Guideline for the Use of Image Compression in Diagnostic Imaging Guideline for the Use of Image Compression in Diagnostic Imaging
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A Survey Paper on Different Speech Compression Techniques
Vol-2 Issue-5 2016 IJARIIE-ISSN (O)-2395-4396 A Survey Paper on Different Speech Compression Techniques Kanawade Pramila.R1, Prof. Gundal Shital.S2 1 M.E. Electronics, Department of Electronics Engineering, Amrutvahini College of Engineering, Sangamner, Maharashtra, India. 2 HOD in Electronics Department, Department of Electronics Engineering , Amrutvahini College of Engineering, Sangamner, Maharashtra, India. ABSTRACT This paper describes the different types of speech compression techniques. Speech compression can be divided into two main types such as lossless and lossy compression. This survey paper has been written with the help of different types of Waveform-based speech compression, Parametric-based speech compression, Hybrid based speech compression etc. Compression is nothing but reducing size of data with considering memory size. Speech compression means voiced signal compress for different application such as high quality database of speech signals, multimedia applications, music database and internet applications. Today speech compression is very useful in our life. The main purpose or aim of speech compression is to compress any type of audio that is transfer over the communication channel, because of the limited channel bandwidth and data storage capacity and low bit rate. The use of lossless and lossy techniques for speech compression means that reduced the numbers of bits in the original information. By the use of lossless data compression there is no loss in the original information but while using lossy data compression technique some numbers of bits are loss. Keyword: - Bit rate, Compression, Waveform-based speech compression, Parametric-based speech compression, Hybrid based speech compression. 1. INTRODUCTION -1 Speech compression is use in the encoding system. -
How to Exploit the Transferability of Learned Image Compression to Conventional Codecs
How to Exploit the Transferability of Learned Image Compression to Conventional Codecs Jan P. Klopp Keng-Chi Liu National Taiwan University Taiwan AI Labs [email protected] [email protected] Liang-Gee Chen Shao-Yi Chien National Taiwan University [email protected] [email protected] Abstract Lossy compression optimises the objective Lossy image compression is often limited by the sim- L = R + λD (1) plicity of the chosen loss measure. Recent research sug- gests that generative adversarial networks have the ability where R and D stand for rate and distortion, respectively, to overcome this limitation and serve as a multi-modal loss, and λ controls their weight relative to each other. In prac- especially for textures. Together with learned image com- tice, computational efficiency is another constraint as at pression, these two techniques can be used to great effect least the decoder needs to process high resolutions in real- when relaxing the commonly employed tight measures of time under a limited power envelope, typically necessitating distortion. However, convolutional neural network-based dedicated hardware implementations. Requirements for the algorithms have a large computational footprint. Ideally, encoder are more relaxed, often allowing even offline en- an existing conventional codec should stay in place, ensur- coding without demanding real-time capability. ing faster adoption and adherence to a balanced computa- Recent research has developed along two lines: evolu- tional envelope. tion of exiting coding technologies, such as H264 [41] or As a possible avenue to this goal, we propose and investi- H265 [35], culminating in the most recent AV1 codec, on gate how learned image coding can be used as a surrogate the one hand. -
Arxiv:2004.10531V1 [Cs.OH] 8 Apr 2020
ROOT I/O compression improvements for HEP analysis Oksana Shadura1;∗ Brian Paul Bockelman2;∗∗ Philippe Canal3;∗∗∗ Danilo Piparo4;∗∗∗∗ and Zhe Zhang1;y 1University of Nebraska-Lincoln, 1400 R St, Lincoln, NE 68588, United States 2Morgridge Institute for Research, 330 N Orchard St, Madison, WI 53715, United States 3Fermilab, Kirk Road and Pine St, Batavia, IL 60510, United States 4CERN, Meyrin 1211, Geneve, Switzerland Abstract. We overview recent changes in the ROOT I/O system, increasing per- formance and enhancing it and improving its interaction with other data analy- sis ecosystems. Both the newly introduced compression algorithms, the much faster bulk I/O data path, and a few additional techniques have the potential to significantly to improve experiment’s software performance. The need for efficient lossless data compression has grown significantly as the amount of HEP data collected, transmitted, and stored has dramatically in- creased during the LHC era. While compression reduces storage space and, potentially, I/O bandwidth usage, it should not be applied blindly: there are sig- nificant trade-offs between the increased CPU cost for reading and writing files and the reduce storage space. 1 Introduction In the past years LHC experiments are commissioned and now manages about an exabyte of storage for analysis purposes, approximately half of which is used for archival purposes, and half is used for traditional disk storage. Meanwhile for HL-LHC storage requirements per year are expected to be increased by factor 10 [1]. arXiv:2004.10531v1 [cs.OH] 8 Apr 2020 Looking at these predictions, we would like to state that storage will remain one of the major cost drivers and at the same time the bottlenecks for HEP computing. -
Chapter 9 Image Compression Standards
Fundamentals of Multimedia, Chapter 9 Chapter 9 Image Compression Standards 9.1 The JPEG Standard 9.2 The JPEG2000 Standard 9.3 The JPEG-LS Standard 9.4 Bi-level Image Compression Standards 9.5 Further Exploration 1 Li & Drew c Prentice Hall 2003 ! Fundamentals of Multimedia, Chapter 9 9.1 The JPEG Standard JPEG is an image compression standard that was developed • by the “Joint Photographic Experts Group”. JPEG was for- mally accepted as an international standard in 1992. JPEG is a lossy image compression method. It employs a • transform coding method using the DCT (Discrete Cosine Transform). An image is a function of i and j (or conventionally x and y) • in the spatial domain. The 2D DCT is used as one step in JPEG in order to yield a frequency response which is a function F (u, v) in the spatial frequency domain, indexed by two integers u and v. 2 Li & Drew c Prentice Hall 2003 ! Fundamentals of Multimedia, Chapter 9 Observations for JPEG Image Compression The effectiveness of the DCT transform coding method in • JPEG relies on 3 major observations: Observation 1: Useful image contents change relatively slowly across the image, i.e., it is unusual for intensity values to vary widely several times in a small area, for example, within an 8 8 × image block. much of the information in an image is repeated, hence “spa- • tial redundancy”. 3 Li & Drew c Prentice Hall 2003 ! Fundamentals of Multimedia, Chapter 9 Observations for JPEG Image Compression (cont’d) Observation 2: Psychophysical experiments suggest that hu- mans are much less likely to notice the loss of very high spatial frequency components than the loss of lower frequency compo- nents. -
A Practical Approach to Spatiotemporal Data Compression
A Practical Approach to Spatiotemporal Data Compres- sion Niall H. Robinson1, Rachel Prudden1 & Alberto Arribas1 1Informatics Lab, Met Office, Exeter, UK. Datasets representing the world around us are becoming ever more unwieldy as data vol- umes grow. This is largely due to increased measurement and modelling resolution, but the problem is often exacerbated when data are stored at spuriously high precisions. In an effort to facilitate analysis of these datasets, computationally intensive calculations are increasingly being performed on specialised remote servers before the reduced data are transferred to the consumer. Due to bandwidth limitations, this often means data are displayed as simple 2D data visualisations, such as scatter plots or images. We present here a novel way to efficiently encode and transmit 4D data fields on-demand so that they can be locally visualised and interrogated. This nascent “4D video” format allows us to more flexibly move the bound- ary between data server and consumer client. However, it has applications beyond purely scientific visualisation, in the transmission of data to virtual and augmented reality. arXiv:1604.03688v2 [cs.MM] 27 Apr 2016 With the rise of high resolution environmental measurements and simulation, extremely large scientific datasets are becoming increasingly ubiquitous. The scientific community is in the pro- cess of learning how to efficiently make use of these unwieldy datasets. Increasingly, people are interacting with this data via relatively thin clients, with data analysis and storage being managed by a remote server. The web browser is emerging as a useful interface which allows intensive 1 operations to be performed on a remote bespoke analysis server, but with the resultant information visualised and interrogated locally on the client1, 2. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Image Compression Using Discrete Cosine Transform Method
Qusay Kanaan Kadhim, International Journal of Computer Science and Mobile Computing, Vol.5 Issue.9, September- 2016, pg. 186-192 Available Online at www.ijcsmc.com International Journal of Computer Science and Mobile Computing A Monthly Journal of Computer Science and Information Technology ISSN 2320–088X IMPACT FACTOR: 5.258 IJCSMC, Vol. 5, Issue. 9, September 2016, pg.186 – 192 Image Compression Using Discrete Cosine Transform Method Qusay Kanaan Kadhim Al-Yarmook University College / Computer Science Department, Iraq [email protected] ABSTRACT: The processing of digital images took a wide importance in the knowledge field in the last decades ago due to the rapid development in the communication techniques and the need to find and develop methods assist in enhancing and exploiting the image information. The field of digital images compression becomes an important field of digital images processing fields due to the need to exploit the available storage space as much as possible and reduce the time required to transmit the image. Baseline JPEG Standard technique is used in compression of images with 8-bit color depth. Basically, this scheme consists of seven operations which are the sampling, the partitioning, the transform, the quantization, the entropy coding and Huffman coding. First, the sampling process is used to reduce the size of the image and the number bits required to represent it. Next, the partitioning process is applied to the image to get (8×8) image block. Then, the discrete cosine transform is used to transform the image block data from spatial domain to frequency domain to make the data easy to process. -
Multimedia Compression Techniques for Streaming
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8 Issue-12, October 2019 Multimedia Compression Techniques for Streaming Preethal Rao, Krishna Prakasha K, Vasundhara Acharya most of the audio codes like MP3, AAC etc., are lossy as Abstract: With the growing popularity of streaming content, audio files are originally small in size and thus need not have streaming platforms have emerged that offer content in more compression. In lossless technique, the file size will be resolutions of 4k, 2k, HD etc. Some regions of the world face a reduced to the maximum possibility and thus quality might be terrible network reception. Delivering content and a pleasant compromised more when compared to lossless technique. viewing experience to the users of such locations becomes a The popular codecs like MPEG-2, H.264, H.265 etc., make challenge. audio/video streaming at available network speeds is just not feasible for people at those locations. The only way is to use of this. FLAC, ALAC are some audio codecs which use reduce the data footprint of the concerned audio/video without lossy technique for compression of large audio files. The goal compromising the quality. For this purpose, there exists of this paper is to identify existing techniques in audio-video algorithms and techniques that attempt to realize the same. compression for transmission and carry out a comparative Fortunately, the field of compression is an active one when it analysis of the techniques based on certain parameters. The comes to content delivering. With a lot of algorithms in the play, side outcome would be a program that would stream the which one actually delivers content while putting less strain on the audio/video file of our choice while the main outcome is users' network bandwidth? This paper carries out an extensive finding out the compression technique that performs the best analysis of present popular algorithms to come to the conclusion of the best algorithm for streaming data. -
Task-Aware Quantization Network for JPEG Image Compression
Task-Aware Quantization Network for JPEG Image Compression Jinyoung Choi1 and Bohyung Han1 Dept. of ECE & ASRI, Seoul National University, Korea fjin0.choi,[email protected] Abstract. We propose to learn a deep neural network for JPEG im- age compression, which predicts image-specific optimized quantization tables fully compatible with the standard JPEG encoder and decoder. Moreover, our approach provides the capability to learn task-specific quantization tables in a principled way by adjusting the objective func- tion of the network. The main challenge to realize this idea is that there exist non-differentiable components in the encoder such as run-length encoding and Huffman coding and it is not straightforward to predict the probability distribution of the quantized image representations. We address these issues by learning a differentiable loss function that approx- imates bitrates using simple network blocks|two MLPs and an LSTM. We evaluate the proposed algorithm using multiple task-specific losses| two for semantic image understanding and another two for conventional image compression|and demonstrate the effectiveness of our approach to the individual tasks. Keywords: JPEG image compression, adaptive quantization, bitrate approximation. 1 Introduction Image compression is a classical task to reduce the file size of an input image while minimizing the loss of visual quality. This task has two categories|lossy and lossless compression. Lossless compression algorithms preserve the contents of input images perfectly even after compression, but their compression rates are typically low. On the other hand, lossy compression techniques allow the degra- dation of the original images by quantization and reduce the file size significantly compared to lossless counterparts. -
Lossless Compression of Audio Data
CHAPTER 12 Lossless Compression of Audio Data ROBERT C. MAHER OVERVIEW Lossless data compression of digital audio signals is useful when it is necessary to minimize the storage space or transmission bandwidth of audio data while still maintaining archival quality. Available techniques for lossless audio compression, or lossless audio packing, generally employ an adaptive waveform predictor with a variable-rate entropy coding of the residual, such as Huffman or Golomb-Rice coding. The amount of data compression can vary considerably from one audio waveform to another, but ratios of less than 3 are typical. Several freeware, shareware, and proprietary commercial lossless audio packing programs are available. 12.1 INTRODUCTION The Internet is increasingly being used as a means to deliver audio content to end-users for en tertainment, education, and commerce. It is clearly advantageous to minimize the time required to download an audio data file and the storage capacity required to hold it. Moreover, the expec tations of end-users with regard to signal quality, number of audio channels, meta-data such as song lyrics, and similar additional features provide incentives to compress the audio data. 12.1.1 Background In the past decade there have been significant breakthroughs in audio data compression using lossy perceptual coding [1]. These techniques lower the bit rate required to represent the signal by establishing perceptual error criteria, meaning that a model of human hearing perception is Copyright 2003. Elsevier Science (USA). 255 AU rights reserved. 256 PART III / APPLICATIONS used to guide the elimination of excess bits that can be either reconstructed (redundancy in the signal) orignored (inaudible components in the signal). -
The H.264 Advanced Video Coding (AVC) Standard
Whitepaper: The H.264 Advanced Video Coding (AVC) Standard What It Means to Web Camera Performance Introduction A new generation of webcams is hitting the market that makes video conferencing a more lifelike experience for users, thanks to adoption of the breakthrough H.264 standard. This white paper explains some of the key benefits of H.264 encoding and why cameras with this technology should be on the shopping list of every business. The Need for Compression Today, Internet connection rates average in the range of a few megabits per second. While VGA video requires 147 megabits per second (Mbps) of data, full high definition (HD) 1080p video requires almost one gigabit per second of data, as illustrated in Table 1. Table 1. Display Resolution Format Comparison Format Horizontal Pixels Vertical Lines Pixels Megabits per second (Mbps) QVGA 320 240 76,800 37 VGA 640 480 307,200 147 720p 1280 720 921,600 442 1080p 1920 1080 2,073,600 995 Video Compression Techniques Digital video streams, especially at high definition (HD) resolution, represent huge amounts of data. In order to achieve real-time HD resolution over typical Internet connection bandwidths, video compression is required. The amount of compression required to transmit 1080p video over a three megabits per second link is 332:1! Video compression techniques use mathematical algorithms to reduce the amount of data needed to transmit or store video. Lossless Compression Lossless compression changes how data is stored without resulting in any loss of information. Zip files are losslessly compressed so that when they are unzipped, the original files are recovered. -
Understanding Compression of Geospatial Raster Imagery
Understanding Compression of Geospatial Raster Imagery Document Overview This document was created for the North Carolina Geographic Information and Coordinating Council (GICC), http://ncgicc.com, by the GIS Technical Advisory Committee (TAC). Its purpose is to serve as a best practice or guidance document for GIS professionals that are compressing raster images. This document only addresses compressing geospatial raster data and specifically aerial or orthorectified imagery. It does not address compressing LiDAR data. Compression Overview Compression is the process of making data more compact so it occupies less disk storage space. The primary benefit of compressing raster data is reduction in file size. An added benefit is greatly improved performance over a network, because the user is transferring less data from a server to an application; however, compressed data must be decompressed to display in GIS software. The result may be slower raster display in GIS software than data that is not compressed. Compressed data can also increase CPU requirements on the server or desktop. Glossary of Common Terms Raster is a spatial data model made of rows and columns of cells. Each cell contains an attribute value identifying its color and location coordinate. Geospatial raster data like satellite images and aerial photographs are typically larger on average than vector data (predominately points, lines, or polygons). Compression is the process of making a (raster) file smaller while preserving all or most of the data it contains. Imagery compression enables storage of more data (image files) on a disk than if they were uncompressed. Compression ratio is the amount or degree of reduction of an image's file size.