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1-19,22-40 PTFF 2012.Indd 6 how to fest 2012 PTFF FIRST HOW TO SEE THE THINGS FIRST FILM OF YOUR CHOICE Check in at the Sixty minutes before show time go to the venue and pick up a numbered ticket. A Hospitality Center, ticket in your hand guarantees you a seat. Cotton Building, Venues distribute numbered tickets on a 607 Water Street. first-come, first-served basis. Once you Hours: have picked up your ticket, you may leave the line until 30 minutes before show time, Thursday, 11 a.m.–6 p.m., Friday, 8 at which time you line up with other movie- a.m.–6 p.m., Saturday, 8 a.m.–6 p.m., goers according to your ticket number. Sunday, 8 a.m.–4 p.m. Thirty minutes before show time come At Hospitality, you can: back to the venue and find your num- Get passes bered place in line before the line starts to Upgrade your pass move into the theatre. If you have a numbered ticket and the line Have a cocktail at Area 51 Cocktail has started to move when you return to Lounge the venue, you’re still guaranteed a seat. Buy merchandise from the PTFF Store CONCIERGE SERVICE If you can’t find your numbered place, you simply join the back of the line. Directors Get info and daily newsletters for awards Our incredible concierge service is a and Moguls should look for the theatre and updates benefit for all Director and Mogul pass manager, who will direct you to your Buy DVDs and swag from filmmakers holders. Meet your concierge when you preferred entry. Meet your friends between films pick up your pass at Hospitality. You can set up your whole schedule immediately Latecomers: If you show up after the Check-in with LOST & FOUND or call throughout the weekend for per- 30-minute mark with any kind of pass and you don’t have a ticket, or you are sonal service. a Director or Mogul pass holder who See the back of your pass for a phone has not checked in with the concierge, number to connect you to our desk, go immediately to the theatre manager FESTIVAL PASSES headed by Amanda Steurer. Just let the for available tickets. If the house is sold concierge know what film you want to out, there will be time to get to a different see and the number of tickets you re- venue and still get a seat for another great One-up $35 includes one film quire. If there is no answer, leave a mes- film. Four-up $85 includes four films; sage with ticket request details and the pass can be shared with a friend concierge will call you back to confirm. Festival $185 unlimited films Your concierge takes care of all of the RUSH TICKETS $10, $20 Director $650 ($450 tax deductible) reservation details. All you have to do When a theatre doesn’t fill up with pass unlimited films is go to the theatre 20 minutes prior to holders, we sell tickets for that film. Rush-ticket buyers gather in the rush- Mogul $1,250 ($1,000 tax deduct- show time, look for a manager wearing ticket line. Once the pass holder line ible) unlimited films a black baseball hat and collect your ticket(s) from him or her. The manager starts moving, the theatre managers know All passes come with one-year will guide you to the preferred seating exactly how many seats are available. PTFI membership. Members get entrance. Rush tickets for the special screenings of invitations to year-round events, “Wish Me Away” with Chely Wright and library privileges, and discounts If you’re unable to call the concierge “Smile” with Bruce Dern are $20; all other at the Rose Theatre and Pane d’ ahead of time, feel free to go to the film film rush tickets cost $10. Rush tickets Amore. Visit our website at www. venue up to an hour before show time are sold 15 minutes before the movie ptfilmfest.com/Festival/Passes and pick up tickets from the theatre begins until the lights go down. details. manager wearing a black baseball hat. Once you have your tickets, you are free Rush tickets are sold at theatres to wander off; but please be back 20 QUESTIONS? when pass-holder attendance has minutes before show time. Every venue line has one or two CROWD not reached capacity for $10 per LIAISONS who can answer your festi- seat, per film. Rush tickets for “Wish val questions. Those wearing a yellow Me Away” and “Smile” are $20. volunteer hat or a venue manager wearing a black baseball hat can assist you. You can find information booth locations on the festival map. 8 special events 2012 PTFF opening night event: “Reverberations” and Single screening of Yasujiro Ozu’s silent film “Woman of Tokyo,” installation “55: Music accompanied by a live performance of the original score by and Dance in Concrete” composer Wayne Horvitz Presented by Centrum, Fort Worden State Park Saturday and Sunday – Tokyo No Onna (Woman of Tokyo) Free Admission Japanese with English subtitles Live dance performances daily: Director: Yasujiro Ozu 11 a.m., 1:30 p.m. and 4 p.m. http://www.imdb.com/title/tt0024676/ Self-guided tour of the installation 11 a.m.–6 p.m. Japan/1933/47 min. Friday, 6:15 p.m., Rose Theatre This classic film will be accompanied live with an original jazz score played on piano by composer Wayne Horvitz and accom- panied by Geoff Harper, bass; Eric Eagle, drums; Jacques Willis, vibraphone; and Greg Sinabaldi, tenor sax and bass clarinet. Ozu’s sizzling melodrama is the story of Centrum, Washington’s Home for Creative Chikako, the dutiful woman of the title, who Arts and Education, in partnership with the does everything she can, both at home and Port Townsend Film Festival, inaugurates at work, to support the university education “Reverberations” with the world premiere of her younger brother Ryoichi. It emerges of a self-guided multi-media installation that Chikako, a typist by day, is not in fact titled “55: Music and Dance in Concrete.” spending her evenings assisting a profes- These works were created by Centrum Art- sor with translation, but instead is earning ists in Residence, including Seattle-based money on the side as an entertainer and composer Wayne Horvitz, Portland-based prostitute. Ryoichi fails to comprehend his audio engineer Tucker Martine, Japanese sister’s self-sacrificing motives with harrow- dancer/choreographer Yukio Suzuki, and Japanese video artist Yohei Saito. A por- ing consequences. tion of the music, which features 55 short Completed in just nine days, the film is improvised and 55 composed works, was a treasure among Yasujiro Ozu’s lifetime recorded in the Dan Harpole Cistern at Fort study of the rhythms and tensions of a country trying to reconcile modern and tra- Worden State Park, world-renowned for ditional values. Watch for his signature style: Static shots from the vantage point of its 45-second reverberation time. Thirty someone sitting low on a tatami mat, patiently pacing the isolated beauty of everyday minute dance performances by Yukio objects. Suzuki and his dance troupe from Japan Originally commissioned by the NW Film Forum, the “Woman of Tokyo” jazz project take place on top of the gun emplacement has been performed in Seattle, Syracuse and at the Winter Garden Theater in New platforms on Saturday and Sunday. A Discover Pass is not required for entry into York City. This performance is generously underwritten by Centrum, in collaboration the Park. Walking attire is recommended. with The Reverberations Festival (see sidebar). Limited shuttle service is available for mobility-impaired patrons. For directions and more information, log onto centrum. org/reverberations or call (360) 385-3102, Sponsored by ext. 110. “55: Music and Dance in Concrete” received initial funding from the MAP Fund and the Doris Duke Charitable Foundation, as well as support from the Arizona State University Art Museum where it presents following its premiere in Port Townsend. The project also receives support from the Japan Foundation through the PerformingArtsJAPAN program. The Centrum artist residency program is made possible by support from the Washington State Arts Commission and the Washington State Parks and Recreation Commission. 9 2012 PTFF Wish Me Away What Does a Producer Chely Wright appears with this fi lm on Do, Anyway? Friday night only! Saturday, 3:30 p.m., Directors: Bobbie Birleffi , Beverly Kopf Uptown Theatre Welcome producer Jeffery Kusama Hinte http://www.fi rstrunfeatures.com as he shares behind the scenes tales Saturday, 10 a.m., USA/2011/96 min. about introducing the concepts of this Upstage Theatre & Restaurant Friday, 6:30 p.m., Uptown Theatre remarkable fi lm “The Kids Are All Right” to an industry that had never before pre- With host Saturday, 12:15 p.m., sented non-traditional family issues in the Sedge Maritime Center Theatre context of a major motion picture. Writes Thomson Kusama Hinte: “‘The Kids Are All Right’ serves as a good example of the good, “Wish Me the bad, the ugly … and the really terrible- This lively, en- Away” has awful-horrible. It started off wonderfully tertaining and left audiences well. And then…” Join the producer for informative cheering! We an interview and the rest of the conversa- National Public share the tion following the screening of this ground Radio program is journey of a breaking fi lm. returning to Port young girl Townsend once from Kansas Featuring: again! WCL is a who makes live two hour radio the decision The Kids Are All Right variety show that that a life has been a Satur- Director: Lisa Cholodenko of integ- day morning Bay rity is worth USA/2011/106 min.
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