In the Days When the World Was Wide
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History Walk
History Walk HENRY LAWSON’S already a highly urbanised nation by the time the colonies Federated in 1901. The ‘Legend of the NORTH SYDNEY Bush’ had great resonance in the city. A walking tour from McMahons And yet Lawson, too, spent much of his time in Point to Balls Head Sydney – and North Sydney. He lived in numerous dwellings between 1885, when he Distance: Approx. 3 Km stayed with Mrs Emma Brooks in East Crescent Approximate time: 2.5 hours Street, and 1920. You will pass by some of his Grading: High (there are residences on this walk. Other dwellings and several sets of places of significance include: Strathmere, Lord steep inclines and Street in 1899; rooms above the Coffee Palace stairs to negotiate) in Miller Street run by Mrs Isabel Byers who would care for Lawson for many years after this; Chaplin Cottage, Charles Street where Lawson’s second child Bertha was born in 1900; and Dind’s Hotel at the bottom of Alfred Street Milsons Point – the subject of the very funny poem ‘Dinds Hotel’ – … We hurried out of Campbell Street, and round to Dind’s hotel Where after two long beers apiece, we found the world “orright”… Curiously while Australia’s rural landscape was being well-interpreted and mythologised in poetry and prose, the communities around Sydney’s by-then famous Harbour were rarely explored in writing. Lawson’s portraits of life near Henry Lawson, c.1910. North Sydney Heritage the North Sydney waterfront are among the most Centre Collection/ Stanton Library, PF592/6 intimate and rare portrayals of ‘harbour people’ written. -
Henry Lawson and the Salvation Army – Stuart Devenish
Vol. 2 No. 1 (November 2009) Henry Lawson and the Salvation Army – Stuart Devenish. On February 19, 2009 Salvation Army Major Bob Broadbere (retired) presented a lecture entitled 'Henry Lawson and his place in Salvation Army History' to an audience of approximately 70 people, mainly Salvation Army officers and soldiers at the Salvation Army’s Booth College campus at Bexley North, Sydney. The connection between Lawson and the Salvation Army has held an enduring fascination for Broadbere who has amassed a comprehensive personal library on Henry Lawson and his association with the Salvation Army. Having corresponded with the late Prof. Colin Roderick (editor of the 3 volume Henry Lawson, Collected Verse, A & R, Sydney, 1966-8) Broadbere is something of a specialist in the field. His interest in Henry Lawson sprang to life when Broadbere himself lived and worked in the St Leonards-North Sydney areas where Lawson had lived. Permission was obtained from Major Bob Broadbere to reproduce here some of his research as presented in his lecture. The ‘Army’ in Lawson’s Poetry The connection between Henry Lawson and the Salvation Army remains largely unknown in any of the contexts relevant to it, e.g., the Salvation Army, the Christian community, or the wider Australian population. In part this is because writers such as Banjo Paterson and Henry Lawson are not so well known nor so carefully read as they once were. Our understanding of the connection between Lawson and the Salvation Army is not helped by the oblique nature of Lawson’s writing about the Army. According to private correspondence between Roderick and Broadbere, Lawson never threw himself on the mercies of the Army despite his alcoholism and illness later in life. -
La Trobe University Margaret Hickey a Return to the Land
Hickey A return to the land La Trobe University Margaret Hickey A return to the land Abstract: In his 2002 Australia Day address, author and ecologist Tim Flannery said Australians could only become a 'true people' by developing 'deep, sustaining roots in the land'. He said the land was 'the only thing that we all, uniquely, share in common. It is at once our inheritance, our sustenance, and the only force ubiquitous and powerful enough to craft a truly Australian people.' This paper will explore how landscape in Australian literature has moved from being a source of anxiety and distrust into one of redemption. By examining themes within the popular novels Dirt Music (2001) by Tim Winton, The Broken Shore (2005) by Peter Temple, The World Beneath (2009) by Cate Kennedy and referencing early writers Barbara Baynton and Henry Lawson, I will discuss how this shift is taking place and what it means for the rediscovery of Australian literature through the lens of landscape and Flannery’s vision. Biographical note: Margaret Hickey is a lecturer in Student learning at La Trobe University. She is currently undertaking a PhD in Creative Writing. A published playwright, Margaret’s work has been performed in Australia and overseas. Keywords: Australian literature – landscape – Flannery – Winton – Lawson – Kennedy – Baynton Writing the Ghost Train: Refereed conference papers of the 20th Annual AAWP Conference, 2015 1 Hickey A return to the land In 1790 Watkin Tench, first officer with the first fleet and a member of the fledging British colony wrote of his experience in Sydney: Here on the summit of the hill, every morning from daylight until sun sunk, did we sweep the horizon in hope of seeing a sail. -
Information to Users
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing■i the World's UMI Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 882462 James Wright’s poetry of intimacy Terman, Philip S., Ph.D. The Ohio State University, 1988 Copyright ©1988 by Terman, Philip S. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, M I 48106 JAMES WRIGHT'S POETRY OF INTIMACY DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University By Philip S. -
Jim Grahame – Henry Lawson
50 JIM GRAHAME Henry Lawson The following memoir of Henry Lawson was written by his friend, Jim Grahame (Jim Gordon), shortly after Lawson’s death in Sydney in September 1922. The version published here is held in the Cyril Goode Papers in State Library Victoria and is one of three memoirs of Lawson by Grahame. The text has been transcribed by John Barnes. I first met him in the main street of Bourke. I was lonely, and somewhat frightened and home sick, and he was alone pacing the footpath up one side and down the other. I watched him for a while, he seemed different to all the others, busy tradesmen or bush town loafer[s]: and after following the full length of the square I met him as he turned to retrace his steps. I said ‘Good day mate’ and he looked up suddenly and had in his face the look of one who was embarrassed at being caught day dreaming. After a searching look at me, he replied ‘Hello have you been shanghaied too?’ and chuckled softly. I guessed that it was my untanned skin, heavy winter clothing, and light laced up boots, that gave him his cue. After I had explained to him that I was looking for a job and that I had little or no money he said [‘]There are a couple of us camped in a place just across the billabong [,] there’s room for you if you care to come.[’] I did care to go, and that was the friendship that lasted a life time – As we were passing a grocery store I went in and bought some tinned food and half a loaf of bread. -
Najlepsze Hity Dla Ciebie Vol. 4 Najlepsze Hity Dla Ciebie Vol. 2
Najlepsze hity dla Ciebie vol. 4 CD 3 1. Robin Thicke Feat. Pharrell Williams - Blurred Lines [No Rap Version] CD 1 2. Bruno Mars - Locked Out Of Heaven 1. Alvaro Soler - El Mismo Sol 3. Lady Gaga - Born This Way 2. Lost Frequencies feat. Janieck Davey – Reality 4. Taio Cruz Feat. Flo Rida - Hangover 3. Imany – Don’t Be So Shy (Filatov & Karas Remix ) 5. Gnarls Barkley - Crazy 4. Ellie Goulding - On My Mind 6. Ariana Grande Feat. Zedd - Break Free 5. Sigala - Easy Love 7. Jessie J. - Price Tag [Clean Edit w/o B.O.B. 6. Avicii - For A Better Day 8. Kate Ryan – Runaway 7. Felix Jaehn Feat. Jasmine Thompson - Ain't Nobody ( 9. John Mamann feat. Kika - Love Life Loves Me Better) 10. Elaiza - Is It Right 8. Alexandra Stan & Inna feat. Daddy Yankee - We 11. Niki Minaj - Starships Chesney Wanna 12. Hawkes - The One And Only 9. Axwell /\ Ingrosso - Sun Is Shining 13. Iggy Azalea - Fancy 10. Years&Years - Shine 14. Jessie Ware - Champagne Kisses 11. Ariana Grande - One Last Time 15. Robbie Wiliams – Feel 12. Rico Bernasconi & Tuklan feat. A - Class & Sean Paul 16. Meredith Brooks - Bitch - Ebony Eyes 17. Bellini - Samba De Janeiro 13. Justin Bieber - What Do You Mean? 18. Billy Idol - Cradle Of Love 14. Dimitri Vegas & Like Mike feat. Ne-Yo - Higher Place 19. UB40 - (I Can't Help) Falling In Love With You 15. John Newman - Come And Get It 20. Shaggy – Boombastic 16. Otilia – Aventura 17. Tove Lo – Moments 18. Basto – Hold You 19. Inna – Bop Bop 20. -
שירים נבחרים Yehuda Halevi Hillel Halkin
IJIJIJIJIJIJ יהודה ה�וי שירים נבחרים AD THE SELECTED POEMS OF Yehuda Halevi AD TRANSLATED & ANNOTATED BY Hillel Halkin IJIJIJIJIJIJ IJIJIJIJIJIJ Copyright © 2011 by Hillel Halkin. All rights reserved. Published by Nextbook, Inc., a not-for-profit project devoted to the promotion of Jewish literature, culture, and ideas. This material may not be copied without crediting the translator and the publisher. nextbookpress.com ISBN: 978-0-615-43367-7 Designed and composed by Scott-Martin Kosofsky, at The Philidor Company, Lexington, Massachusetts. philidor.com A note on the typefaces appears on the last page. IJIJIJIJIJIJ IJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJI Click on pages or titles for quick links to the pages. iv Foreword by Jonathan Rosen Table of Contents v Introduction by Hillel Halkin רשימת השירים 1 The Poet Thanks an Admirer for a Jug of Wine בך אעיר זמרות 2 To Moshe ibn Ezra, on His Leaving Andalusia איך אחריך אמצאה מרגוע 3 4 To Yitzhak ibn el-Yatom Carved on a Tombstone הידעו הדמעות מי שפכם ארץ כילדה היתה יונקת 5 6 A Wedding Poem Ofra עפרה עזוב לראות אשר יהיה והיה 7 Love’s War לקראת חלל חשקך קרב החזיקי 8 Why, My Darling, Have You Barred All News? מה לך צביה תמנעי ציריך 9 10 On the Death of Yehuda ibn Ezra A Lament for Moshe ibn Ezra ידענוך נדד מימי עלומים ראה זמן כי האנוש הבל 11 12 On the Death of a Daughter Lord, Where Will I Find You? יה אנה אמצאך הה בתי השכחת משכנך 13 14 The Dream Nishmat יחידה שחרי האל וספיו נמת ונרדמת 15 16 Barkhu Ge’ula יעבר עלי רצונך יעירוני בשמך רעיוני 17 18 Ahava Waked By My Thoughts יעירוני רעיוני יעלת -
The Light from the Southern Cross’
A REPORT AND RECOMMENDATIONS ON THE GOVERNANCE AND MANAGEMENT OF DIOCESES AND PARISHES IN THE CATHOLIC CHURCH IN AUSTRALIA IMPLEMENTATION ADVISORY GROUP AND THE GOVERNANCE REVIEW PROJECT TEAM REVIEW OF GOVERNANCE AND MANAGEMENT OF DIOCESES AND PARISHES REPORT – STRICTLY CONFIDENTIAL Let us be bold, be it daylight or night for us - The Catholic Church in Australia has been one of the epicentres Fling out the flag of the Southern Cross! of the sex abuse crisis in the global Church. But the Church in Let us be fırm – with our God and our right for us, Australia is also trying to fınd a path through and out of this crisis Under the flag of the Southern Cross! in ways that reflects the needs of the society in which it lives. Flag of the Southern Cross, Henry Lawson, 1887 The Catholic tradition holds that the Holy Spirit guides all into the truth. In its search for the path of truth, the Church in Australia And those who are wise shall shine like the brightness seeks to be guided by the light of the Holy Spirit; a light symbolised of the sky above; and those who turn many to righteousness, by the great Constellation of the Southern Cross. That path and like the stars forever and ever. light offers a comprehensive approach to governance issues raised Daniel, 12:3 by the abuse crisis and the broader need for cultural change. The Southern Cross features heavily in the Dreamtime stories This report outlines, for Australia, a way to discern a synodal that hold much of the cultural tradition of Indigenous Australians path: a new praxis (practice) of church governance. -
A Critical Biography of Henry Lawson
'From Mudgee Hills to London Town': A Critical Biography of Henry Lawson On 23 April 1900, at his studio in New Zealand Chambers, Collins Street, Melbourne, John Longstaff began another commissioned portrait. Since his return from Europe in the mid-1890s, when he had found his native Victoria suffering a severe depression, such commissions had provided him with the mainstay to support his young family. While abroad he had studied in the same Parisian atelier as Toulouse Lautrec and a younger Australian, Charles Conder. He had acquired an interest in the new 'plein air' impressionism from another Australian, Charles Russell, and he had been hung regularly in the Salon and also in the British Academy. Yet the successful career and stimulating opportunities Longstaff could have assumed if he had remained in Europe eluded him on his return to his own country. At first he had moved out to Heidelberg, but the famous figures of the local 'plein air' school, like Tom Roberts and Arthur Streeton, had been drawn to Sydney during the depression. Longstaff now lived at respectable Brighton, and while he had painted some canvases that caught the texture and tonality of Australian life-most memorably his study of the bushfires in Gippsland in 1893-local dignitaries were his more usual subjects. This commission, though, was unusual. It had come from J. F. Archibald, editor of the not fully respectable Sydney weekly, the Bulletin, and it was to paint not another Lord Mayor or Chief Justice, First published as the introduction to Brian Kiernan, ed., The Essential Henry Lawson (Currey O'Neil, Kew, Vic., 1982). -
Henry Lawson: the Retreat from Reality PAGE 1 by John Mclaren This
Henry Lawson: the retreat from reality PAGE 1 By John McLaren This paper is in most ways a mere footnote to Brian Matthews' book on Lawson, The Receding Wave (Melbourne University Press, 1972), and it assumes the main arguments of that work: that Lawson's imagination was gripped partly by his early childhood experience but particularly by his shocked apprehension of the realities of the outback which he encountered cn his trip to Bourke in 1892, and that the decline in the quality of his later work is due to his exhaustion of this subject matter- and to innate artistic flaws rather than to external causes such as his alcoholism. I have also adopted a suggestion offered by Brian Kiernan at an ASAL conference in Brisbane some years ago that Lawson's bushman represents a kind of Australian ideal, a standard offered to criticise the present at the very moment that economic depression is destroying the reality on which it was based and driving selectors from the land into the city. In this paper I want to examine the nature of this ideal. The genesis cf the paper cams when I was rereading Lawson to prepare an introductory lecture and was struck by the extent to which his stories represent an unrelieved catalogue of misery and disaster. This was ncted by some of his first reviewers, who tended to reject the unrelieved pessimism of his work. Yet from the first h i =5 stories seem to have struct- a sympathetic chord among his readers - in the first ya-ir of publication Whiig the Billy Boi 1 s had sold 7000 copies and had gone through several editions (1). -
The Man from Snowy River and Other Verses
The Man From Snowy River and Other Verses Paterson, Andrew Barton (1864-1941) University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ © Copyright for this electronic version of the text belongs to the University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: The Man From Snowy River and Other Verses Andrew Barton Paterson Angus and Robertson Sydney 1917 Includes a preface by Rolf Boldrewood Scanned text file available at Project Gutenberg, prepared by Alan R.Light. Encoding of the text file at was prepared against first edition of 1896, including page references and other features of that work. All quotation marks retained as data. All unambiguous end-of-line hyphens have been removed, and the trailing part of a word has been joined to the preceding line. Author First Published 1895 Australian Etexts 1910-1939 poetry verse Portrait photograph: A.B. Paterson Preface Rolf Boldrewood It is not so easy to write ballads descriptive of the bushland of Australia as on light consideration would appear. Reasonably good verse on the subject has been supplied in sufficient quantity. But the maker of folksongs for our newborn nation requires a somewhat rare combination of gifts and experiences. Dowered with the poet's heart, he must yet have passed his ‘wander-jaehre’ amid the stern solitude of the Austral waste — must have ridden the race in the back-block township, guided the reckless stock-horse adown the mountain spur, and followed the night- long moving, spectral-seeming herd ‘in the droving days’. -
Henry Lawson at Bourke
35 JOHN BARNES The making of a legend: Henry Lawson at Bourke ‘If you know Bourke, you know Australia’, Henry Lawson wrote to Edward Garnett in February 1902, a few months before returning to Australia from England. He explained to Garnett that his new collection of stories, which he then called ‘The Heart of Australia’, was ‘centred at Bourke and all the Union leaders are in it’.1 (When published later that year it was entitled Children of the Bush – a title probably chosen by the London publisher.) A decade after he had been there, Lawson was revisiting in memory a place that had had a profound influence on him. It is no exaggeration to say that his one and only stay in what he and other Australians called the ‘Out Back’ was crucial to his development as a prose writer. Without the months that he spent in the north- west of New South Wales, it is unlikely that he would ever have achieved the legendary status that he did as an interpreter of ‘the real Australia’. II In September 1892, Henry Lawson travelled the 760-odd kilometres from Sydney to Bourke by train, his fare paid by JF Archibald, editor of the Bulletin, who also gave him £5 for living expenses. Some time after Lawson’s death, his friend and fellow writer, EJ Brady, described how this came about. Through his contributions to the Bulletin and several other journals, Lawson had become well known as a writer, primarily as a versifier; but he found it almost impossible to make a living by his writing.