Searchable PDF Format
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Confession, Redemption, and Death: Liu Xiaobo and the Protest Movement of 1989
Confession, Redemption, and Death: Liu Xiaobo and the Protest Movement of 1989 Geremie Barmé1 There should be room for my extremism; I certainly don’t demand of others that they be like me... I’m pessimistic about mankind in general, but my pessimism does not allow for escape. Even though I might be faced with nothing but a series of tragedies, I will still struggle, still show my opposition. This is why I like Nietzsche and dislike Schopenhauer. Liu Xiaobo, November 19882 I FROM 1988 to early 1989, it was a common sentiment in Beijing that China was in crisis. Economic reform was faltering due to the lack of a coherent program of change or a unified approach to reforms among Chinese leaders and ambitious plans to free prices resulted in widespread panic over inflation; the question of political succession to Deng Xiaoping had taken alarming precedence once more as it became clear that Zhao Ziyang was under attack; nepotism was rife within the Party and corporate economy; egregious corruption and inflation added to dissatisfaction with educational policies and the feeling of hopelessness among intellectuals and university students who had profited little from the reforms; and the general state of cultural malaise and social ills combined to create a sense of impending doom. On top of this, the government seemed unwilling or incapable of attempting to find any new solutions to these problems. It enlisted once more the aid of propaganda, empty slogans, and rhetoric to stave off the mounting crisis. University students in Beijing appeared to be particularly heavy casualties of the general malaise. -
Knowledge Control and Social Contestation in China's
Science in Movements This book analyzes and compares the origins, evolutionary patterns and consequences of different science and technology controversies in China, including hydropower resistance, disputes surrounding genetically modified organisms and the nuclear power debate. The examination combines social movement theories, communication studies, and science and technology studies. Taking a multidisciplinary approach, the book provides an insight into the interwoven relationship between social and political controls and knowledge monopoly, and looks into a central issue neglected by previous science communication studies: why have different con- troversies shown divergent patterns despite similar social and political contexts? It is revealed that the media environment, political opportunity structures, knowledge-control regimes and activists’ strategies have jointly triggered, nur- tured and sustained these controversies and led to the development of different patterns. Based on these observations, the author also discusses the significance of science communication studies in promoting China’ssocialtransformation and further explores the feasible approach to a more generic framework to understand science controversies across the world. The book will be of value to academics of science communication, science and technology studies, political science studies and sociology, as well as general readers interested in China’s science controversies and social movements. Hepeng Jia is a professor of communication at Soochow University, Suzhou, China. He has worked as a leading science journalist for 20 years and is also a pioneering researcher in the field of science journalism and communication in China. Chinese Perspectives on Journalism and Communication Series Editor: Wenshan Jia is a professor of communication at Shandong University and Chapman University. With the increasing impact of China on global affairs, Chinese perspectives on journalism and communication are on the growing global demand. -
Wei Jingsheng and the Democracy Movement in Post-Mao China Merle David Kellerhals Jr
Old Dominion University ODU Digital Commons Institute for the Humanities Theses Institute for the Humanities Summer 1998 Wei Jingsheng and the Democracy Movement in Post-Mao China Merle David Kellerhals Jr. Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/humanities_etds Part of the Asian History Commons, and the Political History Commons Recommended Citation Kellerhals, Merle D.. "Wei Jingsheng and the Democracy Movement in Post-Mao China" (1998). Master of Arts (MA), thesis, Humanities, Old Dominion University, DOI: 10.25777/7pt4-vv58 https://digitalcommons.odu.edu/humanities_etds/13 This Thesis is brought to you for free and open access by the Institute for the Humanities at ODU Digital Commons. It has been accepted for inclusion in Institute for the Humanities Theses by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. WEI JINGSHENG AND THE DEMOCRACY MOVEMENT IN POST-MAO CHINA by Merle David Kellerhals, Jr B A. May 1995, College of Charleston A Thesis submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirement for the Degree of MASTER OF ARTS HUMANITIES OLD DOMINION UNIVERSITY August 1998 Approved by: Jin Qiu (Director) hen Jie (Member) David Putney (Member) Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1391982 Copyright 1999 by Kellerhals/ Merle David, Jr. All rights reserved. UMI Microform 1391982 Copyright 1998, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 Reproduced with permission of the copyright owner. -
CONTEMPORARY CHINA: a BOOK LIST (Winter 1999 — FIRST ON-LINE EDITION, MS Word, L&R Margins 0.9") by Lynn White
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST (Winter 1999 — FIRST ON-LINE EDITION, MS Word, L&R margins 0.9") by Lynn White This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of the seminars WWS 576a/Pol. 536 on "Chinese Development" and Pol. 535 on "Chinese Politics," as well as the undergraduate lecture course, Pol. 362; --to provide graduate students with a list that can help their study for comprehensive exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not too much should be made of this, because some such books may be too old for students' purposes or the subjects may not be central to present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan. Students with specific research topics should definitely meet Laird Klingler, who is WWS Librarian and the world's most constructive wizard. This list cannot cover articles, but computer databases can. Rosemary Little and Mary George at Firestone are also enormously helpful. Especially for materials in Chinese, so is Martin Heijdra in Gest Library (Palmer Hall; enter up the staircase near the "hyphen" with Jones Hall). Other local resources are at institutes run by Chen Yizi and Liu Binyan (for current numbers, ask at EAS, 8-4276). Professional bibliographers are the most neglected major academic resource at Princeton. -
New China and Its Qiaowu: the Political Economy of Overseas Chinese Policy in the People’S Republic of China, 1949–1959
1 The London School of Economics and Political Science New China and its Qiaowu: The Political Economy of Overseas Chinese policy in the People’s Republic of China, 1949–1959 Jin Li Lim A thesis submitted to the Department of International History of the London School of Economics for the degree of Doctor of Philosophy, London, September 2016. 2 Declaration: I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 98,700 words. 3 Abstract: This thesis examines qiaowu [Overseas Chinese affairs] policies during the PRC’s first decade, and it argues that the CCP-controlled party-state’s approach to the governance of the huaqiao [Overseas Chinese] and their affairs was fundamentally a political economy. This was at base, a function of perceived huaqiao economic utility, especially for what their remittances offered to China’s foreign reserves, and hence the party-state’s qiaowu approach was a political practice to secure that economic utility. -
Commemorative Concert the Suntory Music Award
Commemorative Concert of the Suntory Music Award Suntory Foundation for Arts ●Abbreviations picc Piccolo p-p Prepared piano S Soprano fl Flute org Organ Ms Mezzo-soprano A-fl Alto flute cemb Cembalo, Harpsichord A Alto fl.trv Flauto traverso, Baroque flute cimb Cimbalom T Tenor ob Oboe cel Celesta Br Baritone obd’a Oboe d’amore harm Harmonium Bs Bass e.hrn English horn, cor anglais ond.m Ondes Martenot b-sop Boy soprano cl Clarinet acc Accordion F-chor Female chorus B-cl Bass Clarinet E-k Electric Keyboard M-chor Male chorus fg Bassoon, Fagot synth Synthesizer Mix-chor Mixed chorus c.fg Contrabassoon, Contrafagot electro Electro acoustic music C-chor Children chorus rec Recorder mar Marimba n Narrator hrn Horn xylo Xylophone vo Vocal or Voice tp Trumpet vib Vibraphone cond Conductor tb Trombone h-b Handbell orch Orchestra sax Saxophone timp Timpani brass Brass ensemble euph Euphonium perc Percussion wind Wind ensemble tub Tuba hichi Hichiriki b. … Baroque … vn Violin ryu Ryuteki Elec… Electric… va Viola shaku Shakuhachi str. … String … vc Violoncello shino Shinobue ch. … Chamber… cb Contrabass shami Shamisen, Sangen ch-orch Chamber Orchestra viol Violone 17-gen Jushichi-gen-so …ens … Ensemble g Guitar 20-gen Niju-gen-so …tri … Trio hp Harp 25-gen Nijugo-gen-so …qu … Quartet banj Banjo …qt … Quintet mand Mandolin …ins … Instruments p Piano J-ins Japanese instruments ● Titles in italics : Works commissioned by the Suntory Foudation for Arts Commemorative Concert of the Suntory Music Award Awardees and concert details, commissioned works 1974 In Celebration of the 5thAnniversary of Torii Music Award Ⅰ Organ Committee of International Christian University 6 Aug. -
New Trends in Mao Literature from China
Kölner China-Studien Online Arbeitspapiere zu Politik, Wirtschaft und Gesellschaft Chinas Cologne China Studies Online Working Papers on Chinese Politics, Economy and Society No. 1 / 1995 Thomas Scharping The Man, the Myth, the Message: New Trends in Mao Literature From China Zusammenfassung: Dies ist die erweiterte Fassung eines früher publizierten englischen Aufsatzes. Er untersucht 43 Werke der neueren chinesischen Mao-Literatur aus den frühen 1990er Jahren, die in ihnen enthaltenen Aussagen zur Parteigeschichte und zum Selbstverständnis der heutigen Führung. Neben zahlreichen neuen Informationen über die chinesische Innen- und Außenpolitik, darunter besonders die Kampagnen der Mao-Zeit wie Großer Sprung und Kulturrevolution, vermitteln die Werke wichtige Einblicke in die politische Kultur Chinas. Trotz eindeutigen Versuchen zur Durchsetzung einer einheitlichen nationalen Identität und Geschichtsschreibung bezeugen sie auch die Existenz eines unabhängigen, kritischen Denkens in China. Schlagworte: Mao Zedong, Parteigeschichte, Ideologie, Propaganda, Historiographie, politische Kultur, Großer Sprung, Kulturrevolution Autor: Thomas Scharping ([email protected]) ist Professor für Moderne China-Studien, Lehrstuhl für Neuere Geschichte / Politik, Wirtschaft und Gesellschaft Chinas, an der Universität Köln. Abstract: This is the enlarged version of an English article published before. It analyzes 43 works of the new Chinese Mao literature from the early 1990s, their revelations of Party history and their clues for the self-image of the present leadership. Besides revealing a wealth of new information on Chinese domestic and foreign policy, in particular on the campaigns of the Mao era like the Great Leap and the Cultural Revolution, the works convey important insights into China’s political culture. In spite of the overt attempts at forging a unified national identity and historiography, they also document the existence of independent, critical thought in China. -
US-China Relations
U.S.-China Relations: An Overview of Policy Issues Susan V. Lawrence Specialist in Asian Affairs August 1, 2013 Congressional Research Service 7-5700 www.crs.gov R41108 CRS Report for Congress Prepared for Members and Committees of Congress U.S.-China Relations: An Overview of Policy Issues Summary The United States relationship with China touches on an exceptionally broad range of issues, from security, trade, and broader economic issues, to the environment and human rights. Congress faces important questions about what sort of relationship the United States should have with China and how the United States should respond to China’s “rise.” After more than 30 years of fast-paced economic growth, China’s economy is now the second-largest in the world after that of the United States. With economic success, China has developed significant global strategic clout. It is also engaged in an ambitious military modernization drive, including development of extended-range power projection capabilities. At home, it continues to suppress all perceived challenges to the Communist Party’s monopoly on power. In previous eras, the rise of new powers has often produced conflict. China’s new leader Xi Jinping has pressed hard for a U.S. commitment to a “new model of major country relationship” with the United States that seeks to avoid such an outcome. The Obama Administration has repeatedly assured Beijing that the United States “welcomes a strong, prosperous and successful China that plays a greater role in world affairs,” and that the United States does not seek to prevent China’s re-emergence as a great power. -
Boston Symphony Orchestra Concert Programs
m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. -
Resolution of the Central People's Government Committee on the Convening of the National People's Congress and Local People's Congresses
Resolution of the Central People's Government Committee on the convening of the National People's Congress and local people's congresses January 14, 1953 The Common Program of the Chinese People's Political Consultative Conference stipulates: "The state power of the People's Republic of China belongs to the people. The organs through which the people exercise state power are the people's congresses and governments at all levels. The people's congresses at all levels are elected by the people by universal suffrage. The people’s congresses at all levels elect the people’s governments at all levels. When the people’s congresses at all levels are not in session, the people’s governments at all levels are the organs that exercise all levels of power. The highest organ of power in the country is the National People’s Congress. The government is the highest organ for the exercise of state power.” (Article 12) The Organic Law of the Central People’s Government of the People’s Republic of China stipulates: “The government of the People’s Republic of China is a government of the People’s Congress based on the principle of democratic centralism.” (Article 2) Three years ago, when the country was first established, many revolutionary work was still underway, the masses were not fully mobilized, and the conditions for convening the National People’s Congress were not mature enough. Therefore, in accordance with Article 13 of the Common Program, the Chinese People’s Political Consultative Conference The first plenary session implements the functions and powers of the National People's Congress, formulates the Organic Law of the Central People's Government of the People's Republic of China, elects and delegates the functions and powers of the Central People's Government of the People's Republic of China to exercise state power. -
Boston Symphony Orchestra Concert Programs, Summer, 1992, Tanglewood
LEWOOD I 77 2 g Tools ofExcellence In every discipline, outstanding performance springs from the combination of skill, vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Emeritus Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James E Cleary Francis W Hatch Mrs. Robert B. Newman John F. Cogan,Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. BelaT. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. -
Boris Godunov Biographies
Boris Godunov Biographies Cast Stanislav Trofimov (Boris Godunov) began his operatic career in the Chelyabinsk Opera House in 2008, and went on to perform leading bass roles at the Ekaterinburg Opera House (the Bolshoi Theatre) and other opera theaters across Russia. He became a soloist at the Mariinsky Theatre in 2016. Mr. Trofimov has portrayed numerous leading roles including Boris Godunov (Boris Godunov), Philip II (Don Carlos), Procida (I vespri siciliani), Fiesco (Simon Boccanegra), Konchak (Prince Igor), Ivan Susanin (Life of the Tsar), Sobakin (Tsar’s Bride), Prince Yuri Vsevolodovich (The Legend of the Invisible City of Kitezh and the Maiden Fevronia), Prince Gremin (Eugene Onegin), Ferrando (Il Trovatore), Don Bartolo (Le nozze di Figaro), and Old Hebrew (Samson et Dalila). Recent performances include Procida in Mariinsky’s new production of I vespri siciliani, Zaccaria in Nabucco at the opening of Arena di Verona Summer Festival, a tour with the Bolshoi Theatre as Archbishop in The Maid of Orleans in France, and performances at the Salzburg Festival as Priest in the new production of Lady Macbeth of the Mtsensk District. Mr. Trofimov will appear at the 2018 Salzburg Festival and at Teatro alla Scala in 2019. These performances mark his San Francisco Symphony debut. This season, Cuban-American mezzo-soprano Eliza Bonet (Fyodor) made her debut at the Kennedy Center as a member of the Washington National Opera’s Domingo-Cafritz Young Artist Program, singing the role of Bradamante in Handel’s Alcina. As a part of this season’s nationwide Bernstein at 100 celebrations, Ms. Bonet performs as Paquette in Candide with the WNO, and with National Symphony Orchestra in West Side Story.