1941-05-08, [P ]
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Jessica Lange Regis Dialogue Formatted
Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star. -
A Star Has Died: Affect and Stardom in a Domestic Melodrama
QRF 21(2) #14679 Quarterly Review of Film and Video, 21:95–105, 2004 Copyright © Taylor & Francis Inc. ISSN: 1050-9208 print/1543-5326 online DOI: 10.1080/10509200490273071 A Star Has Died: Affect and Stardom in a Domestic Melodrama ANNE MOREY Until relatively recently, it has been fashionable to read Douglas Sirk as ridiculing popular culture through his manipulation of it. In other words, critics tell us, to be moved by a Sirk film is to have missed the critical boat—because, as Paul Willemen has noted, the director himself offers up a textual performance that is anything but sincere. Christine Gledhill and Walter Metz have attempted to rescue the duped audience from this critical opprobrium. Gledhill argues that Sirk appropriates the conventions of the woman’s film, in which female concerns should be and have been central, to reorder the narrative elements into a story of the absent patriarch. Similarly, Metz recuperates this possibly duped audience of female readers/viewers by reevaluating the (female) authors of the texts that Sirk so obsessively remakes, arguing that many of the signifiers of “auteurship” usually granted to Sirk are already on display in the original works (12). Like Gledhill and Metz, I seek to demonstrate that Sirk is more than a parodist. This article compares Sirk’s Imitation of Life (1959) to David O. Selznick and William Wellman’s A Star Is Born (1937) in order to explore a characteristically Sirkian narrative strategy: the later film does not amuse itself at its predecessor’s expense so much as it inverts the message. -
ILTA: a True Story of Innovation, a Movie Star, and a Secret Weapon
ILTA: A True Story of Innovation, a Movie Star, and a Secret Weapon by Kate Cain, Sidley Austin LLP he pressure to do more with less has never been greater. TIndeed, the current economic climate has touched every corner of the legal market in ways not seen in at least 30 years. Whether we’re running an organization on a shoestring budget or pounding the pavement to find a new job, we are all being stretched to our creative limits. ILTA: A True Story of Innovation, a Movie Star, and a Secret Weapon Fortunately, in times like these, ILTA stands as a bright, A DAMSEL IN INTELLECTUAL DISTRESS shining light in an otherwise dark and stormy night. At the risk Another example of true innovation may not be as famous, but it’s of sounding sentimental, please indulge me as I share some no less fascinating. Let’s call it The Movie Star, the Composer and thoughts regarding the value of this organization. the Origins of Missile Guidance Systems and Packet Switching. Hedwig Eva Maria Kiesler was born in Vienna, Austria, between 1913 and 1915 — no one is quite sure because she AN “I” FOR INNOVATION always lied about her age. You might know her by her screen When thinking about ILTA, plenty of ideas, concepts and name: Hedy Lamarr. buzzwords come to mind: peer networking, outstanding Ms. Lamarr was the premier German actress in the 1930s. programs, bridge building, collaboration, community and so on. Her most notorious claim to fame was running naked through But what I keep returning to over and over again is the concept the woods — the first screen actress to perform nude on film. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Lana Turner Journal
LanaTurner No. 11. Art by Ashwini Bhat, Judith Belzer, BrianShields... LANA TURNER a journal of poetry & opinion #11 by Alain Badiou, Joyelle McSweeney, Essays Display until February Amge Mlinko, Andrew Joron, Farid Matuk... 24, 2018 Poetry by Jorie Graham,Rae Armantrout, Reina Mariía Rodríguez, Aditi Machado, Jacek Guturow... 1 2 Lana Turner a journal of poetry & opinion, no. 11 editors: calvin bedient & david lau Lana Turner: a Journal of Poetry & Opinion is published annually, usually in early November. Price, US $15. To purchase number 11 and see other options, please visit our website, LanaTurnerJournal.com. We accept electronic submissions only; send to [email protected], and only during the months of January, February, and March. We prefer poems in one attachment, with the author’s name at the beginning of the title. No PDF’s, please, unless accompanied by a Word document. Newsstand & select bookstore distribution through Disticor Magazine Distribution Service (disticor.com). Please ask your favorite independent bookstore to order the magazine. Lana Turner™ is a trademark of The Lana Turner Trust, licensed by CMG Worldwide: www.CMGWorldwide.com. Our thanks to David Cormier for the pre-flight wrap-up. Kelley Lehr read copy. ISSN 1949 212X 1 Contents Number eleven 1. Poems Introduction: Writing the Between (6) Aditi Machado, 11 Mary Cisper, 68 Andrew Zawacki, 17 Paul Eluard (Carlos Lara, translator), 72 Jamie Green, 21 Karleigh Frisbie, 77 Douglas Kearney, 26 Michael Farrell, 82 Susan McCabe, 31 C L Young, 85 Mars Tekosky, 34 Felicia Zamora, 90 Kevin Holden, 40 Peter Eirich, 94 Mark Anthony Cayanan, 47 Jonathan Stout, 96 Mark Francis Johnson, 53 Engram Wilkinson, 98 Jacek Gutorow (Piotr Florczyk, Joseph Noble, 100 translator), 60 2. -
1 Genre Films: OLLI: Spring 2021: Week 5: Melodrama: Douglas Sirk
1 Genre Films: OLLI: Spring 2021: week 5: Melodrama: Douglas Sirk: King of Hollywood Melodrama IMITATION OF LIFE: 1933: novel: Fannie Hurst / 1934: film: director: John Stahl: white mother & daughter: Bea & Jessie Pullman black mother & daughter: Delilah & Peola Johnson both book and 1934 film straightforward & unambiguous in attitudes re: race, motherhood, emotional centers for story title: refers to daughter trying to "pass" for white: imitating white life; Sirk subverts this: Stahl version: 1934 Sirk version: 1959 "invisible" storytelling techniques techniques that call attention to themselves story of 2 mothers: complementary issue of motherhood: as clouded as race: both black & white mothers exposed: clichés: excessive love/excessive egotism present mother/absent mother nurturer/sex object bald opposition becomes ironic versions of "good" mom opening scene: in the home: opening scene: in public: Coney Island: Bea caring for Jessie ("quack- Lora has lost Susie quack") Bea's success due to Delilah's recipe: Lora's success due to her beauty: partnership between 2 women she's a sexual object: actress Annie not part of it man enters Bea's life: after her success man enters Lora's life: in 1st scene: he's conscious reminder of her choice: between career & love Sirk's version deals with issues of: 1. race: but in 1950s America: issue much more complex than in 1930s: Rosa Parks, Brown v. Board of Education, etc.; Civil Rights issues not resolved Sirk avoids direct reference to Civil Rights Movement: but it's there under surface: Sarah Jane's -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
Hedy Lamarr Achievement Award for “Emerging Leaders in Entertainment Technology”
HEDY LAMARR ACHIEVEMENT AWARD FOR “EMERGING LEADERS IN ENTERTAINMENT TECHNOLOGY” PRESENTED BY: DEG: THE DIGITAL ENTERTAINMENT GROUP THE HEDY LAMARR ACADEMIC AWARD SCHOLARSHIP OVERVIEW DEG: The Digital Entertainment Group is pleased to announce the annual "Hedy Lamarr Achievement Award for Emerging Leaders in Entertainment Technology," which recognizes female college students in their junior year whose studies in the fields of entertainment and technology have shown exceptional promise. The $10,000 Award will be presented in November 2018, to coincide with the 104th anniversary of Hedy Lamarr's birth. Austrian-American actress Hedy Lamarr was a Hollywood legend who is best known for her roles in a number of film classics including, Samson and Delilah, The Strange Woman, and Tortilla Flat. She was also a lifelong inventor whose innovative work included pioneering "frequency hopping" which became the foundation for spread spectrum technology. Conceived by Lamarr and composer George Antheil for radio guidance systems and patented in 1942, this highly secure technology resists interference and dropout, and is utilized today for a variety of cellular, WiFi and Bluetooth applications. To honor Ms. Lamarr, the scholarship seeks to encourage and enable highly motivated students to pursue opportunities available to them in entertainment technology, be those pursuits academic or professional. The award winner will receive $10,000 as they enter their senior year of undergraduate study. While there are no specific restrictions on the use of this monetary award, we hope and expect that the funds will be used to further the winner’s study or efforts in their recognized area of excellence. In 2017, the DEG awarded a total of $35,000 to three young women: One a Performing Arts Technology major at the University of Michigan, one a in Media Arts and Practice major at the University of Southern California, and one a in Studio Art major with a minor in Arts and Technology at Smith College. -
Hedy Lamarr ( Viena, Austria 9 De Noviembre De 1914 - Casselberry , Florida , E.E.U.U
MUJER MUJER EE I INVESTIGACIÓNN VESTIGCIÓN TEMA: BIOGRAFÍA DE MUJERES DESTACADAS H ED Y L AMARR Fue Inventora de la primera versión del “Espectro Ensanchado” el cual permitía las “Comunicaciones Inalámbricas” a distancia y se conoce en la actualidad como la Tecnología del Sistema Inalámbrico “Wi -Fi”. [1914- 2000] Hedwig Eva Maria Kiesler, conocida como Hedy Lamarr ( Viena, Austria 9 de noviembre de 1914 - Casselberry , Florida , E.E.U.U. 19 de enero de 2000), fue una actriz de cine e inventora Austriaca . El Día del Inventor en Austria se celebra el 9 de noviembre en su honor. Fue inventora de la primera versi ó n del “Espectro Ensanchado” que permitiría las “Comunicaciones Inalámbricas” de larga distancia. Después de una breve carrera cinematográfica en la República de Checoslovaquia, huyó y se trasladó en secreto a Paris en Francia, y luego se trasladó a Londres, en el País del Reino Unido. Trayectoria Científica. Al comienzo de la Segunda Guerra Mundial, Hedy Lamarr, y el compositor George Antheil desarrollaron la patente del “Sistema de Guía por Radio” para torpedos aliados y aplicaban el concepto de “Espectro Ensanchado” y la tecnología de “Salto de Frecuencia” para vencer la amenaza de interferencias por parte de las “Potencias del Eje” Aunque la “Armada de los Estados Unidos de Norteamérica” no adoptó la tecnología hasta la década de 1960, los principios de su “Trabajo de Investigación” se incorporan a la tecnología “Bluetooth” y son similares a los métodos aplicados en las versiones heredadas de “Wi-Fi”. El presente “Trabajo de Investigación” llevó a su incorporación al “National Inventors Hall of Fame” en 2014. -
Hedy Lamar, Inventor of Wifi, Study Guide
Name: ____________________________________ Hedy Lamar, Inventor of Wifi, Study Guide Directions: Watch the video and/or read the transcript of the video and answer the questions below. http://www.cbsnews.com/news/hedy-lamarr-movie-star-inventor-of-wifi/ Hedy Lamar, Inventor of Wifi CBS NEWS April 20, 2012, 1:52 PM Hollywood is a place where folks are often recognized more for their looks than their talent - and actress Hedy Lamarr was no exception. But it's what she invented in her spare time - to help end that war - that has history turning a kinder eye, linking her to a bombshell of a whole different sort. Lee Cowan reports: She possessed the kind of beauty that was haunting - an almost smoldering sensuality, with an exotic accent to match. She was once dubbed "the most beautiful woman in the world." Even her name - Hedy Lamarr - sounded dark and mysterious. But although she shared the screen with Hollywood legends like Clark Gable, Spencer Tracy and Jimmy Stewart, people rarely remember Hedy's talent. Most remember only her face - a regret she carried with her to her grave. "The boys abroad, during the Second World War, voted her the most desirable, beautiful actress or pinup that they could possibly see," said writer Richard Rhodes. "So she had a great deal of fame and fortune, but not that inner satisfaction that she wanted in life." Rhodes is an author best known for his Pulitzer Prize-winning work on the making of the atomic bomb - but his most recent book about Hedy Lamarr is just as explosive. -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns)