LONDON WALL by John Van Druten
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A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
De'borah Passes the 1,2,3 Test
Imagine Croydon – we’re Who is the all-time Top tips to keep offering you the chance top Wembley scorer your home safe from to influence the way our at Selhurst Park? unwanted visitors borough develops Page 8 Page 12 Page 2 Issue 28 - April 2009 yourYour community newspaper from your councilcroydonwww.croydon.gov.uk Wandle Park lands £400,000 jackpot Residents’ vote brings cash bonanza to fund community improvements. The Friends of Wandle River Wandle – returning The £400,000 brings the Park are jumping for joy surface water to the total funding for the park to at having won £400,000 town for the first time £1.4m, adding to the £1m from the Mayor of London in 40 years and bringing funding secured from the to give their favourite open social and environmental Barratt Homes development space a radical makeover. benefits to the area. adjoining the park. And the money comes Restoration of the Mark Thomas, chairman thanks to the fantastic Wandle, a tributary of the Friends of Wandle response of residents to of the Thames, will Park, said: “It’s great to the call for them to vote see the forming of see that all the work that and help bring the much- an adjoining lake. we put into promoting needed funding to Croydon. Other enhancements the potential of our local Wandle Park gained planned for Wandle park has paid off. the second highest number Park include sprucing “We look forward to of votes in London, with up the skate park and working with the council 5,371 people supporting it. -
Tina Turner Said: “I First Met Aisha During Early Rehearsals for Our Show
AISHA JAWANDO TO PLAY TITLE ROLE IN T I N A - T H E T I N A T U R N E R M U S I C A L AT THE ALDWYCH THEATRE Aisha Jawando, who has been with the Company since its world premiere in Spring 2018, steps up to play the title role in TINA – THE TINA TURNER MUSICAL from 8 October 2019. Having originally played Tina’s sister Alline Bullock, Jawando has subsequently performed the iconic role of Tina at certain performances. Tina Turner said: “I first met Aisha during early rehearsals for our show. She was in our original West End Company playing my sister Alline and I loved her performance. It has been special to watch her journey with us and see the development of her extraordinary talent. I am so pleased that Aisha will now lead our company through its next chapter here in London.” Aisha Jawando said: “I have loved being part of this show from the very beginning, and I am thrilled to have the opportunity to play this exceptional role. Tina Turner is such an inspirational woman and I hope that I continue to make her proud.” Based on the life of legendary artist Tina Turner, TINA – THE TINA TURNER MUSICAL will continue its open-ended run in London at the Aldwych Theatre with new seats on sale this Autumn. Jawando takes on the leading role from Nkeki Obi-Melekwe, who will join the Broadway company later this year to play Tina at certain performances. Adrienne Warren, who originated the role here in the West End, will lead the Broadway cast. -
Edinburgh International Festival Society Papers
Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62. -
Demarcating Dramaturgy
Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement. -
MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets. -
April 07Cal.Pmd
April ’07 EXHIBITS In the Main Gallery 4 WEDNESDAY 11 WEDNESDAY 17 TUESDAY 24 TUESDAY JUDITH HUTTNER: Inner Sanctum, water- A BIRTHDAY TRIBUTE TO BETTE DAVIS: A BIRTHDAY TRIBUTE TO BETTE COOKING WITH GRANNY OR GRAMPY: SHAKESPEARE, PART I: Aspects of Love. colors, through April 26. Sponsored by the William Wyler’s Jezebel (1938-103 min.). A DAVIS: What Ever Happened to Baby Jane Register beginning April 17 for a workshop This literary dash through several of the Art Advisory Council. Southern belle (Bette, winning her second (1962-133 min.). Aging, demented child on Saturday, May 12 at 11 a.m. You don’t Bard’s plays will explore the many splen- In the Photography Gallery Oscar) goes too far to make her fiancé star Baby Jane Hudson (Davis) torments have to be a grandparent to attend this fun, dors, as well as the many frustrations, in- (Henry Fonda) jealous. Clements Ripley, her sister Blanche (Joan Crawford), a hands-on “cooking” workshop with the spe- herent in male/female relationships. Join MARK BERGHASH: I’s Closed I’s Open: Abem Finkel and John Huston scripted, from former movie actress crippled in an auto ac- cial child or children in your life. Chef Frank Shakespeare scholar John Broza, retired The Inner Self, through April 30. Look for the play by Owen Davis, Sr. Max Steiner cident. Lukas Heller scripted this suspense Miale will show how to make classic no-bake Schreiber English Department Chairman, a slide talk with Mark Berghash on Mon- composed the score. 12 noon. classic, from Henry Farrell’s novel, for pro- snacks such as Rice Krispie Treats, s’mores for an enthusiastic and authoritative explo- day, April 16 at 7:30 p.m. -
(Public Pack)Supplement Agenda To
Public Document Pack General Purposes & Audit Committee Supplementary Agenda 4. Brick by Brick Audit Report (Pages 3 - 30) The draft Brick by Brick Director’s Report and Financial Statements 2018-19 are attached at Appendix 1. 5. Financial Performance Report (Pages 31 - 72) This report presents to the Committee progress on the delivery of the Council’s Financial Strategy. 6. Audit Findings Report (Pages 73 - 266) The reports include the Council’s management responses to the recommendations. 7. Annual Governance Statement (Pages 267 - 296) This report details the Annual Governance Statement (AGS), for 2018/19 at Appendix 1. JACQUELINE HARRIS BAKER Michelle Gerning Council Solicitor and Monitoring Officer 020 8726 6000 x84246 London Borough of Croydon [email protected] Bernard Weatherill House www.croydon.gov.uk/meetings 8 Mint Walk, Croydon CR0 1EA This page is intentionally left blank Agenda Item 4 REPORT TO: GENERAL PURPOSES & AUDIT COMMITTEE 23 JULY 2019 SUBJECT: AUDIT REPORT FOR BRICK BY BRICK CROYDON LTD 2018-19 ACCOUNTS LEAD OFFICER: JACQUELINE HARRIS-BAKER EXECUTIVE DIRECTOR OF RESOURCES CABINET MEMBER: COUNCILLOR ALISON BUTLER CABINET MEMBER FOR HOMES AND GATEWAY SERVICES AND DEPUTY LEADER (STATUTORY) COUNCILLOR SIMON HALL CABINET MEMBER FOR FINANCE AND RESOURCES WARDS: ALL CORPORATE PRIORITY/POLICY CONTEXT/AMBITIOUS FOR CROYDON: The preparation and publication of the Brick by Brick Croydon Ltd (BBB) final accounts provides assurance that the company’s overall financial position is sound. This underpins the delivery of the company’s business plan and the achievement of its key corporate objectives. Strong financial governance and stewardship ensures that the company’s resources are allocated in an effective and responsible way that enables it to deliver multi-tenure housing across the borough in a manner that is commercially efficient, and thereby maximizes the return to the company’s sole shareholder, the London Borough of Croydon. -
The Echo 7.Pdf
ISSUE 7 // OCTOBER 2013 THE ECHO OBBY AITKEN | GILL ALLEN | RACHEL ARCHIBALD | PAUL ARDITTI | CHRISTOPHER ASHWORTH | TOM ASPLEY | HELEN ATKINSON | KELSH B-D | DAN BAILEY | SIMON BAK DANIEL BALFOUR | HAMISH BAMFORD | ALEX BARANOWSKI | HARRY BARKER | CHRIS BARLOW | DAVID BARTHOLOMEUSZ | MIKE BEER | SIMON BEESLEY | RICHARD BE OB BETTLE | DOMINIC BILKEY | SIMON BIRCHALL | ZOE BLACKFORD | BRYONY BLACKLER | MARK BODEN | FRANK BRADLEY | AMY BRAMMA | DANNY BRIGHT | ALICE BROO TEVEN BROWN | NELA BROWN | RACHEL BROWN | ROSS BROWN | BORNEO BROWN | ANDREW BRUCE | CLIVE BRYAN | RICHARD BUGG | PAUL BULL | DAVID BURTON | HAR UTCHER | ALEX CAPLEN | RICHARD CARTER | SAM CHARLESTON | KERI DANIELLE CHESSER | KARL CHRISTMAS | GEORGE CHRISTOU | THOMAS CLACHERS | SHAUN CLARK | E LARKE | RICK CLARKE | GREGORY CLARKE | SAMUEL CLARKSON | ANDY COLLINS | JACK CONDELL | CRISPIAN COVELL | TOM COX | ANDREA J COX | MATT DANDO | BEN DAVI ONY DAVIES | SIMON DEACON | STUART DEAN | GEORGE DENNIS | IAN DICKINSON | ROBERT DONNELLY-JACKSON | CAROLYN DOWNING | OLIVER DRIVER | CHRIS DROHA RALPH DUNLOP | JEREMY DUNN | MARK DUNNE | ALEX DURRELL | CHANTELLE DYSON | STEPHEN EDWARDS | ED ELBOURNE | JEREMY ELLIS | PETER ELTRINGHAM ADISONTips ENGLISH and | GARETH tricks EVANS of| DAN the EVANS |trade AARON EVANS | CHRISTOPHER EVANS | ED FERGUSON | GREGG FISHER | ADAM FISHER | JAMIE FLOCKTON | AND ANKSFrom | SEBASTIAN Terry Jardine,Mic FROST | GARETH Pool, FRY Andrew| CHRIS FULL Bruce, | ADAM John FUNNELL Leonard, | PAUL Gareth GAVIN | Fry,JEREMY GEORGE | TUOMO GEORGE-TOLONEN | TOM -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
GOLDENHURST Lunech Wnith Cjuoliaun Cnlatry Eatr Geodldenhurst and a Review of His Recently-Published Novel ‘Briefs Encountered’
A MAGAZINE ABOUT THE LIFE AND WORK OF SIR NOËL COWARD • MAY 2012 News and views of the Star Quality exhibition - and the ‘Noël Coward in New York’ festival. GOLDENHURST LunEch wnith cJuoliaun Cnlatry eatr Geodldenhurst and a review of his recently-published novel ‘Briefs Encountered’. Noël Coward at ‘Look Out’ - Firefly, Jamaica PRODUCED AND PUBLISHED BY THE INTERNATIONAL NOËL COWARD SOCIETY - 1- www.noëlcoward.net hat an amazing month March was! Apart from reasonable weather, two of the most significant events for me marked an early opening of Spring EDITORIAL long before an Easter chick was a wink in a cockerel’s eye. Out of the blue came a charming invitation from Julian Clary for the officers of the Society to visit The Old Manor - but forever Goldenhurst in the eye of the Coward faithful - for lunch and a celebration of the completed renovation of Noël’s country retreat in Kent and the publication of Julian’s novel Briefs Encountered. As Daniel Massey said once about an invitation to Noël’s for lunch, “Well, you don’t turn that down!” And we didn’t! More on the visit in this edition. The climax of the month was the opening of Star Quality - The World of Noël Coward at the Lincoln Center in New York. This exhibition has been rightly trumpeted in Home Chat for the past few editions and the result did not let the herald down. This really is an impressive achievement. As a result of an initial partnership between the New York Public Library for the Performing Arts (NYPL) and The Noël Coward Foundation (NCF) the idea was born - and together with other partners - the exhibition was created.