the abolitionist Robinson family who called Rokeby home for nearly 200 years, and explores the turbulent decades leading up to the Civil War. Once a thriving Merino sheep farm, Rokeby retains eight historic farm buildings filled with agricultural artifacts along with old wells, stone walls and fields. Acres of pastoral landscape invite a leisurely stroll or a hike up the trail. Picnic tables are available for dining outdoors. Rowland Thomas and Rachel Gilpin Robinson Vermont Folklife 3 Center Daisy Turner, born in June 1883 to ex-slaves Alexander and Sally Turner in Grafton, Vermont, embodied living history during her 104 years as a Vermonter. Her riveting style of storytelling, reminiscent of West African griots, wove the history of her family from slavery until her death in 1988 as Vermont’s oldest citizen. The Vermont Folklife Center recorded over 60 hours of interviews with Daisy. A selection of these audio recordings, plus photographs and video relating to Daisy and the Turner family, are part of an interactive listening exhibit for visitors to the Center. The full collection of Great Convention Turner materials in the Folklife Center Archive is available 2 Historic Marker to qualified researchers by appointment only. -
9.9.2020 Press Release Alexander Twilight Birthday Celebration Week
For Immediate Release September 9, 2020 Contact: Drew Bush Cell: (802)274-7069 / Office: (802)754-2022 [email protected] Alexander Lucius Twilight Birthday Celebration Week Kicks-Off With U.S. Representative Peter Welch Historic Brownington Village, Vermont—At 1:00 PM on Sunday, September 20th, the Old Stone House Museum & Historic Village will begin four days of celebrations for Alexander Twilight Day with United States Representative Peter Welch, state officials, and distinguished guests. The dedication will include the installation of a new State of Vermont Roadside Historic Site Marker and the reading of the concurrent resolution designating September 23 as Alexander Twilight day throughout the state of Vermont. “We are so pleased to begin to acknowledge the accomplishments, legacy and influence on the lives of Northeast Kingdom residents of this 19th century African American educator,” Carmen Jackson, Old Stone House Museum & Historic Village Board of Trustees President, said. The ceremony will be recorded live by Kingdom Access Television and Northeast Kingdom Television and broadcast on Mr. Twilight’s birthday on Wednesday, September 23, 2020. On July 1, 2020, United States Representative Peter Welch read a celebration and remembrance of Mr. Twilight into the United States Congressional Record. In the Vermont State House, Alexander Twilight's birthday, September 23, was officially designated as Alexander Twilight Day on June 19, 2020. The concurrent resolution was sponsored by Vermont Senators John Rodgers and Robert Starr and Vermont State Representatives Vicki Strong of Albany, Lynn Batchelor of Derby, Mark Higley of Lowell, Paul Lefebvre of Newark, Michael Marcotte of Coventry, Woodman Page of Newport City, Brian Smith of Derby, and Samuel Young of Greensboro and. -
Fine Canadian Art
HEFFEL FINE ART AUCTION HOUSE HEFFEL FINE ART FINE CANADIAN ART FINE CANADIAN ART FINE CANADIAN ART NOVEMBER 27, 2014 HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE ISBN 978~1~927031~14~8 SALE THURSDAY, NOVEMBER 27, 2014, TORONTO FINE CANADIAN ART AUCTION THURSDAY, NOVEMBER 27, 2014 4 PM, CANADIAN POST~WAR & CONTEMPORARY ART 7 PM, FINE CANADIAN ART PARK HYATT HOTEL, QUEEN’S PARK BALLROOM 4 AVENUE ROAD, TORONTO PREVIEW AT HEFFEL GALLERY, VANCOUVER 2247 GRANVILLE STREET SATURDAY, NOVEMBER 1 THROUGH TUESDAY, NOVEMBER 4, 11 AM TO 6 PM PREVIEW AT GALERIE HEFFEL, MONTREAL 1840 RUE SHERBROOKE OUEST THURSDAY, NOVEMBER 13 THROUGH SATURDAY, NOVEMBER 15, 11 AM TO 6 PM PREVIEW AT UNIVERSITY OF TORONTO ART CENTRE 15 KING’S COLLEGE CIRCLE ENTRANCE OFF HART HOUSE CIRCLE SATURDAY, NOVEMBER 22 THROUGH WEDNESDAY, NOVEMBER 26, 10 AM TO 6 PM THURSDAY, NOVEMBER 27, 10 AM TO 12 PM HEFFEL GALLERY, TORONTO 13 HAZELTON AVENUE, TORONTO ONTARIO, CANADA M5R 2E1 TELEPHONE 416 961~6505, FAX 416 961~4245 TOLL FREE 1 800 528-9608 WWW.HEFFEL.COM HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE CATALOGUE SUBSCRIPTIONS A Division of Heffel Gallery Inc. Heffel Fine Art Auction House and Heffel Gallery Inc. regularly publish a variety of materials beneficial to the art collector. An TORONTO Annual Subscription entitles you to receive our Auction Catalogues 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 and Auction Result Sheets. Our Annual Subscription Form can be Telephone 416 961~6505, Fax 416 961~4245 found on page 116 of this catalogue. -
Chamber Honors Excellence Concluded a Highly Preliminary Department-By-Department Her Neighbors Bee’S Wrap, Dr
MONDAY EDITION ADDISON COUNTY Vol.INDEPENDENT 31 No. 24 Middlebury, Vermont Monday, October 28, 2019 48 Pages $1.00 Special United Bristol Police District Middlebury woman pleads Way section innocent in flagger fatality expansion reshelved MIDDLEBURY — A Haven Junction. • A special section profiles By CHRISTOPHER ROSS “It was good to get feedback Middlebury woman on Oct. 21 If convicted, 49-year-old the many ways the United BRISTOL — After and comments from people,” pleaded innocent to felony charges Jennifer Bergevin faces up to 15 Way of Addison County surveying town residents, the said Bristol Police Chief of drugged driving and gross years in jail — on each count, serves those in need. See Bristol Town Wide Police Bruce Nason, even though the negligent operation of a vehicle according to a court affidavit filed Pages 19-30. District Committee (PDC) committee decided not to add — both with death resulting by Vermont State Police Trooper decided at its Oct. 23 meeting more police officers or expand — in connection with an Aug. Jacqueline June, lead investigator to recommend maintaining its coverage to the entire town. 23 incident during which she is in the case. She had initially been the status quo. (See Bristol, Page 47) alleged to have struck and killed a cited for gross negligent operation construction site flagger near New (See Bergevin, Page 37) New site picked for solar farm Low Lily takes College proposal stage at THT • Brattleboro-based folk draws opposition band Low Lily brings 20 By JOHN FLOWERS years of talent to town. MIDDLEBURY — Middlebury College and Encore See Arts Beat Page 10. -
NINA MAY (PICKEL) OWENS, 1869–1959: ENGLISH QUEBEC’S EARLY “INDEPENDENT” WOMAN/ARTIST1 Lesley Tarasoff Bishop’S University
JETS #32 Q8:text 23/04/09 12:38 PM Page 89 NINA MAY (PICKEL) OWENS, 1869–1959: ENGLISH QUEBEC’S EARLY “INDEPENDENT” WOMAN/ARTIST1 Lesley Tarasoff Bishop’s University Lesley Tarasoff is a fourth year student of History and Women’s Studies at Bishop’s University. She is the Students’ Representative Council’s Corporation Representative, the President of Bishop’s chapter of the Golden Key International Honors Society, and a key member of the Diversity Coalition. She is currently applying to graduate school in the field of Women’s and Gender Studies. Under the supervision of Bishop’s professors, Dr. Jean Manore and Dr. Cheryl Gosselin, and with the financial support of the Eastern Townships Research Centre, Ms. Tarasoff had the opportunity to delve into the Margaret Owens archival holdings, the Brome County Historical Association archives and the Montreal Museum of Fine Arts Library and Archives, in addition to having the chance to review archival material collected by Margaret Owens, Nina Owens’ granddaughter. Ms. Tarasoff’s spent a year exploring the life and work of Nina May (Pickel) Owens and it can clearly be seen in the article below that the young 21st century student connected and indeed fell in love with the 19th century Eastern Townships artist. —Editor ABSTRACT Nina May (PicKeL) Owens, one of Canada’s earLiest women artists, was born in BoLton Centre, Quebec, on June 16, 1869. Though few have heard her name and seen her work, Nina’s life and experiences as both a woman in the domestic sphere and as an artist provide a weaLth of KnowLedge about women and women artists of her time. -
7 Annual Best in Class Invitational Case Competition
7th Annual Best in Class Invitational Case Competition November 16-17, 2012 Judges Panel Judges Panel-Semi Final Competition: David A. Brown, (Lead Judge) Counsel, Davies Ward Phillips & Vineberg, LLP Former Chairman, Ontario Securities Commission David Brown is Counsel at Davies Ward Phillips & Vineberg LLP focusing on Capital Markets and Corporate/Commercial practices. For seven years he was Chairman and Chief Executive Officer of the Ontario Securities Commission (OSC). Prior to joining the OSC, he was a senior corporate law partner with a predecessor law firm for 29 years, focusing on mergers and acquisitions, corporate finance and reorganization. Mr. Brown has played significant roles in national and international regulatory bodies. He was the founding chair of the Council of Governors for the Canadian Public Accountability Board, a national body he helped form to oversee the audits of Canadian publicly-listed companies. He was a founding member of the Audit and Assurances Standards Oversight Council (“AASOC”) and served as its Chair for three years. He served for six years as a member of the Public Interest Oversight Board (“PIOB”), a body formed by international regulatory and supervisory bodies to oversee the standards-setting and other public interest activities of bodies sponsored by the International Federation of Accountants (“IFAC”). In 2007, he was appointed by the Canadian Government to investigate the RCMP's handling of complaints about alleged pension and insurance plan improprieties. Subsequently, he was appointed to Chair a Task Force to examine issues of culture and governance within the RCMP. David received his Bachelor of Civil Engineering from Carleton University and his LL.B from the University of Toronto. -
On Art Clubs and Classrooms: Navigating Artist/Teacher Identities by Looking at Anne Savage and Arthur Lismer
On Art Clubs and Classrooms: Navigating Artist/Teacher Identities by Looking at Anne Savage and Arthur Lismer Joanna Black, University of Manitoba This article is dedicated to: students I have taught who are on the brink of pursuing careers in art education while desiring to foster their professional art practice, and Leah Sherman, and her part in the enriched experiences I had in the 1980s at Concordia University and the Museum of Fine Arts in Montreal. Through her, I was touched by the legacies of both Anne Savage and Arthur Lismer. “Do you think I can still ‘make’ my art when I teach?’ ask many soon to be teachers on the cusp of graduating from Bachelor of Education programs. They are uncertain about their ability to maintain their emerging artistic practice while teaching, and it is fitting to ask this key question given the two key role models seen by today’s graduates. On the one hand, their own university studio teachers are a dominant model representing the leading edge of art practice through the few tenure track positions at Schools of Art within higher education at the university. These young professional artists simultaneously maintain their ongoing artwork and exhibitions while having a career as a university art instructor/professor and it is expected and indeed vital that they continue art production. The second model, and the most immediate career path for most graduates in Art Education is within the kindergarten to grade twelve (K-12) public and alternative teaching profession, where there are few, if any professional expectations, pressures (or support) for K-12 art teachers to maintain a professional art practice.