Odisha Sangeet Nataka Academy Award Winners
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Odissi Dance
ORISSA REFERENCE ANNUAL - 2005 ODISSI DANCE Photo Courtesy : Introduction : KNM Foundation, BBSR Odissi dance got its recognition as a classical dance, after Bharat Natyam, Kathak & Kathakali in the year 1958, although it had a glorious past. The temple like Konark have kept alive this ancient forms of dance in the stone-carved damsels with their unique lusture, posture and gesture. In the temple of Lord Jagannath it is the devadasis, who were performing this dance regularly before Lord Jagannath, the Lord of the Universe. After the introduction of the Gita Govinda, the love theme of Lordess Radha and Lord Krishna, the devadasis performed abhinaya with different Bhavas & Rasas. The Gotipua system of dance was performed by young boys dressed as girls. During the period of Ray Ramananda, the Governor of Raj Mahendri the Gotipua style was kept alive and attained popularity. The different items of the Odissi dance style are Mangalacharan, Batu Nrutya or Sthayi Nrutya, Pallavi, Abhinaya & Mokhya. Starting from Mangalacharan, it ends in Mokhya. The songs are based upon the writings of poets who adored Lordess Radha and Krishna, as their ISTHADEVA & DEVIS, above all KRUSHNA LILA or ŎRASALILAŏ are Banamali, Upendra Bhanja, Kabi Surya Baladev Rath, Gopal Krishna, Jayadev & Vidagdha Kavi Abhimanyu Samant Singhar. ODISSI DANCE RECOGNISED AS ONE OF THE CLASSICAL DANCE FORM Press Comments :±08-04-58 STATESMAN őIt was fit occasion for Mrs. Indrani Rehman to dance on the very day on which the Sangeet Natak Akademy officially recognised Orissi dancing -
UPSC Daily Current Affairs | Prelim Bits 25-08-2020
UPSC Daily Current Affairs | Prelim Bits 25-08-2020 National Strategy for Financial Education (NSFE) RBI has released the National Strategy for Financial Education (NSFE): 2020-2025 document for creating a financially aware and empowered India. It is the second NSFE, the first one being released in 2013. It aims to strengthen the ecosystem for various modes of digital financial services in all Tier-II to Tier VI centers to create the necessary infrastructure to move towards a less-cash society by March 2022. NSFE has been prepared by the National Centre for Financial Education (NCFE), under the aegis of the Technical Group on Financial Inclusion and Financial Literacy (TGFIFL). NCFE is a Section 8 (Not for Profit) Company under the Companies Act, 2013 promoted by RBI, SEBI, IRDAI and PFRDA. It has recommended a ‘5 C’ approach for dissemination of financial education in the country: 1. Content - Financial Literacy content for various sections of population. 2. Capacity - Develop the capacity and ‘Code of Conduct’ for financial education providers. 3. Community - Evolve community led approaches for disseminating financial literacy in a sustainable manner. 4. Communication - Use technology, media and innovative ways of communication for dissemination of financial education messages. 5. Collaboration - Streamline efforts of other stakeholders for financial literacy. TGFIFL Technical Group on Financial Inclusion and Financial Literacy (TGFIFL) was set up in November 2011 by the FSDC. It is responsible for periodic monitoring and implementation of NSFE under the oversight of Financial Stability and Development Council (FSDC). Nuakhai Juhar Nuakhai Juhar is an agricultural festival, also called Nuakhai Parab or Nuakahi Bhetghat. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Courses of Studies in Arts Stream
COUNCIL OF HIGHER SECONDARY EDUCATION ODISHA, BHUBANRSWAR COURSES OF STUDIES IN ARTS STREAM FOR THE HIGHER SECONDARY EXAMINATION 2018 AD Arts Stream CONTENTS 2 S. No Subject Page No 1. Scheme of Studies 3 2. English 4 3. Modern Indian Langugaes a) Odia 10 b) Hindi 15 c) Bengali 19 d) Telugu 24 e) Urdu 27 f) Sanskrit 31 g) Alternative English 34 4. Environment Education 39 5. Yoga 41 6. Basic Computer Education 42 Elective Subjects 7. a) Odia 44 b) Bengali 46 c) Hindi 51 d) Telugu 54 e) Urdu 57 f) Sanskrit 61 8. History 66 9. Pol Science 69 10. Logic 73 11. Economics 74 12. Statistics 77 13. Mathematics 81 14. Sociology 87 15. Geography 90 16. Education 96 17. Anthropology 100 18. Psychology 104 19. Home Science 109 20. Industrial Relation and Personnel Management 114 21. Music(Indian) 118 22. Information Technology 128 Arts Stream 3 SCHEME OF STUDIES The following combinations in two years +2 Arts course of 2013-14 admission batch under CHSE(O) are allowed. Any deviation to this shall not be entertained. 1. Compulsory Subjects a) English b) M.I.L. (Odia / Telugu/ Bengali/ Urdu / Hindi/ Sanskrit/Alternative English) Compulsory subjects( English and M.I.L.) carry 200 marks each (100 Marks in 1st year and 100 marks in 2nd year) 2. Compulsory Subjects( To be assessed at the college level only) Three compulsory subjects, Environmental Education(EE),Yoga , and Basic Computer Education(BCE) carry 100 marks each(1st year-Theory-70 marks and 2ndyear -project/practical 30 marks) will be assessed at the college level and the grades (A+, A, B, C,D, in order of merit) are to be awarded by the College and the same shall be recorded in thebody of the pass certificate given by the council subsequently. -
Causelistgenerate Report
WEEKLY DAILY THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR MONDAY THE 6TH SEPTEMBER 2021 CHIEF JUSTICE'S COURT (2ND FLOOR) AT 10:30 AM THE CHIEF JUSTICE AND MR. JUSTICE B. P. ROUTRAY This Bench will function through hybrid arrangement ( virtual/ physical mode). ( Learned counsel desirous to appearing through Virtual Mode shall intimate the name, item number, case details etc. to the Court Master through Mobile No.8763760499 between 8.00 P.M. to 10.00 P.M. on the previous date of the hearing of the case. ) Learned advocates are requested to submit the memos for urgent listing of matters first to the D.R.(Judicial), and only where the D.R.(Judicial) has communicated that the request has been declined or the date given is not convenient for some reasons, should the matters be mentioned orally before the bench of the Chief Justice or such bench assigned for the purpose. For the oral mentioning before the division bench in Chief Justice’s court through virtual mode and physical mode, learned advocates will first obtain from the court master between 9.30 a.m. and 10.15 a.m. on all working days, over phone no.8763760499, a Mentioning Matter (MM) number. In matters other than fresh admission matters, the learned advocates will furnish to the court master on e-mail id- [email protected] proof of intimation of the mentioning to learned counsel for the opposite parties. When the court of the Chief Justice assembles, the mentioning matters for virtual mentioning will be called out serial wise. -
Current Affairs 40 40 MCQ of Computer 52
MONTHLY ISSUE - MAY - 2015 CurrVanik’s ent Affairs Banking | Railway | Insurance | SSC | UPSC | OPSC | PSU A Complete Magazine for all Competitive ExaNEmsW SECTIONS BLUE ECONOMY Vanik’s Page Events of the month 200 Updated MCQs 100 One Liners 40 MCQs on Computers 100 GK for SSC & Railway Leading Institute for Banking, Railway & SSC New P u b l i c a t i o n s Vanik’s Knowledge Garden VANIK'S PAGE Cultural Dances In India Andhra Pradesh Ÿ Ghumra Ÿ Kuchipudi Ÿ Karma Naach Ÿ Kolattam Ÿ Keisabadi Arunachal Pradesh Puducherry Ÿ Bardo Chham Ÿ Garadi Assam Punjab Ÿ Bihu dance Ÿ Bhangra Ÿ Jumur Nach Ÿ Giddha Ÿ Bagurumba Ÿ Malwai Giddha Ÿ Ali Ai Ligang Ÿ Jhumar Chhattisgarh Ÿ Karthi Ÿ Panthi Ÿ Kikkli Ÿ Raut Nacha Ÿ Sammi Ÿ Gaur Maria Dance Ÿ Dandass Gujarat Ÿ Ludi Ÿ Garba Ÿ Jindua Ÿ Padhar Rajasthan Ÿ Raas Ÿ Ghoomar Ÿ Tippani Dance Ÿ Kalbelia Himachal Pradesh Ÿ Bhavai Ÿ Kinnauri Nati Ÿ Tera tali Ÿ Namgen Ÿ Chirami Karnataka Ÿ Gair Ÿ Yakshagana Sikkim Ÿ Bayalata Ÿ Singhi Chham Ÿ Dollu Kunitha Tamil Nadu Ÿ Veeragaase dance Ÿ Bharatanatya Kashmir Ÿ Kamandi or Kaman Pandigai Ÿ Dumhal Ÿ Devarattam Lakshadweep Ÿ Kummi Ÿ Lava Ÿ Kolattam Madhya Pradesh Ÿ Karagattam or Karagam Ÿ Tertal Ÿ Mayil Attam or Peacock dance Ÿ Charkula Ÿ Paampu attam or Snake Dance Ÿ Jawara Ÿ Oyilattam Ÿ Matki Dance Ÿ Puliyattam Ÿ Phulpati Dance Ÿ Poikal Kudirai Attam Ÿ Grida Dance Ÿ Bommalattam Ÿ Maanch Ÿ Theru Koothu Maharashtra Tripura Ÿ Pavri Nach Ÿ Hojagiri Ÿ Lavani West Bengal Manipur Ÿ Gambhira Ÿ Thang Ta Ÿ Kalikapatadi Ÿ Dhol cholom Ÿ Nacnī Mizoram Ÿ Alkap Ÿ Cheraw Dance Ÿ Domni Nagaland Others Ÿ Chang Lo or Sua Lua Ÿ Ghoomar (Rajasthan, Haryana) Odisha Ÿ Koli (Maharashtra and Goa) Ÿ Ghumura Dance Ÿ Padayani (Kerala) Ÿ Ruk Mar Nacha (& Chhau dance) North India Ÿ Goti Pua Ÿ Kathak Ÿ Nacnī Ÿ Odissi Ÿ Danda Nacha Ÿ Baagh Naach or Tiger Dance Ÿ Dalkhai Ÿ Dhap MAGAZINE FOR THE MONTH OF MAY - 2015 VANIK’S MAGAZINE FOR THE MONTH OF MAY - 2015 B – 61 A & B, Saheed Nagar & Plot-1441, Opp. -
Minutes of Twenty Fifth Meeting of the Expert Committee Under the Cultural Functions Grant Scheme (Cfgs) Held on 2 Nd , 3 Rd and 16 Th July 2013
F.No.9-3/2013-S&F Government of India Ministry of Culture S&F Section ***** Dated the 9th September, 2013 MINUTES OF TWENTY FIFTH MEETING OF THE EXPERT COMMITTEE UNDER THE CULTURAL FUNCTIONS GRANT SCHEME (CFGS) HELD ON 2 ND , 3 RD AND 16 TH JULY 2013. The 25 th meeting of the above Expert Committee was held on 2 nd , 3 rd and 16 th July 2013 under the Chairmanship of Ms. Arvind Manjeet Singh, Joint Secretary to consider the proposals for financial assistance under CFGS. A list of the members who attended the meeting is annexed. 2. The Expert Committee considered 531 applications and which were complete and supported with all documents as required under the Scheme. The Committee examined each and every proposal individually before taking decision and recommended the following 264 proposals tabulated below for financial assistance under the scheme. The committee further recommeded that the organizations who have already conducted the programme/festivals/ Seminar/exhibitions etc. as submitted by them in project proposal, (marked * in the table) the expert committee has recommended the grant subject to the condition that the amount will be released after submission of the proof of the event having taken place within 40 days of the Minutes uploaded on website of the Ministry indiaculture.nic.in . The organizations (marked # in the table) have to submit the date/dates on which the programme/festival/Seminar/Exhibitions etc. is proposed to be conducted within 40 days of the Minutes uploaded on website of the Ministry indiaculture.nic.in . The information be forwarded to email Scholar- [email protected] or by Speed post/by Fax 011-23074359. -
Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations. -
Dear Aspirant with Regard
DEAR ASPIRANT HERE WE ARE PRESENTING YOU A GENRAL AWERNESS MEGA CAPSULE FOR IBPS PO, SBI ASSOT PO , IBPS ASST AND OTHER FORTHCOMING EXAMS WE HAVE UNDERTAKEN ALL THE POSSIBLE CARE TO MAKE IT ERROR FREE SPECIAL THANKS TO THOSE WHO HAS PUT THEIR TIME TO MAKE THIS HAPPEN A IN ON LIMITED RESOURCE 1. NILOFAR 2. SWETA KHARE 3. ANKITA 4. PALLAVI BONIA 5. AMAR DAS 6. SARATH ANNAMETI 7. MAYANK BANSAL WITH REGARD PANKAJ KUMAR ( Glory At Anycost ) WE WISH YOU A BEST OF LUCK CONTENTS 1 CURRENT RATES 1 2 IMPORTANT DAYS 3 CUPS & TROPHIES 4 4 LIST OF WORLD COUNTRIES & THEIR CAPITAL 5 5 IMPORTANT CURRENCIES 9 6 ABBREVIATIONS IN NEWS 7 LISTS OF NEW UNION COUNCIL OF MINISTERS & PORTFOLIOS 13 8 NEW APPOINTMENTS 13 9 BANK PUNCHLINES 15 10 IMPORTANT POINTS OF UNION BUDGET 2012-14 16 11 BANKING TERMS 19 12 AWARDS 35 13 IMPORTANT BANKING ABBREVIATIONS 42 14 IMPORTANT BANKING TERMINOLOGY 50 15 HIGHLIGHTS OF UNION BUDGET 2014 55 16 FDI LLIMITS 56 17 INDIAS GDP FORCASTS 57 18 INDIAN RANKING IN DIFFERENT INDEXS 57 19 ABOUT : NABARD 58 20 IMPORTANT COMMITTEES IN NEWS 58 21 OSCAR AWARD 2014 59 22 STATES, CAPITAL, GOVERNERS & CHIEF MINISTERS 62 23 IMPORTANT COMMITTEES IN NEWS 62 23 LIST OF IMPORTANT ORGANIZATIONS INDIA & THERE HEAD 65 24 LIST OF INTERNATIONAL ORGANIZATIONS AND HEADS 66 25 FACTS ABOUT CENSUS 2011 66 26 DEFENCE & TECHNOLOGY 67 27 BOOKS & AUTHOURS 69 28 LEADER”S VISITED INIDIA 70 29 OBITUARY 71 30 ORGANISATION AND THERE HEADQUARTERS 72 31 REVOLUTIONS IN AGRICULTURE IN INDIA 72 32 IMPORTANT DAMS IN INDIA 73 33 CLASSICAL DANCES IN INDIA 73 34 NUCLEAR POWER -
Tla Hearing Board
TLA HEARING BOARD Hearing Schedule from 01/02/2020 to 29/02/2020 Location: KOLKATA Hearing Timing : 10.30 am to 1.00 pm S.No TM No Class Hearing Proprietor Name Agent Name Mode of Date Hearing 1 2815340 44 03-02-2020 Mr. Sanjay Kumar Mishra LAW PROTECTORS Physical 2 2829445 44 03-02-2020 Dr. Sushil Kumar Sharma LAW PROTECTORS Physical 3 3090598 5 03-02-2020 SEMIOTIC PHARMACEUTICAL PVT LTD KHURANA & KHURANA Physical 4 2558669 9 03-02-2020 EXIDE INDUSTRIES LIMITED D.P. AHUJA & CO Physical 5 2558670 9 03-02-2020 EXIDE INDUSTRIES LIMITED D.P. AHUJA & CO Physical 6 2580481 42 03-02-2020 CHANGE.ORG, PBC D.P. AHUJA & CO Physical 7 2581168 7 03-02-2020 AERATION INDUSTRIES INTERNATIONAL LLC D.P. AHUJA & CO Physical 8 2581169 11 03-02-2020 AERATION INDUSTRIES INTERNATIONAL LLC D.P. AHUJA & CO Physical 9 2581170 99 03-02-2020 PROJETCLUB D.P. AHUJA & CO Physical 10 2582604 29 03-02-2020 BRITANNIA INDUSTRIES LIMITED D.P. AHUJA & CO Physical 11 2589619 9 03-02-2020 SAMSUNG ELECTRONICS CO., LTD. D.P. AHUJA & CO Physical 12 2589620 7 03-02-2020 SAVICORP D.P. AHUJA & CO Physical 13 2976433 41 03-02-2020 TABREZ AHMAD KHAN LAW PROTECTORS Physical 14 3106162 16 03-02-2020 MAHESH KR. BARNWAL LAW PROTECTORS Physical 15 3124534 16 03-02-2020 SHIV SHANKAR AGARWAL LAW PROTECTORS Physical 16 2935924 5 03-02-2020 NAMITA DEVI CHIRANIA PRANOW KUMAR Physical 17 2644333 3 03-02-2020 SURJEET KUMAR SINGH NAVIN PRABHAT Physical 18 2829289 41 03-02-2020 QUESTECH SERVICES PRIVATE LIMITED PRANAY AGARWAL Physical 19 2737310 30 03-02-2020 ALOK HARSH RICE MILL PRIVATE LIMITED -
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Odissi Dance) 2020 THREE YEAR FULL TIME PROGRAMME
Learning Outcome based Curriculum Framework (LOCF) For Undergraduate Programme B.P.A. (Odissi Dance) 2020 THREE YEAR FULL TIME PROGRAMME Syllabus and Scheme of Examination This shall be applicable for students seeking admission in B.P.A. Odissi Dance Programme in 2020-2021 DEPARTMENT OF PERFORMING ARTS Faculty of Indic Studies Sri Sri University DPA-B.P.A. (O.D.) Page 0 Introduction – The proposed programme shall be conducted and supervised by the Faculty of Indic Studies, Department of Performing Arts, Sri Sri University, Cuttack (Odisha). This programme has been designed on the Learning Outcomes Curriculum Framework (LOCF) under UGC guidelines, offers flexibility within the structure of the programme while ensuring the strong foundation and in-depth knowledge of the discipline. The learning outcome-based curriculum ensures its suitability in the present day needs of the student towards higher education and employment. The Department of Performing Arts at Sri Sri University is now offering bachelor degree program with specialization in Performing Arts (Odissi Dance and Hindustani Vocal Music) Vision – The Department of Performing Arts aims to impart holistic education to equip future artistes to achieve the highest levels of professional ability, in a learning atmosphere that fosters universal human values through the Performing Arts. To preserve, perpetuate and monumentalize through the Guru-Sishya Parampara (teacher-disciple tradition) the classical performing arts in their essence of beauty, harmony and spiritual evolution, giving scope for innovation and continuity with change to suit modern ethos. Mission : To be a center of excellence in performing arts by harnessing puritan skills from Vedic days to modern times and creating artistic expressions through learned human ingenuity of emerging times for furtherance of societal interest in the visual & performing arts.