Xzibit Text by Joel Marasigan
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Wall" COUNTRY Jessica Breaks Top 20
FEBRUARY 25, 2000 ISSUE 2293 THE MOST TRUSTED NAME IN RADIO $PCAIN$1ill "Deliriously wonderful! Twangy Can Country Slow Dance? guitars, rhythmic thump, vocal personality, and a classic of a MUSIC country song. This just might be my favorite single released so far in TOP 40 2000. A star is born!" Faith Causes - /2a6 7C CUen«m Heavy Breathing RHYTHM CROSSOVER Thong Song Exthplodes "flowersi on the wall" COUNTRY Jessica Breaks Top 20 NEWS Tony, Elton "Stunning" In SF Sirius, XM In Joint Venture from the Gets Of '99 Ad $$$ Radio 8.2% forthcoming Mercury Records CO Er Cassette Home of thee Seminar in Radio 44>NASHVILLE swimming in champagne c 2000 Mercury Records From the Publishers of Music Week, MBI and fono visit www.mercurynashville.coin A Miller Freeman Publication praRisaed ericheatherly.com . Fslairayea'drj !da eddy TCoderfss Co,:aae, www.americanradiohistory.com ark. -.ills Kathy .attea Neffi Coty Jafflie I'Neal Eric Heatherly LkA T Terri Clark M Ei,3CLIAY 1-) i ill you experence the future 111. YYlI<COMar 03000 MaRury Records, a Universal Musk Colnpar y www.americanradiohistory.com Tony, Elton Kick Off "Super Thursday" "That was one super Thursdar, That's how one radio programming vi- üesuiueu mu /C13 ,11 ill n lull Llay I GAVIN Seminar 2000, which led off with Tony Bennett delivering a stellar SRO performance at noon at the Hyatt Regency, and Elton John cappine ! -L-ow th' unt"l Riveting with a phennrrrr. just up the h I! -et Fáirmort "Congratulations on yet another successful GAVIN seminar. The panels were riveting, the Internet day was cutting edge, the acts were solid and Bennett Stuns Sir Elton Delivers wonderful. -
Tom Jennings
12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd. -
4 | 2017 Volume 8 (2017) Issue 4 ISSN 2190-3387
4 | 2017 Volume 8 (2017) Issue 4 ISSN 2190-3387 Editorial: A Christmas Gift by Séverine Dusollier Designing Competitive Markets for Industrial Data – Between Propertisation and Access Law and Electronic Commerce Information Technology, Intellectual Property, Journal of by Josef Drexl From Cyberpunk to Regulation – Digitised Memories as Personal and Sensitive Data within the EU Data Protection Law by Krzysztof Garstka Copyright, Doctrine and Evidence-Based Reform by Stef van Gompel Non-Commercial Quotation and Freedom of Panorama: Useful and Lawful? by Eleonora Rosati Where is the Harm in a Privacy Violation? Calculating the Damages Afforded in Privacy Cases by the European Court of Human Rights by Bart van der Sloot Editors: Thomas Dreier Axel Metzger Gerald Spindler Lucie Guibault Miquel Peguera www.jipitec.eu Séverine Dusollier Chris Reed Karin Sein Journal of Intellectual Property, Information Technology and Electronic Commerce Law Table Of Contents Volume 8 Issue 4 December 2017 www.jipitec.eu [email protected] A joint publication of: Articles Prof. Dr. Thomas Dreier, M. C. J., KIT - Karlsruher Institut für Technologie, Zentrum für Angewandte Rechtswissenschaft (ZAR), Vincenz-Prießnitz-Str. 3, Editorial: A Christmas Gift 76131 Karlsruhe Germany by Séverine Dusollier 255 Prof. Dr. Axel Metzger, LL. M., Humboldt-Universität zu Designing Competitive Markets for Industrial Data – Between Berlin, Unter den Linden 6, Propertisation and Access 10099 Berlin by Josef Drexl 257 Prof. Dr. Gerald Spindler, Dipl.-Ökonom, Georg-August- From Cyberpunk to Regulation – Digitised Memories as Personal Universität Göttingen, and Sensitive Data within the EU Data Protection Law Platz der Göttinger Sieben 6, by Krzysztof Garstka 293 37073 Göttingen Copyright, Doctrine and Evidence-Based Reform Karlsruhe Institute of Technology, by Stef van Gompel 304 Humboldt-Universität zu Berlin and Georg-August-Universität Non-Commercial Quotation and Freedom of Panorama: Göttingen are corporations under Useful and Lawful? public law, and represented by their respective presidents. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
M-Phazes | Primary Wave Music
M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft. -
Xzibit, My Writes (Feat
Xzibit, My Writes (feat. de la Soul, Tha Alkaholics) (dove) Yo - who hold guns and rock ice bigger than life; Got bitches throwin they drawers on stage - that ain't me! I raise kids, push whips, piss an mc Love money like I love my moms Love my nigga com sense when he bang dents all up in they wallets Wall to wall bullshit I got hardwood floors Set sail for tour ever since eighty-nine So y'all are fuckin the same hoes who used to be mine (tash) And I've been waitin three summers to rhyme longside my people Rico, de la, inject you with the lethal Dose of hop-hippin if you thought catash was slippin Then put that drink down, you drunk off what you sippin Catash put the dip in dip dive socialize Fuck around with me and next you'll find yo' crib burglarized (xzibit) Yo you better recognize and try to analyze this Hand over fist - how can a man act like a bitch? Change and switch, snitch on his crew Yo get rid of the niggaz before the same thing happen to you (pos) And they'll leave your ass sticky like glue Blood leakin out, girls freakin out, motherfuckin cops tweakin out Got you on your knees like a freak, jugglin deez nuts Smugglin these cuts from s.c., you best be- -lieve there's no web or leave a net We done swallowed 40 bottles of threat, yo Chorus: all together What you know about my writes? (my writes) What you know about what's weak, what's tight? And what you know about an off night? (uhh) What you know about niggaz frontin for the light? And what you know about them gun fights? (gun fights) Got a nigga duckin while them girls show -
Issue 1 Page 8 FINAL.Indd
PAGE 8 Entertainment ‘Compton’ brings rapper Dr. Dre full circle Compton: A he got in the studio. Elliot Bauman Soundtrack by Dr. Before I noticed anything PRINT EDITOR-IN- Dre. Wow, the day sonically from this project though, CHIEF has finally come. before I even pressed play I was in awe Dre has released by the crazy features list. Dr. Dre is so a new album. For good about taking both superstars and the first time since I was two years old, underground artists and producers and Andre Young from Compton, California melding their talents to make some has produced and released a full-length great music. This is a recurring theme LP. stemming from the respect anyone in As alluded to, Compton is rapper/ the rap game must pay Dr. Dre. Names producer Dr. Dre’s first commercial like Snoop Dogg, XZibit and some release since the widely acclaimed of Compton’s own like The Game, release of his album “2001” in 1999. Kendrick Lamar, Anderson .Paak and, of Contrary to popular belief, it is not course, N.W.A. partner Ice Cube. The list a soundtrack for the movie “Straight is insane but all the credit goes to Dre Outta Compton,” although the two do for figuring out how to manage all of make nice companions. The album is a the egos and truly get the best qualities separate project dealing with Dr. Dre’s from everyone. The result is some of early life in Compton while alluding to the best feature work I’ve heard in 2015. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
Salomon Smith Barney RBC Dain Rauscher Inc
NEW ISSUE - BOOK ENTRY ONLY $69,475,000 $5,000,000 California State University, Fresno Association, Inc. California State University, Fresno Association, Inc. Auxiliary Organization Event Center Revenue Bonds, Auxiliary Organization Event Center Subordinate Revenue Bonds, Senior Series 2002 Subordinate Series 2002 Dated: January 15, 2002 Due: July 1, as shown on inside front cover The CaliforniaState University, Fresno Association, Inc. Auxiliary Organization Event Center Revenue Bonds, Senior Series 2002 and the California State University, Fresno Association, Inc. Auxiliary Organization Event Center Subordinate Revenue Bonds, Subordinate Series 2002 will be issued pursuant to an Indenture dated as of January 15, 2002 by and between the California State University, Fresno Association, Inc., a California nonprofit public benefit corporation, and U.S. Bank, N.A., as trustee. The Series 2002 Bonds will mature on the dates and in the amounts listed on the inside front cover page. The Series 2002 Bonds will bear interest at the rates listed on the inside front cover page, payable on July 1, 2002 and on each January 1 and July 1 thereafter. Proceeds of the Series 2002 Bonds will be used to (i) finance the construction of a multi-purpose event center on the campus of the California State University, Fresno, to be known as "Save Mart Center," (ii) fund capitalized interest on the Series 2002 Bonds, (iii) fund reserve accounts and (iv) pay the costs of issuing the Series 2002 Bonds. The Series 2002 Bonds are limited obligations of the Corporation secured by the Event Center Project Revenues, and the Corporation's interest in a Ground Lease, the Bulldog Foundation MOU, the Student Seating Purchase Agreement and certain Project Documents, as described herein. -
THE GOVERNMENT GAZETTE of MAURITIUS Published by Authority
MA THE GOVERNMENT GAZETTE OF MAURITIUS Published by Authority No. 101 - Port Louis : Saturday 19 November 2016 - Rs. 25.00 TABLE OF CONTENTS GENERAL NOTICES 1720 — Legal Supplement 1721 — Acting Attorney General 1722 — Notice under the Land Acquisition Act 1723 — Appointment 1724 — Delegation of Power 1725 — Notice of Change of Address - Freeway Automobile Ltd 1726 — Notice for Public Inspection of EIA Report 1727 Notice Published under Section 56(3)(a) of the Prevention of Corruption Act 2002 to (POCA 2002) 1728 1729 — Notice for Public Inspection of Decision on EIA Applications 1730 to Change of Name 1742 1743 — Composition of the Professional Architects’ Council for Period 2016 to 2018 1744 to Notice under the Companies Act 1746 1747 to Notice under the National Transport Authority 1749 1750 ' to Notice under the Patents, Industrial Designs & Trademarks Act 1752 . LEGAL SUPPLEMENT See General Notice No. 1720 4566 The Mauritius Government Gazette General Notice No. 1720 of 2016 Quatres Bornes in the district of Plaines Wilhems LEGAL SUPPLEMENT for the public purpose of constructing the Phoenix - Beaux Songes Link Road. The undermentioned Government Notices are published in the Legal Supplement to this number DESCRIPTION of the Government Gazette: Portion No. 33B (Serial No.240B) [PIN 1923100344] of an extent of four hundred and The Value Added Tax (Amendment) Regulations ninety one and ninety five hundredths square 2016. metres (491.95 m2) is excised from a portion of land (Government Notice No. 240 of 2016) of an extent of one thousand two hundred and forty The Financial Services (Amendment of eight square metres (1248 m2) belonging to Mrs Schedule) (No. -
Schweitzer, Jason
JASON SCHWEITZER SELECTED MIXER & ENGINEER CREDITS: Aer Aer (Self-Release) M Limp Bizkit Stampede of the Disco Elephants (Cash Money Records) E Aloe Blacc Selected tracks from Lift Your Spirit (Interscope) E M Ed VT Eric Zayne Neptune (What If Records) M Talib Kweli Prisoner of Conscious (Blacksmith Records) M Mayer Hawthorne How Do You Do (Universal Republic) M Macy Gray Covered (SLG) E John Legend Forthcoming Album (Sony) E Pussycat Dolls Don't Cha from PCD (Pussycat Dolls) E M The Kin Live At the Pussycat Club (Alethia) E M Hit Boy & Chase Chase mixtape E M Ashley Martinez Letting Go - Canadian Single (Create) M Dawn Richard Love Won't Lose - Single (Universal) E Idle Warship "Systematic", "Laser Beams" and "Are You In" M from Habits of the Heart (Blacksmith/Element 9) Game Drug Test ft. Dr. Dre & Snoop Dogg - Single (DGC/Interscope) M Sax Cori B. Do My Thang Single (Boss Lady) M Macy Gray Stand Up from For Colored Girls Soundtrack (Atlantic) E M The New Royales Forthcoming Album M Ashanti Get Lost Together - Single, Me and My Baby (Universal) E Chin Injeti Mask feat. Knaan - Remix M Eminem Won't Back Down Feat. Pink from Recovery (Aftermath) E Rich Boy Forthcoming Album (Interscope/Zone 4) E Strong Arm Steady Arms and Hammers (Blacksmith) M Asher Roth G.R.I.N.D. [Get Ready It's A New Day] - Single (Universal) E M The Red Jumpsuit Apparatus Choosing Sides (Universal) E Dr. Dre Forthcoming Album [Detox] (Aftermath) E Talib Kweli Sucker for Love feat. Jean Grae (Blacksmith) M New Boyz Tough Kids feat. -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine.