ПРЕГЛЕДНИ РАД УДК: 811.111.09-22"14/15" ИД: 199687180 DOC. DR SLOBODAN D. J OVANOVIĆ1 FACULTY OF L AW AND B USINESS S TUDIES „ DR L AZAR V RKATIC”, DEPARTEMENT OF E NGLISH L ANGUAGE, N OVI S AD CONTRIBUTION OF JONSON’S YOUNGER CONTEMPORARIES TO DEVELOPMENT OF THE ENGLISH RENAISSANCE COMEDY 2 ABSTRACT. The starting point of this article lies in the fact that among the later post- Shakespearean dramatists there are no pure comediographers. Like Shake- speare himself, they wrote all kinds of drama, following not so much their in- clinations as the changing fashions and the taste of the theatre-going public. This means that in the case of Shakespeare’s successors, under Charles I (1625-1642), the word is of authors whose main work lay in other fields. The paper intends to show that although still plentiful in the first two decades of the seventeenth century, the comedy was declining in quality. Its satire grew more superficial, limited to transitory follies of humours – many were imitat- ing Ben Jonson in this. Intrigue and entertainment were growing more im- portant than character or criticism of life. To be singled out deserve authors of the few good comedies produced in Jonson’s times, with the review of their general characteristics. KEY WORDS: comedy, humours , satire, collaboration, entertainers. 1
[email protected] 2 РаM је Vримљен 27. марFа 2013, а Vрихваћен за оXјављивање на сасFанку РеMакције ЗXорника оMржаном 1. јула 2013. 241 ЗБОРНИК РАДОВА Ф ИЛОЗОФСКОГ ФАКУЛТЕТА ХLIII (1)/2013 INTRODUCTION Benjamin, or Ben, Jonson (1573?-1637) was the central literary per- sonality of his time, or, more precisely, during the first two decades of the seventeenth century.