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Obaidi at WHO Committee for Eastern Mediterranean
Amir returns to Obaidi at WHO S Korea cap Kuwait from Committee a miserable positive UN for Eastern week for summit 9 Mediterranean8 Kuwait47 Min 24º Max 39º FREE www.kuwaittimes.net NO: 16662- Friday, October 9, 2015 Bye to Blatter Page 47 In this June 1, 2011 file photo Swiss FIFA President Joseph Blatter, right, and French UEFA President Michel Platini walk together at the 61st FIFA Congress in Zurich, Switzerland. Yesterday FIFA provisionally banned President Sepp Blatter and UEFA President Michel Platini for 90 days. — AP Local FRIDAY, OCTOBER 9, 2015 Local Spotlight Equality is key Life is incompatible here I felt compelled to mention the man’s possible nationality....if he had been Kuwaiti or even an Arab, the circumstances would have been a lot different. Unfortunately, the By Muna Al-Fuzai concept of equality and respecting individuals equally in Kuwait and many other parts in the Arab world remains not fully comprehended. [email protected] By Ahmad Jabr One of the reasons why a search remains stuck in lower tiers in interna- lot of people leave their countries in search of bet- warrant is required - by law - before tional human rights, freedom and traf- ter work, more income, greater stability for their he place: A bystreet near a pri- searching a person is to insure that his ficking in persons reports. It is not a Afamilies and perhaps a chance for fame as well, vate clinic in Jabriya. The time: rights are not violated. Here the law contradiction. when life becomes impossible because of wars and polit- Approximately 10 minutes protects individuals’ rights, but as can ical crises. -
Solomon Northup and 12 Years a Slave
Solomon Northup and 12 Years a Slave How to analyze slave narratives. Who Was Solomon Northup? 1808: Born in Minerva, NewYork Son of former slave, Mintus Northup; Northup's mother is unknown. 1829: Married Anne Hampton, a free black woman. They had three children. Solomon was a farmer, a rafter on the Lake Champlain Canal, and a popular local fiddler. What Happened to Solomon Northup? Met two circus performers who said they needed a fiddler for engagements inWashington, D.C. Traveled south with the two men. Didn't tell his wife where he was going (she was out of town); he expected to be back by the time his family returned. Poisoned by the two men during an evening of social drinking inWashington, D.C. Became ill; he was taken to his room where the two men robbed him and took his free papers; he vaguely remembered the transfer from the hotel but passed out. What Happened…? • Awoke in chains in a "slave pen" in Washington, D.C., owned by infamous slave dealer, James Birch. (Note: A slave pen were where (Note:a slave pen was where slaves were warehoused before being transported to market) • Transported by sea with other slaves to the New Orleans slave market. • Sold first toWilliam Prince Ford, a cotton plantation owner. • Ford treated Northup with respect due to Northup's many skills, business acumen and initiative. • After six months Ford, needing money, sold Northup to Edwin Epps. Life on the Plantation Edwin Epps was Northup’s master for eight of his 12 years a slave. -
In 1841, Solomon Northup Is a Free African-American Man Working As a Violinist, Living Happily with His Wife and Two Children in Saratoga Springs, New York
Advances in Social Science, Education and Humanities Research, volume 123 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017) What should we do when all is lost? -“Twelve Years A Slave” Ou Lanhua Haikou College of Economics, Haikou City, Hainan Province, 570102, China [email protected] Key words: Northup, free man, runaway slave, Platt, slavery, restore to freedom Abstract: The movie of Twelve Years A Slave tells us a dreadful, but also an inspiring story. Solomon is a fabulous character in the film. At first, he had a decent and elegant life. After being kidnapped as a slave, he chooses forbearance and perseverance with a strong determination. After being enslaved for 12 years, Northup is restored to freedom and returned to his family. Introduction In 1841, Solomon Northup is a free African-American man working as a violinist, living happily with his wife and two children in Saratoga Springs, New York. Two white men, Brown and Hamilton, offer him short-term employment as a musician if he will travel with them to Washington, D.C. However, once they arrive, they drug Northup and conspire to deliver him to a slave pen (American slavery) run by a man named Burch. Northup is later shipped to New Orleans along with others who have been detained against their will. A slave trader named Freeman gives Northup the identity of "Platt", a runaway slave from Georgia, and sells him to plantation owner William Ford. Due to tension between Northup and another plantation worker, Ford sells him to another slave owner named Edwin Epps, called Nigger Breaker. -
INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ■UMIAccessing the Worlds Information since 1938 300 North Zeeb Road, Ann Arbor. Ml 48106-1346 USA Order Number 8726748 Black 'women abolitionists: A study of gender and race in the American antislavery movement, 1828-1800 Yee, Shirley Jo>ann, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Yee, Shirley Jo-ann. All rights reserved. UMI 300N. ZeebRd. Ann Aibor, MI 48106 BLACK WOMEN ABOLITIONISTS: A STUDY OF GENDER AND RACE IN THE AMERICAN ANTISLAVERY MOVEMENT, 1828-1860 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Shirley Jo-ann Yee, A.B., M.A * * * * * The Ohio State University 1987 Dissertation Committee: Approved by Dr. -
A Medley of Cultures: Louisiana History at the Cabildo
A Medley of Cultures: Louisiana History at the Cabildo Chapter 1 Introduction This book is the result of research conducted for an exhibition on Louisiana history prepared by the Louisiana State Museum and presented within the walls of the historic Spanish Cabildo, constructed in the 1790s. All the words written for the exhibition script would not fit on those walls, however, so these pages augment that text. The exhibition presents a chronological and thematic view of Louisiana history from early contact between American Indians and Europeans through the era of Reconstruction. One of the main themes is the long history of ethnic and racial diversity that shaped Louisiana. Thus, the exhibition—and this book—are heavily social and economic, rather than political, in their subject matter. They incorporate the findings of the "new" social history to examine the everyday lives of "common folk" rather than concentrate solely upon the historical markers of "great white men." In this work I chose a topical, rather than a chronological, approach to Louisiana's history. Each chapter focuses on a particular subject such as recreation and leisure, disease and death, ethnicity and race, or education. In addition, individual chapters look at three major events in Louisiana history: the Battle of New Orleans, the Civil War, and Reconstruction. Organization by topic allows the reader to peruse the entire work or look in depth only at subjects of special interest. For readers interested in learning even more about a particular topic, a list of additional readings follows each chapter. Before we journey into the social and economic past of Louisiana, let us look briefly at the state's political history. -
Twelve Years a Slave
Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection MAGNIFICENT WORK OP HISTORY. •M U~h*U JLibrmry in ltttlf! Cmmt tll,OOO- 12{)T. Pages—70 maps—700 MigkOi Thousand) now ready and for sale by Subscription: HISTORY OF ALL NATIONS, FROM THE EARLIEST PERIOD TO THE PRE8EVT TIME ; OR, TX WHICH TTTC HISTORY OF EVERT NATION, ANCIENT AND MODERN, IB SEPARATELY GIVEX. BY 8. G. GOODRICH, Consul to Paris, and Author of several Works of History, Parley's Tales, ete. It contains 1907 pages, r< yal octavo, and is illustrated by 70 Maps and 700 Engravings: tx'tiod in imitation Turkey morocco. Invariable retail price, |d,00 in one volume; $7,00 in two volumes. The same, full gilt edge and sides, $8,00 in one volume; #10,00 in two vols. *** It to believed that the above work, by Mr. Goodrich, will be very acceptable to the American public It is the r?>u1t of years of toil and labor, a. si ted in his re- searches by several scholars of known ability, and has been gotten up at a great ex- pense by the proprietors. No pains have been spared in the execution of the Illustra- tions and Maj-s which are entirely new, and prepare! by the distinguished author eaepre&dtjttoT tlio work. Indeed, all the other historical writing-* of Mr. Goodrich sink into insignificance, when compared with thi?, the result of his riper and maturer jean. It is admitted that One Hundred Dollars could not purchase the same mat- ter in any other shape: and the publishers confidently expect that, in consideration of the great literary value of the work, the large sum expended in preparing it for the press, and the exceedingly moderate price at which it is offered, that it will bo favor- •Wj received by every lover of good books. -
Copyright by Jermaine Thibodeaux 2012
Copyright by Jermaine Thibodeaux 2012 The Report Committee for Jermaine Thibodeaux Certifies that this is the approved version of the following report: Raising Cane, Raising Men: An Exploration of Southern Manhood and Masculinities on Louisiana Sugar Plantations, 1795-1865 APPROVED BY SUPERVISING COMMITTEE: Supervisor: Daina Ramey Berry Shirley E. Thompson Raising Cane, Raising Men: An Exploration of Southern Manhood and Masculinities on Louisiana Sugar Plantations, 1795-1865 by Jermaine Thibodeaux, A.B. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2012 Dedication For my family, friends, students and teachers (past and present). Each of you has enriched my life beyond measure. I remain grateful for all of your good deeds, kind words, and sage advice. May our paths continue to cross. I would also like to dedicate this work to my own Louisiana Lady, my grandmother—the feisty lady from Rapides Parish! And my beloved sister, Angela, deserves special recognition for all of her support these past two years. Your love (and bad hairstyles!) sustained me and kept me laughing at the right times. Lastly, my mom has been a remarkable parent. She’s given me the space, the freedom to grow and become the man that I am today. Acknowledgements My journey to become a professional historian began in sixth grade as a student at Edward L. Blackshear Elementary. There, my teacher, Ms. Edna P. Davis, instilled in me a love of civics and an ever-inquisitive mind about the past. -
Transatlantica, 1 | 2018 “Queen of the Fields”: Slavery’S Graphic Violence and the Black Female Body I
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2018 Slavery on Screen / American Women Writers Abroad: 1849-1976 “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013) Hélène Charlery Electronic version URL: http://journals.openedition.org/transatlantica/12453 DOI: 10.4000/transatlantica.12453 ISSN: 1765-2766 Publisher AFEA Electronic reference Hélène Charlery, ““Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)”, Transatlantica [Online], 1 | 2018, Online since 12 September 2019, connection on 29 April 2021. URL: http://journals.openedition.org/transatlantica/12453 ; DOI: https://doi.org/10.4000/transatlantica.12453 This text was automatically generated on 29 April 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body i... 1 “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013) Hélène Charlery 1 One among at least ten prominent movies by and about black Americans released the same year, 12 Years a Slave confirmed that 2013 was “a breakout year for black films” (Cieply).1 Noting movies such as 12 Years a Slave, Fruitvale Station (Ryan Coogler), Mandela: Long Walk to Freedom (Justin Chadwick), The Butler (Lee Daniels) and 42 (Brian Helgeland), both mainstream media outlets and black-oriented news community websites endorsed the idea that 2013 marked a “black film renaissance” (BBC) or a “renaissance of black cinema” (The Grio) (Penrice; Brook). -
12YAS Notes FINALX
12 YEARS A SLAVE “Utter Darkness” by Henry Louis Gates, Jr. 12 Years a Slave is Steve M cQueen’s astonishingly brilliant cinematic conjuring of an African American’s bestselling, harrowing memoir exactly 160 years after it was published to great fanfare, just eight years before the start of the Civil War. As a literary critic and cultural historian who has spent much of my career searching out African Americans’ lost, forgotten, and otherwise unheralded tales—especially the narratives of fugitive slaves--I was proud to have served as a consultant on McQueen’s film and excited to see the fruits of his labors. As a cinephile, I also was thrilled to bear witness to perhaps the most vivid and authentic portrayal of American slavery ever captured on screen. That this magnificent artistic achievement was made by a Black British director, bringing an African American’s screenplay so vividly and subtly to life, makes this unprecedented achievement all the more impressive, and all the more of a signal event in the history of film and in the history of representations of slavery in the American South. As I sat riveted during Steve’s film, I also found myself sitting with 12 Years a Slave’s original author and protagonist, Mr. Solomon Northup (1807—unknown), during those first hours, days and nights in April 1841, when, in “the dungeon” of Williams’ Slave Pen off Seventh Street in Washington, D.C., he reckoned with the betrayal that had lured him out of a lifetime of freedom in upstate New York into a nightmare of enslavement in the deep and deeper South. -
The Inches Gained by Black Women in the Hopeless Battle of Southern American Slavery
The AlexAndriAn VI, no. 1 (2017) The Power Within: The Inches Gained by Black Women in the Hopeless Battle of Southern American Slavery Saraelizabeth Parker “The Power Within: The Inches Gained by Black Women in the Hopeless Battle of Southern American Slavery” analyzes how black women under the oppressive lash of slavery achieved a level of power and exercised it more than has been traditionally recognized. However, despite their efforts whites largely undermined or restricted it. Moreover, abuse aimed at slaves encompassed physical, psychological, and emotional abuse, and in regards to black women, it centered on their sexuality. Enslaved black women combine two marginalized populations, and, as such, they have suffered doubly from historical narratives dominated and directed by white males. Little is known about these women and their unique history, but as no human can completely subjugate another, they must have exerted their wills in some form or fashion, as an examination of their situation proves. Race-based slavery, a dark blight in the history of the United States, received little scholarship decades following the Civil War. Many of the people who wielded political power and the scholars who wielded academic authority held racist views, which caused a distortion of slavery’s reality, a distortion which received support by historians who described slavery as a kindness to African Americans. For example, Ulrich Phillips painted a picture of benevolent paternalism in romanticized “Old South” in his 1918 work, and it remained the dominant narrative for decades.1 Not only did these authorities ignore the history of African Americans, but the contributions of women also largely went ignored as well, and only in the twentieth century with the women’s suffrage movement did women begin to be heard. -
Owl of Minerva Film Series Spring 2016 Sponsored By: the Undergraduate Philosophy Club, Department of Philosophy All Are Welcome!
Owl of Minerva Film Series Spring 2016 Sponsored by: The Undergraduate Philosophy Club, Department of Philosophy All are welcome! Resisting Authority: Systems of Power, Oppression, and Thought Control This spring’s philosophy film series is devoted to the theme of the resistance of the individual human being to the systematic attempt by an unjust society to control the movement, speech and even the thought of the people it rules. How do the powerful few in an unjust society control the thought of the majority? How can the individual resist the dehumanizing influence of such techniques? Is an individual person in an unjust society morally obliged to resist its authority? Are any and all modes of resistance to an unjust society morally justifiable or only some? All films scheduled to date will be screened in BSCB 101 (Becker Communications Studies Bldg. auditorium) on alternate Wednesdays at 7pm. Please see the schedule below for film titles and dates. Agora: JAN 20th | 7pm | BSCB 101 (Becker Communication Studies Bldg. auditorium) Agora is a 2009 Spanish English-language historical drama film directed by Alejandro Amenábar and written by Amenábar and Mateo Gil. The biopic stars Rachel Weisz as Hypatia, a female mathematician, philosopher and astronomer in late 4th-century Roman Egypt, who investigates the flaws of the geocentric Ptolemaic system and the heliocentric model that challenges it. Surrounded by religious turmoil and social unrest, Hypatia struggles to save the knowledge of classical antiquity from destruction. Max Minghella co-stars as Davus, Hypatia's father's slave, and Oscar Isaac as Hypatia's student, and later prefect of Alexandria, Orestes. -
Jan Beauboeuf Along the Solomon Northup Trail
The AMoA Family Summer Art Guide Changing Landscapes Jan Beauboeuf Along the Solomon Northup Trail June 4 through August 21, 2016 Alexandria Museum of Art “Life is dear to every living thing; the worm that crawls upon the ground will struggle for it. At that moment it was dear to me, enslaved and treated as I was.” Solomon Northup CONTENTS About the Guide 1 Following the Northup Trail 2 About Solomon Northup 3 Visiting the Museum 4 Stop One: Alexandria Landing 5 Stop Two: Epps House 6 Stop Three: The Old Bennett Store 7 Stop Four: Indian Creek 8 The Solomon Northup Trail Guide App 9 More Photography Tips for Your Family 10 But Wait! There’s More at AMoA 11 Acknowledgments 12 About the Guide This guide focuses on the Summer 2016 exhibition at the Alexandria Museum of Art, Changing Landscapes: Jan Beauboeuf Along the Solomon Northup Trail, on view June 3 through August 21, 2016. The guide contains interesting, educational and engaging activities you can do with your family before, after or independent of a museum visit. The guide also includes helpful information for when you do decide to visit he Alexandria Museum of Art. This exhibition features photography by Jan Beauboeuf taken along the Solomon Northup Trail in Louisiana. Prior to her experience with digital photography, Jan was a sculptor, working in neon lights. The influence of this artform can be seen in her manipulation of vivid hues in her photography. Beauboeuf grew up in Avoyelles Parish, a place Northup worked during the period of his enslavement.