Program-2020-Booklet.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Program-2020-Booklet.Pdf We are living in a time of plague. The dark statistics noted and commented on by Daniel Dafoe or the states of mind we know from Albert Camus's novel, and its film adaptation by Luis Puenzo, have become our sad reality. It is up to us if we give in to despair and a sense of insignificance. It is up to us if we accept the alienation. Let us take all the precautions we can, but hygiene should not be limited to the body. Let us oppose the terrifying advent of the plague with a persistent effort to keep our own significance. I would like to invite everyone to the EnergaCAMERIMAGE festival in Toruñ. This year, we are waiting for you online. I do believe this experience will make us stronger, more sensitive, wiser, and better. Marek ¯ydowicz, Festival Director OPENING CEREMONY Saturday, 14th NOV, 17:00 CLOSING CEREMONY Saturday, 21st NOV, 17:00 ceremonies live streams open to all participants at online.energacamerimage.pl EnergaCAMERIMAGE 2020 HONORARY AWARDS LIFETIME ACHIEVEMENT AWARD Philippe Rousselot, AFC, ASC SPECIAL AWARD TO AN ACTOR WITH UNIQUE VISUAL SENSITIVITY Johnny Depp WELCOME TO THE FESTIVAL You are viewing on your smartphone (or a computer screen) a special issue of our good old friend – the program booklet. In a year fraught with un- certainty and growing sense of unease, this little publication receives its first ever – online issue – one of the many messengers of change that the year 2020 has already brought to our way of doing things... How is a cinematography festival even possible online? Let's try and figure this out together, shall we? For the first time ever, forced by the raging global pandemic, EnergaCAMERIMAGE screenings will only be available online, on our dedicated festival platform with a hard- to-forget address: online.energacamerimage.pl Please refer to the padlock symbols used throughout this booklet to learn more about the geographic availability of your chosen films. The vast majority of our lineup will be geo-blocked for Poland, as per our agree- ments with distributors. More information you should keep in mind about our online showcase: In order to participate in film screenings the entry card holder needs to book free tickets through online.energacamerimage.pl. Materials other than film screenings, i.e. all seminars, Q&As, press con- ferences and other live events will be available without the need to make an individual booking. Online booking starts on 13 November and from then on will be availa- ble for the current and following day of the Festival. Films will be available for viewing for 48h but with a smaller viewing window of 4h from the moment you first click “play”. Materials other than film screenings and Q&As will be provided in English only and will not be translated into Polish. Depending on the arrangements with distributors, access may be geo- blocked for some screenings, as per marking on the screening schedule. Access to the screening for the entry card holder is allowed only for one accredited device at a time (accredited device = one device per holder of our festival entry card). Disclosing the entry card data to third parties will result in blocking the entry card holder's account and lack of access to the online platform. All Q&As, talks and seminars will remain available online for your viewing pleasure until the end of the online festival, 22 November 2020, 23:59 CET. The quality of film screenings, seminars and workshops on the online platform may depend on the technical parameters of the Internet connection and the technical parameters of the device of the user. The Organizer is not responsible for the lack of access or disrupted access to the online platform caused by circumstances beyond the Organizer's control or technical problems or limitations related to the Internet connec- tion or device used by the user. Please revise the availability of screenings in your country in the festival schedule. WELCOME TO THE FESTIVAL Time CET 9.00 9.30 10.00 10.30 11.00 11.30 12.00 12.30 13.00 13.30 14.00 14:00 14.30 15.00 15.30 CITY HALL 16.00 USA 16.30 272’ 17.00 17.30 18.00 D 18.30 19.00 19.30 20.00 20.30 21.00 21.30 22.00 22.30 23.00 23.30 0.00 0.30 1.00 SATURDAY 14th NOV Time Main CET Competition C 9.00 Polish Films 9.30 Competition P 10.00 10:00 EASTERN Cin. Debuts CD 10.30 Poland Competition 11.00 75’ P Dir. Debuts 11.30 Competition DD Q&A 12.00 Doc. Features DF 12.30 12:45 Competition 13.00 13:30 Doc. Shorts 13.30 THE BANKER Competition DS USA 14.00 120’ VALLEY OF SOULS Doc. Special 14.30 Colombia, Belgium, Screening D Brasil, France 15.00 ! C 137’ Student Etudes 15.30 Q&A Competition SC DD 16.00 Q&A 16:30 TV Pilots 16.30 Competition TV 17.00 TRUTH Special MAKES FREE S 17.30 Poland 17:45 Screening 18.00 113’ BONE CAGE Contemporary 18.30 P Canada World Cinema W 89’ 19.00 Q&A CD Baltic Cinema 19.30 Review B Q&A 20.00 20:00 FINA-L Film F 20.30 WHILE AT WAR Restorations Spain 21.00 107’ Online 21.30 Screening C 22.00 Q&A Online 22.30 Screening in Poland only 23.00 23.30 Geoblocking Information ! 0.00 All Q&As with filmmaker(s) streamed live @ online.energacamerimage.pl SUNDAY 15th NOV Time CET 9.00 9.30 10.00 10:00 WALL OF SHADOWS 10.30 Poland, 11.00 Germany, Switzerland 11:00 94’ ATLANTIC CROSSING 11.30 D 1 NORMAL PEOPLE 12:00 12.00 see 2 TV 12.30 SCREENING DETAILS Q&A HOPE 13:00 13.00 Norway, Sweden ALONE TOGETHER 126’ 13.30 Israel 54’ D B 14.00 14:15 14.30 UNDER THE Q&A TURQUOISE SKY 15.00 15:15 Mongolia, Japan, France, USA 15:30 15.30 100’ 16.00 HOPPER/WELLES W WENDY USA Q&A USA 16.30 130’ 111’ 17.00 D S 17.30 17:45 Q&A SEMINAR ON THE 18:00 18.00 RESTORATION OF “HOPPER/WELLES” 18.30 HUNTERS 3 18:45 19.00 see SCREENING DETAILS TV MOTHERLAND 19.30 Lithuania, Latvia, 19:45 Q&A Germany, Greece 20.00 97’ 20.30 A ! B see D Q&A 21.00 SCREENING DETAILS 21:15 Q&A 21.30 “DA 5 BLOODS” 22.00 WITH TOM SIGEL AND SPIKE LEE 22.30 SEMINAR 23.00 23.30 0.00 0.30 1.00 SUNDAY 15th NOV Time Main CET Competition C 9.00 Polish Films 9.30 Competition P 10.00 10:00 10:30 Cin. Debuts 10.30 Competition CD PINOCCHIO 11.00 Italy MAGNESIUM 125’ Dir. Debuts 11.30 Poland Competition DD 119’ 12.00 C Doc. Features 12.30 CD DD Competition DF Q&A 13.00 Q&A Doc. Shorts DS 13.30 13:45 Competition 14.00 THE STORY OF THERESE 14:30 Doc. Special 14.30 France Screening D 91’ ZIZOTEK 15.00 Greece Philippe Rousselot Retrospective ! 68’ Student Etudes 15.30 S Competition SC Q&A 16.00 Q&A TV Pilots TV 16.30 16:45 Competition 17.00 17:30 Special 17.30 MAGNESIUM Screening S Poland TWO OF US 18.00 119’ France, Contemporary Luxembourg, Belgium W 18.30 95’ World Cinema P 19.00 CD DD Q&A Baltic Cinema 19.30 Q&A Review B 20.00 FINA-L Film 20.30 Restorations F 21.00 Online 21.30 Screening 22.00 Online 22.30 Screening in Poland only 23.00 23.30 Geoblocking Information ! 0.00 All Q&As with filmmaker(s) streamed live @ online.energacamerimage.pl MONDAY 16th NOV Time CET 9.00 9.30 10.00 10:00 BABENCO: TELL ME 10.30 WHEN I DIE Brazil 11:00 11.00 85’ D ZERO ZERO ZERO 11.30 4 THE GOOD LORD BIRD 12:00 12.00 5 see 12.30 SCREENING DETAILS TV 12:45 THE WHALE ÖNDÖG 13.00 FROM LORINO Q&A Mongolia Poland 100’ 13.30 58’ DF W 14.00 Q&A Q&A 14:30 14.30 THE WAR 15.00 OF THE WORLDS Poland 15:15 15.30 15:30 82’ LONELINESS & MAKING OF OF THE COUPLE 16.00 B S Poland see 92’ 16.30 SCREENING DETAILS DS F 17.00 Q&A 17.30 18:00 18.00 THE UNDOING 18.30 18:30 6 18:30 SJÄLÖ, RAISED BY WOLVES “MANK” WITH ERIK 19.00 ISLAND OF SOULS 7 Finland see MESSERSCHMIDT 19.30 SCREENING DETAILS TV SEMINAR 78’ DF 20.00 Q&A Q&A 20.30 21.00 21:30 21.30 AFI 22.00 STEPHEN LIGHTHILL SEMINAR AFI Conservatory 22.30 Cinematography 23.00 Programme 23.30 0.00 0.30 1.00 MONDAY 16th NOV Time Main CET Competition C 9.00 Polish Films 9.30 Competition P 10.00 10:00 - DIG Cin. Debuts 10.30 - WHITE WINGED HORSE 10:30 CD - A RODEO FILM Competition 11.00 - SINKING SHIPS DATING AMBER - POST LOVE Ireland - THE VERDICT Dir. Debuts DD 11.30 IN THE CASE OF K. 95’ Competition 12.00 SC DD Doc. Features 12.30 Q&A Competition DF 13.00 13:30 Doc. Shorts 13.30 Competition DS 14.00 14:00 HELENE Doc.
Recommended publications
  • SHOOT Magazine March/April 2019 Issue
    March/April 2019 March/April Chat Room 4 The Road To Emmy Preview Hot Locations 10 4 Spring 2019 DIR Adam McKay Lauren Greenfield Chat Room 18 ECT online.com Series SHOOT ORS Matthew Heineman 8 Ramaa Mosley www. Up-and-Coming Directors 19 Floyd Russ Ridley Scott Spike Jonze Cinematographers & Cameras 22 Top Ten VFX & Animation Chart 26 Top Ten Music Tracks Chart 28 TO GET CONNECTED THE FURTHEST REACHES OF YOUR IMAGINATION ARE CLOSER THAN YOU THINK. With versatile landscapes, experienced film crews and incentivized tax breaks, the only limit to filming in the U.S. Virgin Islands is your imagination. Enjoy up to a 29% tax rebate and up to a 17% transferable tax credit when you film in the USVI. For more opportunities in St.Croix, St. John and St. Thomas, call 340.774.8784 ext. 2243. filmusvi.com DOWNLOAD THE FILM USVI APP: © 2019 U.S. Virgin Islands Department of Tourism USVI19037_9x10.875_SHOOT.indd 1 3/22/19 4:09 PM AGENCY: JWT/Atlanta SPECS: 4C Page Bleed PUB: SHOOT Magazine CLIENT: USVI TRIM: 9” x 10.875” DATE: March/April, 2019 AD#: USVI19037 BLEED: 9.25” x 11.125” HEAD: “The Furthest Reaches of LIVE: 8.5” x 10.375” your Imagination...” Perspectives The Leading Publication For Film, TV & Commercial Production and Post March/April 2019 spot.com.mentary By Robert Goldrich Volume 60 • Number 2 www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Serious Comedy Roberta Griefer 203.227.1699 ext. 701 [email protected] Editor Robert Goldrich Our Up-and-Coming known for its humorous chops, and hope- her feature film, Late Night.
    [Show full text]
  • 72Nd CANNES FILM FESTIVAL « Pierre Angénieux Excellens In
    Press Release – April 2019 72nd CANNES FILM FESTIVAL (May 14-25, 2019) « Pierre Angénieux ExcelLens in Cinematography » Tribute to Bruno Delbonnel (A.F.C. and A.S.C.) Friday, May 24, 2019 – 8pm Buñuel Theater, Palais des Festivals Since 2013, as an official partner of the Cannes Film Festival, Angénieux has been paying a tribute to a prominent director of photography during the « Pierre Angénieux ExcelLens in Cinematography » ceremony. This event turns the spotlight on worldwide masters of light, directors of photography, without whom cinema would not exist. After Philippe Rousselot (AFC*, ASC*) in 2013, Vilmos Zsigmond (HSC*, ASC) in 2014, Roger A. Deakins (BSC*, ASC) in 2015, Peter Suschitzky (ASC) in 2016, Christopher Doyle (HKSC*) in 2017 and Edward Lachman (ASC), it is Bruno Delbonnel’s turn to be honored in 2019, at the 72nd Cannes Film Festival, during an exceptional eveninG opened by Thierry Frémaux, presented by French journalist Pierre Zéni and in presence of some of his closest collaborators. Bruno Delbonnel is a world-renowned French director of photography. Born in Nancy in 1957, Bruno Delbonnel first studied philosophy, then graduated from ESEC in the camera and light section, before filming his first and only film at the age of 20 : a short film, Rare Realities. On this film, Jean-Pierre Jeunet was his assistant and Henri Alekan, his DOP… AlonGside the master of black and white photoGraphy, he discovered his passion for liGht was stronGer than directing. He then beGan workinG as a camera assistant during fifteen years for commercials and some feature films, then as a DOP.
    [Show full text]
  • Café Society
    Presents CAFÉ SOCIETY A film by Woody Allen (96 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CAFÉ SOCIETY Starring (in alphabetical order) Rose JEANNIE BERLIN Phil STEVE CARELL Bobby JESSE EISENBERG Veronica BLAKE LIVELY Rad PARKER POSEY Vonnie KRISTEN STEWART Ben COREY STOLL Marty KEN STOTT Co-starring (in alphabetical order) Candy ANNA CAMP Leonard STEPHEN KUNKEN Evelyn SARI LENNICK Steve PAUL SCHNEIDER Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON, p.g.a. STEPHEN TENENBAUM, p.g.a. EDWARD WALSON, p.g.a. Co-Producer HELEN ROBIN Executive Producers ADAM B. STERN MARC I. STERN Executive Producer RONALD L. CHEZ Cinematographer VITTORIO STORARO AIC, ASC Production Designer SANTO LOQUASTO Editor ALISA LEPSELTER ACE Costume Design SUZY BENZINGER Casting JULIET TAYLOR PATRICIA DiCERTO 2 CAFÉ SOCIETY Synopsis Set in the 1930s, Woody Allen’s bittersweet romance CAFÉ SOCIETY follows Bronx-born Bobby Dorfman (Jesse Eisenberg) to Hollywood, where he falls in love, and back to New York, where he is swept up in the vibrant world of high society nightclub life. Centering on events in the lives of Bobby’s colorful Bronx family, the film is a glittering valentine to the movie stars, socialites, playboys, debutantes, politicians, and gangsters who epitomized the excitement and glamour of the age. Bobby’s family features his relentlessly bickering parents Rose (Jeannie Berlin) and Marty (Ken Stott), his casually amoral gangster brother Ben (Corey Stoll); his good-hearted teacher sister Evelyn (Sari Lennick), and her egghead husband Leonard (Stephen Kunken).
    [Show full text]
  • Full Beacher
    THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 36, Number 51 Thursday, December 17, 2020 “A Christmas Story” Comes Home By William Halliar The Christmas to Jean Shepard’s “A season has fi nally Christmas Story.” arrived in North- Seven animated di- west Indiana. For oramas illustrating children, it is often scenes from the now about the anticipa- classic movie, which tion: expectations has been delight- of wondrous, shiny ing audiences since new toys found un- it fi rst hit the big der the tree Christ- screen in 1983, have mas morning. been carefully and For parents, it is skillfully installed a hectic time search- in anticipation of ing for the right guests young and presents to fulfi ll old who will visit these expectations. the Welcome Center I am sure many this season. have memories of Since its debut, times before eBay the movie has be- and Amazon: hours come a staple of the shopping for that holiday season, air- doll or toy car that ing many times in were all the rage, the weeks before going from store to the big day. Several store, celebrating cable stations (TNT when, after many and TBS) have host- hours of searching, ed “24 hours of A you fi nally found the Christmas Story” in last one in town. which the movie is For grandpar- aired 12 times back ents like me, it is a to back: Christmas time to remember Eve till Christmas what those long-ago Day. Christmases were Jean Shepherd like for our own was an extraor- families.
    [Show full text]
  • Modern Poetry Seminar “Shifting Poetics: from High Modernism to Eco-Poetics to Black Lives Matter”
    San José State University Department of English and Comparative Literature ENGLISH 211: Modern Poetry Seminar “Shifting Poetics: From High Modernism to Eco-Poetics to Black Lives Matter” Spring 2021 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Virtual Office Hours: M, W 3:00 – 4:30 PM, and Th p.m. by appointment Class Days/Time: Synchronous Zoom Meetings M 7:00 – 8:30 PM; Asynchronous on Canvas (24/7) Classroom: Zoom Credit Units: 4 Credits Course Description This seminar is designed to engage students in an immersive study of salient themes and innovations in selected poets from the 20th and 21st centuries. The curriculum will include practice in close reading/explication of selected poems. The course will be taught in a partially synchronous distance learning mode, using SJSU’s Canvas and Zoom platforms, with weekly Monday Zoom class meetings, 7:00 – 8:15 p.m. The course may be taken two times for credit (toward an MA or MFA degree). Thematic Focus Shifting Cultural Politics and Poetics from High Modernism to Eco-Poetics to Black Lives Matter (1909 – 2021) The emphasis during the semester will be on the evolving poetics and associated cultural politics as viewed through various aesthetic movements in poetry from the high modernist period to the present. During the semester the curriculum will include reading one or more poems (online) by the following poets: W.B. Yeats, Ezra Pound, T.S. Eliot, William Carlos Williams, Wallace Stevens, Hart Crane, Marianne Moore, Robinson Jeffers, Langston Hughes, Claude McKay, H.
    [Show full text]
  • Caractéristiques Optiques De La Prise De Vue 65Mm État Des Lieux Des Techniques À L’Usage De Ce Format Large De Prise De Vue
    ENS LOUIS LUMIERE La Cité du Cinéma, 20 rue Ampère, 93213, BP 12 La Plaine Saint-Denis Cedex, France Tél : 33 (0) 1 84 67 00 01 www.ens-louis-lumiere.fr Mémoire de fin d’études et de recherche Section Cinéma Promotion 2014 - 2017 Caractéristiques optiques de la prise de vue 65mm État des lieux des techniques à l’usage de ce format large de prise de vue Etienne SUFFERT Ce mémoire est accompagné de la partie pratique intitulée Caractéristiques et spécificités de la prise de vue en ARRI Alexa 65, essais et comparatifs optiques. Directeur de mémoire interne : Pascal MARTIN Coordinateur de mémoire et Président du Jury : David FAROULT Coordinatrice de la partie pratique (PPM) : Dominique TROCNET Etienne SUFFERT Mémoire de fin d’études - ENS Louis Lumière 2017 !2/!166 REMERCIEMENTS : Je tiens à remercier chaleureusement toutes les personnes qui de près ou de loin m’ont permis de réaliser ce mémoire et rendre possible sa partie pratique l’accompagnant. L’Ecole Nationale Supérieure Louis Lumière et en particulier : Pascal MARTIN Mon directeur de mémoire, pour ses conseils et son intérêt pour le sujet Tony GAUTHIER Pour son partage de connaissance et ses conseils Dominique TROCNET, Françoise BARANGER, John LVOFF Pour leur soutien administratif, leur compréhension et pour avoir rendu possible la réalisation de la PPM Laurent STEHLIN Pour son aide précieuse et ses conseils lors de l’élaboration de la PPM Didier NOVÉ, Arthur CLOQUET Pour l’accès et la réservation du matériel nécessaire à la PPM Alain SARLAT, Elena ERHEL Pour leur investissement et leur
    [Show full text]
  • Introduction
    CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills......................................................
    [Show full text]
  • But Not As We Know It
    LOCKDOWN and LIFE but not as we know it It has long been argued that humans are intrinsically selfish, prone to be territorial and war-like and that these instincts are what helped us, along with our super-large brains to become the earth’s dominant species. However, over the last 50 years this theory has increasingly been questioned and the counter theory has gained ground that humans are actually distinguished from other species, not by their selfishness or intelligence but by their ability to cooperate and learn from and help each other. I heartily recommend ‘Humankind’ by Rutger Bregman if you are interested in this. This has come into focus for me recently because the capacity of people around the world to be selfless, to support others, especially the most vulnerable and to be self- sacrificing has shone through during the current Covid-19 crisis and even the BLM controversy. For every selfish or despicable act that is highlighted in the media we can all point to people who behave in exactly the opposite way. We can see this in the people working in care homes and hospitals; volunteers helping their local community; technology teachers making PPE or people like Marcus Rashford, using his platform as a famous footballer to speak out on behalf of the powerless. This is equally true of our school community. I am full of admiration for the way that we have pulled together, students, families and staff, to make the best of this situation. As we start to see more students in school it is increasingly clear how important human interaction is to our well-being and our capacity to learn.
    [Show full text]
  • National Conference
    NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award
    [Show full text]
  • Formáty Obrazu a Jejich Využití Ve Filmu
    Formáty obrazu a jejich využití ve filmu Miroslav Materna Bakalářská práce 2016 ABSTRAKT Moje bakalářská práce pojednává o formátech obrazu a psychologickém dopadu na diváka. Rozebírám i prvky jako je kompozice, rámování, obrazový a mimoobrazový prostor. Uvá- dím i současné tendence rámování. Shrnul jsem několik hlavních i velmi ojedinělých for- mátů obrazu, které vznikaly v průběhu historie, z čeho se historicky vyvinuly různé formáty obrazu a jakým způsobem se používaly. Klíčová slova: formát obrazu, rámování, film, mimoobrazový prostor, obrazový prostor, kompozice ABSTRACT My bachelor thesis deals with picture formats and psychological impact on the viewer. I analyze the elements as composition, framing, screen and offscreen space. I also feature contemporary tendencies of the framing.I summarized some of the main and very unique picture formats which were invented throughout the history, from what were they invented and which way were they used. Keywords: picture format, framing, film, offscreen space, screen space, composition "Vše, co si dokážete představit je skutečné." Pablo Picasso ÚVOD ............................................................................................................................................... 8 I. ................................................................................................................................................. 9 TEORETICKÁ ČÁST ...................................................................................................................... 9 1 HISTORIE .........................................................................................................................
    [Show full text]
  • PRESALES LINE-UP 2021 ©Mastiff
    C=0 M=56 Y=75 K=0 reservoir docs PRESALES LINE-UP 2021 ©Mastiff TEASER LEGACY Password: jazz By Manal Masri (filmmaker of the awardedLetters to a Serial Killer) Sweden • 90’ & 6X30’ 1 PRESALES LINE-UP 2021 • RESERVOIR DOCS Legacy The Scandinavian legacy of American jazz musicians Imagine that Drake, Kendrick Lamar, Beyonce and Cardi B all Production: moved to Scandinavia. They played gigs at local clubs and toured Mastiff school auditoriums all over their adopted countries, while finding In coproduction with partners and having children at the same time. SVT, DR, YLE Budget: This did happen, just in a previous era. From the late 1950s up to 591K€ the 1970s, some of the greatest African-American jazz musicians Expected delivery: moved to Sweden/Scandinavia, making new families and a lasting Winter 2021/2022 musical impression on the country. Assets already available: Teaser, Project description with Legacy is an account of their lives, their music and their families comprehensive cast (Quincy and their legacies. We follow their children, now grown, who share Jones, Clint Eastwood, …) their stories for the first time: about growing up with a world-fa- What we are looking for: mous father, yet getting teased at school about their dark skin. Presales (TV and all rights distribution deals), A European coproduction This series is as much a documentary about music as it is a por- partner, trait of how individual experiences of race, visions of society and a passionate US executive artistic dreams intersect, giving rise to an entirely new musical
    [Show full text]
  • British Society of Cinematographers
    Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
    [Show full text]